Hi, friends! Welcome to Installer No. 108, your guide to the best and Verge-iest stuff in the world. (If you’re new here, welcome, hope your holiday shopping is going well, and also you can read all the old editions at the Installer homepage.)
Technology
Red Dead Redemption is so back
This week, I’ve been reading about Ariana Grande and pelvic floors and Josh Shapiro and Las Vegas, finishing and then immediately rewatching The Chair Company, working by the light of this extremely rad MoMA lamp, installing a bunch of Hue Dimmer Switches around my house, trying desperately to hide the giant box that came with my new Frame TV, wondering if my 12,983 minutes of Spotify time this year is a lot or a little, and getting my Christmas tree out of storage. Which took some work.
I also have for you a 15-year-old game that feels as good as new, a great new entrant in the Wrapped Wars, a couple of fun productivity tools, and much more. Year’s almost over, but the new stuff keeps coming! Let’s dig in.
(As always, the best part of Installer is your ideas and tips. What are you watching / reading / listening to / playing / wrapping with a bow this week? Tell me everything: installer@theverge.com. And if you know someone else who might enjoy Installer, forward it to them and tell them to subscribe here.)
- Red Dead Redemption. If you just off-handedly asked me my favorite modern video games, without thinking about it I’d probably say Red Dead and the Arkham Batman series. Cool to see the 2010 game come to mobile (though for Netflix subscribers only), even cooler to see it updated for modern consoles, including my beloved Switch 2. I haven’t checked in with John Martson in a while, but I’m confident this one has held up.
- Fizzy. From the folks behind Hey and Basecamp, a really nifty new kanban tool that reminds me of Trello, only both more chaotic and much cleaner. It’s really fast, and my brain loves a good project-management board… plus, it’s open-source, so it might spawn some other really fun stuff.
- Metroid Prime 4: Beyond. I know at least a few folks who have been waiting for this game to see if it completes the appeal of the Switch 2. By all accounts, it seems to be handily worth the price of admission, even if there’s some “modern games!” cruft in the mix.
- It’s Never Over, Jeff Buckley. I keep hearing things about this doc, about Buckley’s life and the remarkable album he made, Grace. This will not be a joyful watch, I suspect, but for anyone who loves even just his version of “Hallelujah,” it’s worth the watch.
- YouTube Recap. This is Wrapped Week, so everybody from Spotify to Google Photos is rolling out years in review. I love YouTube’s already, since it just feels the most revealing about my actual personality. It also made it clear that I watch, uh, too much YouTube.
- Mirumi. This furry little robot was one of the delights of last CES, and is now finally becoming real. (Real-ish, anyway — it’s still a Kickstarter project.) It’s pretty expensive, given that it does, you know, nothing! But I mean, look at it.
- Halo. The team at Matter continues to have the best-looking reading app on the planet, and their new habit tracker for iOS looks just as good. Some potentially interesting, potentially annoying AI stuff in here, but even the basic tracker stuff is just lovely to look at and use.
- Routine. After more than a decade of start-and-stop development, this game turned into an unusual, engrossing, deeply fun and deeply stressful sci-fi title for PC and Xbox. One of those games I can tell I’m going to enjoy just from the vibe of the trailer.
- Notion Calendar. This is such a dumb, small thing: Notion finally updated this app so you can hide the right sidebar! Now it’s all calendar and no nonsense. This was already my daily driver calendar app, but for some reason that tiny change makes me like it even more.
Here are two of the fun things about working with The Verge’s Jess Weatherbed: she has a deep knowledge of creative tools and always writes fascinating stuff about how people make art in the future, and it seems every single time we’re in a meeting together she has completely reorganized and redesigned her home office. Every time the Meet loads, Jess has some new treasure in the background.
Jess is as much an artist and designer as she is a tech reporter, and I’m also told she’s a very accomplished D&D player. I asked her to share her homescreen with us to see how all those interests smash together into a single device. I was not disappointed.
Here’s Jess’s homescreen, plus some info on the apps she uses and why:
The phone: I currently have an iPhone 14 Pro Max, but not for much longer; I’m literally waiting on my new iPhone 17 Pro Max to arrive. I was mostly enticed by the iPhone 17 Pro in a glorious orange, which, after begging Apple to remember that color exists for the past few years, felt too personal to ignore.
