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Gerd Stern, Beat Era Poet and Multimedia Artist, Dies at 96

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Gerd Stern, Beat Era Poet and Multimedia Artist, Dies at 96

Mr. Stern’s life was as colorful, confusing and sometimes chaotic as his art. He was born Gerd Jacob Stern in Oct. 12, 1928, to a Jewish family in the Saar, a German-speaking region administered by France and Britain under a mandate from the League of Nations. After the Saar was incorporated into Nazi Germany in 1935, Mr. Stern’s father, Otto, a cheese importer, moved his family to New York City, where he re-established his business.

Mr. Stern attended the Bronx High School of Science and the City College of New York with the intention of studying zoology, but he left after a few weeks. His subsequent stay at Black Mountain College, the experimental interdisciplinary school in North Carolina, where he planned to study poetry, was even briefer. Its rector, the painter Josef Albers, was, Mr. Stern recalled, “out of the same mold as my father: the Germanic disciplinarian.”

“I couldn’t take it,” he said, “so I split.”

He was, however, strongly influenced by other Black Mountain instructors, including Buckminster Fuller and John Cage.

It was through Cage that Mr. Stern was introduced to Marshall McLuhan’s theories, reading the manuscript of what would be published in 1964 as “Understanding Media,” McLuhan’s oracular treatise on the impact television and other modes of communication had on human consciousness.

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At this point, Mr. Stern recalled, his poems turned nonlinear, “running off the paper into collage and lights and sounds.” He turned words into slide shows, pasted words around three-dimensional objects and, with the installation “Contact Is the Only Love,” constructed a device to blitz viewers with assorted word images.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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Video: The 10 Best Books of 2025

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Video: The 10 Best Books of 2025
After a year of deliberation, the editors at The New York Times Book Review have picked their 10 best books of 2025. Three editors share their favorites.

By MJ Franklin, Joumana Khatib, Elisabeth Egan, Claire Hogan, Laura Salaberry, Gabriel Blanco and Karen Hanley

December 2, 2025

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