Culture
Breslow’s Red Sox front-office audit resulted in painful cuts. Will the changes bring wins?

In the 17 months since the Boston Red Sox hired Craig Breslow as chief baseball officer — their fourth leadership change within the past 10 seasons — the organization has undergone sweeping changes, particularly behind the scenes in the front office. Under Breslow’s direction, longtime employees have been fired, while others have left on their own, frustrated with the direction of the organization. The scouting department, in particular, has seen deep cuts.
Many that remain in the roughly 275-person front office paint a previously unreported picture of uncertainty and unease, though others see opportunity and optimism, particularly in the rapid revamping of the organization’s pitching infrastructure and player development methods, and in a promising big-league team. Some indicate it’s created an odd juxtaposition between those eager to initiate change and those trying to adapt to new roles under new leadership.
Breslow does not apologize for changes he believes will finally snap the organization out of a years-long stretch of mediocrity. He was hired for this purpose. The team has made the postseason once since their last World Series title in 2018 and has posted a record at or below .500 in four of the past five seasons. Red Sox ticket prices remain among the highest in baseball.
Breslow recently spoke to The Athletic about the restructuring that resulted from an internal audit conducted last year that helped reshape the front office, noting that they “tried to pick off the highest leveraged opportunities first.”
“There are times where maybe it makes sense to bulldoze through things and then kind of pick up the pieces afterward and there are times where being a little bit more intentional and patient ends in the best outcome,” he said, standing outside of Boston’s spring training complex at JetBlue Park. “I think ultimately, what we’ve been trying to instill is the idea that what is most important is what happens on the field, and we need to work backwards from that.”
Change is not new in Boston. Far from it. Just two years ago under Chaim Bloom, the Red Sox underwent a different front-office overhaul. But Bloom wasn’t around long enough to see those changes make an impact.
So, how will Breslow’s restructuring be different? After so many years of upgrading and updating the front office structure under previous leadership, is this new setup the right one? Will ownership give Breslow enough runway to see the changes through or — given that his predecessors were each fired within their first five years on the job — is he already nearing the halfway mark of his tenure in Boston?
Sources within the team acknowledge that baseball’s increasingly competitive landscape necessitated swift change. Yet too much change can create instability.
Breslow is clear that he believes it’s important to be transparent and he is mindful of the organization’s culture and staff morale. But he also has a strong vision of how the Red Sox can improve.
“Our goal is not to make everyone happy,” he said.
Craig Breslow was introduced as the Red Sox chief baseball officer on Nov. 2, 2023. (Charles Krupa / Associated Press)
Within a few months of joining the Red Sox, Breslow hired New York City-based Sportsology Group to conduct an internal audit of all baseball operations employees.
One goal was to get all of the front-office departments on the same page so that they could collaborate and communicate more effectively, ultimately benefitting the major-league team. The audit also laid out an objective evaluation method for Breslow to utilize when identifying employees who would best fit his vision for the franchise.
“The one thing I’m committed to, is doing what’s best for the organization and that requires taking a hard look at the processes that we have in place, the systems we have in place, and the people that we have in place,” Breslow told The Athletic in June amid the audit.
“Sportsology is not the decision-making group. They are not evaluating people, we are evaluating people,” he added. “They’re helping us create the frameworks that allow us to do that and certain benchmarks against which we want to evaluate and how to calibrate the information that’s coming in. But the evaluations are being done by us.”
During the audit, there was a natural undercurrent of anxiety within the organization about just what the evaluations would suggest, according to multiple employees who spoke on a condition of anonymity. After the audit was completed, there were widespread changes, not just in scouting, where people with decades of experience were let go, but in creating new department heads in research and development, and reorganizing player development and the medical department.
“The result of an audit was not some drastic kind of headcount-cutting measure,” Breslow said. “It was understanding who our people are, what type of work they’re doing, what we’re really good at, what opportunities there are to improve.”
The scouting department had the biggest turnover — and those departures created the most angst. On the amateur side, a 34-person staff last year was reduced to 22 following departures and layoffs. Four people were added in their place, increasing the amateur staff to 26. Among the most notable layoffs were longtime scouts Mark Wasinger, Paul Fryer and Willie Romay, a group with decades of collective scouting experience. Tom Kotchman, a scout for nearly 50 years, including 14 with the Red Sox, retired at the end of 2024.
Changes in the scouting world have become ubiquitous over the past decade with the evolving landscape of how the game is evaluated, particularly as advances in technology enhance — and at the same time challenge — traditional scouting methods. Breslow admitted emerging research methods have allowed teams to collect information differently and often more objectively.
“But it has not eliminated the value in the role of the scout,” he said. “I think in certain cases, we’re asking our scouts to take on slightly different responsibilities in order to ensure that we are continually positioned at the industry’s leading edge. But it isn’t that scouts are less important. It isn’t that we’re looking to diminish the voice or the role of the scout. It’s that the job of the scout has changed, and we have to provide the support for people to make sure that they’re going to do their jobs every day.”
