Culture
Gauthier received death threats for not wanting to play for Flyers
From the moment he was traded to the Anaheim Ducks on Monday, Cutter Gauthier has been pilloried in some circles, with social media-fueled attacks on his character after the Philadelphia Flyers effectively said good riddance to their former prize prospect.
Gauthier answered questions Wednesday about the stunning deal, which saw the Flyers trade the 19-year-old Boston College standout and recent United States world juniors gold medal winner to the Ducks for young defenseman Jamie Drysdale and a 2025 second-round draft pick.
The reaction to reports about Gauthier’s recent dealings with Philadelphia — or perhaps lack thereof — was so toxic that Gauthier said he received death threats via social media. Most of the questions Gauthier has faced have centered around one simple one: Why didn’t he want to play for the Flyers?
“That’s the question (that) kind of everyone’s wondering, and the biggest thing I can say right now is I have to keep it to myself, my family and my agent,” Gauthier said. “It’s been a long process in the past handful of months of dealing with this. I don’t think it’s the right time to kind of discuss it. There might be one day where I kind of get into details on what happened. Right now, I want to keep it to a private matter.”
During a 30-minute telephone call with local reporters, Gauthier said his head is “kind of spinning” in the two days since the trade, and emphasized he’s excited to join Anaheim after his college season ends. He also pointed to death threats in describing the visceral reactions he’s received.
“There’s been a lot of good and bad,” he said. “A 19-year-old kid getting a lot of death threats and a bunch of thousands and thousands of people reaching out and just saying some pretty poor things that I wouldn’t wish upon my worst enemy, it’s pretty tough to see, obviously. But it’s a business. With all the rumors spreading around that aren’t true, it’s kind of tough to go out and say one word or anything to kind of quiet those people.
“But, you know, people are going to have opinions. People are going to say things. I can’t tell them to have an opinion or not. It’s been definitely a little bit of a stressful situation (the) last 48 hours.”
Expanding on the threats he’s received, Gauthier said: “My (direct messages) right now and Instagram are kind of pretty crazy of what people are saying. There’s been thousands and thousands of messages. I’m still getting some five, 10 minutes ago. And it’s kind of cruel what people are saying.
“I didn’t really mean to put any harm into anyone. I just was looking at a situation, kind of I’d say a pigeon view from above. I thought it was best for me to make the decision I made. Obviously some people aren’t going to be happy with it. I’m not here to please everyone. I’m here to do what’s best for me and my future. I felt that’s what I did. Obviously, people aren’t going to be too happy with that. Yeah, some pretty cruel things that people are saying.”
While he understood the amount of interest that would follow in the aftermath of the trade, Gauthier admits it’s been tough for him to stay off his cell phone or social feeds. But there has been support amid the backlash.
“It’s kind of tough when it’s all right in your face right there,” he said. “You pull up Twitter and you see my name and every report of what’s going on and everyone having their own opinions. It’s kind of tough not to completely stay away from it.
“Like I said before, it’s a business. People are going to say things, especially in the situation we are in right now. It’s kind of tough knowing the real reason why and seeing people put all these false statements out there. Not being able to really express what really happened yet. It’s been kind of hard, but it’s also been good, too. A bunch of people have reached out to me.
“You can definitely see who your circle of friends are in situations like this. It’s definitely been good for the most part and obviously a handful of bad things from Flyers fans.”
In the time since the trade, Gauthier said he did go back and forth on whether to fully explain what went behind going from the Flyers’ No. 5 choice of the 2022 NHL Draft to requesting a trade from them last April after his freshman season with the Eagles concluded. He opted for the discretion of privacy.
“I’ve seen kind of all the rumors that are spreading right now,” he said. “It’s kind of just funny what people are saying at this moment. I don’t think I’ve seen one thing that’s been said that’s been spot on on the reason why this all transpired. People like to talk and people like to make things up and other people like to listen.”
Another aspect of the trade Gauthier sought to dispel is the notion that he didn’t want to play for Flyers coach John Tortorella. He said his interaction with him was positive.
