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How Max Verstappen can win the drivers’ championship in Las Vegas and light up F1’s glitziest race

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How Max Verstappen can win the drivers’ championship in Las Vegas and light up F1’s glitziest race

This article is part of the “Beyond the Track” series, a dive on the surrounding scene, glamor and culture that makes a Grand Prix.


Max Verstappen’s fightback from 17th on the grid to win Sunday’s Sao Paulo Grand Prix will go down as one of the most important victories of his Formula One career.

Not only did it snap a 10-race streak without a victory (practically a lifetime by Verstappen’s standards), but as Lando Norris slipped from pole position to only finish sixth, the win also put Verstappen on the brink of clinching his fourth world championship.

It was a huge power shift, extinguishing hope that Norris could keep the title race alive to the finale in Abu Dhabi. And now, Verstappen could be crowned champion at the Las Vegas Grand Prix on Nov. 23.

Last year’s first running of the race along the famed Las Vegas Strip was a major milestone for F1. The sport spent over half a billion dollars to make the event happen, including a new, permanent paddock building that serves as its home in the United States, as well as serving as the promoter to run the grand prix. The circuit made sure to incorporate the famed Strip and Sphere, creating a spectacular visual event against the night sky.

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Despite a difficult start to the race weekend with the cancellation of first practice and frustration over the scheduling, Las Vegas was one of the best races of the season, including an open fight for the lead that went down to the final laps and universal praise for the high-speed street track layout.

Verstappen, an early critic of the race for being “99 percent show and one percent sporting event,” sang “Viva Las Vegas” over his radio after crossing the line. Even he bought into the spectacle that had doubled down on being truly Vegas.

Although there are plans to tone down some off-track demands on the drivers and focus more on the local community, the current championship picture means Las Vegas has a chance to secure a place in F1 history.

Unlike last year, when Verstappen clinched the title four races earlier in Qatar, Las Vegas now must consider how to prepare for Verstappen’s coronation as a four-time world champion.

And the organizers would likely make it a championship celebration to remember.

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Max Verstappen greets fans ahead of the 2023 Las Vegas GP. (Mark Thompson/Getty Images)

How Verstappen can win the championship in Las Vegas

There is a straightforward scenario for Verstappen to secure the championship in Las Vegas: beat Norris in the race on Saturday night.

Verstappen is 62 points clear, with 86 still available in the drivers’ championship. If he is 60 points ahead of Norris by the end of the Las Vegas Grand Prix race weekend, then the title race is over.

Norris, the in-form driver before his difficult Sunday in Brazil, can keep the championship going to Qatar the following week by winning in Las Vegas. Finishing second or third would also stave off a title defeat, so long as Verstappen finishes behind and does not score the fastest lap bonus point. If Norris finishes between fourth and seventh, he would need to cross the line two places clear of Verstappen to keep the championship going.

The upshot of the place permutations is that Norris must outscore Verstappen by three points to carry things on to Qatar.

If Norris can put in the same kind of dominant display as he did in Singapore (F1’s most recent street race, where he won by 20 seconds), then it would put plans for a Las Vegas championship celebration on ice. Verstappen would face the prospect of clinching the title in Qatar for a second consecutive year.

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But a team to watch out for in Las Vegas is Ferrari. Charles Leclerc led the team to a 1-2 finish at last month’s United States Grand Prix before teammate Carlos Sainz dominated in Mexico en route to victory. The Las Vegas track layout, complete with some tight, technical corners, should suit the strengths of the Ferrari car in a similar fashion to the circuit in Mexico. Leclerc took pole position last year in Las Vegas and was in contention for victory until the closing stages, eventually pulling off a last-lap overtake on Sergio Pérez to grab second place.

Ferrari’s form and Red Bull’s recent struggles in dry conditions mean that Verstappen wrapping up the title in Las Vegas is no sure thing. Post-race in Brazil, where the wet weather certainly helped his case, Verstappen seemed more optimistic about the team’s performance than he had been lately.

“I’m confident for the last three races that we can fight again, and especially in the race that we will be more competitive,” he said.

A dream scenario for Las Vegas

Any grand prix would love the status of being the race where a championship is won. But the thought of Verstappen clinching the championship in Las Vegas will excite many within F1.

Despite criticism from local groups over the disruption caused by the race’s lead-up and some fans’ frustration over the price of attending, last year’s first running of the Las Vegas Grand Prix was a huge commercial success for both F1 and the city.

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A study by Clark County reported an estimated economic impact of $1.5 billion, over half of which was fueled by visitor spending. From a wider cultural perspective, a primetime Saturday night slot, starting at 10 p.m. PT, put F1 up there with the top sporting properties in Las Vegas and boasted a celebrity pull that took the race beyond its usual realms of coverage.


A general view of fireworks after the Las Vegas Grand Prix. (Clive Mason/Formula 1 via Getty Images)

Las Vegas wanted to put on a show unlike anything F1 had ever seen. As impressive as the race looked on TV and for those on the ground, there was no substitute for the on-track product: a spectacular race that included plenty of overtakes and an open fight for the victory, even if it ended in yet another Verstappen win, excited fans and meant the event lived up to the considerable hype.

F1’s improved competitive picture compared to 2023, when a Verstappen victory was almost accepted as part of proceedings, has already resulted in a boost for several circuits. Bobby Epstein, the chairman of the Circuit of The Americas in Austin, said that when Verstappen’s 2024 domination ended this summer, the track saw an uptick in ticket sales for the United States GP in October. It ended up being a sell-out event.

The same boost is likely to help Las Vegas. The race organizers have always claimed that Las Vegas is often a last-minute market, and there was a later marketing push for this year’s race that started in earnest with 100 days to go. That build-up of late interest may accelerate with the possibility of it being the championship decider.

It would also give the race organizers the chance to give a distinctly Las Vegas flavor to any championship celebrations. Following last year’s grand prix, the top three finishers were chauffered in a limo from parc ferme to the Bellagio, where they conducted interviews in front of the famed fountain before returning to the grid for the podium ceremony as a huge fireworks display erupted over the city.

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Given the involvement of the local casinos, who are partners of the event, and their penchant for high-end hospitality and, where required, extravagance, getting involved in any potential championship celebrations will be highly appealing. There will be a degree of gambling involved – fittingly for Las Vegas – in how thorough any preparations for marking the championship win will be, considering it’s far from a sure thing for Verstappen.

Las Vegas is leaning on the fact it has a “playbook” and hasn’t required the same kind of disruption as last year to get the track complete going into year two. It now wants to be a race for everybody, focusing on accessibility. But given the enormity of the effort by F1 to make the race happen and the white-hot spotlight that was placed upon Las Vegas last year, to add in the coronation of a champion in what has been a classic season will inevitably be a huge source of excitement to the organizers – and the fans planning to attend.

For Verstappen, he doesn’t care where the championship is won. So long as he does it.

“I just want clean races to the end,” he said after his Brazil win. “I’m not thinking about clinching the championship in Vegas or whatever. I just want clean races.”

The Beyond the Track series is part of a partnership with Chanel.

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The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication.

Top photo: Chris Graythen/Getty Images

Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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