All of the scouts who were let go had significant impacts on the club, but Romay, in particular, was directly responsible for uniting the Red Sox with key pieces of the current clubhouse, signing Triston Casas, Kutter Crawford and Roman Anthony. One employee noted that Romay being part of the cuts in the fall was “incredibly disheartening for everyone.”
“Like anything, like friends that get traded, like anyone that gets released, you never want to see that happen to someone and it’s sad,” said Anthony, whose relationship with Romay was a key reason he didn’t forgo signing with the Red Sox to play at Mississippi. “I still stay in contact with him. He still texts me and still roots for me. I understand it’s a business, and I understand that teams have to do whatever they think is right. And people may not always agree with that.”
Mike Rikard, who’d previously served as amateur scouting director and most recently as vice president of scouting, was moved to a special assistant role last fall before he left the organization in January to join the Arizona Diamondbacks as senior advisor in the scouting department. The Diamondbacks have several former Red Sox employees in their front office, including GM Mike Hazen. Rikard led the team’s drafts from 2015-19 when they selected Andrew Benintendi, Tanner Houck, Jarren Duran, Casas and Crawford. He later transitioned to VP of scouting where he helped in the evaluations of Mayer, Anthony, Campbell and Kyle Teel.
On the international side, 12 scouts were let go or reassigned to different departments with eight additions, shifting the 40-person group to 36.
Assistant general manager Eddie Romero, who had focused on the club’s international scouting and player development efforts, remained an assistant GM but with a role more centered on the big-league club in acquisitions and player development. Over the past 20 years, Romero has helped revitalize the organization’s Dominican Academy and led efforts in signing and developing players such as Xander Bogaerts, Rafael Devers, Brayan Bello and Ceddanne Rafaela.

A batting cage at the Red Sox Dominican Academy. (Jen McCaffrey / The Athletic)
On the professional scouting side, five pro scouts on an 18-person staff were fired and their spots were filled with a mix of external and internal moves, including shifting international amateur scouts Kento Matsumoto and Won-Sang Lee, based in Japan and South Korea, respectively, to the pro side.
Several inquiries about these changes were left unanswered and those who did discuss changes asked not to be identified or quoted, citing ongoing questions about their job security. Some scouts who were fired have said they’re happy with their new teams and didn’t want to discuss the matter.
The industry has taken notice of the changes to the Red Sox scouting department. In a recent Baseball America poll of more than two dozen scouts, the Red Sox ranked among the least “scout-friendly” teams.
Breslow wouldn’t address specific departures, but defended what he deemed difficult decisions in order to keep the organization at the forefront of the game, noting “that there are a number of people who have contributed to the success of this organization, and that will not change.”
“We have to evaluate where we currently are and where we think this game is headed,” he said. “In some cases, that means the set of responsibilities that our scouts take on has changed and in certain situations it hasn’t at all. We need to find the best people and put them in the right places.
“Fortunately, and in a lot of ways and as a result of a pretty comprehensive audit, we found that we do have a lot of great people here. And there are maybe people who decide that the direction that we’re going is not for them, and that’s OK. But again, all of this is rooted in trying to put the best team we possibly can on the field and give ourselves the best chance of making great decisions.”
Boston is not the only team reorganizing their scouting structure. The Chicago Cubs, a team for which Breslow previously worked, is in the midst of its own front-office changes. As teams shift more toward Driveline-type methods, others have gone a different direction. The Philadelphia Phillies scaled back “Driveline-ification” efforts of their front office in recent years. In 2022, the Red Sox hired former Phillies director of minor-league hitting Jason Ochart.
At the same time the Red Sox have cut from the scouting department, they have added to others, including research and development, which is now the second-largest department in the front office, behind only international scouting. The R&D department was reorganized under four directors — baseball sciences, baseball systems, baseball technology and baseball analytics. Early in the offseason, Breslow hired Taylor Smith, former director of predictive modeling for the Tampa Bay Rays, as an assistant general manager tasked with overseeing R&D. Mike Groopman, an assistant GM who’d previously overseen R&D, moved to a role focused on acquisitions. The new structure created a heavy emphasis on data-driven analysis and sought to streamline a growing department that had increased to 33 people, up from 30 last year.
Although R&D grew, there were departures, including Joe McDonald, a former director of analytics, who joined the New England Patriots as senior analyst of football strategy. A few analysts were moved to scouting roles. In all, there were six additional hires, including one Breslow specifically highlighted at his end-of-season presser, former Driveline employee Kyle Wasserberger, a biomechanist with an extensive background in injury prevention and rehabilitation.
The Red Sox now employ nine former Driveline employees, the most of any team in baseball, including Driveline founder Kyle Boddy, who serves as a special assistant to Breslow. Breslow said there has not been a directive to hire Driveline employees but he values the way they approach the game.
“I think people who have gone to work at Driveline have taken on a specific set of experiences that typically lends itself to a way of thinking and a curiosity and open-mindedness,” he said. “Yeah it’s data-driven decision-making, but it’s understanding and having evidence and having support for decision-making rather than just blindly working through different possibilities of outcomes and solutions. It’s doing a lot of the work beforehand, before you take a suggestion or a recommendation to a player. It’s being grounded in evidence and information.”