“All those rumors saying I was scared of Torts, that’s not the case at all,” he said. “I’ve had many (tough) coaches throughout my whole life and I think that any coach I will play for would love to have me on their team. I want to do whatever it takes to win. If they’re a hard, yelling, screaming kind of coach, I’ll roll with the punches. I’m never going to disrespect or talk back to a coach. I’m going to give it my all every single shift. That was definitely not the reason why I didn’t want to play in Philly.
“I actually met Torts during dev camp two years back. I was super excited and thrilled to meet him. Obviously, being a big name in hockey and the coaching staff industry, I definitely was not against playing for him whatsoever.”
And while he stayed away from specifics about the Flyers and his dealings with them, Gauthier specifically took issue with St. Louis Blues forward Kevin Hayes being described as someone who influenced his desire to play elsewhere. Hayes, who played with the Flyers from 2020-23, is a former BC player who Gauthier has gotten to know well.
“I’ve kind of seen all the rumors going around about Kevin Hayes having his fingerprints on this,” Gauthier said. “I want to clarify that he has nothing to do with this whatsoever. He has absolutely nothing (to do with it). Some of the people who are kind of saying this stuff about his family and stuff like that, (it) is pretty gutless. He has zero fingerprints on this whatsoever.
“I haven’t spoken to him in a long time. I just wanted to clarify it. It’s not just his word against everyone else’s. I wanted to make sure that (it’s known) he was definitely not involved in this whatsoever. It’s kind of disrespectful to him and his name that he was being brought into this.”
The Ducks made the trade with the strong belief and knowledge that Gauthier would sign with them after he completes his sophomore season with the Eagles, who are the top-ranked team in college hockey. Gauthier said that is his plan and his NHL debut could still come if the Eagles were to play for the NCAA title, as Anaheim plays its season finale five days after the championship game. He said he’s been in touch with current Ducks forwards Troy Terry and Leo Carlsson.
But the prospect of him playing his first game in Philadelphia will have to wait as the Ducks already made their lone visit in October. Asked what he anticipates the first game at Wells Fargo Center will be like, Gauthier said “chaotic.”
“I got that (future) date circled on my calendar big time,” he continued. “I can’t wait to go out there and play my game in front of those fans and do my thing. I’m really looking forward to that game.”
Required reading
(Photo: Andy Lewis / Icon Sportswire via Getty Images)
Culture
6 New Books We Recommend This Week
Our recommended books this week tilt heavily toward European culture and history, with a new history of the Vikings, a group biography of the Tudor queens’ ladies-in-waiting, a collection of letters from the Romanian-born French poet Paul Celan and a biography of the great German writer Johann Wolfgang von Goethe. We also recommend a fascinating true-crime memoir (written by the criminal in question) and, in fiction, Rebecca Kauffman’s warmhearted new novel about a complicated family. Happy reading. — Gregory Cowles
One of Europe’s most important postwar poets, Celan remains as intriguing as he is perplexing more than 50 years after his death. The autobiographical underpinnings of his work were beyond the reach of general readers until the 1990s, when the thousands of pages of Celan’s letters began to appear. The scholar Bertrand Badiou compiled the poet’s correspondence with his wife, the French graphic artist Gisèle Lestrange-Celan, and that collection is now available for the first time in English, translated by Jason Kavett.
NYRB Poets | Paperback, $28
Wilson’s biography of the German polymath Johann Wolfgang von Goethe (1749-1832) approaches its subject through his masterpiece and life’s work, the verse drama “Faust” — widely considered perhaps the single greatest work of German literature, stuffed to its limits with philosophical and earthy meditations on human existence.
Bloomsbury Continuum | $35
Through a series of vignettes, Kauffman’s fifth novel centers on a woman determined to spend Christmas with her extended family, including her future grandchild and ex-husband, and swivels to take in the perspectives of each family member in turn.
