Culture
Darvin Ham, Lakers players struggling to connect on lineup and rotations: Sources
LOS ANGELES – Following their ninth loss in 12 games, the Los Angeles Lakers have hit a new nadir in their season, amplifying concerns about the direction of the season from both inside and outside the organization.
There’s currently a deepening disconnect between Darvin Ham and the Lakers locker room, six sources with direct knowledge of the situation say, raising questions about the head coach’s standing. The people spoke with The Athletic on condition of anonymity so that they could speak freely on the matter. Those sources have described that the disjointedness between the coach and team has stemmed from the extreme rotation and starting lineup adjustments recently from Ham, leading to a fluctuating rhythm for several players across the roster.
The Miami Heat, playing without superstar Jimmy Butler, beat the Lakers 110-96 at Crypto.com Arena on Wednesday. The loss dropped Los Angeles to 17-18 — the first time they’ve been below .500 since Nov. 11 — and put them just .001 percentage points above the Golden State Warriors for No. 10 in the Western Conference. The Lakers are 3-9 since winning the In-Season Tournament in Las Vegas on Dec. 9. They’ve lost three games in a row, and Wednesday night’s defeat led to rising turbulence.
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In the latest attempt to turn around LA’s skid, Ham used his 10th starting lineup of the season and third in three games: Austin Reaves at point guard, Taurean Prince at shooting guard, Cam Reddish at small forward, LeBron James at power forward and Anthony Davis at center. The Lakers were minus-3 in the 13 minutes the group played together Wednesday against Miami.
The latest lineup change continued a troubling trend as the Lakers have struggled to determine their best lineups or establish continuity this season, regardless of how healthy the team has been. The concern has only grown in recent weeks.
Ham’s decision to bench D’Angelo Russell and start James, Prince, Reddish, Jarred Vanderbilt and Davis in a lineup without a second guard ballhandler beginning Dec. 23 in Oklahoma City was considered a head-scratcher by multiple parties internally, according to sources spoken to for this story.
The Lakers championed their continuity all summer, including bringing back their top-five scorers from the Western Conference finals run (James, Davis, Reaves, Russell and Hachimura, in that order). But more than a third of the way into the season, three of those players – and the team’s third-, fourth- and fifth-highest-paid players in Russell, Hachimura and Reaves, respectively, at that – were coming off the bench. Reaves has been coming off the bench most of the season despite being touted by Ham as a future All-Star over the summer and ranking third on the team in scoring, Russell’s role has shrunk since Las Vegas, and Hachimura’s playing time vacillates on a nightly basis.
After the loss Wednesday, the locker room opened up before Ham addressed the media, which is rare. Davis spoke first, in a soft-spoken, dejected manner, declining to use injuries as an excuse.
“It’s a little bit of everything right now,” Davis said. “We’re not executing. That team played harder than us tonight, executed better than us tonight, more physical than us tonight. We got outworked tonight. So it’s a bit of everything right now. If we keep on this trend, it’s not going to be good for us. So it’s kind of obvious that we have to figure it out sooner than later.
“Guys being out is not an excuse. There are no excuses for us. Like coach said (pregame), we have enough in this locker room to win but we just have to go out and compete.”
During Davis’ availability, James, whose locker is right next to Davis’, dressed and left the locker room without speaking with reporters.
Ham eventually spoke with the media 30 minutes after the buzzer. He continued to state that the Lakers, despite having James, Davis, Reaves and Russell for all but eight games combined, aren’t going to “find any consistency” until they get fully healthy. Hachimura (left calf strain), Russell (tailbone contusion) and Gabe Vincent (left knee surgery) are the three players currently injured.
“We’ve got to get healthy,” Ham said. “… And once you get healthy, guys got to get back into rhythm and we’ve got to find a cohesive unit, a total cohesive rotation that we can go with. When you’re dealing with different guys being in and out of the lineup that frequently, it’s damn-near impossible to find a rhythm. That’s just being real. That’s no slight on anybody.”
Ham then went as far as to suggest that it’s easier to play without a star – like the Heat have been without Butler – than for a team to have multiple rotation players in and out of the lineup, as the Lakers have had for a majority of the season.
“I think the multiples (rotation players) are more impactful than … if you lose one of your big dogs, you’re going to figure out how to try and manage without them,” Ham said. “… And when you have your key role players, your key rotation players – this guy misses three or four. This guy misses three or four. And they’re happening one right after another, that’s what makes it difficult. … We’ve got to figure it out. I’m disappointed, but I’ll be damned if I get discouraged.”
When asked if he would consider going back to the team’s original starting lineup of Russell, Reaves, Vanderbilt, James and Davis, Ham said the team is considering every possibility.
“I think everything is on the table that makes sense,” Ham said. “No stone shall go unturned. We’re here to explore whatever we can to right the ship.”
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Meanwhile, Reaves, who spoke after Ham, echoed a similar sentiment to Davis, saying the team can’t use fluctuating lineups as an excuse.
“Regardless of what the lineup is, what change is, whatever happens, we got to be better as a team and go win games,” Reaves said. “We’re more than talented enough to win games. We have enough depth. We have enough skill. We got to figure it out.”
The perspective from Davis and Reaves in comparison with Ham’s highlight the discrepancy between how the locker room feels about the team’s current issues versus how Ham has cited injuries, schedule and lineup changes amid the team’s inconsistency, particularly since the IST.
Ham confirmed postgame that the team had a team meeting afterward, which is partly why the locker room took so long to open. By the time Davis spoke with the media, the rest of the players in the Lakers’ locker room had cleared out. Reaves said the vibe in the locker room is “sh—y.”
“We’re losing,” Reaves said. “Anytime you lose, the vibe should be off, you know? If I went in there and the vibe wasn’t off after the rough stretch that we’ve had, then I’d be concerned.”
He later clarified that the atmosphere is not a matter of the players disliking one another, which was a notable distinction considering where the locker room was at this time last season.
“When I say the vibe is off, it’s not like we don’t like each other,” Reaves said. “It’s we’re losing. We should be pissed off. We shouldn’t be happy after games with how we’re playing. But I don’t want to get that twisted on us not liking each other. Everybody in the locker room gets along.”
These Lakers have gone through their share of adversity through Ham’s nearly two years as head coach, including a 2-10 start a season ago that finished with a Western Conference finals berth. So Ham, in the second year of a four-year coaching contract, has shown an ability to get through to his players. But time is of the essence around the 39-year-old James and Davis, and as Ham has tinkered with lineups and adjustments across the past few weeks, patience is beginning to run thin.
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(Photo of Darvin Ham: Harry How / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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