The wallpaper: The wallpaper itself is nothing special, just some unwatermarked stock imagery I found a while back. I like how it’s a photograph that shows some texture instead of a flat digital image, but I mostly just wanted something colorful to complement the image widgets I have.
The shots on my main screen were taken from a tokusatsu-inspired photoshoot for W Magazine’s 2023 feature “Jennifer Coolidge Will Destroy You.” I absolutely adore Coolidge and kaiju- / mecha-related media, so when I saw the shoot I became kinda obsessed?? I’m planning to get a few images blown up into hi-res posters that I can frame in my hallway. I just feel so much joy every time I look at them.
The photo on my second homescreen page is my cat, Trevor. He’s a silly 12-month-old Maine Coon who’s totally mastered the art of rage-baiting me. We have the same birthday. It was fate.
The apps: Settings, Calendar, Clock, App Store, Camera, Slack, WhatsApp, Messenger, Phone, Chrome, Discord, TikTok.
I don’t think my apps are anything special. I keep the most-used selection loose on my main homescreen, and everything is tinted yellow because it matches the overall vibe and also feels easier on my eyes. I have a Spotify widget because I like having the album art of whatever I’m listening to on my screen. I’m also stuck with Facebook Messenger because my family exclusively uses it to chat; otherwise I only message friends using WhatsApp or Discord. I can’t remember the last time I actually texted someone.
The mess on my second homescreen page is actually incredibly organized for me. I have folders for all my apps, like “games and entertainment,” “shopping,” and “useful crap” for anything that doesn’t fit into other categories.
Some of my current favorite apps include Focus Friend, which is a fun gamified focus timer that helps me keep my ADHD in check, and Next Spaceflight, which tells you about upcoming rocket launches and space missions. I also love learning about what’s around me, so I use apps like Merlin Bird ID and Seek by iNaturalist to identify birds and plants, and because I live on the coast, MarineTraffic to ID passing ships. It’s like a flight tracker, but for boats!
I also asked Jess to share a few things she’s into right now. Here’s what she sent back:
- I’ve been trying to cut down on my TikTok consumption, but I’ve really been enjoying two accounts lately. The first is @drinksonmemusic, who posts “Beat Battle” challenges with @southbymusic where both lads will make electronic remix tunes based on randomized, often ridiculous prompts. It’s fun, silly, and makes me feel energized.
- The second account is @shef_phoenix, which is a cooking channel that mostly experiments with making small food big and big food small (though it’s nice to see that he’s been branching out into other cooking projects). The guy has been hounded into trying to make a “giant grape,” and watching that madness unfold has entertained me greatly.
- Outside of TikTok, I’ve most enjoyed watching Dropout these last few months. The cast and shows are fantastically funny, and it’s something that I can reliably throw on in the background when friends come over, which eventually catches all of our attention. Worth every penny.
- Comics have also recaptured my attention lately as I’ve attempted to walk back my screen time. I’ve been re-reading Cerebus the Aardvark, which I first found decades ago in my family’s attic, the Hellboy omnibus, and DC’s Absolute Universe. I’ve especially enjoyed Absolute Batman, which feels like something the old edgy teenage me would have been obsessed with.
Here’s what the Installer community is into this week. I want to know what you’re into right now as well! Email installer@theverge.com or message me on Signal — @davidpierce.11 — with your recommendations for anything and everything, and we’ll feature some of our favorites here every week. For even more great recommendations, check out the replies to this post on Threads and this post on Bluesky.
