Culture
He raped a 12-year-old a decade ago. Now, he’s at the Olympics
Steven van de Velde will step into a picturesque sand court near the base of the Eiffel Tower on Sunday to meet his long-held ambition of becoming an Olympian.
And to let him represent the Netherlands at the Paris Games, the Dutch Olympic Committee agreed that he should stay outside the athletes’ village and not talk with media, who would certainly ask about his prison sentence for raping a 12-year-old girl when he was 19.
Van de Velde, 29, has been competing on the volleyball tour and in international competitions for several years, yet his selection to the Dutch Olympic team has prompted backlash and new attention to his troubling past.
The Dutch Olympic Committee and Dutch Volleyball Federation declined to make Van de Velde available and to comment to The Athletic beyond a statement that said in part that Van de Velde was included on the team “after careful consideration” and that he had “consistently met” their high standards. Van de Velde, approached as he arrived in Paris this week by a reporter from the Daily Mail, declined comment beyond the statements from the federation and committee.
Van de Velde was sentenced to four years in prison in 2016 after admitting that he had taken a cheap flight from Amsterdam to a small airport north of London in 2014 and had sex with a 12-year-old girl after they had talked online frequently for several months.
He was caught after he advised his victim to get a morning-after pill. Staff at a family planning clinic alerted the girl’s family and the police because of her age.
(Pablo Morano/BSR Agency/Getty Images)
Van de Velde served 13 months in prison, including 12 months in Britain before he was transferred to the Netherlands under a treaty between the countries. He was resentenced to a shorter term under Dutch law and was released in early 2017.
After coming out of jail, he gave an interview to Dutch newspaper Algemeen Dagblad in which he said: “I have been branded as a sex monster, as a paedophile. That I am not — really not.”
Van de Velde’s name is still on the UK’s sex offenders registry. Aylesbury Crown Court heard how he started talking to the girl on social media — on Skype, Facebook and Snapchat — and spoke to her almost every day over a few months.
Their communication started when she sent him a friend request. He initially thought she was 16 but even when she told him her real age, he did not break off contact.
On August 2, 2014, he boarded a flight to meet his victim in person. From Luton airport, he took a taxi 22 miles (35km) to Milton Keynes, the town where she lived, for their sexual encounters, including one instance of vaginal sex during which she complained he was hurting her. They also drank Baileys Irish Cream Liqueur together and slept on a cardboard box under a hotel stairway when they couldn’t get a room.
Before he returned to the Netherlands, Van de Velde advised his victim to get the morning-after pill because they had not used contraception.
Back in his home country, Van de Velde’s sporting career was taking off.
He had just won a national championship in 2015 and looked set to make the Dutch team for the following summer’s Olympics in Rio de Janeiro. Then a European warrant was issued for his arrest on child sex charges.
He was extradited to the UK on January 8, 2016, where he pleaded guilty to three counts of raping a child.
In court, his lawyer Linda Strudwick argued that Van de Velde was not a “predatory young man” and that flying to the UK to meet the girl had been a “spur-of-the-moment decision”. She claimed his actions were not grooming and that he did not make the journey “for the purpose of having sex”.
She said: “There was mutual support as two angst-ridden juveniles. He’s lost a stellar sporting career and he’s being branded a rapist. In Holland, the term means violent sexual assault without consent. The headlines say it all — ‘a sex monster.’ It’s plainly a career end for him.”
When Van de Velde was sentenced, it was revealed in court that the victim felt racked with guilt following his arrest and had been self-harming. Judge Francis Sheridan told Van de Velde: “The emotional harm that has been caused to this child is enormous. As she matures, she will have to come to realise that you are not the nice man she thought you were and hoped you might be.”
Under UK law, victims of sexual offences are granted lifelong anonymity, both during the legal process and beyond.
These Olympics will be the peak of Van de Velde’s career (Buda Mendes/Getty Images)
The sentence was reduced in the Netherlands because its law relating to sex with minors is less strict than the law in England.
In a TV interview one year after his release, Van de Velde attributed his crime to being a teenager and “still figuring things out”.