People love the blood-soaked sagas that chronicle the deeds of Viking raiders. But Barraclough, a British historian and broadcaster, looks beyond those soap-opera stories to uncover lesser-known details of Old Norse civilization beginning in A.D. 750 or so.
Norton | $29
Fifteen years ago, Ferrell gained a dubious fame after The New York Observer identified her as the “hipster grifter” who had prowled the Brooklyn bar scene scamming unsuspecting men even as she was wanted in Utah on felony fraud charges. Now older, wiser and released from jail, Ferrell emerges in this captivating, sharp and very funny memoir to detail her path from internet notoriety to self-knowledge.
St. Martin’s | $29
In her lively and vivid group biography of the women who served Henry VIII’s queens, Clarke, a British author and historian, finds a compelling side entrance into the Tudor industrial complex, showing that behind all the grandeur the royal court was human-size and small.
Culture
Is Mikel Arteta right – do footballs really make a difference to performance?
This article was updated on January 9 to reflect the ball being used in Sunday’s FA Cup third round game between Arsenal and Manchester United.
Mikel Arteta was in no doubt.
Arsenal’s manager was dissecting a painful 2-0 home defeat against Newcastle United in Tuesday’s Carabao Cup semi-final first leg when — unprompted by any journalist in the room — he raised an unlikely issue that, he felt, helps explain his team’s inability to convert any of their 23 shots on the night into goals.
“We also kicked a lot of balls over the bar, and it’s tricky that these balls fly a lot, so there are details that we can do better,” Arteta said in the post-match press conference.
When asked to expand on his comments later, he added: “(The Carabao Cup ball) very different to a Premier League ball, and you have to adapt to that because it flies differently. When you touch it, the grip is also very different, so you adapt to that.”
Arsenal were certainly profligate, with Gabriel Martinelli, Kai Havertz and Jurrien Timber all spurning fine opportunities. But was the ball being used — the Orbita 1, made by German manufacturer Puma — really to blame?
Newcastle forwards Alexander Isak and Anthony Gordon seemed to have no issues with it as they converted their own side’s chances, and the ball hadn’t held Arsenal back in previous rounds in the competition, where they scored 11 goals in three games against Preston North End, Bolton Wanderers and Crystal Palace.
Arteta’s complaints were met with a sceptical response in many quarters, not least from the English Football League (EFL), which organises the Carabao Cup, English football’s No 2 cup competition after the FA Cup.
“In addition to the Carabao Cup, the same ball has been successfully used in other major European leagues, including both Serie A and La Liga and our three divisions in the EFL,” it said in a statement. “All clubs play with the same ball (in the competition), and we have received no further comments of this nature following any of the previous 88 fixtures which have taken place in this season’s Carabao Cup.”
Puma is yet to respond to The Athletic’s request for comment.
But was Arteta’s outburst so outlandish? There are, after all, two external factors (aside from the players) which materially affect the outcome of a football match — the pitch and the ball. It stands to reason, therefore, that any unexpected variation in either of those could potentially influence the outcome.
As Premier League clubs, Arsenal and Newcastle are used to training and playing with the Nike Flight ball. U.S. company Nike has supplied the footballs used in England’s top flight since the 2000-01 season, when it replaced British firm Mitre as ball manufacturer, and players have prepared for and played with its balls in league matches ever since. Occasionally, however, they are obliged to change.
Arsenal also feature in the Carabao Cup, FA Cup and Champions League this season, with a different ball (made by other manufacturers) used in each instance. In addition to Puma’s Orbita 1, Adidas supplies the balls for the Champions League and Mitre for the FA Cup.
On Thursday, it was confirmed that the ball being used in Sunday’s third-round tie with Manchester United at the Emirates Stadium would be a special gold edition of the Ultimax Pro model — a nod to United having won the competition last season.
Something for the winners… 🏆
As current holders of @EmiratesFACup 23/24 season, @ManUtd will play with this gold limited edition Ultimax Pro match ball in the 3rd round tie against Arsenal on Sunday.
