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Gukesh Dommaraju, 18, has made history. Can the prodigy become the youngest chess world champion?

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Gukesh Dommaraju, 18, has made history. Can the prodigy become the youngest chess world champion?

Dr. Rajinikanth and his wife Dr. Padma would regularly play chess together for fun at their family home in India. Always at their side, watching wide-eyed, observing intensely as each piece was strategically moved on the board, was their son, Gukesh. The young boy was captivated by the calculated black and white dance before him.

“He would become fascinated with how the pieces worked,” Rajini tells The Athletic.

Over the next few weeks, Gukesh, still fresh into adulthood, could become the youngest-ever chess world champion. By qualifying for this month’s 2024 World Chess Championship in Singapore, the 18-year-old is already the youngest challenger to compete for the world title.

It has been a meteoric and surprising rise for a player who, until the summer of 2022, was still solely ranked as a junior. “It just happened by accident,” says Rajini, a surgeon. His son’s success wasn’t preordained, he says. Neither he nor his spouse, who is a microbiologist, had planned for or dreamed of their son becoming a phenomenon in the sport. “We never realized he was a special talent,” he explains. “It was the schools, teachers, and coaches who started to tell us, ‘This kid is talented, you should pursue more’.”

Starting on Monday, Gukesh will play titleholder Ding Liren, 32, of China in the best-of-14 classical games match that could last until December 13. For the first time in 138 years, two players from Asia will contest the final.

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Gukesh, from the city of Chennai on the Indian south coast, a hotbed for chess talent, won the eight-player 2024 Candidates tournament in Toronto to set up the chance to become the first teenager to win the world title. Aged 17, in his first appearance at what is essentially the final round of World Championship qualifying, he overcame the odds and got the better of five more celebrated players — all with higher rankings — earning his title shot with five wins, one loss, and eight draws to finish with a score of nine out of 14 (one point for a win, half a point for a draw, and zero for a loss). Should he triumph in Singapore, he will become India’s second world chess champion after Viswanathan Anand.


Ding competes against Gukesh during the Tata Steel Chess Tournament in the Netherlands in January 2023. (Photo by Sylvia Lederer/Xinhua via Getty Images)

Perhaps such success shouldn’t have been surprising given the records he broke as a child. Still young enough to be included in the International Chess Federation’s (FIDE) junior world rankings, he is the world’s top-ranked junior male player in classical chess, the longest format of the sport.

That he could beat the defending champion isn’t in the realm of fantasy, either. Gukesh, ranked fifth in the world in this month’s classical rankings, is the in-form player. Ding, currently 23rd, has had a difficult reign as world champion, taking a nine-month break from the sport last year for mental health reasons. He hasn’t won a classical game since January and has only played 44 classical games since becoming world champion.

“I am worried about losing very badly. Hopefully it won’t happen,” Ding said to chess app TakeTakeTake in September. At this week’s press conference, Ding said he wasn’t at his peak but said he was at “peace” and would review his previous best performances for inspiration.

Ding does, however, hold the better record in the pair’s head-to-head classical meetings, winning two and drawing once, and his peak FIDE rating of 2,816 is higher than Gukesh’s (2,794, reached in October).

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But Magnus Carlsen, the five-time world champion who opted not to defend his world crown in 2023 but is still ranked as the world’s best classical player, has backed Gukesh to win, and urged the importance of Ding making a fast start.

“Ding cannot lose the first game… from what we’ve seen from Ding for the last one-and-a-half years, I don’t think he’ll come back from losing the first game, so I agree, hesitantly, that he’s going to be the first person to win a game, but I’m very uncertain,” he told chess.com. The Norwegian added: “The only way there’s going to be a low number of decisive games is that Ding gets chances and keeps missing them. We could see a bloodbath.”


‘Gukesh D’ as he is known, started playing chess at the age of seven, winning various junior tournaments before becoming, at the time, the second-youngest grandmaster, aged 12 years, seven months and 17 days. Grandmaster, awarded to players by governing body FIDE for life, is the highest title outside of world champion; today there are more than 1,850.

This year, he became the third-youngest to reach a FIDE rating of 2,700 after claiming two gold medals at the Chess Olympiad — a biennial international tournament that was held in Budapest, Hungary, and he is the youngest player to achieve a rating of 2,750.

Gukesh said his youth could be viewed as a negative and a positive heading into the final, but at this week’s press conference Ding said his opponent played with maturity “in many aspects”. Known for being an aggressive player, Gukesh, who recently revealed he was a fan of the sitcom Friends, is one of a number of young players making a name for himself in the sport. Ding recently decribed the new generation of players as fearless. “There are a lot born after 2000, they play fearlessly and are willing to try different strategies that the previous generation might not have,” he said, according to The Straits Times.