“I made that choice in my life when I wasn’t ready,” he told NOS. “I was sort of lost and now I have so much more life experience.”
He added: “Everyone wants to be liked, everyone wants to be respected, and with something like this on your record, it’s difficult. I can’t reverse it, so I have to carry the consequences. It’s the biggest mistake of my life.”
Since then, he has rebuilt his life and sporting career. He has competed for his country on the international stage since 2017, and in 2022 he married Kim van de Velde, a German beach volleyball player who has also trained as a police officer. They have a two-year-old son.
Marking a career high, Van de Velde will appear at the Paris Olympics alongside his playing partner Matthew Immers, 23, and the pair will hope to build on their recent success where they were runners-up at a tournament on beach volleyball’s world tour in May. Van de Velde has also competed at multiple world and European championships.
Their first group-stage match in Paris is against an Italian duo on Sunday morning.
“I know the Steven of today and I’m happy about that,” Immers said. “I feel comfortable with him, we take good care of each other. I’m 23, he’s 29. He’s a kind of a second father to me, who supports me.”
In its statement, the Dutch Olympic Committee said Van de Velde deserved a second chance as he had shown that he’d “grown and positively changed his life”.
The statement said: “We are deeply aware that the renewed publicity about Steven van de Velde is causing a lot of emotion, which we fully understand, as the events at that time were very serious. A lot has happened since then. Steven served his sentence and has completed an extensive rehabilitation programme with specialised professionals, including the probation service. Experts have concluded there is no risk of recidivism.”
“He is proving to be an exemplary professional and human being and there has been no reason to doubt him since his return,” said Michel Everaert, general director of the Dutch Volleyball Federation.
The volleyball federation added that “when Van de Velde looks in the mirror now, he sees a mature and happy man, married and father of a beautiful son.”
Pieter van den Hoogenband, chef de mission for Dutch Olympic Committee, said the moves to change his accommodations and restrict him from the media were necessary because attention on Van de Velde had magnified around the Paris Games.
“He’s not going to downplay it. We have to respect that and help him as a member of the team to be able to perform,” Van den Hoogenband said.
The IOC does not have its own rules for the selection of individual participants for games, deferring to each national olympic committee to make its own decisions.
“They (the Dutch Olympic Committee) have put out a statement, they’ve made it very clear there’s a lot of safeguarding going on, special extra safeguarding,” IOC spokesman Mark Adams told a news conference in Paris on Saturday.
Some national Olympic officials have made it clear they would not have chosen an athlete to play under similar circumstances.
“If an athlete or a staff member had that conviction, they wouldn’t be allowed to be a member of our team,” said Australia’s chef de mission, Anna Meares.
Van de Velde’s appearance at the Games has prompted fury from campaign groups who said he’d shown a “chilling” lack of remorse and empathy for his victim. A petition with nearly 81,000 signatures called on the IOC to ban known sex offenders from competing.
The Survivors Trust, a UK-based group which supports victims of sexual violence, said in a statement that his inclusion was a “further endorsement of the shocking toleration we have of child sexual abuse.” It added: “The rape of a child was planned, calculated involving international travel, and will undoubtedly cause his victim lifelong trauma, irreversibly changing the course of her life. As a society, we have to start embracing a zero-tolerance approach to this heinous and costly crime.”
“An athlete convicted of child sexual abuse, no matter in what country, should not be awarded the opportunity to compete in the Olympic Games,” added Julie Ann Rivers-Cochran, executive director of The Army of Survivors. “Despite Van de Velde’s justifications, there is no excuse for raping a child. Van de Velde’s statement reveals a lack of remorse and understanding of the consequences of his actions. Raping a minor is not a ‘misstep’ — it is a criminal violation that should exclude people from participation in the Olympic Games.”
When Van de Velde was sentenced in 2016, Judge Sheridan told him: “Your hopes of representing your country now lie as a shattered dream. Your actions in those two days in England have wrecked your life and you could, had you never come to England and committed these offences, have been a leader in your sport.”
Yet, eight years on, Van de Velde’s dreams are far from shattered.
(Top photo: Lucio Tavora/Xinhua via Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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