Culture
Football injuries nearly destroyed Jim McMahon. Somehow, he keeps coming back
A mountain rises above sandy red dirt not far from Jim McMahon’s home in Arizona. There are saguaros, jagged rocks, maybe some rattlers. But no trail.
As he drives by, McMahon tells his friend, “I can’t wait to climb that.”
The idea would be ambitious for any 64-year-old, let alone for one who recently came close to losing his right leg.
At some point during a 15-year NFL playing career — he’s not sure when — McMahon broke his right ankle. Doctors kept telling him he didn’t. By 2021, the ankle bone had grown — the size of two golf balls, he says — and McMahon could barely walk. About two and a half years ago, the bone was shaved and spurs removed. The doctors said the surgery was a success.
They always say that.
Four days later, McMahon felt a burning sensation. Blood seeped from an area on his leg far from his incision. His ankle was badly infected. Emergency surgery followed. And another emergency surgery.
“My foot literally exploded,” he says.
It looked like a chunk of flesh and muscle had been scooped from the front of his ankle. The open wound was about the size of a baseball and the colors of pizza.
McMahon was told if the infection reached his knee, his leg would be lost. As it crept up his leg — closer, closer, closer — he was as brash and irreverent as always.
“I’d be a sexy son of a bitch with one of those new prosthetics,” he told Kevin Tennant, a close friend of 46 years. “The women would love me.”
Over two and a half years, he had six skin grafts, the last in November. All the while, amputation remained a possibility.
He couldn’t move his ankle for seven months. The joint calcified. His Achilles tendon shrunk. He couldn’t point his toes up or down.
McMahon recently started seeing Chicago chiropractor Pete Petrovas, who has used electronic stimulation, ultrasound, acupuncture and manipulation to restore function in the joint.
Finally, there is movement. Finally, mercy.
He wears a brace on his ankle and walks with a cane. But somehow, Jim McMahon has made another improbable comeback.
McMahon’s first comeback happened early in the game of life.
At 6, he tried to untie a knotted shoelace with a fork. It slipped, puncturing his retina. Frightened, he waited six hours before telling his parents. After surgery, he was strapped down in his bed for a week so he wouldn’t scratch his eye.
Not long after he was untethered, McMahon played Wiffle ball in the hospital hallway and blasted a ball out of a window. Then he climbed out the window and down a few stories to retrieve it.
At 12, he was kicked off a baseball team when his coach, who also happened to be his father, caught him smoking cigarettes. He came back, though. In high school, McMahon played every position except catcher. At Brigham Young, he played outfield as a freshman.
But McMahon was a quarterback. Though his eye was light-sensitive and his vision was impaired, he could see the field better than almost anyone. At BYU, he set 75 NCAA records and led a comeback that was the football version of the Battle of Midway.
With less than three minutes remaining in the 1980 Holiday Bowl, the Cougars trailed Southern Methodist 45-25. When fans headed for the parking lots at San Diego’s Jack Murphy Stadium, McMahon yelled at them, warning them the game was not over. Then he led two touchdown drives to get BYU within six. With the ball on the SMU 41, the Cougars had one more play. McMahon dropped back to the BYU 45 and put up a Hail Mary that landed in the hands of Clay Brown in the end zone. The extra point with no time remaining gave the Cougars a victory in a game now known as “The Miracle Bowl.”
On this day in 1980, Jim McMahon led BYU to 3 TDs in the final 2:33 to beat SMU’s ‘Pony Express’ in the Holiday Bowl. pic.twitter.com/l7nSkdrkxM
— Yahoo Sports (@YahooSports) December 19, 2016
The Bears chose him with the fifth pick of the 1982 draft and two years later, McMahon made a comeback that left doctors astounded.
McMahon, who played as if he were wearing a medieval suit of armor, ran for a first down against the Raiders, then kept running instead of sliding as two defenders approached. Then defensive tackle Bill Pickel put his helmet into McMahon’s lower back. McMahon stayed in the game but didn’t have the breath to keep calling plays. He was taken to the locker room, where his urine was the color of Concord grape juice.
At the hospital, he learned his kidney was torn in two places, with one part completely detached. He bled for three days and was hospitalized for 10. After a transfusion, he was told he needed surgery to remove the kidney. Knowing he couldn’t play football with one kidney, McMahon objected. He says he could feel it healing and asked doctors for one more night. By the morning, he says, it was reattached.
“The big man upstairs knew the Bears couldn’t ever win s— if I wasn’t there, so he gave me another chance,” McMahon says. “He’s the only one who could have done what happened to my kidney. They just don’t grow back that fast.”
