Culture
Inside Newcastle United’s Carabao Cup glory – Shearer’s text, Howe’s banner and tactics, and a half-time slideshow
It is not news that Eddie Howe is meticulous. One step further is probably fair. Eddie Howe is the chief obsessive in a city filled with them.
Holding onto a 1-0 lead in the Carabao Cup final and 45 minutes away from breaking a 56-year trophy-less hoodoo, Howe did not turn to words alone for his half-time team talk. He had faith in his preparation.
He had faith in his slideshow.
As the players trooped in, moments after Dan Burn’s header had put them into the lead, Howe was waiting with information. His presentation contained the physical statistics from Newcastle’s past two months of matches — showing a marked dip at the start of the second half. He implored his players not to do the same at Wembley.
“We have been guilty of protecting leads in the past,” Burn told The Athletic post-match. “We just wanted to not take a backward step and really push forward.”
“Get after them,” Joelinton added. “Don’t change anything.”
They did all that and more. After 53 minutes, Newcastle burst forward down the left and Jacob Murphy’s knock-down fell to Alexander Isak. The Swedish striker had already had a goal ruled out for offside moments earlier. Not this time.
His shot found the corner of the Liverpool goal, and in holding on for a 2-1 win, Howe was catapulted onto Newcastle United’s Mount Rushmore. This is the inside story of the day and the game plan that got them there.
Two years ago, Newcastle smarted with regret after a 2-0 loss to Manchester United. That day was not their brand of football — they were meek, wan, and emotionally empty. Howe has later admitted that, post-match, he was not mentally in a healthy place.
But losing had significance. It brought lessons and resolve. The mantra emanating from Newcastle’s Benton training base was simple, but it resonated. This time, things would be done differently.
On Newcastle’s last trip to Wembley, the day felt long. The squad stayed opposite the stadium, the countdown to kick-off beginning the moment the curtains opened.
This year, Howe imparted the importance of staying elsewhere to the club’s logistical staff — opting for a Hertfordshire hotel, where they could have a gentle morning before travelling to the stadium in the early afternoon.
“This time, we tried to take away as many distractions as we could,” Howe said post-game. “We tried to make it very similar to a Premier League build-up. I think staying at a quieter hotel was really important.”
“Today, just driving into the stadium itself, it all felt so different,” another member of club staff remarked post-game. “It was focused — there wasn’t that emotion.”
Of course, it is impossible to completely escape a city’s feelings and expectations, especially when the club’s all-time leading scorer, Alan Shearer, texts the club captain, Bruno Guimaraes, on the eve of the game. His message was not one spewing emotion, but a clinical instruction: “Bring that trophy back.”
The banner Howe loves (Chris Brunskill/Fantasista/Getty Images)
That sentiment was echoed by the supporters, who re-displayed a flag from the Arsenal semi-final — “Get into them” — which Howe has privately acknowledged as his favourite banner, marking the core standard he wants his team to set.
But Howe being Howe, he did not send his team out with those words alone. Arne Slot’s Liverpool are a buzzsaw, marching unchallenged towards the Premier League table. Newcastle needed their own weapons.
Newcastle’s coaches identified early in their preparations that they felt Liverpool could be exploited from set pieces. Though their team shape was not finalised until after the West Ham United game on Monday night, their corner routines for the final have been practised for the past two weeks.
Newcastle’s staff feel Burn should score more from corners given his physical advantages and have emphasised the importance of delivering the ball into areas where he is likely to be first to the ball. By peeling off the back, away from the six-yard box, Burn could take advantage of Liverpool’s zonal defending. The header itself is made harder, further away from goal, but it places Burn up against Liverpool’s smaller blockers — in this case, Alexis Mac Allister — rather than centre-backs Virgil van Dijk and Ibrahima Konate.
Burn towers over Mac Allister to do what he hadn’t been doing in training: score (James Gill – Danehouse/Getty Images)
After 45 minutes, their plan came off — Burn powering past Mac Allister to bounce his header home. It was Newcastle’s first goal at Wembley in 25 years.
“If you’d seen us in practice, you’d have thought we had no chance,” Howe told Sky Sports afterwards. “Dan will be the first to admit he hasn’t practised like that, so when he scored, Jason (Tindall) and I turned to each other and couldn’t believe he scored.”
Slot put it even more bluntly — “I have never seen in my life a player from that far away heading a ball with that force into the far corner. Credit to him. Few players can score a goal from that distance with his head.”
Burn’s header that surprised Slot and Howe (Michelle Mercer/Newcastle United via Getty Images)
Newcastle had been deliberate in their preparations, with Howe admitting to hiding parts of their repertoire when they played Liverpool less than three weeks ago. This was a sacrifice — they looked passive in a 2-0 defeat — but even if they miss out on Champions League qualification by a point, it will pale against Wembley’s significance.
“We still wanted to win that game,” Howe insisted after Sunday’s win. “We just did it in a different way.”
In some ways, he was helped by necessity. Lewis Hall’s injury, suffered during that defeat, was viewed as a significant blow — it is a position where Newcastle are low on options after Lloyd Kelly’s departure to Juventus in January. But the great coaches are those who adapt when Plan A fails — and Howe found the positives in what he had.