“Haven’t played online multiplayer shooters since Halo 3 and COD 4 days, but Arc Raiders has turned that all around. Solo or with some friends, this game has been an obsession. Almost at 40 hours of play time and I only got it a few weeks ago. Been playing this on the Steam Deck and it runs like a dream.” — Mike
“I just got my Nomad! Super excited for a rugged portable speaker — and the promise of CarPlay in my Tesla.” — Zebulon
“Switching over more light switches to Tapo Matter switches. Have had some installed for the past six months, and appreciate that they just work when disconnected from Wi-Fi or when we have guests over.” — Tim
“The Little Debbie Christmas Tree Cake LED. Amazing, and hard to get.” — Chris
“My Retroid Pocket G2 showed up today. Sean already had an article about Valve funding Fex for Android / PC emulation, and with Winlator and Gamehub, there are some amazing options for emulating steam games on handhelds. Some of them get better performance than a Steam Deck!” — Cameron
“The new Enterprise model from Lego might take the win for IP blend of the year. My geek gauge broke.” — David
“Buying a BenQ ScreenBar Pro LED light bar for my monitor was the best home office upgrade I’ve done in a long time. It just mounts on top of your monitor and your webcam mounts on top of the light bar. Very nice light for your workspace and perfect when you’re working late with kids sleeping nearby.” — Shady
“I’ve been obsessed with Vampires SMP as of late, a narrative roleplay series set within Minecraft with an insanely fun and dramatic cast. I can’t stop thinking about this show and its characters to a degree that few TV shows have managed.” — Eris
“Spreading managed democracy in Helldivers 2 is awesome.” — Ani
I’ve written a bunch here in the last few weeks about Raycast, the launcher / note-taker / AI chat / many other things app that has become a key part of my computing life. (I also had Thomas Paul Mann, the company’s CEO, on The Vergecast last weekend.) I’ve heard from a bunch of you that you want to know more about how to use Raycast. This is a good idea! Especially now that it’s on Windows, a Raycast deep dive is a good idea, and I’m on it. But in the meantime, you should check out Raycast’s YouTube channel, which is as good a set of product videos as you’ll find — some deep dives on features, some user interviews, lots of good stuff. The “101 Things You Can Do With Raycast” video is also a fabulous place to start. I find new things every time I watch it.
More to come, though. I love Raycast, I know a lot of you do too, and we’ll get in the weeds on how to make the most of it. If you have tips / favorite features, send them my way!
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Microsoft closed out Summer Game Fest with a bang. The company’s annual June showcase was packed with crowd-pleasers: Halo, Gears of War, Fable, a translucent Xbox, and even some pleasant surprises like new Persona and Crazy Taxi games. It was the kind of event that harkened back to the boisterous days of E3, when the industry was in a healthier place and game reveals were cultural events.
Just three days after the showcase, new Xbox CEO Asha Sharma warned of a “reset” at Microsoft’s gaming division, which would require “making hard choices.” The weeks that followed were filled with reports of impending layoffs, studio closures, and game cancellations. Ninja Theory is reportedly one of the studios on the chopping block, despite having just revealed a new game at SGF. If all this comes to pass, Xbox will be a shell of its former self.
After muscling its way into the console space nearly 25 years ago, Microsoft’s gaming division is at its lowest point ever. And the fallout from some disastrous decisions is going to get very ugly in the coming weeks and months.
It wasn’t always this way. With the arrival of the original Xbox in 2001, Microsoft seemed poised to be a viable contender in the space, with all of its resources helping it play catch-up with the likes of Sony and Nintendo. Major exclusives like Halo and a prescient foray into online play through Xbox Live helped to solidify this position for a time. But Microsoft flubbed the launch of the Xbox One in 2013 with an ill-fated push into non-gaming features like TV, and the brand has never really recovered. With the oft-confusing Xbox Series X / S generation, the company only fell further behind.
There are many reasons for this, but arguably the most damning was Microsoft’s extremely expensive push into subscription services. On paper it made some sense: Streaming services like Netflix were upending the film and TV landscape, so maybe the same could happen for gaming. Microsoft made some absolutely gigantic bets on this unproven future, spending billions of dollars to acquire studios and publishers in an attempt to build out a large library of content for Game Pass that would lure subscribers.
And while Game Pass proved popular initially, it ultimately plateaued, which meant that Microsoft spent all of that money on a business that didn’t grow anywhere near as large as it expected. (The service currently has around 30 million subscribers, while Microsoft had hoped to hit 100 million by 2030.) This misguided play also coincided with the “This is an Xbox” marketing campaign, which suggested that Xbox wasn’t a single console but rather a suite of Game Pass-capable devices, leading to even more confusion around the brand.
Just how bad are things? As Sharma and Xbox’s chief content officer Matt Booty wrote in the “reset” memo, “Excluding Activision Blizzard King, over the past five years, we have spent over $20 billion on ongoing investments in our content, platform, and hardware subsidy, but our annual revenue has declined nearly half a billion during that time. Going forward, this cannot continue.” The Activision deal, meanwhile, cost $68.7 billion. The company spent all of that money just to make it even less clear what an Xbox is.