The following season, McMahon was not expected to play in a Thursday night game against the Vikings because of a back injury and leg infection that had him in traction earlier in the week. But the Bears trailed by eight in the third quarter and McMahon badgered coach Mike Ditka until Ditka relented.
On McMahon’s first play, Ditka called a screen pass, but the Vikings blitzed, so McMahon heaved one deep — a 70-yard touchdown to Willie Gault. His next pass was a 25-yard score to Dennis McKinnon. And his seventh was a 43-yard touchdown to McKinnon.
“All I remember is I almost fell on my face because I had so many muscle relaxants and painkillers in me,” McMahon says of the 33-24 victory. “I was barely able to stand up.”
At the end of that season, McMahon led the Bears to their only Super Bowl victory — after coming back from a rear-end bruise that was so sore he could barely sit.
Through 11 weeks of football in 1986, the Bears appeared well-positioned to repeat as champions. Then Packers defensive tackle Charles Martin changed the trajectory of their season — and McMahon’s life.
McMahon was walking away from the play after throwing a second-quarter interception when Martin grabbed him from behind and slammed him to AstroTurf, which might as well have been concrete. Martin, whom they called “Too Mean,” left McMahon there like roadkill.
A concussion and neck and shoulder injuries meant the end of his season, but not the end of his football comebacks.
Never one to shy away from the limelight, “the Punky QB” was the center of attention at Super Bowl XX media day in New Orleans. (Jonathan Daniel / Getty Images)
The Bears gave up on him. He came back with the Chargers. The Chargers cut him. He came back with the Eagles. He was supposed to sit out a 1991 game against the Browns because of a broken elbow and torn tendon. McMahon could barely move his arm, but 45 minutes before the game, it was decided he would play. His second pass was a pick-six, and the Eagles trailed 23-0 by the second quarter. Then McMahon threw three touchdown passes, including one with 5:19 left that gave the Eagles a 32-30 win.
McMahon played for four more teams. His final game, as a 37-year-old with the Packers, came as Brett Favre’s backup in a Super Bowl XXXI victory. He retired with a .691 winning percentage, eighth highest of the modern era. Of the players who rank ahead of him, three are in the Pro Football Hall of Fame (Roger Staubach, Joe Montana and Peyton Manning), one will be soon (Tom Brady) and two are active (Patrick Mahomes and Lamar Jackson). The other is Daryle Lamonica.
He didn’t throw passes as pretty as Dan Marino’s or John Elway’s, he had a better winning percentage than either. McMahon didn’t play in the high-flying offense Dan Fouts did, but he has two more Super Bowl rings.
He didn’t have the athleticism of Steve Young, but Young credited McMahon with teaching him how to pass when they were teammates at BYU.
He didn’t benefit from the genius coach and GOAT wide receiver that Joe Montana did, but he had a 4-1 record against him in head-to-head starts. McMahon’s only loss was in the NFC Championship Game in 1989, when his injured knee never gave him a chance.
A 14-year-old McMahon was hanging out with his baseball teammates when one of his friend’s older brothers “tossed us a bone.” That was the first time he smoked a joint. He kept smoking as a teen and throughout his playing career.
These days, indica and OG strains are his favorites, but he likes trying different ones. Every few hours, McMahon lights up either with a bowl or a dogwalker.
“It makes me not think about the pain,” he says.
He has had 25 surgeries: seven right knee, six ankle, five left knee, four right shoulder, two left shoulder and one eye. When he reaches to shake a hand, he winces. If he remembers, he pulls golf clubs from his bag with his left hand.
McMahon doesn’t work out much because he can’t lift his arm sideways. His right shoulder has been a problem since the first game of the 1986 season. After shoulder surgery that year, he says he was supposed to sit out two seasons, but he came back in 10 months. Now McMahon probably needs a replacement.
And then there is his head.
McMahon was a teammate of Andre Waters in Philadelphia and Dave Duerson in Chicago. When each killed himself, McMahon was stunned. He wondered what could make them feel so despondent. In 2012, he was enlightened.
“I started feeling the same things about a month or two after Duerson (died),” he says. “Then I understood.”
McMahon experienced debilitating headaches — it was like an ice pick in his skull. For months, he mostly stayed in bed with the shades down.
“If I had a gun, I would have blown my f—— head off,” he says. “It hurt that bad. I spent weeks at a time thinking, ‘What are you going to do?’ But I didn’t want to do that to my kids, my folks and my family.”
McMahon found relief through Scott Rosa, a New York chiropractor who traced some of the problems to old neck injuries. He sees Rosa a few times a year, whenever headaches worsen.
