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Klay Thompson’s all-time legend moment, as remembered by the Warriors

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Klay Thompson’s all-time legend moment, as remembered by the Warriors

SAN FRANCISCO — The pinnacle act that defines Klay Thompson’s Bay Area legend, which will be celebrated Tuesday night at the San Francisco palace his dynasty contributions helped build, came on the final night in Oracle Arena across the water in Oakland.

For three quarters, he was the best player on the floor in Game 6 of the 2019 Finals: 30 points on 12 shots. Four 3s in his typical flame-throwing fashion. Four makes inside the arc because of a blossoming off-the-dribble game. Ten free throws, all makes, because he was attacking the rim with some extra playoff ferocity.

“The peak of his powers,” Steve Kerr said.

Thompson was feeling it enough — 10 points in the first 10 minutes of a frantic third quarter — that he went skying for a rare transition dunk to punctuate a nuclear personal run. That’s when Raptors wing Danny Green met him up top with a physical contest, knocking Thompson off balance and forever altering his career.

“One moment,” Joe Lacob said. “One nanosecond can change everything.”

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The aftermath is best remembered for Thompson’s determination to brush the pain aside and continue. Trainers forced him toward the locker room. Kerr sent a messenger down the tunnel to relay word that Thompson must shoot the free throws to remain eligible for a return. He hobbled back to the floor and ignited one of the loudest Oracle eruptions ever in its final night, a tease that maybe he would be fine.

“That roar,” Kerr still remembers.

Thompson made both free throws and tried to shamble back on defense. But that wasn’t the plan. Kerr called for a DeMarcus Cousins take foul, gifting Pascal Siakam two free throws so Thompson could finally go to the back and get his knee checked. As he walked past Kerr, Thompson told him: “Give me two minutes.” He was determined to return for the start of the fourth quarter.

“That’s when they did the ACL test,” Kerr said. “I tore my ACL in college. The trainer can tell right away. They just put it up on a table and twist it a certain way. They know instantly.”

Word filtered back to Kerr early in the fourth that Thompson was done. Thompson exited the arena on crutches and was taken to a nearby hospital for testing before the final buzzer. The Warriors, up 85-80 when he disappeared, lost the lead and the game and the title in the fourth quarter.

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“I honestly think if he doesn’t get hurt, we win the series,” Kerr said. “But that’s just what we have to believe. No disrespect to Toronto. They were the better team and earned it. Injuries are a part of it. But I will always believe if Klay had stayed healthy, we would’ve found a way. Because that’s what that team did.”

There are those in the organization who believe had he not torn the ACL during one of the greatest games of his life, triggering a torturous domino effect, Tuesday night’s welcome back ceremony in the NBA Cup opener never would’ve been necessary because he never would’ve worn another jersey. But he returns as a member of the Dallas Mavericks and leftover curiosity remains about how it ever got to this point.

The Warriors won four titles in eight years. That much success isn’t attached to many what-if scenarios. But Thompson’s horrid-luck knee injury generates the most painful, not only for the possible three-peat that never was but, more sympathetically, for the tragic ramifications delivered to Thompson’s career.

He wouldn’t play another NBA game for 941 days, missing his ninth, 10th and more than half of his 11th NBA seasons on the heels of five straight All-Star appearances, returning as a productive but understandably diminished player whose body needed far more routine maintenance.

“How old was he?” Kerr asked. “Twenty-nine?”

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Yes. Thompson turned 29 four months before the ACL tear. He was 30 when, at the end of his ACL rehab process, he tore his Achilles, sending him into 14 more months of tedious rehab.

“That’s just so devastating,” Kerr said. “To me, 28, 29, 30, that’s when everything comes together — your mind, your experience, your body, your skill. I didn’t think he ever looked better. So that injury clearly was the pendulum swinging the other way in his career. He was still good. Still really good. Helped us win a championship (in 2022).”

But …

“Those next couple years (after the ACL), I think, would’ve been his absolute prime,” Kerr said. “That would’ve been the very best version of Klay. I think part of the reason he struggled so much with it emotionally is that he knew those years were ripped from him by the injuries. He was really at the apex of his game. That’s why it was so tough to see him suffer. He was so distraught at times, even last year. It was sad. To me, he’s just had a really difficult time reconciling the injuries.”

Thompson signed a five-year max extension a couple weeks after the 2019 ACL tear, an earned commitment to a living legend who had delivered so much production (and financial value) to the organization. He spent a large chunk of that next season mostly away from the Warriors, rehabbing out of Rick Celebrini’s view. Celebrini is the team’s respected lead medical decision-maker.

