Culture
In Sam Darnold, Seahawks got a younger, cheaper QB. It won’t matter unless they support him
The Seattle Seahawks have their Geno Smith replacement in Sam Darnold. Now they need to get him some help.
Seattle’s agreement with Darnold is a three-year, $100.5 million contract with $55 million guaranteed, according to The Athletic’s Dianna Russini.
On paper, it’s essentially the same deal Baker Mayfield signed with the Tampa Bay Buccaneers last offseason after a resurgent 2023 season. When accounting for the rise in the salary cap since then, however, Darnold’s deal looks more like an updated version of the three-year, $75 million contract Smith signed in March 2023 after his breakout season in 2022.
By average annual salary, Darnold’s contract is one of the lowest among veteran starting quarterbacks. Justin Fields’ two-year, $40 million contract with the New York Jets — also agreed to on Monday — is currently the lowest. The rankings could change depending on what happens with Aaron Rodgers and Russell Wilson.
But regardless, the Seahawks are acquiring Darnold for a bargain relative to the rest of the veteran quarterback market, and probably for $7 million to $12 million less per year than Smith’s expected extension with the Raiders.
Geno Smith is expected to get a new deal with Las Vegas. He’s been looking to make between $40-$45 million a year.
— Dianna Russini (@DMRussini) March 8, 2025
Seattle is banking on getting the best version of Darnold, who before last season had just one season in which he threw for more than 3,000 yards and completed at least 60 percent of his passes (2019 with the Jets). At his best, Darnold is an athletic, strong-armed quarterback who can make big-time throws. There’s a reason he had the sixth-highest touchdown rate in the league at 6.4 percent, just a few points behind Joe Burrow (6.6) and well above the league average of 4.8 percent (all stats provided by TruMedia) in 2024.
Seattle saw some of Darnold’s best work up close in Minnesota’s Week 16 win at Lumen Field.
The Vikings were able to get that version of Darnold last season by giving him a capable offensive line — albeit one that struggled late in the year — a very good scheme that was heavy on play-action dropbacks, and one of the best wide receiver tandems in the league. But acquiring a younger, cheaper option at quarterback won’t matter if the Seahawks can’t give him that same level of support, starting with the offensive line.
Seattle is expected to sign former Ravens offensive lineman Josh Jones on a one-year deal worth up to $4.75 million, according to a report Monday from Ian Rapoport of NFL Network. Jones has started multiple games at guard and tackle since entering the league as a third-round pick of the Cardinals in 2020. He’s likely to be a do-it-all depth piece on the line and perhaps a replacement for swing tackle George Fant, who was released as a cap-saving measure last week.
Seattle should still actively search for more bodies up front. The first day of free agency wasn’t a busy one for veteran centers, but a couple of the best options came off the board. The Chicago Bears agreed to terms with The Athletic’s top-ranked center, Drew Dalman, on a three-year, $42 million contract that makes him the second-highest-paid center by average annual salary. Chicago entered this offseason with the same interior offensive line needs as Seattle, and the price the team paid to protect quarterback Caleb Williams speaks to how expensive it can be to upgrade the front line.
Chicago traded a 2026 fourth-round pick to Kansas City for All-Pro guard Joe Thuney, who has a 2025 base salary of $15.5 million but is due for a contract extension ahead of his age-33 season. The Bears also traded a 2025 sixth-round pick to the Rams for 28-year-old guard Jonah Jackson, who is due $17.5 million this season.
Seattle general manager John Schneider has expressed apprehension about making those sorts of commitments. He has made exceptions in the past, such as the three-year, $22.5 million deal he signed 30-year-old Gabe Jackson to after trading a fifth-round pick in 2021. The move appeased quarterback Russell Wilson, who publicly complained about his pass protection, but it was a deviation from Schneider’s typical player acquisition strategy. Jackson was useful for only the first year of the deal.
All of this ties into why the Seahawks were mostly dormant on the first day of the negotiating period. Schneider wants to take calculated risks in free agency, but that can be tough to do when Seattle is one of many teams needing interior offensive upgrades.
One of those other needy teams is Minnesota, which agreed to terms with center Ryan Kelly, The Athletic’s third-ranked center, on a two-year, $18 million contract ($9 million guaranteed). This Seahawks free-agency plan listed Kelly as a fallback option in the event the Seahawks couldn’t land Josh Myers, The Athletic’s second-ranked center. At this point in free agency, a Myers signing would be Seattle’s best path to upgrading the center spot, which is critical in Klint Kubiak’s offense.
The beginning of free agency was a good one for guards, and the next few days might produce more of the same. The following deals were agreed to on Monday, according to multiple reports:
- Aaron Banks, Green Bay Packers — four years, $77 million
- Patrick Mekari, Jacksonville Jaguars — three years, $37.5 million
- James Daniels, Miami Dolphins — three years, $24 million
- Ben Bredeson, Tampa Bay Buccaneers — three years, $22 million
- Evan Brown, Arizona Cardinals — two years, $11.5 million
There are still multiple players available from The Athletic’s top 150 rankings, including the top-ranked guard, Will Fries, No. 14 on the list. The others are Mekhi Becton (No. 26), Teven Jenkins (No. 33), Brandon Scherff (No. 51), Kevin Zeitler (No. 58), Will Hernandez (No. 79), Shaq Mason (No. 115) and Dalton Risner (No. 147).
The structure of Darnold’s deal will reveal more about Seattle’s available cap space, but the team hasn’t otherwise made much of a dent with its other signings. Linebacker Ernest Jones IV and defensive tackle Jarran Reed have Year 1 cap hits of $5.2 and $5 million, respectively, according to Over the Cap. Seattle has the cap room to add multiple impact players up front on the second day of free agency.
If Banks’ deal is any indication, Fries is due for a major payday, although the broken leg that ended his 2024 season could limit his market somewhat. Seattle might have to sweeten its proposal with more years, guaranteed money or both to pry him away from another guard-needy team, such as Minnesota. (Update: Fries agreed to a five-year, $88 million deal with Minnesota on Tuesday, a league source told The Athletic’s Dianna Russini.)
Scherff or Zeitler would be nice backup plans who make the Seahawks better, but since they’re 33 and 35, those two former Pro Bowlers would obviously be temporary solutions.
Seattle needs to be active in the wide receiver market, too, but the offensive line should be the priority. Once that is settled, Seattle can pursue receivers such as Demarcus Robinson, Marquez Valdes-Scantling or even Cooper Kupp, who is expected to be released by the Rams (it’s worth noting the Seahawks have former Rams assistant coach Jake Peetz on staff as the passing game coordinator).
An intriguing fullback option has also emerged, as the 49ers are expected to release veteran Kyle Juszczyk, according to The Athletic’s Jeff Howe.
But Day 2 of free agency needs to be about ensuring the Seahawks have a much better run game than they’ve had in recent years, and that Darnold isn’t constantly dodging pass rushers the way he was in the wild-card loss to the Rams. That game looked like many of Seattle’s outings with Smith, who was one of the most pressured quarterbacks in the league last season.
The only way to justify swapping Smith for Darnold in the name of youth and cap savings is to reallocate those funds to the position group most responsible for helping the quarterback be at his best.
(Photo of Sam Darnold, left, and Seahawks outside linebacker Boye Mafe: Steph Chambers / Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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