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Gukesh is welcomed at Chennai International Airport after winning two gold medals at the FIDE Chess Olympiad (Photo by R. Satish Babu/AFP via Getty)

One of the coaches who told Gukesh’s parents about their son’s special ability and helped his development was Indian grandmaster Vishnu Prasanna, who coached the prodigy from 2017 to 2023.

They first met after Vishnu hosted a small training camp for students from Gukesh’s school, Velammal Vidyalaya, which has a great reputation for producing chess talents. Developing a strong mentality was a big focus point for Vishnu. “We discussed a lot of non-chess stuff about mindsets and how people in extreme sports behave,” Vishnu tells The Athletic. 

“We talked a lot about Alex Honnold (the American free solo climber) and many extreme athletes and what kind of mindsets they try to keep. I always emphasized that chess techniques come and go and can be played around with, so there is no one right technique. But there can be a right mindset that promises performance, and that is the difference between players rather than the chess itself.”

His parents never involved themselves in training, instead making sure life outside of the sport was settled. But, with the approval of Gukesh’s parents, Vishnu, experimenting with his approaches, resisted the use of computer or chess engine assistance until Gukesh was a grandmaster, the aim being to encourage Gukesh to think on his own.

Chess had a deeper impact, too, on the teenager. “He used to be very naughty,” says Rajini.

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“He was the only child so whatever he wanted he had to get it sometimes. He used to have all these tantrums but once he started chess he became very observant, how he is now. He started becoming more calm, patient, and observant. Chess has changed him.”


Playing chess can cause mental fatigue because of the concentration required. Yet, Gukesh’s appetite for the game once saw him play 276 games in 30 tournaments across 13 countries over 16 months while squeezing in 10am-5pm sessions with Vishnu in between competitions.

The longest game at a World Chess Championship was in 2021 between Carlsen and Ian Nepomniachtchi, taking seven hours and 45 minutes. Such mental focus can take its toll. After the ‘Moscow Marathon’, a World Championship contest between Anatoly Karpov and Garry Kasparov that lasted five months and 48 games, Karpov told a Russian magazine he had lost 10kg (22lb) in weight.


Gukesh could become the first Indian world champion since Viswanathan Anand (Photo by Marcus Brandt/picture alliance via Getty Images)

In Singapore, each classical game will follow the time control of 120 minutes for the first 40 moves, followed by 30 minutes for the rest of the game. From move 41, a 30-second increment will start. Players must remain poised, balanced and consider their moves deeply. A score of 7.5 points or more will win the world title. If the players are level after 14 classical games, a tie-break will be played on December 13. The right mindset is paramount, says Vishnu.

“It’s probably the biggest stage that anyone would get to, it’s all about nerves when you get there,” he says.

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“He has been thriving under pressure. So far, he has always delivered in moments where he has a lot to lose and when things are hanging by a thread.”

History is on the line, and so too is a lot of money. The total prize pot for the World Championship is $2.5million, with each player earning $200,000 for each game they win. The remaining prize money will be split equally between the players. This is a significant hike from the €48,000 ($50,489 at current currency conversion) Gukesh banked from winning the Challenger tournament.

Even if Gukesh remains calm under the Singapore spotlight, his parents will not be relaxed. Padma does not watch her son’s matches because the experience is too stressful. Instead, she will wait for the results to come in.

“I also want to do that, because it is too stressful for us, but it is too difficult to stay away so it’s like a hide-and-seek. So I just watch once every half an hour or hour and just see what position he is in,” says Rajini.

Tournaments have taken Gukesh, accompanied by his father, all over the world. There have been sacrifices, but the family have few regrets.

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“Two-thirds of the year we were travelling for tournaments — his mother got very little time to spend with us. That is one thing we regret. Otherwise, we are very happy with how things turned out and we are very fortunate,” says Rajini.

Coach Vishnu saw the pursuit of greatness first-hand. “There is no clear path to recreate what he has done,” he says. “A certain hyper-focus and sacrifice of a regular childhood, a regular school life, and a regular social life of a teenager, you give up all that and focus on the main thing and that is to get better at chess.”

There are increasingly more chess prodigies, but Gukesh has worked persistently to fulfil his potential. “I had no doubt he was going to do well but, still, he exceeded expectations,” says Vishnu.

Gukesh is following in the footsteps of a great: five-time world champion Anand, now the deputy president of FIDE and also from Chennai. Fittingly, Gukesh overtook him in the chess rankings last year to knock him off the top spot as India’s highest-ranked player, a position he had held for 37 years (although Arjun Erigaisi, in fourth place, currently holds that honour).

Anand dominated an era, including winning four consecutive World Championships between 2007 and 2012.

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“Playing the world championship and winning the Candidates is trying to fill Anand’s shoes, which is something my generation tried but failed to do,” says Vishnu, 35.

“So it is very inspiring that Gukesh is close to putting India back on top of world chess, looking back and thinking, ‘That was the kid who was coming and training with me’.”

(Top image: Andrzej Iwanczuk/NurPhoto via Getty Images; design Eamonn Dalton)

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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