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How Unrivaled became the WNBA free agency hub of all chatter, gossip and deal-making

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How Unrivaled became the WNBA free agency hub of all chatter, gossip and deal-making

MEDLEY, Fla. — On the eve of WNBA free agency beginning last Tuesday, several league decision-makers gathered under the same roof.

Inside Unrivaled’s Wayfair Arena, Las Vegas Aces coach Becky Hammon sat next to a basket stanchion with team president Nikki Fargas to her left, watching the end of the 3×3 league’s opening weekend. Dallas Wings front office members observed the action across the court from them. Seattle Storm brass sat off the floor in one corner of the show court, and the Los Angeles Sparks representation was a few rows up. The Atlanta Dream contingent watched closer to center court.

WNBA teams attended to support their players as well as the launch of a new league that could shift historic offseason routines and keep more star players in the U.S. during the offseason. But there was other work in Florida: Free agency negotiations officially began Tuesday.

With some convenient scheduling, Unrivaled became the epicenter of all the chatter, gossip and deal-making.

“This is the best place to be able to recruit free agents,” said Phoenix Mercury guard Natasha Cloud, who is playing on Unrivaled’s Phantom Basketball Club.

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The beginning stages of Unrivaled overlapping with WNBA free agency wasn’t one of the league’s original goals, co-founder Napheesa Collier said. But it’s undoubtedly added to early buzz — Satou Sabally, for instance, used her first Unrivaled media availability to share with reporters that she had told the Wings she wanted to be traded — and it’s increased convenience for free agents, coaches and GMs.

Courtney Vandersloot is an unrestricted WNBA free agent, playing with Unrivaled Mist Basketball Club. Her first true free agency experience came after the Chicago Sky’s 2021 title. That offseason, she was playing in Russia, at UMMC Ekaterinburg, taking remote evening meetings after long practice days. “It was late nights. You’re relying on technology, hoping that the internet works,” Vandersloot said. “It doesn’t feel very personable.”

Now?

WNBA teams have posted up at hotels across the Miami area, squeezing in meetings after Unrivaled practices and around players’ schedules.

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Grading and analyzing every WNBA free agency signing: Kelsey Plum heads to Los Angeles Sparks

Eight WNBA free agents, including those who are cored and restricted, are on Unrivaled rosters. Sabally, Vandersloot, Alyssa Thomas, DiJonai Carrington and Brittney Griner highlight the list. Others could potentially be on the move via trade, too. Jewell Loyd, a member of Unrivaled’s Mist Basketball Club, is on the move to the Aces, in a deal that seems likely to have a domino effect throughout the league.

Leading into Unrivaled’s opening weekend, multiple players were light-hearted about the implications of being together in one place during free agency. Vandersloot said anyone who gave her a pack of IPAs “might have a head start” in recruiting her. Sabally joked that she had already received a few cups of coffee.

Cloud said she wants what’s best for Sabally. But she added: “If that is Phoenix, I will literally tell her I will give up my apartment if she wants that too.”

As Feb. 1, the date deals can be announced, approaches, the reality of negotiations looms larger, and the quips have dissipated.

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“It was a total shift. People are lingering in the hallways, having full-blown conversations,” one player granted anonymity to speak freely about the recruiting process said. “We’re not joking anymore.”

The WNBA is preparing to enter its 28th season, but robust free-agency recruiting is still a relatively new part of the winter. Aces guard Chelsea Gray said in an Uninterrupted mini-documentary about her 2020 free agency: “You hear about it happening on the men’s side. Why not have it happen on the women’s side? Why not have people be like, ‘You need to fly her out?’”

Two offseasons ago, Istanbul, Turkey, became the crossroads of the cycle as the New York Liberty, Washington Mystics, Minnesota Lynx and Storm tried figuring into the Breanna Stewart sweepstakes. A team traveling abroad demonstrated interest in building a relationship.

Now, Unrivaled is that crossroads of the free agency world, and players can conveniently build relationships with each other. Peer connections are the benefits of everyone gathering in one place.

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“You’re able to talk to other players directly, and you can figure out what type of resources, how important is their team to the owners? If you have an owner of a team that doesn’t prioritize the women’s team, they’re going to talk about it, and that’s a place where I would (be) less likely to go,” Sabally said.

Players can cross-pollinate their thoughts on facilities. Multiple players at Unrivaled, both free agents and players signed to deals, said that topic had come up in the meal room, sauna and weight room.

“It’s been fun hearing players trying to get certain players to join teams. You’re kind of just able to hear other people’s experiences as well,” New York Liberty star Sabrina Ionescu said.

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Unrivaled’s an instant hit, but can the new women’s basketball 3×3 league sustain?

Not every franchise flocked to Florida right away. Minnesota Lynx head coach and president of basketball Cheryl Reeve and assistant coach Eric Thibault were spotted at last Wednesday’s EuroLeague game between Fenerbahçe and Umana Reyer Venezia. Free agent bigs Emma Meesseman and Tina Charles play for the Turkish club as does former Minnesota forward Nina Milić.

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But by Friday night’s Unrivaled action, they had arrived in Florida.

Lynx guard Courtney Williams said she wasn’t planning to recruit free agents. But Williams admitted that could change in an instant.

“If (Cheryl) gives me a call,” Williams said, “I’m gonna start chatting.”

(Illustration: Dan Goldfarb / The Athletic; Photo: Carmen Mandato / Getty Images)

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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Culture

From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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