Let’s see if they can take it all the way to the final… pic.twitter.com/LlekjNQAZh
— Mitre Sports (@MitreSports) January 9, 2025
Though they all have similar dimensions and are made from similar materials, slight alterations in design can make a marked difference.“The more ‘perfect’ a ball is, the more likely it is to be erratic,” says Justin Lea, founder of ball manufacturer Hayworth Athletic. “They all have their own personalities. If you look at the FIFA ball rules, there are ranges for everything. A ball can only retain a certain amount of water if a field is wet. There’s a range to the sphericity of the ball and the bounce of the ball.”
The game’s laws state a regulation size-5 ball must be 68-70cm (26.8-27.6in) in circumference and weigh between 410 and 450 grams (14-16 oz) at the start of the match. It must also be inflated to a pressure of 0.6-1.1 bars at sea level.
“There’s a certain amount of intuition with a ball,” says Lea. “The Brilliant Super from Select, for example, kind of goes where you want it to go. But the more ‘perfect’ a ball is, the more likely it is to be erratic. Some with thermal bonding technology and higher-end materials can get so spherical that the dynamics and the trajectory change. They can go in a lot of different directions.”
At the 2010 men’s World Cup in South Africa, it wasn’t just the honking sound of fans blowing vuvuzelas, a trumpet-like musical instrument, in the crowd that dominated discussion. Adidas’ now infamous Jabulani was also a hot topic, becoming arguably the most recognised and disputed ball in the sport’s modern history.
The Jabulani consisted of eight thermally bonded panels with a textured surface (named Grip ‘n’ Groove by Adidas), which were said to improve aerodynamics. For the players in that World Cup, however, it proved to be a nightmare, with goalkeepers and outfield players alike complaining about the balls swerving uncontrollably after being kicked.
“It’s sad that such an important competition has such an important element like this ball of appalling condition,” said Iker Casillas, whose Spain side would go on to win the final, in comments reported by the BBC. According to Brazilian news outlet O Globo, meanwhile, Brazil player Julio Cesar described it as “horrible” and like “the ones sold in supermarkets”.
One of the most vehement opposers was former Liverpool midfielder Craig Johnston, who became an expert in the appliance of science to football equipment after his playing career ended and helped design the original Adidas Predator boot. In a 12-page letter of complaint to world football governing body FIFA’s then president Sepp Blatter that was acquired by UK newspaper The Daily Telegraph, Johnston wrote, “Whoever is responsible for this should be taken out and shot for crimes against football.”
The general contemporary opinion surrounding the Jabulani was that it was not fit for purpose, but it was not universally disliked.
Clint Dempsey, who sneaked a shot under goalkeeper Rob Green’s body to equalise in the USMNT’s 1-1 group-stage draw with England, said in a pre-tournament press conference reported by FOX Sports: “If you just hit it solid, you can get a good knuckle on the ball… you’ve just got to pay a little bit more attention when you pass the ball sometimes.”
It also provided former Uruguay and Manchester United striker Diego Forlan with his defining tournament.
His former national-team colleague Diego Abreu told Uruguayan outlet El Futbolero in 2020 that Forlan got Adidas to send him a Jabulani three months before the World Cup started, and that he would practise shooting and taking free kicks with it. As it transpired, Forlan finished as the tournament’s joint-top scorer, with his five goals helping Uruguay reach the semi-finals. Such was his mastery of the Jabulani, he also left South Africa with the Goal of the Tournament award and the Golden Ball, presented to whoever gets voted the competition’s best player.
The Jabulani remains possibly the most extreme modern example of a football’s effect on the quality and trajectory of a shot, and it’s unlikely we will see an outlier like that again. Still, many players feel noticeable differences when switching between different makes of balls even 15 years later.
“When I went to the Premier League, and I started playing with the Nike ones compared to the Mitre balls in the Championship, I found they felt so much lighter,” says former Reading and Cardiff City striker Adam Le Fondre. “I felt like I was going to get a bit more movement with it.
