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Five lessons learned from the Matthew Sluka NIL saga

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Five lessons learned from the Matthew Sluka NIL saga

Of course this was going to happen. It’s only a wonder it hasn’t happened sooner.

College football is a sport where more than three years after players were finally allowed to monetize their name, image and likeness, there are still no clear guidelines governing the marketplace.

There is no governing body with real teeth to enforce what little rules there are for either side of a contract, and if anyone tries, an offended party can hire a lawyer, go to court and add another chapter to the NCAA’s long line of failures in convincing a judge that its business model is fair.

Last week, UNLV starting quarterback Matthew Sluka posted that he planned to leave the program after “representations” made to him “were not upheld.”

His father, Bob Sluka, told The Athletic there was essentially a verbal agreement from January to pay Matthew $100,000 for his final season of college football. Instead, he’d been given only $3,000 for moving expenses, and despite efforts to pursue what was owed, Bob Sluka said, had yet to be paid anything further from UNLV’s collective since graduating from Holy Cross this summer and showing up in Las Vegas.

However, Blueprint Sports CEO Rob Sine said in dealing with Sluka’s representation beginning Aug. 29, there was no mention of any money owed, and UNLV’s collective denied a deal existed and UNLV said it had honored all “agreed-upon scholarships” for Sluka.

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The No. 25 Rebels, who host Syracuse on Friday and are near the front of the line for a Group of 5 bid to the College Football Playoff, are moving on.

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Unfortunately, plenty of pitfalls exist in a quickly changing, largely lawless system that is evolving from an exploitive Stone Age into a sport that treats players — its most valuable asset — equitably.

Eventually, I believe college football will reach a place with something resembling player contracts, the ultimate fix for situations like these, produced by schools and with mostly standard language. Eventually, college football will share some of the billions of dollars in television revenue with the players, making sure that schools have at least some money to give players.

But this doesn’t have to be you or your program. There are lessons to be learned from this unsightly saga.

1. Don’t do anything unless everything is in writing.

Both sides agree there was never a written agreement. But the Slukas say a verbal agreement with Matthew’s agent and UNLV offensive coordinator Brennan Marion was made in January, months before Sluka made the move from Massachusetts to Nevada.

There are barely any norms. And what norms there are vary from collective to collective and school to school.

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“A lot of the conversations I had, the head coaches would bring up money directly,” a player who navigated the transfer portal told The Athletic this offseason for a survey about the inner workings of NIL. “They would talk about the numbers that they give to players at my position based on how much value they deem based on the level of recruit that you are and how much playing time you’ll have.”

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No player is more valuable than the starting quarterback, though Sluka still had to win the job over Campbell transfer Hajj-Malik Williams, who led the Rebels to a win last week over Fresno State.

In February, a federal judge in Tennessee blocked the NCAA from enforcing what laws the organization did have governing NIL. Sluka arrived at UNLV in June and began classes on Aug. 26. In all that time and through three games, he didn’t get it in writing. But he wanted to be a team player, so he kept playing.

And eventually, Skuka realized he went to Vegas and rolled snake eyes.

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Fair or not, his decision to leave a team chasing a Playoff bid a month into the season will cost him his reputation in the eyes of many.

Nobody should make major changes in their life based on financial arrangements without a written agreement enforceable by lawyers.

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2. Get the right representation.

There is no agent certification process in college football beyond what some states require to do business as an agent, and the quality of agent varies widely.

Sluka’s agent, Marcus Cromartie, splits his time between college and NFL clients, but he was reportedly not certified to operate in the state of Nevada, which gave some around UNLV pause in dealing with him.

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“That was very odd to me,” another agent told The Athletic.

It’s unclear why an agent would take a promise by an offensive coordinator as binding. But it was never made official.

“We tried everything. We’d take payments. Anything. And they just kept deferring it and deferring it, and to this day, we do not know why,” Bob Sluka, Matthew Sluka’s father, told The Athletic last week.

Emails obtained by The Athletic show Cromartie never broached the $100,000 in his brief communications with UNLV’s collective.

Former Florida signee Jaden Rashada did get his contract in writing, but his representation also allowed Florida’s collective to get in writing that it could terminate the contract at any time. They shorted him more than $13 million. Rashada sued the collective and Florida head coach Billy Napier this May.

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3. Coaches: Know your collective.

Coaches can endorse their third-party collectives and have conversations with them, both things that were initially banned when NIL was instituted in 2021 and collectives sprouted from the NCAA rule change.