McMahon’s wit remains sharp, but his memory has dulled. He can relay 30-year-old reminiscences and nail every detail, but ask him what he did this morning and he might struggle to answer. He forgets appointments even though he enters them in his calendar. He occasionally loses his train of thought in mid-conversation.
He was one of the plaintiffs in the concussion lawsuit against the NFL. A settlement was agreed upon in 2015 and the NFL has paid nearly $1.2 billion to former players and their families, but McMahon has not collected.
“They said I wasn’t impaired enough, that I don’t have full-blown dementia,” he says. “They want you to die before they admit there was something wrong with you.”
He was one of several players who sued the league for illegally dispensing narcotics and other drugs without regard for long-term health. At one point he says he was taking 100 Percocet pills monthly, but the medication made it difficult to sleep.
At least he has marijuana.
Along with former NFL players Kyle Turley, Eben Britton and Ricky Williams, McMahon owns Revenant, a cannabis business. He and Williams recently visited Capitol Hill to lobby for more lenient federal marijuana regulations.
A look at McMahon’s busy travel itinerary is enough to make him want to take a toke. Much of his travel involves golf, where he somehow manages to crush his drives despite playing one-legged, spreading his legs as far as possible and putting all his weight on his left foot.
“I told him he plays as good with one foot as he did two,” his son Sean says.
An excellent golfer, Sean tries to give his father pointers but says Jim doesn’t take to coaching very well. Ditka could have told him that.
When he’s on a course, McMahon almost always has a Coors Light in his hand. Time has diminished neither his thirst nor his legendary capacity.
“Me and Horne (former teammate Keith Van Horne) did a good job at a bar the other night,” he says, pausing to spit tobacco in a cup. “It was probably funny watching him and me trying to walk out of this place.”
Drinks in the Chicago area are almost always on the house — or on the guy at the end of the bar wanting to take a selfie. A fan paid his lunch tab at a Greek restaurant the other day. They love him not just because he helped win a Lombardi Trophy but because of how he did it — with rebelliousness and recklessness. An icon in the lineage of Broadway Joe Namath and Kenny “The Snake” Stabler, McMahon was who football fans wanted to be.
He still is. Kind of.
These days, “Papa Jim” enjoys his time with his six grandchildren. (Photos courtesy of Sean McMahon)
Sean says when his father is with his friends, he acts no differently than he did 30 years ago. When Tennant is around, they golf and play cards, backgammon and dominoes for hours on end, insulting one another and laughing like they have for 46 years.
“I kick his a– every time, or almost every time,” Tennant says.
“He’s full of s— most of the time,” McMahon says.
Where gel-spiked hair once was, there is now a shaved scalp. The sturdy chin wears a white goatee. With his still-light-sensitive eyes obscured by blue-lens sunglasses, he looks more like a villain from a Marvel movie than a stereotypical grandfather. But to Maverick, 7, Macy, 6, Gibson, 5, Ryder, 5, Walker, 3 and Brooks, 1, he is “Papa Jim.”
McMahon downplays the significance of being a grandfather. Then he shows off videos of the kids.
Papa Jim gets on the floor to play cars with Walker. He takes Macy to her tennis lesson. Maverick and Ryder bruise him up with their toy nunchucks and swords. He plays catch with the kids but throws left-handed or underhanded because the arm that launched 2,573 NFL passes can no longer make a gentle overhand toss without stabbing pain.
Divorced for 15 years and unattached, McMahon appreciates time with his grandkids, four children and 88-year-old parents, Jim Sr. and Roberta. He didn’t always get along with his mother and father during his NFL days, but time heals the wounds it can.
Some of his injuries during football made him feel like crying, but he always held back tears. He didn’t want to show weakness. That has changed.
“My physical therapy makes me cry every time,” he says. “I even catch myself tearing up while watching TV commercials. I asked my doc, ‘Am I going f—— crazy?’ He told me it’s part of maturing.”
So, McMahon has matured?
“It’s awfully bold of you to assume I have,” he says with that familiar grin. Then he pauses.
“I mean, you’re getting closer to death, so you’re trying to put your life in perspective,” he says. “You’re trying to finish out the last few years and make them good so you don’t have to wait too long in line when you get up there, if that’s the way I’m headed.”
McMahon is headed somewhere else now, hobbling away to meet a former teammate. He will drink too many beers, stay out too late and tell stories his grandchildren probably should not hear. And when tomorrow dawns, Jim McMahon, deep in the game of life, will reach for his cane, light a bowl and make another comeback.
(Illustration: Dan Goldfarb / The Athletic; photos courtesy of Sean McMahon; Peter Read Miller, Focus on Sport / Getty Images; Paul Spinelli / Associated Press)
Culture
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Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
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