“Mitre balls were more like cannonballs. They wouldn’t move or deviate off plan — they’d act in a straight manner. As a striker, you might want to get a bit more of a wobble on it, or even if you don’t connect with it well, the Nike ball in the Premier League might still have gone in. They gave me a little bit more help.”
It’s not just in football this happens, either.
In October, Los Angeles Lakers head coach JJ Redick complained about using new basketballs instead of already broken-in ones in the NBA.
“I’m gonna send in a request for the league tomorrow that we play with worn-in basketballs,” Redick, who previously spent 15 seasons in the NBA as a player, told various outlets in a post-match press conference. “I’m not sure why we can play in real games with brand-new basketballs. Anybody who has ever touched an NBA ball brand new — it has a different feel and touch than a worn-in basketball.”
At the beginning of the 2021-22 season, the NBA switched its ball manufacturer from Spalding to Wilson, which was cited as one of the reasons for a slump in shooting percentages across the league. “It’s just a different basketball. It doesn’t have the same touch and softness the Spalding ball had,” said Philadelphia 76ers forward Paul George in a post-match press conference. “You’ll see a lot of bad misses this year. You’ve seen a lot of airballs (shots that miss the hoop, net and even backboard entirely). Again, not to make an excuse or put any blame on the basketball, but it is different.”
It wasn’t long before players became accustomed to the different feel of the Wilson balls, and shooting percentages rose again. Still, it highlights how minor differences can affect elite athletes who are familiar with a particular piece of equipment.
Arsenal used the Puma Orbita 1 in training on Monday during the short turnaround between their 1-1 Premier League draw with Brighton on Saturday and the meeting with Newcastle (who have had extra time to get used to the Puma ball, as they entered this season’s Carabao Cup one round earlier than Arsenal, due to the latter getting a bye having qualified for Europe). But, judging by his comments, Arteta must surely be wondering if he should roll them out sooner in preparation for the decisive second leg at St James’ Park on February 5.
Besides, any extra time his players get with those balls could serve as Forlan-like preparation for next season — Puma has a deal to be the official football supplier to the Premier League from 2025-26 onwards.
(Top photos: Arteta and the controversial Orbita 1; Getty Images)
Culture
Book Review: ‘We Tried to Tell Y’All’ by Meredith D. Clark
WE TRIED TO TELL Y’ALL: Black Twitter and the Rise of Digital Counternarratives, by Meredith D. Clark
Do you remember where you were in early December 2020? It was peak pandemic, so chances are you were at home and online. And if you were Black and on Twitter, you were probably reading or tweeting about the Negro Solstice.
On Dec. 5, an argument about the authenticity of the coronavirus ended with a pandemic denier saying that for Black people, on the upcoming winter solstice, during this extraordinary planetary conjunction, “our Real DNA will be unlocked.”
The twinned cosmic events seemed star-crossed to a few other Twitter users, and what followed is what the chronically online like to call a “poster’s holiday.” Jokes flew among Black people about turning into the X-Men, levitating, acquiring powers and beaming themselves into the future. People uploaded selfies with photoshopped glowing laser eyes. Someone refashioned the logo from the 2006 show “Heroes” into “Negros.”
Meredith D. Clark, a professor of race and political communication at the University of North Carolina at Chapel Hill, uses this example to kick off her new book, “We Tried to Tell Y’All: Black Twitter and the Rise of Digital Counternarratives.” She writes that the #NegroSolstice was a “life-affirming signal that Black people were somehow surviving a second year of lockdowns — and with our humor intact.”
It was undeniably one of the better chapters on late Twitter, yet few people outside the intended community knew what to make of it — if they knew about it at all. One person Clark interviewed for her book described Black Twitter as “a powerful, parallel Twitter,” and it often felt that way, like being in a kitchen at a party and having a completely different — and often more interesting — conversation than the main one going on in the living room.