The most effective schools have great communication between the two, and the chief reason for that is budgeting. Coaches and staffers need to know how much money is on hand for a collective or how much could reasonably be raised for a transfer prospect or a high school recruit.

Bob Sluka said his son’s agent was hoping to speak with Hunkie Cooper, a UNLV support staffer, after the team’s win at Kansas on Sept. 13, saying he recalled Cromartie saying “that’s the guy who’s avoiding us right now about the money.”

A later conversation produced an offer from Cooper for $3,000 a month for the next four months, telling the Slukas to take it or leave it.

In the world of collectives, $100,000 is not a lot of money for a quarterback and especially not for a starting quarterback of a Top 25 team hunting a Playoff spot. For UNLV to be able to offer only $3,000 a month for the rest of the season points to a glaring disconnect between the coaches’ vision for their roster and the means of the collective.

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Few, if any, coaches are going to make a promise they have no intention of delivering. Word travels fast, and there’s no quicker route to eroding trust with your current roster and future prospects. A member of the coaching staff discussing financial numbers for a player is against NCAA rules, though according to agents interviewed by The Athletic, it happens all the time.

“I prefer to deal with the coaches because they’re so out of their element. They’re like, ‘We can get it done.’ There’s an ego thing — you want to get it done for your position group and your school, show you’ve got money,” one agent told The Athletic this offseason in the NIL survey.

Whether or not Marion made what he believed to be a firm verbal offer, Sluka believed it was and felt strongly enough to leave the program over it. Negotiating the finer points of an offer with a coach is rare, an agent told The Athletic this week, but somewhere between the recruiting process and fulfillment of an NIL offer, the Slukas and Marion weren’t on the same page.

4. Honesty is the best policy.

If there was no money, UNLV would have been well-served to explain that to its starting quarterback.

I spoke with people around UNLV’s program this offseason who were complaining that a lack of NIL support was a big reason why the Rebels were unable to keep starting quarterback Jayden Maiava, who committed to Georgia before flipping to USC, where he’s now Miller Moss’ backup instead of chasing a Playoff bid with a team he helped lead to nine wins a season ago. He threw for more than 3,000 yards and ran for almost 300 more in Marion’s innovative Go-Go offense.

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Maiava left for much more than $100,000, a person briefed on the situation told The Athletic, but that lack of support is what put UNLV on the market for a transfer quarterback in the first place.

And this situation could hurt the program and hurt both Marion and head coach Barry Odom on the recruiting trail, despite the program’s denials about what unfolded or Odom’s level of involvement.

UNLV said in a statement it interpreted Sluka’s “demands as a violation of the NCAA pay-for-play rules, as well as Nevada state law.”

That might technically be true, but those NCAA rules were already defeated in a Tennessee court in February, and the way college football is operating in 2024 is that players expect to be paid, especially if they believe they had reached a deal.

Blueprint Sports, which runs UNLV’s collective, released a statement that there were “no formal NIL offers” made to Sluka and that the collective “did not finalize or agree to any NIL offers.”

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That’s true. And it’s going to hold up in court and prevent Sluka from pursuing any legal action.

But it doesn’t tackle the real issue, which is that he says he was promised money from a coach, who had had no agency to deliver it, and it wasn’t there to begin with.

5. Think through all your options.

When Sluka hit “post” on his announcement last week, he chose the nuclear option. He is moving home to Long Island, his father said; his time with the program is done.

Sluka leaving the team opened the door to him being called a quitter. There’s a portion of the population who will never see it any other way, even if they would also quit their job if they believed they had been promised $100,000 and were paid $3,000.

But he had options. Might I suggest a more creative one?

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Given how fruitless the Slukas say their efforts had been to resolve the issue privately, Sluka could have publicly explained his situation, either by posting a video or statement on X. Sluka could have publicly professed his willingness to be a team player, kept working and kept his coveted spot as the starting quarterback for a Playoff contender.

Barely 12 hours after Sluka’s post announcing his exit, Circa Sports CEO Derek Stevens reportedly offered to pay him $100,000 to resolve the dispute but was told by UNLV the relationship was already too far gone.

By going public only after the relationship had been severed, he didn’t get any of the money he believes he was promised and in the eyes of many lost the public relations battle.

That’s a tough 1-2 punch, and it didn’t have to go down that way. Whatever happens between now and next season, it’s hard to imagine Sluka will end up in a better on-field situation.

 (Photo of Matthew Sluka:Kyle Rivas / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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