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NFL defensive coaches are focused on stopping these trends this season

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NFL defensive coaches are focused on stopping these trends this season

The NFL’s offensive masterminds continue to innovate and find new advantages, and the cyclical nature of scheme means defensive coaches will find a counter. It’s a chess match that continues every offseason.

For example, the popularity of outside schemes was met with more odd fronts with defensive linemen playing more patiently to cause indecision for runners. So last year, we began to see more old-school gap scheme runs from offenses. Defensive coaches are very good at what they do, so the new, shiny trends on offense typically lose their potency fast. What are those pesky defensive coaches thinking about heading into the 2024 season? I asked defensive coaches around the league what offensive trends, plays or concepts they’ve spent time coming up with answers for.

The Dolphins’ cheat motion

The most common answer I got was the “cheat” motion popularized by the Dolphins and Tyreek Hill. Dolphins head coach Mike McDaniel unveiled it in Week 1, and it seems like every team has added it to their playbook. The motion is simple. A receiver with a tight split sprints outside to get a running start and the quarterback quickly snaps the ball as the receiver is still running, before the defense can properly react.

(Drew Jordan / The Athletic)

Cheat motion helps get receivers to full speed before the snap similar to how Canadian Football Players do, except NFL players have to do it moving horizontally. Cheat motion can be used to create rubs that are hard for the defense to adjust to because of how quickly the ball gets snapped.

Offensive coordinators got creative with their usage of cheat motion last season. They used it to get receivers both inside and outside, to get receivers open deep or open up space underneath, and combined it with run/pass options (RPOs). It’s been a pain to defend.

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Week 3, 11:56 remaining in the second quarter, first-and-10

Rams coach Sean McVay was one of the best at using motion to create advantages in the passing game last year. Here, he called an inside variation of cheat motion to free up Tutu Atwell. Atwell initially was lined up outside against Bengals corner Chidobe Awuzie.

As Atwell motioned inside, nickel Mike Hilton had to switch onto him to avoid a possible rub.

However, because of the quick switch, Hilton played a step or two too far outside of Atwell, giving him too much space to work with inside. Hilton was supposed to have inside help, but the inside defenders were frozen by play action.

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Hilton couldn’t recover and Atwell was open for an explosive pass play.

“A pro personnel executive for a team who was not authorized to speak publicly said that even his coaches, who did not face the Dolphins in 2023, put ‘cheat’ on their scout-team cards because they knew it would eventually come up from an opponent who was on their schedule,” The Athletic’s Jourdan Rodrigue wrote in her report on the motion.

Defenses will definitely be more prepared for the motion this season. They’ll have quick checks and adjustments they can get to that will help them deal with it better, using all offseason to work with them.

One coach I talked to wasn’t as worried about the motion. He feels it is already overexposed and is more about the player who gets put in motion. Not every receiver can run a diverse route tree off of the motion.

“You have to have guys running routes running out of this thing. How many guys can actually run routes that involve a downfield break off of a full-speed motion? And how often are those guys targeted? It’s not quite as high as you people would think,” the defensive coach said. “There’s probably 10 guys in the league that can really run that route fast enough, clean enough, time it with another receiver off of the motion.”

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Pace of motion

Cheat motion isn’t the only way teams are getting creative with motion. The pace of the motion and at which point they snap the ball also can be problematic.

If teams aren’t varying the pace of their motions and snap points, the plays they run off of motion can become predictable. The best motion teams are conscious of all of this and weaponize it to make life hard on defenses.

“When a guy jogs across the formation slow and then boom, the ball gets snapped and he takes off, that’s a son of a bitch to defend and there’s no way to chart those other than just watching all the plays,” an NFL defensive coach said. “Also, if you have a guy that sprints across the formation that forces a defensive check then he gets set and then the ball gets snapped. That’s like that’s a big-time problem because it’s just creating a healthy dose of pre-snap conflict where defenders in the second level are unsure.”

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NFC divisional round, 8:31 remaining in the third quarter, second-and-5

Here, the Rams started with three eligible receivers to Matthew Stafford’s right. This side was the passing strength of the formation, so the Lions lined up their nickel Brian Branch there.

