Connect with us

Culture

Carlos Alcaraz’s ‘My Way’ documentary trailer and a tennis tweener trick shot from heaven

Published

on

Carlos Alcaraz’s ‘My Way’ documentary trailer and a tennis tweener trick shot from heaven

If a player hits a running trick shot to save a break point, but later gets broken off three unforced errors and a double fault, is it good tennis? For Carlos Alcaraz, definitely.

He delivered a signal example of the tension running through his documentary series, ‘My Way,’ just as Netflix released its trailer. While Alcaraz was oscillating between the sublime and the absurd on court against Daniel Altmaier at the Monte Carlo Masters in Monaco, the streaming company put out a snapshot of the series on YouTube.

It asks some fundamental questions of tennis: how much should it require of its stars? How much sacrifice should greatness take? And is there a route to greatness that does not demand everything of the player who seeks it?

Against Altmaier, Alcaraz found himself down 30-40 in his first service game of their match. The German feathered a drop shot just over the net, dragging Alcaraz forward…

Advertisement

He responded with a sharp, cross-court angle…

… but Altmaier read the shot and moved across the court, to send the ball deep down the line on the other side.

Alcaraz, running diagonally to his left, would have to hit a shot through his legs. The easier option was to send the ball back cross-court. Altmaier duly moved to cover that shot; Alcaraz, perhaps obviously, did not hit it.

Instead, he levered the ball down the line, sending Altmaier scrambling to his backhand corner. The German managed to hook the ball back into play, but Alcaraz was waiting to crush a backhand flat into the same corner, which Altmaier could only send into the net.

It was an example of the divine inspiration and at times otherworldly skill — and joy — that Alcaraz brings to the court, and which has carried him to the upper echelons of tennis.

Advertisement

“It’s beautiful to play points like that,” Alcaraz said later, watching the shot back. “I’m trying to put on a show, trying to entertain the people. A point like that… Just to reflect, how my matches are going to be.”

The rest of the match was not so much like that.

Having saved that break point, Alcaraz missed a routine first groundstroke behind his serve. He saved four more break points in the game and held his serve for 1-1. He then broke Altmaier to lead 3-2, before hitting three unforced errors and a double fault to get broken straight back in the next game.

That was the pattern of the first set, oscillating between brilliant points and routine mistakes, before Alcaraz broke again at 5-3 to take it, 6-3.

The second set was more routine, with the Spaniard ultimately triumphing 6-3, 6-1 to set up a quarterfinal against No. 12 seed Arthur Fils.

Advertisement

“I want to do it my way,” Alcaraz says, in the series trailer, of his goal to be the best player in the world. That ambition is intercut with opinions from Rafael Nadal and Roger Federer, who both did it their way.

“To accomplish what Novak (Djokovic), Roger or myself have done,” Nadal says, “you need to feel that the sacrifices are worth it and that they pay off.”

With 66 Grand Slam titles between the three greatest men’s players of all time, there is little argument that they paid off in achievement. What Alcaraz appears to ask is whether or not they pay off in other ways.

Alcaraz, 21, already has four Grand Slam titles. He is the youngest man to win a major on all three surfaces, and still has two more opportunities — at the 2026 and 2027 Australian Opens — to become the youngest man to win all four majors.

If he wins the title in Monaco, he will reassume the No. 2 spot in the men’s rankings, behind only his closest rival and the player with whom he shares the mantle of the best in the world: Jannik Sinner.

Advertisement

His style of play is so singular that both his wins and his losses can appear as if from another world.

When he loses, whether a set or a whole match, he tends to lose badly. The creativity looks like naivety and the shotmaking looks like waste — and it tends to happen against lesser-ranked players. He has 16 defeats and one retirement due to injury since the start of 2024, but only six of those defeats came against top-10 players. Two of those six came in one tournament, the 2024 ATP Tour Finals, during which he was struggling with illness. The average ranking of his opponents in the other 10 losses is 32.

He is making adjustments, mentally and technically, most notably to his serve and his backhand. He has changed the motion on the former and the racket take-back on the latter, which means mistakes sometimes flow like water but also reveals a dedication to on-the-fly improvement, one of the hardest things to do given tennis’ demanding schedule.

Alcaraz describes the challenges of that schedule in the trailer, emphasizing that he wants to be able to spend time at home, to see his family. If he also wants to dominate the sport as Djokovic, Nadal and Federer did, that time will be limited.

As the retired Nadal and Federer hint at in their roles as Netflix talking heads, it’s only possible to find out if all that was worth it in the end.

Advertisement

On the way, there will be tweeners.

There will be errors too.

(Top photo: Valery Hache / AFP via Getty Images)

Culture

Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

Published

on

Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

new video loaded: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

transcript

transcript

‘Flesh’ by David Szalay Wins 2025 Booker Prize

David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”

“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”

Advertisement
David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”

By Shawn Paik

November 11, 2025

Continue Reading

Culture

Test Yourself on the Settings Mentioned in These Novels About Road Trips

Published

on

Test Yourself on the Settings Mentioned in These Novels About Road Trips

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

Continue Reading

Culture

This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art

Published

on

This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art

Advertisement

In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.

So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.

A poem, as it happens, about looking at a painting.

Advertisement

Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.

Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.

Advertisement

Claude Monet in his garden in 1915.

Advertisement

“Ceux de Chez Nous,” by Sacha Guitry, via Museum of Fine Arts, Boston

But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.

Advertisement

“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.

Advertisement

Robert Hayden in 1971.

Jack Stubbs/The Ann Arbor News, via MLive

Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.

Advertisement

A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.

But his contemplative style makes room for passion.

Advertisement

Continue Reading
Advertisement

Trending