Culture
NFL Draft 2024 ‘The Beast’ Guide: Dane Brugler’s scouting reports and player rankings
Finally! It’s here. I’m thrilled to share this year’s draft guide with everyone. I don’t remember who first referred to it as “The Beast,” but I use that moniker as motivation to make sure this annual primer lives up to the nickname — and I don’t think I’ve let you down this year.
Every NFL prospect is a puzzle. And it is a scout’s job to find the puzzle pieces to create as clear a picture of each player as possible. Those puzzle pieces include everything from the player’s physical traits to his mental makeup to the details of his upbringing — and everything in between.
That’s precisely how I attack this draft guide. Over the last 18 months, I’ve collected as many puzzle pieces as I could dig up, through countless hours of tape study and conversations with prospects, scouts and other sources.
With NFL-verified testing information for more than 1,900 prospects and tons of background information and analysis on hundreds of those players, I hope everyone views “The Beast” as the most comprehensive resource guide out there for the 2024 NFL Draft.
Special thanks to Chris Burke and our team of editors, as well as our design team, who helped make this year’s draft guide a reality.
“The Beast” is published as a PDF. Download it at the link below using the password: *TH3*B3A$T*2024*
(Notes: The password can be entered manually or copied and pasted. Include all of the asterisks, including those at the beginning and end of the password.)
DOWNLOAD HERE: Dane Brugler’s 2024 NFL Draft Guide
Also, please subscribe to “The Athletic Football Show,” which will have the draft — and all that follows it heading into the NFL season — covered from every angle.
(Illustration: Eamonn Dalton and Ray Orr / The Athletic; photos via Getty Images)
new video loaded: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
transcript
transcript
‘Flesh’ by David Szalay Wins 2025 Booker Prize
David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”
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“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”
By Shawn Paik
November 11, 2025
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.
So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.
A poem, as it happens, about looking at a painting.
Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.
Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.
But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.
“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.
Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.
A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.
But his contemplative style makes room for passion.
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