This past February, there was a major shake-up at the Xbox division. Former boss Phil Spencer, who oversaw the brand through the Game Pass push and its many costly acquisitions, retired, while former president and COO Sarah Bond left the company. Despite some uncertainty around her lack of experience in the world of gaming — her prior role at Microsoft was head of the CoreAI division — Sharma’s early days provided some cause for optimism. She appeared willing to listen to fans on things like backward compatibility and exclusives, scrapped the unpopular Microsoft Gaming branding in favor of just Xbox, and moved the brand away from controversial AI features. She also made some strange and superficial changes, like restyling Xbox as XBOX.
But it’s clear the issues at Xbox run much deeper than a simple name change can fix. Sharma inherited a business that spent colossal amounts of money and had little to show for it, and now the bill is coming due. What makes this especially tragic is the sheer pedigree of the game studios that are being impacted. My colleague Tom Warren reported that Microsoft was mulling over closing at least five studios, which includes the likes of Arkane — best known for the wildly influential Dishonored series — and Double Fine Productions, a beloved team behind cult hits like Psychonauts, and more recently Keeper and Kiln. That’s multiple teams filled with talented individuals responsible for some of the most notable games ever made. Now they’re being discarded because of poor decisions they had no part in.
But even amid this apocalyptic landscape, Xbox’s issues feel particularly existential. Its hardware and subscription businesses are both faltering, and now it’s decimating its game development teams as well. Tom reported that the impending layoffs are expected to start next week, and it’s not clear yet just how widespread they will be. Part of the uncertainty is that we don’t know exactly what will happen to these studios; some may be hit with layoffs, some may be closed entirely, and some may be spun off as independent entities.
Whatever happens, though, Xbox will look drastically different once it’s all over. And given the dire state of console gaming, these might not even be the last changes for Microsoft’s gaming division.
- Sharma has done a lot of work to clean up the messaging around Xbox, but plenty of confusion remains, particularly when it comes to the company’s console exclusivity strategy.
- At the same time the Xbox is struggling, a new player is entering the space, as Valve launches the console-like Steam Machine.
- As always, Nintendo largely operates in its own parallel universe that has allowed it to largely weather the current storm.
- Bloomberg’s Jason Schreier has done some excellent reporting on the turmoil at Xbox, and has also helpfully condensed everything into a video on his YouTube channel.
- Matthew Ball is Xbox’s new strategy officer, and in an interview with The Game Business he explained how the brand is thinking about the next console, currently codenamed “Project Helix.”
- Speaking of execs, Booty talked to Game Informer following the SGF showcase to try and explain Xbox’s ever-changing strategy around exclusives, saying that “We want there to be a reason to believe and a reason to buy Xbox.”
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Pudu Robotics has announced what it calls the first “full-scenario robot-serviced hotel.” The project will use robots across the entire guest experience, from reception and room service to cleaning, food preparation and guest support.
The hotel is set to open in 2027, with trial rooms and robot-powered services expected to begin in late 2026. Early guests will be able to try robot check-in and autonomous in-room delivery before the full launch.
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COULD THE NEXT CHINESE THREAT WALK INTO YOUR KITCHEN ON TWO BATTERY-POWERED LEGS?
Pudu Robotics says its robot-run hotel will use AI-powered machines across check-in, room service, cleaning and guest support. (Pudu Robotics)
Where the robot-run hotel will be located
The hotel will sit on West Artificial Island, a man-made island tied to the Shenzhen-Zhongshan Link in Guangdong Province. That cross-sea bridge and tunnel project is one of the Pearl River Delta’s biggest transportation projects.
The location feels fitting. Shenzhen already has a reputation as one of China’s major technology hubs. Room-service delivery robots are already common in hotels across many large Chinese cities.
However, this project goes much further. Instead of adding a few robots to assist hotel staff, Pudu wants to create a connected robot service system that can handle the entire guest experience.
What robots will do inside the hotel
The planned hotel will include 44 high-end rooms, a restaurant, a gym and other guest spaces. Robots will take on roles across the property, including reception, room service, cleaning, food preparation and guest support.
