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Lewis Hamilton ends Mercedes F1 career with fight, emotion: ‘I’ve got no more tears’

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Lewis Hamilton ends Mercedes F1 career with fight, emotion: ‘I’ve got no more tears’

ABU DHABI, United Arab Emirates — Stooped beside his silver and black Mercedes W15 car on the main straight of the Yas Marina Circuit on Sunday, Lewis Hamilton paused to soak up the moment.

It was the final time after 12 seasons, 246 grands prix, 84 race wins and six drivers’ world championships, making it the longest and most successful driver and team partnership in the history of F1, that he would be alone with his Mercedes car. In February, he’ll be racing in red for Ferrari.

Balancing on his toes and with his forearms resting on the sidepod, helmet still on, Hamilton bowed his head and took some time to think about the journey he and Mercedes had been on together. The good, the bad. The highs, the lows.

“I just wanted to embrace the moment because it’s the last time I’m going to step into a Mercedes and represent them,” Hamilton said in the media pen after the race, eyes glistening. “It’s been the greatest honor of my life.”

The overriding emotion in that moment beside the car was gratitude. “I was just giving thanks,” Hamilton said. “Firstly, thanking my own spirit for not giving up, for continuing to push, and thanking everyone that powers and builds that car. I’m proud of everyone.”

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Twenty-four hours earlier, it felt like Hamilton’s last blast in the silver car might be a difficult one. Mercedes made a mistake by mistiming his last qualifying run in Q1, leaving him a lowly 16th on the grid. Toto Wolff, the team principal, apologized to Hamilton for an “idiotic” mistake that would make his race much, much tougher.

In the post-qualifying debrief, even as the engineers and strategists rued the error, Hamilton reminded them of all the good moments they’d enjoyed together. He was still hopeful of finishing on a high, providing a swansong tribute to the team that has given him so much professionally and personally.

And Hamilton did exactly that, delivering a memorable fightback to sign off at Mercedes in Abu Dhabi.

From 16th, he made up a handful of positions on the opening lap thanks to incidents ahead before sitting on the fringes of the points. By running the alternate tire strategy, the plan was always to run deep on the hard tire before pitting, setting Hamilton up for a final charge to the line. After biding his time and letting the cars ahead pit, he started moving into position for a decent points haul. Hamilton’s engineer, Pete Bonnington, came onto the radio toward the end of the first stint to say there was a possible third-place finish on the cards, according to Mercedes’ data.

Hamilton emerged from the pits in seventh place with fresh medium tires, ready to bear down on the cars ahead on older, slower hards. For one final time, Bonnington delivered the catchphrase that it was time for Hamilton to push, one that has encouraged the Briton to claim wins and poles throughout their time together.

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“OK, Lewis, it’s hammer time!”


Lewis Hamilton started P16 at the Abu Dhabi GP and finished P5. (Photo by Luca Martini / SOPA Images/Sipa USA)

“When he told me, I was like, I can’t remember the last time he told me ‘hammer time,’” Hamilton said post-race. “I remember I told Bono to say hammer time back in the first year together. I was like, ‘Don’t tell me just, ‘go faster,’ just tell me, ‘It’s hammer time,’ and I’ll know what it is!’”

As always, Hamilton got the memo. He quickly picked off Nico Hulkenberg and Pierre Gasly before being told there was a 14-second gap to his teammate, George Russell, ahead in fourth place. The pair went into Abu Dhabi tied on points from their three seasons together. This last stint would settle the intra-team battle. Hamilton said it “took perfection” to catch Russell in the final stages.

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It went all the way to the last lap. On the radio, Wolff told Russell to bear in mind the situation, which was a gentle reminder to keep things clean. Russell was powerless to keep his teammate behind anyway when at Turn 9, the same corner where Hamilton saw Max Verstappen pull away to the championship three years ago and deny him a historic eighth title, Hamilton swept around Russell outside and moved ahead. A brave, brilliant overtake.

“I only caught him right at that last lap, and I was like, it’s now or never,” Hamilton said. Russell thought it was “quite a fitting way to finish with Lewis, just one second apart after these three years” and was pleased to see his teammate end in style. “He deserved it,” Russell said. “The team deserved to give him that send-off.”

As he turned through the final few corners, the sky already lit up with fireworks to honor Lando Norris’s win, Hamilton soaked in the last moments as a Mercedes grand prix driver before crossing the line. The radio messages with Bonnington and Wolff on the cool-down lap were filled with emotion, Bonnington seemingly in tears. The end had arrived.

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Hamilton was positive and reflective after his final Mercedes race. (Joe Portlock/Getty Images)

Post-race, the analytical side of Wolff pondered that, without the bollard getting stuck under Hamilton’s car in qualifying, he might’ve been able to fight for victory. Hamilton told Wolff to instead think about the 84 wins they’d already achieved together.

“These last few races, they don’t change how we feel about it,” Wolff said. “He drove like a world champion today from P16. We played the long game and finished fourth, driving away from the Red Bull. That was a statement of a world champion.”

Hamilton was also glad to finish a challenging year on a high. Despite wins at Silverstone and Spa, his first victories since 2021, seventh place still marks his lowest championship finish in F1, having struggled to gel with the tricky Mercedes car throughout the year. The subtext of his pending move to Ferrari, announced at the start of February, underpinning everything this year also presented its own challenge.

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“It’s been a really turbulent year, probably the longest year of my life, I would say,” Hamilton said. “We’ve known from the beginning that I’m leaving, and it’s like a relationship — when you’ve told whoever the counterpart is that you’re leaving, but you’re living together for a whole year. Lots of ups and downs, emotionally. But we finished off with a high today.”

The only emotions Hamilton felt post-race were positive. He’d completed his celebratory donuts on the start-finish line, permission given to him as part of the FIA’s post-race procedures, and then gone back to the Mercedes garage to celebrate with his team, so many of whom were eager to get one final picture together. A lasting memory for all their success. All the history they have written.


Hamilton performs a burnout after the Abu Dhabi Formula One Grand Prix. (GIUSEPPE CACACE/AFP via Getty Images)

The whole weekend had been about that. On Thursday, Hamilton took a number of his engineers and mechanics, including Bonnington, for a hot lap about the Yas Marina Circuit. Mercedes then held a team event on Thursday night that looked back on Hamilton’s time at Brackley and paid tribute to all their success. Hamilton had no idea it was happening and was genuinely touched by the surprise.

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“That was super emotional,” he said. “I ain’t got no more tears, really. Everything came out there.”

That didn’t stop Sunday from being soaked in emotion. Despite the challenges of this year and the long, awkward goodbye before he moves to Ferrari, a fierce rival Hamilton and Mercedes have worked tirelessly to defeat, there has always been an underlying respect and affection for all they’ve accomplished together. The message from Wolff and the Mercedes board members in Abu Dhabi to Hamilton was that he would always be a part of their story and, more importantly, their family.

When Hamilton made the decision to quit McLaren for Mercedes back in 2012, many thought it was the wrong move. Few could have predicted their success. Even fewer that the relationship would’ve lasted so long and run so deep.

As Hamilton put it on the cool-down lap, “What started out as a leap of faith turned into a journey into the history books.” What a journey it has been.

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Top photo: Sipa USA

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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