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That was a mistake, Thompson would later admit, telling The Athletic in February 2022 that he was about 10 pounds above his normal playing weight when his Achilles popped during an unsanctioned pickup game in Los Angeles a month before his presumed return in 2020.

“I tried to go off on my own and do my own thing, seek out my own thing,” Thompson told The Athletic in 2023. “That backfired. Very badly. So I came crawling back to Rick. Very apologetic.”

Thompson was more present, more diligent, more patient during the second rehab process. But the agonizing wait wore on him. Cameras caught him in tears on the back of the bench during an April 2021 game. Steph Curry came over to console him. In November 2021, two months prior to his return, he sat on the bench for a half-hour postgame with a towel over his head, overcome with emotion.

The work proved worth it. Thompson returned from a pair of catastrophic mid-career leg injuries about as impressively as imaginable. He averaged 36 minutes and 19 points in a 22-game playoff run to the 2022 title. He led the league in 3s the next season. He made the fourth most the season after that.

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But Thompson maintained an ambition to regain his All-Star form, to chase down the ghost of his former self, to recapture those prime years lost. It led to a level of shot-hunting that sometimes hijacked the offense and off-court brooding that impacted the mood in the locker room, team sources said throughout the season. He had the “four rings” outburst ejection in Phoenix and several behind-the-scenes conversations with teammates and Kerr about throttling back the shot selection, centering himself and exuding better energy.

“I had a conversation (with Kerr) about just enjoying the last chapter of my career and how lucky I truly am to be playing this game,” Thompson said after a January 2024 game. “Being a better mentor for the young guys. Leading by example and having my energy right every game. He helped me realize I do have negative energy and how that affects the team in a poor manner.”

The contractual context didn’t help. Thompson never liked the narrative that he owed the Warriors something for signing him to a max contract after the ACL tear, considering all he’d done before it. Warriors leadership would privately note that half of that max contract (2.5 years) was spent rehabbing.

Extension talks stalled prior to last season. There are differing stories on the authenticity of the two-year, $48 million reported offer. Thompson never felt a level of genuine desire from the front office or ownership to ensure a franchise legend remained around. When the summer came, they prioritized other pursuits and Thompson decided to depart before giving them a chance to circle back.

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How Klay Thompson’s 13-year run with the Warriors splintered so unceremoniously

In his final season, bitterness had grown. Kerr began closing without Thompson on the floor on certain nights and replaced him with a rookie, Brandin Podziemski, in the starting lineup in February. These demotions stung and wounds still appear unhealed. When approached in Dallas back in the preseason, he declined to speak about it: “I’m not talking about the past,” Thompson said.

“There’s always stuff as a coach that, you know, you look back and you go, ‘Man, I wish I had done this or said that,’” Kerr said. “But there’s nothing that keeps me up at night. Everybody’s life and career arc is different. I think Klay made the right decision going to Dallas. Just seeing him the last couple of years, I think he needed a fresh start.”

As Kerr and Lacob made clear in separate interviews with The Athletic last week, nothing about the end should taint the greatness of Thompson’s run with the Warriors. He’s a statue player who will be welcomed with a celebration on Tuesday. The franchise is giving out Captain Klay hats to every fan in attendance.

Lacob’s first Thompson memory was in college. He’s a huge Stanford fan. He watched Thompson, a star at Washington State, drop 21 points in a road win in Maples Pavilion.

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“My son Kent (currently in the front office) was young at the time,” Lacob said. “I remember him telling me: ‘If we don’t draft Klay Thompson, I’ll never talk to you again.’”

Lacob took control of the franchise in late 2010. Their first draft pick, 11th overall, came in June 2011. They’d just hired Jerry West to join the front office and consult on big personnel decisions. This was a major early moment. Lacob and West, among others, went down to Torrance, Calif., to watch Thompson work out.

“He did like maybe five minutes and Jerry said: ‘That’s the guy!’” Lacob recalled. “And I’m like: ‘You’ve only seen him for a couple minutes.’ Jerry said: ‘That’s the guy. That’s all there is to it.’ Maybe it was his shot. Maybe it was his footwork. It was so Jerry.”

West and Kerr were also among the strong advocates not to trade Thompson when Kevin Love became available in the summer of 2014. That’s considered one of the best non-trade decisions in league history. Thompson soon morphed into one of the best shooting guards in basketball and a perfect fit next to Curry. They won their first title the following June.

