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Gauthier received death threats for not wanting to play for Flyers

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Gauthier received death threats for not wanting to play for Flyers

From the moment he was traded to the Anaheim Ducks on Monday, Cutter Gauthier has been pilloried in some circles, with social media-fueled attacks on his character after the Philadelphia Flyers effectively said good riddance to their former prize prospect.

Gauthier answered questions Wednesday about the stunning deal, which saw the Flyers trade the 19-year-old Boston College standout and recent United States world juniors gold medal winner to the Ducks for young defenseman Jamie Drysdale and a 2025 second-round draft pick.

The reaction to reports about Gauthier’s recent dealings with Philadelphia — or perhaps lack thereof — was so toxic that Gauthier said he received death threats via social media. Most of the questions Gauthier has faced have centered around one simple one: Why didn’t he want to play for the Flyers?

“That’s the question (that) kind of everyone’s wondering, and the biggest thing I can say right now is I have to keep it to myself, my family and my agent,” Gauthier said. “It’s been a long process in the past handful of months of dealing with this. I don’t think it’s the right time to kind of discuss it. There might be one day where I kind of get into details on what happened. Right now, I want to keep it to a private matter.”

During a 30-minute telephone call with local reporters, Gauthier said his head is “kind of spinning” in the two days since the trade, and emphasized he’s excited to join Anaheim after his college season ends. He also pointed to death threats in describing the visceral reactions he’s received.

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“There’s been a lot of good and bad,” he said. “A 19-year-old kid getting a lot of death threats and a bunch of thousands and thousands of people reaching out and just saying some pretty poor things that I wouldn’t wish upon my worst enemy, it’s pretty tough to see, obviously. But it’s a business. With all the rumors spreading around that aren’t true, it’s kind of tough to go out and say one word or anything to kind of quiet those people.

“But, you know, people are going to have opinions. People are going to say things. I can’t tell them to have an opinion or not. It’s been definitely a little bit of a stressful situation (the) last 48 hours.”

Expanding on the threats he’s received, Gauthier said: “My (direct messages) right now and Instagram are kind of pretty crazy of what people are saying. There’s been thousands and thousands of messages. I’m still getting some five, 10 minutes ago. And it’s kind of cruel what people are saying.

“I didn’t really mean to put any harm into anyone. I just was looking at a situation, kind of I’d say a pigeon view from above. I thought it was best for me to make the decision I made. Obviously some people aren’t going to be happy with it. I’m not here to please everyone. I’m here to do what’s best for me and my future. I felt that’s what I did. Obviously, people aren’t going to be too happy with that. Yeah, some pretty cruel things that people are saying.”

While he understood the amount of interest that would follow in the aftermath of the trade, Gauthier admits it’s been tough for him to stay off his cell phone or social feeds. But there has been support amid the backlash.

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“It’s kind of tough when it’s all right in your face right there,” he said. “You pull up Twitter and you see my name and every report of what’s going on and everyone having their own opinions. It’s kind of tough not to completely stay away from it.

“Like I said before, it’s a business. People are going to say things, especially in the situation we are in right now. It’s kind of tough knowing the real reason why and seeing people put all these false statements out there. Not being able to really express what really happened yet. It’s been kind of hard, but it’s also been good, too. A bunch of people have reached out to me.

“You can definitely see who your circle of friends are in situations like this. It’s definitely been good for the most part and obviously a handful of bad things from Flyers fans.”

In the time since the trade, Gauthier said he did go back and forth on whether to fully explain what went behind going from the Flyers’ No. 5 choice of the 2022 NHL Draft to requesting a trade from them last April after his freshman season with the Eagles concluded. He opted for the discretion of privacy.

“I’ve seen kind of all the rumors that are spreading right now,” he said. “It’s kind of just funny what people are saying at this moment. I don’t think I’ve seen one thing that’s been said that’s been spot on on the reason why this all transpired. People like to talk and people like to make things up and other people like to listen.”

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Another aspect of the trade Gauthier sought to dispel is the notion that he didn’t want to play for Flyers coach John Tortorella. He said his interaction with him was positive.

“All those rumors saying I was scared of Torts, that’s not the case at all,” he said. “I’ve had many (tough) coaches throughout my whole life and I think that any coach I will play for would love to have me on their team. I want to do whatever it takes to win. If they’re a hard, yelling, screaming kind of coach, I’ll roll with the punches. I’m never going to disrespect or talk back to a coach. I’m going to give it my all every single shift. That was definitely not the reason why I didn’t want to play in Philly.

“I actually met Torts during dev camp two years back. I was super excited and thrilled to meet him. Obviously, being a big name in hockey and the coaching staff industry, I definitely was not against playing for him whatsoever.”

And while he stayed away from specifics about the Flyers and his dealings with them, Gauthier specifically took issue with St. Louis Blues forward Kevin Hayes being described as someone who influenced his desire to play elsewhere. Hayes, who played with the Flyers from 2020-23, is a former BC player who Gauthier has gotten to know well.

“I’ve kind of seen all the rumors going around about Kevin Hayes having his fingerprints on this,” Gauthier said. “I want to clarify that he has nothing to do with this whatsoever. He has absolutely nothing (to do with it). Some of the people who are kind of saying this stuff about his family and stuff like that, (it) is pretty gutless. He has zero fingerprints on this whatsoever.

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“I haven’t spoken to him in a long time. I just wanted to clarify it. It’s not just his word against everyone else’s. I wanted to make sure that (it’s known) he was definitely not involved in this whatsoever. It’s kind of disrespectful to him and his name that he was being brought into this.”

The Ducks made the trade with the strong belief and knowledge that Gauthier would sign with them after he completes his sophomore season with the Eagles, who are the top-ranked team in college hockey. Gauthier said that is his plan and his NHL debut could still come if the Eagles were to play for the NCAA title, as Anaheim plays its season finale five days after the championship game. He said he’s been in touch with current Ducks forwards Troy Terry and Leo Carlsson.

But the prospect of him playing his first game in Philadelphia will have to wait as the Ducks already made their lone visit in October. Asked what he anticipates the first game at Wells Fargo Center will be like, Gauthier said “chaotic.”

“I got that (future) date circled on my calendar big time,” he continued. “I can’t wait to go out there and play my game in front of those fans and do my thing. I’m really looking forward to that game.”

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(Photo: Andy Lewis / Icon Sportswire via Getty Images)

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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