That means you could check in with a robot, have luggage delivered by a robot and order drinks from your phone without calling the front desk. Then, cleaning robots would handle waste detection and room upkeep using AI.
Pudu says its robots will work from one shared intelligence framework. In other words, different machines will handle different jobs while staying connected through the same software system.
The robot staff behind the scenes
Pudu’s FlashBot will run an intelligent vending system, allowing guests to order drink deliveries by smartphone. The PUDU T300 will move luggage from the lobby to rooms.
Meanwhile, the PUDU CC1 Pro and PUDU MT1 cleaning robots will handle cleaning tasks using AI waste-detection technology.
At the Shenzhen launch event, BellaBot Pro served coffee while KettyBot Pro delivered refreshments and snacks. That kind of robotic service may still surprise many travelers. In Shenzhen, though, it already fits into a broader tech culture where robot baristas and drone food delivery are becoming more visible.
HUMANOID ROBOTS WORK NONSTOP IN PACKAGE TEST
Guests will be able to try robot check-in and autonomous in-room delivery during the hotel’s first public trial in late 2026. (Pudu Robotics)
How AI will run the hotel experience
The hotel will rely on PuduFM 1.0, the company’s embodied intelligence foundation model. It will also use PuduAgent to manage intelligent operations across the hotel.
“This partnership represents an important step toward large-scale deployment of embodied intelligence in premium hospitality environments,” said Cong Guo, co-founder and CTO of Pudu Robotics.
He also said the project gives the company a chance to explore new service models where AI and robotics work together to deliver connected service experiences.
That may sound ambitious, yet the rollout will be gradual. The first public trial is expected in late 2026. A broader hotel opening is planned for 2027.
Why China is moving fast with robot hospitality
China has already embraced service robots in hotels, restaurants, airports and public spaces. The robot-run hotel takes that trend into a more advanced phase.
Shenzhen Culture & Tourism Industry Development will work with Pudu Robotics to turn West Artificial Island into a robotics and technology destination. The hotel is only one part of that larger plan.
Over the next four years, the island is expected to add more robotics across tourism and hospitality. That could turn the area into a testing ground for how travelers react when robots handle nearly every service touchpoint.
The hotel is planned as a connected robot service system where different machines handle luggage, deliveries, cleaning and hospitality tasks. (Pudu Robotics)
What this means for you
If this hotel works well, it could change what you expect from travel in the future. Faster check-in, automated deliveries and round-the-clock service may sound convenient, especially when you arrive late or need something quickly.
However, there is another side to this. A robot-run hotel also raises questions about jobs, privacy, safety and what kind of hospitality guests actually want.
Some travelers may love the speed and efficiency. Others may miss the warmth of a person who can read the room, handle a strange request or help when something goes wrong.
That is where this project becomes important. It may show whether people are ready for hotels where AI handles the stay from start to finish.
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Kurt’s key takeaways
China’s first robot-run hotel feels like a major test of how far hospitality automation can go. We have already seen delivery robots roll through hotel hallways. Yet this project puts robots at the center of the entire stay. The convenience could be impressive. You could check in, order drinks, receive luggage and get room support without waiting on a busy front desk. For travelers who value speed, that may feel like a win. Still, hospitality has always been about more than efficiency. A great hotel stay often comes from small human moments. A kind greeting, a helpful suggestion or a quick fix when something goes sideways can make a trip feel easier.
If a robot-run hotel can give you faster service, would you miss the human touch or happily skip the front desk altogether? Let us know by writing to us at CyberGuy.com.
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The Swift Observatory was launched in 2004, but recent solar storms have pushed its orbit lower, and it’s in danger of burning up in Earth’s atmosphere as soon as this year. To try and stave off its demise, NASA has enlisted Katalyst Space Technologies. The company’s Link spacecraft launched Friday with the goal of intercepting Swift, which has no propulsion system, and boosting its orbit back to its original position. Right now, Swift is circling at an altitude of 224 miles, and Link is aiming to raise that by about 150 miles.
Using a three-armed spacecraft to lift a satellite 150 miles higher into orbit is challenging enough, but the speed with which Katalyst pulled the mission together makes it even more impressive. NASA required the company to rush the job because Swift would be too low to save by October. $30 million and nine months later, help is on the way for the $500 million Swift.
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