Although it was all so chronologically recent — and although some denatured forms of it still exist — Clark noticed that young people around her seemed to be, already, forgetting the glory days of Black Twitter, and their importance. Often when an academic writes about a cultural phenomenon that exists outside the mainstream consciousness, there’s an attempt to explain it as a means to legitimize it. Clark, instead, memorializes Black Twitter, hoping to prevent further perversion of Black innovation, Black language, culture and style. (Just look at the complete and utter devolution of “woke.”)
Black Twitter’s most lasting legacy, according to Clark, is pulling off a “full-scale revolution” in how American news media reported on Black people — which she correctly argues has a direct correlation to how people perceive the value of Black life and govern it. She intends the book as a warning: To continue on in the tradition of white media elites will lead to a further disenfranchisement of nonwhite people (and working-class white people, too) and will lead to the collapse of the country. Her warning has prescience: It’s here.
For a time, Black Twitter forced the world to pay attention to Black people and their concerns. Clark describes its contributions as “a collective intervention on mainstream media narratives about Black life in America in the early 21st century.”
She gives the example of the hashtag #IfTheyGunnedMeDown, created in response to the mainstream media’s use of discriminatory headlines and photographs of Michael Brown to construct a narrative of criminality after he was killed by Darren Wilson. Or the way Black Twitter compared the acquittal of Casey Anthony with the conviction of Shanesha Taylor, a young mother put in jail for leaving her kids in the car during a job interview. Each of these instances — and there are dozens, if not hundreds — lays bare the hypocrisy in our legal system and how it is normalized by unconscious journalistic biases.
Anyone who relied on Black Twitter as a source of relief and entertainment knows the community served as an antidote to the constant gaslighting that comes with living in America.
Clark excavates deeper: She doesn’t just ratify jokes and meme culture as collective processing. She frames the larger phenomenon as a necessary infrastructure of accountability that has been denied and would not be available any other way. Black Twitter exists for laughs, of course, but it also exists to resist the sane-washing of America (and the world) by constantly refuting the racist assumptions that underline Black existence in America and are often fortified by the media. If there’s a modern race and class consciousness online, it’s in large part because of Black Twitter.
The book does not fully tangle with the cost of being in these spaces and doing this work publicly — the harassment and the data surveillance and mining whose tolls we cannot yet fully understand. Sure, people launched careers off their accounts, but we made less money than was made off us, and there are a number of uncanny and unnerving similarities to all of the predominantly white industries — sports, music, Hollywood — that have extorted and extracted value from Black creatives since the beginning of time.
Also, Clark’s book implies that the cohesion of Black Twitter rarely splintered. But by omitting most of the ways Black Twitter occasionally cannibalized itself, Clark chooses to focus on a collective goodness of Black culture online — as if everyone shares the same goals of social justice, or even the definition of liberation.
Part of the magic of Black Twitter is (was?) how boundless it seemed at times. There may have been people who felt part of that community but didn’t post about it, or tweet along hashtag lines. It’s impossible to know what the group thought, universally, because the group itself was almost impossible to quantify.
Still, it would have been fascinating to read more on how certain debates crystallized along lines of class, gender and sexuality. For instance, the misogynoir funneled at Megan Thee Stallion after she was shot by Tory Lanez seems to fall outside the window of Clark’s research, despite having exploded Black Twitter’s notions of Black femme sexuality and agency. (It’s also worth noting that the word “transphobia” appears only twice in the book.)
Clark finished her book before the blast ratio of Elon Musk’s takeover of the site could be fully comprehended, but the same question lingers over her formidable body of work. What does the future hold? That’s for a different book.
Black Twitter has waned, but it is far from over. The conditions that created the need for Black Twitter have not dissipated; if anything, they are only intensifying. What Clark carefully and lovingly outlines is too necessary not to repeat itself. It was a rare moment in history to be in control of the narratives created about us. And at least for now, there’s a blueprint to know how to start again when the time is right.
WE TRIED TO TELL Y’ALL: Black Twitter and the Rise of Digital Counternarratives | By Meredith D. Clark | Oxford University Press | 174 pp. | Paperback, $24.99
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