Cooper Kupp then sprinted to the other side and got set. Because of the pace of the motion, the defense bumped linebacker Alex Anzalone outside instead of having Branch follow Kupp across the formation. As Kupp got set, they had some time to possibly adjust but chose not to because the Rams could have snapped the ball at any time.

Instead of snapping the ball, the Rams had receiver Puka Nacua also motion across the formation. Still, the Lions kept Branch to the right even though the passing strength of the formation had completely flipped.

After the snap, Anzalone had to run with Nacua on a wheel route. Kupp also ran a route across the formation, holding the defenders on that side. No one was left in the flats to defend the running back screen, which was perfectly set up.

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In the last five-plus seasons, coaches from the Kyle Shanahan/Sean McVay tree have effectively used motion to create advantages in the running game and to dress up their play-action concepts. Now they are getting extremely creative with using motion to create advantages in the passing game. Forward-thinking defensive coaches should have spent the offseason adding counters and tools to their playbooks for their secondary to use on the field against these different types of motions.

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Four-strong concepts

Overloading one side of the formation before the snap is difficult for a defense to handle. Especially with so many defenses playing more match coverages in which defenders look at receivers and try to match with them based on their route stems. Four-strong means the offense is either lining up four eligible receivers to one side or getting four receivers with their routes after the snap.

One concept mentioned a lot by the defensive coaches I talked to was popularized by Shanahan and the 49ers. They would flood one side of the field with four routes but have fullback Kyle Juszczyk lead block for the running back on a swing route.

Several teams have copied this concept, but the Packers’ Matt LaFleur has his own version that is particularly hard to stop. The 49ers run their four-strong concept out of 21 personnel (two backs, one tight end, two receivers) and they’ll run it out of 1-back. This is a little easier for the defense because all the eligible receivers are compressed initially.

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LaFleur runs his variation out of faster personnel groupings. Also, he’ll combine the swing with an escort with a downfield concept.

NFC divisional round, 1:19 left in the first quarter, second-and-11

Here, the Packers are running their four-strong concept with an escort out of 12 personnel (one back, two tight ends, two receivers). Tight end Tucker Kraft is the escort (lead blocker) for the running back swing out of the backfield. Instead of shorter routes like the 49ers’ version, the Packers had a dagger concept called.

The 49ers defenders dropped deep to defend the downfield pass combination, leaving the swing open underneath.

Kraft took out the flat defender, giving the running back space to run down the sideline.

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Counter

As defenses have moved to play more light boxes and odd fronts, offenses have swung back to using more gap scheme plays. The most popular gap scheme play is counter, in which the front side of the offensive line down blocks while two pullers come from the back side — usually a guard and either a tackle, tight end or fullback.

The popular Vic Fangio/Brandon Staley system deploys two deep safeties with a focus on stopping explosive pass plays while conceding the run, and the extra defender who has to come up to play the extra blockers created by counter comes from the secondary. That’s asking a lot of the safety.

Week 14, 14:13 remaining in the second quarter, second-and-11

On this play, the Giants ran counter as a run/pass option (RPO). They were in a spread formation and had a glance concept to the counter side (left). Quarterback Tommy DeVito was reading the safety.

The safety stepped down to defend the counter, leaving the glance wide-open behind him.

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One defensive coach said he was thinking about ways to defend QB counter options, which he believes he sees more of in his division than traditional zone read. Even with an extra defender in the box, a QB counter is very difficult to stop if the quarterback is a legitimate running threat.

Week 14, 13:00 remaining in the second quarter, first-and-10

Here, the Giants ran QB counter with running back Saquon Barkley taking the snap. Barkley had two options: hand off to receiver Wan’Dale Robinson running left with a lead block or keep the ball and follow the counter blocking with two pulling offensive linemen to the right.

Barkley read the defensive end to the right. If he stayed outside, he would have kept the ball, but because he stepped inside, Barkley made the right read and handed the ball off.

If the end stayed outside, the Giants would have a numbers advantage and excellent blocking to the right for Barkley.

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Counter is an old-school concept, but as coaches prioritize defending the pass, they’ll have to think of ways to limit physical runs like the counter with lighter boxes.

(Top photo of Tyreek Hill in motion: Miami Dolphins via Associated Press)

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Video: The A.I. threat to audiobooks

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

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In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

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What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

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Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

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You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

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I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

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How Many of These Books and Their Screen Versions Do You Know?

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How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

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