Ordinarily, shuffling a right-back onto their weaker side to face Mohamed Salah, the world’s in-form right-winger, would be a major no-no. In Matt Targett, Howe had a specialist left-back, albeit one who had played barely any football in the past 18 months.
But Newcastle’s coaching staff felt positive about Tino Livramento, who is seen as a better one-on-one defender than Hall due to his pace. Additionally, they emphasised to Livramento that his right-footedness could become an advantage. If Salah cut inside, Livramento would be on his stronger right foot to make a challenge — while, with Burn instructed to double up inside, Livramento could force him wide without fear of being isolated and beaten.
Shifting Livramento also opened up his right-back berth, giving Howe and Tindall the luxury of selecting Kieran Trippier, who possesses the best set-piece delivery in the squad. With ordinary taker Anthony Gordon ruled out through suspension, Trippier had a chance to play regardless of Hall’s injury given the importance Newcastle placed on dead-ball opportunities. In the event, it was the 34-year-old’s cross that assisted Burn’s goal.
Howe’s other major selection question was on the left wing, deciding how to replace Gordon. While Joe Willock offers a huge work rate out of possession and a dangerous carrying ability, Howe decided relatively early in the week that Harvey Barnes was his preferred option.
The match against West Ham on Monday evening had been the winger’s first start in three months and Howe liked what he saw as Barnes assisted the game’s only goal. Fitness-permitting, Newcastle would be unchanged.
In attack, their plan hinged on pressuring Liverpool’s full-backs rather than their elite-level centre-backs. Isak often drifted left, with Barnes instead cutting inside. Makeshift right-back Jarell Quansah was left unsure which to pick up, a job made more difficult by deeper inside runs from Joelinton and Bruno Guimaraes, isolating the Liverpool defender.
This made space for Livramento to carry the ball upfield and though he was still on his weaker side, he had extra time to pick out the technically difficult left-footed cross. This created Newcastle’s second goal — Murphy outmuscling Liverpool’s other full-back, Andy Robertson, to nod down for Isak to score.
Just wait for that Isak celebration! 😍⚫️⚪️#EFL | #CarabaoCupFinal pic.twitter.com/PAEBtZ4QtH
— Carabao Cup (@Carabao_Cup) March 16, 2025
But though these were the frills Newcastle needed to score, it was not the core reason they were able to compete. That fell to Newcastle’s midfield trio — Sandro Tonali, Guimaraes, and Joelinton. To Liverpool, their collective of black and white shirts must have felt like prison bars.
Before kick-off, Tonali was the only player on either side to hand his warm-up jacket back to the kitman perfectly folded. It summed up a player who emerged from the day’s chaos with simple passes to get Newcastle moving forward.
Guimaraes devoted himself to winning midfield duels, often against two or three — by full-time, the only thing he had left to give were tears.
Tonali was at the heart of Newcastle’s performance (Serena Taylor/Newcastle United via Getty Images)
But Joelinton was the heart of Newcastle’s win — a player whose transformation, whose career, is now synonymous with Howe. He is the head coach’s greatest individual success.
Having suffered a knee injury in early February, missing the semi-final second-leg and the Liverpool game among others, it was not until the FA Cup defeat to Brighton two weeks ago that he proved his fitness.
Though always expected to be fit, there had been lingering concerns over what-ifs all the same. Newcastle’s staff felt their plan would only work if the midfielder was fully healthy. Howe aimed to exploit his midfield’s physical edge — being direct, physical, and aerially dominant was a requirement, not a possibility.
When Joelinton barrelled Quansah off the ball midway through the first half, screaming to the Newcastle fans as he did so, it epitomised Newcastle’s ambition. Football matches are decided by micro-wins adding up to big moments — these were Joelinton’s domain.
Guimaraes completed Shearer’s mission (Serena Taylor/Newcastle United via Getty Images)
One of these came just one minute into the second half, with Newcastle still a single goal up, and Diogo Jota at the byline and cutting the ball back. But Joelinton had listened to Howe’s slideshow — if he can come back from how his Newcastle career began, he can come back 40 yards in a cup final to block Salah’s goalbound shot.
This was Salah’s only real moment of danger. With Trent Alexander-Arnold out, Liverpool’s main way to build up play — short of hopeful long balls — was beating Newcastle’s initial press and playing through the midfield. They never came close to doing it; Dominik Szoboszlai was marked to the point of extinction by Joelinton, while Howe held his wingers tight to ensure Guimaraes and Tonali had simple reads to spring and win their duels. Salah was reduced to chasing hopeful punts.
By the time Liverpool’s final heave landed, Joelinton was on his knees, pointing to the sky. Guimaraes wept uncontrollably.
In the royal box, Newcastle owner and PIF chairman Yasir Al-Rumayyan pounded his phone for 30 minutes after the game, leaving voice notes and sending messages. Newcastle are awaiting Saudi Arabian sign-off for upgrades to both their training base and stadium; shiny metal silverware does help things get done.
If decisions are still to be taken over Newcastle’s long-term future, the short-term was set. The players streamed towards Wembley’s Box Park. Those not on international duty will fly to Dubai on Monday for a warm-weather training camp. Remember, Howe is meticulous.
But as the final whistle blew and Newcastle’s players streamed onto the pitch, Howe stared, wide-eyed, and spun before falling into Tindall’s arms. For the first time on Sunday, he and Newcastle did not know what to do.
(Top photo: Stu Forster/Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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