Culture
Klay Thompson’s all-time legend moment, as remembered by the Warriors
SAN FRANCISCO — The pinnacle act that defines Klay Thompson’s Bay Area legend, which will be celebrated Tuesday night at the San Francisco palace his dynasty contributions helped build, came on the final night in Oracle Arena across the water in Oakland.
For three quarters, he was the best player on the floor in Game 6 of the 2019 Finals: 30 points on 12 shots. Four 3s in his typical flame-throwing fashion. Four makes inside the arc because of a blossoming off-the-dribble game. Ten free throws, all makes, because he was attacking the rim with some extra playoff ferocity.
“The peak of his powers,” Steve Kerr said.
Thompson was feeling it enough — 10 points in the first 10 minutes of a frantic third quarter — that he went skying for a rare transition dunk to punctuate a nuclear personal run. That’s when Raptors wing Danny Green met him up top with a physical contest, knocking Thompson off balance and forever altering his career.
“One moment,” Joe Lacob said. “One nanosecond can change everything.”
The aftermath is best remembered for Thompson’s determination to brush the pain aside and continue. Trainers forced him toward the locker room. Kerr sent a messenger down the tunnel to relay word that Thompson must shoot the free throws to remain eligible for a return. He hobbled back to the floor and ignited one of the loudest Oracle eruptions ever in its final night, a tease that maybe he would be fine.
“That roar,” Kerr still remembers.
Thompson made both free throws and tried to shamble back on defense. But that wasn’t the plan. Kerr called for a DeMarcus Cousins take foul, gifting Pascal Siakam two free throws so Thompson could finally go to the back and get his knee checked. As he walked past Kerr, Thompson told him: “Give me two minutes.” He was determined to return for the start of the fourth quarter.
“That’s when they did the ACL test,” Kerr said. “I tore my ACL in college. The trainer can tell right away. They just put it up on a table and twist it a certain way. They know instantly.”
Word filtered back to Kerr early in the fourth that Thompson was done. Thompson exited the arena on crutches and was taken to a nearby hospital for testing before the final buzzer. The Warriors, up 85-80 when he disappeared, lost the lead and the game and the title in the fourth quarter.
“I honestly think if he doesn’t get hurt, we win the series,” Kerr said. “But that’s just what we have to believe. No disrespect to Toronto. They were the better team and earned it. Injuries are a part of it. But I will always believe if Klay had stayed healthy, we would’ve found a way. Because that’s what that team did.”
There are those in the organization who believe had he not torn the ACL during one of the greatest games of his life, triggering a torturous domino effect, Tuesday night’s welcome back ceremony in the NBA Cup opener never would’ve been necessary because he never would’ve worn another jersey. But he returns as a member of the Dallas Mavericks and leftover curiosity remains about how it ever got to this point.
The Warriors won four titles in eight years. That much success isn’t attached to many what-if scenarios. But Thompson’s horrid-luck knee injury generates the most painful, not only for the possible three-peat that never was but, more sympathetically, for the tragic ramifications delivered to Thompson’s career.
He wouldn’t play another NBA game for 941 days, missing his ninth, 10th and more than half of his 11th NBA seasons on the heels of five straight All-Star appearances, returning as a productive but understandably diminished player whose body needed far more routine maintenance.
“How old was he?” Kerr asked. “Twenty-nine?”
Yes. Thompson turned 29 four months before the ACL tear. He was 30 when, at the end of his ACL rehab process, he tore his Achilles, sending him into 14 more months of tedious rehab.
“That’s just so devastating,” Kerr said. “To me, 28, 29, 30, that’s when everything comes together — your mind, your experience, your body, your skill. I didn’t think he ever looked better. So that injury clearly was the pendulum swinging the other way in his career. He was still good. Still really good. Helped us win a championship (in 2022).”
But …
“Those next couple years (after the ACL), I think, would’ve been his absolute prime,” Kerr said. “That would’ve been the very best version of Klay. I think part of the reason he struggled so much with it emotionally is that he knew those years were ripped from him by the injuries. He was really at the apex of his game. That’s why it was so tough to see him suffer. He was so distraught at times, even last year. It was sad. To me, he’s just had a really difficult time reconciling the injuries.”
Thompson signed a five-year max extension a couple weeks after the 2019 ACL tear, an earned commitment to a living legend who had delivered so much production (and financial value) to the organization. He spent a large chunk of that next season mostly away from the Warriors, rehabbing out of Rick Celebrini’s view. Celebrini is the team’s respected lead medical decision-maker.
That was a mistake, Thompson would later admit, telling The Athletic in February 2022 that he was about 10 pounds above his normal playing weight when his Achilles popped during an unsanctioned pickup game in Los Angeles a month before his presumed return in 2020.
