Culture

Ledecky sets Olympic record in 1500M freestyle

Published

1 year ago

August 1, 2024

Ledecky sets Olympic record in 1500M freestyle

NANTERRE, France — American swimming star Katie Ledecky cruised to victory in an event that’s become synonymous with her name, earning her first Olympic gold medal of the Paris Games in the women’s 1500-meter freestyle Wednesday.

Ledecky set an Olympic record with a time of 15:30.02.

She has not lost this race in more than 14 years, and she owns the 20 fastest times in world history in the event. It is, for all intents and purposes, only an actual race for silver. France’s Anastasiia Kirpichnikova earned it in 15:40.35, while Germany’s Isabel Gose won bronze in 15:41.16.

Simply the greatest. 🙌
Katie Ledecky adds another gold medal to her legendary career achievements.#ParisOlympics | 📺 NBC and Peacock pic.twitter.com/skbxzj1CAj
— NBC Olympics & Paralympics (@NBCOlympics) July 31, 2024
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The Olympic gold medal is Ledecky’s eighth, which ties Jenny Thompson for the most for an American woman. Many would already consider Ledecky the greatest swimmer in the sport’s history, but she’s also making a strong case for the greatest female Olympic athlete ever.

Ledecky needs one more gold to tie Soviet gymnast Larisa Latynina for the most gold medals for any female Olympian.

Ledecky, 27, has won 12 Olympic medals over four Games, and she’ll have a chance to add to that haul later this week with the women’s 800-meter freestyle (in which she is again a heavy favorite) and as part of the women’s 4×200-meter freestyle relay.

The Paris Olympics are only the second Games with the 1500 free as an event for women. Ledecky was vocal earlier in her career about wanting to swim the event — which has long been part of world championship meets — at the Olympics. It is fitting, of course, that she is the only woman to have won it so far. Her name belongs next to that sliver of history.

“It’s often said that distance swimming requires enduring an excruciating, mind-numbing tedium few other athletes experience,” Ledecky wrote in her memoir. “Hour upon hour, day after day, for months, years, decades, distance swimmers stare at the dark line marking the bottom of the pool, tracking and tracing it as we churn back and forth in our muffled bubble of virtual silence, plagued by a loop of our innermost thoughts, our bodies screaming in agony from the stress of pushing ourselves to the limits of exertion. For me, this is any given Saturday.

“I’m kidding, of course. I, for one, have never viewed my chosen sport as a source of pain. For me, swimming has been a pleasure, even when — or perhaps especially when — it tests my limits. That said, I’m not here to argue with the common perception that long-distance swims can brutalize the body and mind. They absolutely can.”

Ledecky has said she plans to swim in Los Angeles at the 2028 Olympic Games, a stance she reiterated Wednesday night.

“I don’t feel like I’m close to being finished in the sport yet,” Ledecky said. “After seeing the kind of support that the French athletes are getting here, I think all us U.S. athletes are thinking about how cool that could be in Los Angeles, having the home crowd. That would be amazing.”

For more on swimming at the Olympics, follow The Athletic’s live blog.

Besides, Ledecky has always loved long-distance swims and will keep swimming them. She trains with coach Anthony Nesty and the male distance swimmers at the University of Florida, and she grew emotional earlier this week after earning a bronze medal in the women’s 400 free and discussing how much that training group has meant to her as both a swimmer and a person.

On Wednesday, though, there were no tears, only smiles and “The Star-Spangled Banner.” Ledecky had won gold in her most dominant event in the most dominant fashion, and all was right in the pool.

Required reading

(Photo: Sarah Stier / Getty Images; Graphic: John Bradford / The Athletic)

Culture

What Kind of Lover Are You? This William Blake Poem Might Have the Answer.

Published

6 days ago

January 16, 2026

Press Room

What Kind of Lover Are You? This William Blake Poem Might Have the Answer.

By A.O. Scott and Aliza Aufrichtig

A.O. Scott is a critic at large for the Book Review. Aliza Aufrichtig is a visual journalist.

Jan. 16, 2026

Not every poem about love is a love poem. This one, from William Blake’s “Songs of Innocence and of Experience,” first published in 1794, is more analytical than romantic. Instead of roses and violets, it offers us dirt and rocks.

William Blake (1757-1827), obscure in his own time and a hero to later generations of poets and spiritual seekers, made his living as an engraver and illustrator. He conceived and executed many of his poetic projects as works of visual as well as literary art, etching his verses and images onto copper plates and printing them in vivid color — a style designed to blur the boundary between word and picture.

From a 1795 copy of William Blake’s “Songs of Innocence and of Experience.”

The Trustees of the British Museum

“The Clod & the Pebble” is set in a rustic tableau populated by wild and domesticated animals. In the print, we can’t quite see the main characters, who are presumably somewhere beneath the hooves and the ripples. But the cows and sheep, the frogs and the duck, are nonetheless connected to the poem’s meaning.

The two sections of “Songs of Innocence and of Experience” are meant to illustrate “the contrary states of the human soul” — the purity and wonder associated with early childhood and the harder knowledge that inevitably follows.

“The Clod & the Pebble” recapitulates this fall from sweetness into disillusionment, and the plate suggests it in contrasting ways. The wild animals down below symbolize a natural condition of innocence, while the livestock above live in confinement, bound to another’s use. At the same time, though, the cows and sheep are peaceful ruminants, while the frogs and the duck are predators.

In the poem, the Clod is an avatar of innocence. As it happens, this is a recurring character in the Blakean poetic universe. In “The Book of Thel,” a fantastical meditation composed a few years before the publication of “Songs of Innocence and of Experience,” the Clod appears as a maternal figure selflessly nursing a baby worm:

The Clod of Clay heard the Worms voice, & raisd her pitying head;

She bow’d over the weeping infant, and her life exhal’d

In milky fondness

“We live not for ourselves,” she tells the poem’s heroine, a young girl named Thel. But in Blake’s system self-sacrifice can never be the last word. There is no innocence without the fall into experience, and no experience without the memory of innocence. Giving gives way to wanting.

Want to learn this poem by heart? We’ll help.

Get to know the poem better by filling in the missing words below.

Question 1/6

First, the Clod’s perspective.

Love seeketh not Itself to please,

Nor for itself hath any care;

Tap a word above to fill in the highlighted blank.

Culture

Try This Quiz on Myths and Stories That Inspired Recent Books

Published

1 week ago

January 12, 2026

Press Room

Try This Quiz on Myths and Stories That Inspired Recent Books

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of 21st-century books that were inspired by ancient myths, legends and folk tales. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.