“Everyone knows the incredible shooting, kind of the unconscious nature of his play,” Kerr said. “He and Steph both share that. People know Captain Klay, China Klay, you know, the fun-hearted guy. But I don’t know that people understand what a killer competitor Klay is. Ultimately that’s what made him a champion.”

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Lacob’s most memorable night is a predictable one. Game 6 in Oklahoma City. The Warriors were down 3-2 in that 2016 series and down eight heading to the fourth quarter. Thompson scored 19 in the fourth, hit 11 3s in the game and rescued the Warriors from elimination with a 41-point performance. As he returned to the locker room, Lacob famously bowed to him in the tunnel, a picture that Lacob sent to Thompson in one of his goodbye text messages after he departed for Dallas.

“The tunnel thing was sort of impromptu,” Lacob said.

Kerr’s favorite Thompson story to retell came during the 2017 Finals. JR Smith crashed into him during the first quarter of Game 1, causing a painful high ankle sprain. Thompson also took a knee directly to the thigh.

“He was wearing a sleeve or something and he takes the sleeve off and it was like black and blue and yellow and like, I mean, it was an injury that would have kept him out for at least two weeks in the regular season,” Kerr said. “And he didn’t miss a minute. To me, Klay’s competitive desire is his most underrated quality. At the peak of his powers, the way he guarded the ball and then moved off the ball year after year. He and Steph were one and two in most mileage per game in the NBA. His conditioning, his size, his ability to switch on to Kevin Love and big guys like that and guard them in the post. I mean you don’t do that unless you’re a great athlete, but also unless you care desperately about results and winning at the highest level.”

The Warriors’ charity foundation throws an annual poker event. At it, they put various items up for auction. In the lead-up to the event early this decade, they had the idea of offering a ride across the bay on Thompson’s famous boat from his house to the practice facility. Lacob called to ask. He was uneasy about the request.

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“He was like, instantaneously: ‘Absolutely. I’d love to do that,’” Lacob said. “He actually was so enthusiastic about it. I didn’t know. That’s an invasion of someone’s privacy and personal space and time.”

On the night of the auction, the bidding went wild. Toward the end, two attendees were rocketing the price up, intent on acquiring this boat ride. While the bidding neared its final destination of $250,000 — a record for any item or offer at the event — Lacob approached Thompson.

“Would you be willing to do it … twice?” Lacob asked.

Thompson said yes.

“It was a half-million dollars to the foundation,” Lacob said. “He has a great heart. He’s a really good person. That’s what I’ll always remember about him.”

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Thompson and Kerr had breakfast in Manhattan Beach in late June. Kerr made the drive up from San Diego. He wanted to reiterate to Thompson that, while everything was still in flux, he valued him and wanted him back. They talked a little about the contractual situation. Kerr laid out the reality of his future with the Warriors — it’d probably include a fluctuating role, perhaps off the bench.

“At the end of the breakfast, he said, ‘You know, I think it’s time. I think I’m going to go to Dallas,’” Kerr said. “I understood. I completely understood. Sometimes a fresh start can be healthy. I think it was the right decision for him.”

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Inside Mike Dunleavy Jr.’s second season and the Warriors’ chase for the next big fish

Many within the Warriors had seen the move coming and had privately been predicting it for months. Lacob has maintained that it hit him as a surprise. The front office had hinted that the plan was to bring a market offer back to him later in free agency.

“To be honest with you, shocked,” Lacob said. “If you would’ve told me a few years ago, if there’s one person that I would have never thought that would ever leave the Warriors and would retire as a Warrior, I would probably (have said) Klay would be the highest likelihood.”

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That reality never panned out. He returns to face the Warriors in a Mavericks jersey on Tuesday night.

“It’s weird seeing No. 31 (on it),” Curry said. “I hate that.”

“This will be as emotional as anything we’ve ever experienced, I think, in my time here,” Kerr said. “I think it’ll be even more emotional than his return to play. Obviously now there’s a finality to it and appreciation for everything he did hanging the banners, helping get the arena built, just being so beloved by everybody.”

“Some of the stuff we’re talking about here today is not a secret,” Lacob said. “People kind of understand from both sides some of the issues that, yeah, kind of happened. But I do think everyone still loves the history. You can’t take away what he meant to the franchise. Honestly, to me as an owner — very, very important. He’s the first guy we ever drafted. I’m not just saying this. I really did feel like he was a son … Regardless of anything — how it ended, didn’t end. Whatever. That doesn’t matter. It’s an important moment. An important day.”

 

(Photo illustration: Meech Robinson/The Athletic; photos Sam Hodde / Getty Images, Gregory Shamus / Getty Images, Thearon W. Henderson / Getty Images)

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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