“I tried to go off on my own and do my own thing, seek out my own thing,” Thompson told The Athletic in 2023. “That backfired. Very badly. So I came crawling back to Rick. Very apologetic.”
Thompson was more present, more diligent, more patient during the second rehab process. But the agonizing wait wore on him. Cameras caught him in tears on the back of the bench during an April 2021 game. Steph Curry came over to console him. In November 2021, two months prior to his return, he sat on the bench for a half-hour postgame with a towel over his head, overcome with emotion.
It’s now been about 20 minutes since the game ended and Klay Thompson is still on the bench with a towel over his head pic.twitter.com/5bvnXjQgCO
— Anthony Slater (@anthonyVslater) November 27, 2021
The work proved worth it. Thompson returned from a pair of catastrophic mid-career leg injuries about as impressively as imaginable. He averaged 36 minutes and 19 points in a 22-game playoff run to the 2022 title. He led the league in 3s the next season. He made the fourth most the season after that.
But Thompson maintained an ambition to regain his All-Star form, to chase down the ghost of his former self, to recapture those prime years lost. It led to a level of shot-hunting that sometimes hijacked the offense and off-court brooding that impacted the mood in the locker room, team sources said throughout the season. He had the “four rings” outburst ejection in Phoenix and several behind-the-scenes conversations with teammates and Kerr about throttling back the shot selection, centering himself and exuding better energy.
“I had a conversation (with Kerr) about just enjoying the last chapter of my career and how lucky I truly am to be playing this game,” Thompson said after a January 2024 game. “Being a better mentor for the young guys. Leading by example and having my energy right every game. He helped me realize I do have negative energy and how that affects the team in a poor manner.”
The contractual context didn’t help. Thompson never liked the narrative that he owed the Warriors something for signing him to a max contract after the ACL tear, considering all he’d done before it. Warriors leadership would privately note that half of that max contract (2.5 years) was spent rehabbing.
Extension talks stalled prior to last season. There are differing stories on the authenticity of the two-year, $48 million reported offer. Thompson never felt a level of genuine desire from the front office or ownership to ensure a franchise legend remained around. When the summer came, they prioritized other pursuits and Thompson decided to depart before giving them a chance to circle back.
GO DEEPER
How Klay Thompson’s 13-year run with the Warriors splintered so unceremoniously
In his final season, bitterness had grown. Kerr began closing without Thompson on the floor on certain nights and replaced him with a rookie, Brandin Podziemski, in the starting lineup in February. These demotions stung and wounds still appear unhealed. When approached in Dallas back in the preseason, he declined to speak about it: “I’m not talking about the past,” Thompson said.
“There’s always stuff as a coach that, you know, you look back and you go, ‘Man, I wish I had done this or said that,’” Kerr said. “But there’s nothing that keeps me up at night. Everybody’s life and career arc is different. I think Klay made the right decision going to Dallas. Just seeing him the last couple of years, I think he needed a fresh start.”
As Kerr and Lacob made clear in separate interviews with The Athletic last week, nothing about the end should taint the greatness of Thompson’s run with the Warriors. He’s a statue player who will be welcomed with a celebration on Tuesday. The franchise is giving out Captain Klay hats to every fan in attendance.
Lacob’s first Thompson memory was in college. He’s a huge Stanford fan. He watched Thompson, a star at Washington State, drop 21 points in a road win in Maples Pavilion.
“My son Kent (currently in the front office) was young at the time,” Lacob said. “I remember him telling me: ‘If we don’t draft Klay Thompson, I’ll never talk to you again.’”
Lacob took control of the franchise in late 2010. Their first draft pick, 11th overall, came in June 2011. They’d just hired Jerry West to join the front office and consult on big personnel decisions. This was a major early moment. Lacob and West, among others, went down to Torrance, Calif., to watch Thompson work out.
“He did like maybe five minutes and Jerry said: ‘That’s the guy!’” Lacob recalled. “And I’m like: ‘You’ve only seen him for a couple minutes.’ Jerry said: ‘That’s the guy. That’s all there is to it.’ Maybe it was his shot. Maybe it was his footwork. It was so Jerry.”
West and Kerr were also among the strong advocates not to trade Thompson when Kevin Love became available in the summer of 2014. That’s considered one of the best non-trade decisions in league history. Thompson soon morphed into one of the best shooting guards in basketball and a perfect fit next to Curry. They won their first title the following June.
“Everyone knows the incredible shooting, kind of the unconscious nature of his play,” Kerr said. “He and Steph both share that. People know Captain Klay, China Klay, you know, the fun-hearted guy. But I don’t know that people understand what a killer competitor Klay is. Ultimately that’s what made him a champion.”
Lacob’s most memorable night is a predictable one. Game 6 in Oklahoma City. The Warriors were down 3-2 in that 2016 series and down eight heading to the fourth quarter. Thompson scored 19 in the fourth, hit 11 3s in the game and rescued the Warriors from elimination with a 41-point performance. As he returned to the locker room, Lacob famously bowed to him in the tunnel, a picture that Lacob sent to Thompson in one of his goodbye text messages after he departed for Dallas.
“The tunnel thing was sort of impromptu,” Lacob said.
Kerr’s favorite Thompson story to retell came during the 2017 Finals. JR Smith crashed into him during the first quarter of Game 1, causing a painful high ankle sprain. Thompson also took a knee directly to the thigh.
“He was wearing a sleeve or something and he takes the sleeve off and it was like black and blue and yellow and like, I mean, it was an injury that would have kept him out for at least two weeks in the regular season,” Kerr said. “And he didn’t miss a minute. To me, Klay’s competitive desire is his most underrated quality. At the peak of his powers, the way he guarded the ball and then moved off the ball year after year. He and Steph were one and two in most mileage per game in the NBA. His conditioning, his size, his ability to switch on to Kevin Love and big guys like that and guard them in the post. I mean you don’t do that unless you’re a great athlete, but also unless you care desperately about results and winning at the highest level.”
The Warriors’ charity foundation throws an annual poker event. At it, they put various items up for auction. In the lead-up to the event early this decade, they had the idea of offering a ride across the bay on Thompson’s famous boat from his house to the practice facility. Lacob called to ask. He was uneasy about the request.
“He was like, instantaneously: ‘Absolutely. I’d love to do that,’” Lacob said. “He actually was so enthusiastic about it. I didn’t know. That’s an invasion of someone’s privacy and personal space and time.”
On the night of the auction, the bidding went wild. Toward the end, two attendees were rocketing the price up, intent on acquiring this boat ride. While the bidding neared its final destination of $250,000 — a record for any item or offer at the event — Lacob approached Thompson.
“Would you be willing to do it … twice?” Lacob asked.
Thompson said yes.
“It was a half-million dollars to the foundation,” Lacob said. “He has a great heart. He’s a really good person. That’s what I’ll always remember about him.”
Thompson and Kerr had breakfast in Manhattan Beach in late June. Kerr made the drive up from San Diego. He wanted to reiterate to Thompson that, while everything was still in flux, he valued him and wanted him back. They talked a little about the contractual situation. Kerr laid out the reality of his future with the Warriors — it’d probably include a fluctuating role, perhaps off the bench.
“At the end of the breakfast, he said, ‘You know, I think it’s time. I think I’m going to go to Dallas,’” Kerr said. “I understood. I completely understood. Sometimes a fresh start can be healthy. I think it was the right decision for him.”
GO DEEPER
Inside Mike Dunleavy Jr.’s second season and the Warriors’ chase for the next big fish
Many within the Warriors had seen the move coming and had privately been predicting it for months. Lacob has maintained that it hit him as a surprise. The front office had hinted that the plan was to bring a market offer back to him later in free agency.
“To be honest with you, shocked,” Lacob said. “If you would’ve told me a few years ago, if there’s one person that I would have never thought that would ever leave the Warriors and would retire as a Warrior, I would probably (have said) Klay would be the highest likelihood.”
That reality never panned out. He returns to face the Warriors in a Mavericks jersey on Tuesday night.
“It’s weird seeing No. 31 (on it),” Curry said. “I hate that.”
“This will be as emotional as anything we’ve ever experienced, I think, in my time here,” Kerr said. “I think it’ll be even more emotional than his return to play. Obviously now there’s a finality to it and appreciation for everything he did hanging the banners, helping get the arena built, just being so beloved by everybody.”
“Some of the stuff we’re talking about here today is not a secret,” Lacob said. “People kind of understand from both sides some of the issues that, yeah, kind of happened. But I do think everyone still loves the history. You can’t take away what he meant to the franchise. Honestly, to me as an owner — very, very important. He’s the first guy we ever drafted. I’m not just saying this. I really did feel like he was a son … Regardless of anything — how it ended, didn’t end. Whatever. That doesn’t matter. It’s an important moment. An important day.”
What will Klay Thompson’s return on Tuesday be like?
Steph Curry: “I don’t know. We’ve had homecomings before, but nothing like this.” pic.twitter.com/NT34K1kKyg
— Anthony Slater (@anthonyVslater) November 11, 2024
Asked Klay Thompson about his return to San Francisco on Tuesday for his first game against the Warriors:
“It’ll be good to see people you grinded with obviously, but to me, it’s just another regular season game in November.” pic.twitter.com/Kf9KkUwfNP
— Mike Curtis (@MikeACurtis2) November 11, 2024
(Photo illustration: Meech Robinson/The Athletic; photos Sam Hodde / Getty Images, Gregory Shamus / Getty Images, Thearon W. Henderson / Getty Images)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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