This analytical approach has paid dividends in many areas, particularly in developing several top position player prospects, including Anthony, Mayer and Campbell, who’ve excelled at the plate thanks to a revamped hitting philosophy implemented over the past few years on the minor-league side, a process that began under Ochart at the end of Bloom’s tenure.
It has also created tension with traditional coaching methods. The Boston Globe recently reported on a “heated conversation” Hall of Famer Jim Rice, a former hitting instructor who now serves as a special assignment instructor for the Red Sox, had with an unidentified staffer after a player approached Rice for hitting advice. Rice was told by the staffer his advice “didn’t align with the team’s approach.”
“There are little tips of the iceberg that have revealed themselves,” one employee noted about the culture of the organization.
Despite that rift and the obvious shift toward more data-driven methods, the Red Sox are not foregoing hands-on instruction. As they seek to strengthen ties between their farm system and their major-league team, another notable change was the addition of Chris Stasio, formerly the assistant farm director, who will work in a player development role on the major-league coaching staff.
Traditionally, the Red Sox player development group was solely involved in development in the minor leagues, but now, via Stasio’s new role, it will also focus on continued development at the big-league level. Stasio will be in uniform and travel with the major-league team. Stasio’s new position was part of a larger restructuring of player development that saw eight people fired and four moved to different positions, including former minor league hitting coordinator Dillon Lawson, who was promoted to big league assistant hitting coach.
There have been changes in the medical department, too. Dr. Larry Ronan, who’s been the team’s lead physician for 20 years, stepped into an advisory role this season. Dr. Peter Asnis, who’d been the team’s head orthopedist for more than a decade, was elevated to head physician, leading a staff of multiple specialized doctors. On the field, strength coach Kiyoshi Momose moved to a Boston-based strength role, rather than traveling with the club, while two strength coaches were added to their staff of roughly a dozen trainers, rehab specialists, massage therapists and physical therapists.
The vast number of changes across the Red Sox organization has empowered some employees while leaving others feeling diminished in their roles. Some understood the cutthroat nature of working in a billion-dollar industry where the bottom line is what matters most. Others saw years of loyalty and hard work wiped clean.
The Red Sox have not won in recent years and that, in turn, means change. Once again.
Breslow and his leadership team acknowledge the painful moves but remain steadfast that in a competitive industry, this type of restructuring is par for the course and that the organization is re-evaluated after every season. This was, however, a larger and deeper reorganization.
“Without a doubt, we had to make really difficult decisions,” he said. “My hope is that whether people agree with those decisions or not, they understood that we were making the best decisions that we could in order to further this goal we have of competing for World Series championships year over year.
“I don’t know that there’s a finish line,” he added. “We need to constantly evolve, track our progress, reevaluate. I think that’s what good organizations do.”
(Top photo: Charles Krupa / Associated Press)

Culture
Valentin-Yves Mudimbe, 83, Dies; African Scholar Challenged the West

Mr. Mudimbe was unapologetic. “To the question ‘what is Africa?’ or ‘how to define African cultures?’ one today cannot but refer to a body of knowledge in which Africa has been subsumed by Western disciplines such as anthropology, history, theology or whatever other scientific discourse,” he told Callaloo. “And this is the level on which to situate my project.”
Valentin-Yves Mudimbe was born on Dec. 8, 1941, in Likasi, in the Katanga Province of what was then the Belgian Congo, to Gustave Tshiluila, a civil servant, and Victorine Ngalula. At a young age, he said in 1991, he “began living with Benedictine monks as a seminarist” in Kakanda, in pre-independence Congo. He had “no contact with the external world, even with my family, and indeed had no vacations.”
When he was 17 or 18, he recalled, he decided to become a monk, this time among the Benedictine “White Fathers” of Gihindamuyaga, in Rwanda. But in his early 20s, already “completely francophonized,” he abandoned the religious life and entered Lovanium University in Kinshasa, graduating in 1966 with a degree in Romance philology. In 1970 he received a doctorate in philosophy and literature from the Catholic University of Louvain, in Belgium. He then returned to Congo to teach.
In the 1970s Mr. Mudimbe published, among other writings, three novels, all translated into English: “Entre les Eaux” (1973), published in English as “Between the Waters”; “Le Bel Immonde” (“Before the Birth of the Moon,” 1976); and “L’Écart” (“The Rift,” 1979). The principal characters in these novels “find it impossible to tie themselves to anything solid,” the scholar Nadia Yala Kisukidi commented in Le Monde.
At the end of the 1970s, when the offer came from Mr. Mobutu to be “in charge of, I guess, ideology and things like that,” as Mr. Mudimbe put it to Callaloo, he reflected that “I didn’t think of myself and I still don’t think of myself as a politician.” After he established himself in the United States, his focus turned to essays and philosophy; among other books, he wrote “L’Odeur du Père” (1982), “Parables and Fables” (1991) and “Tales of Faith” (1997).
Culture
Poetry Challenge: Memorize ‘Recuerdo’ by Edna St. Vincent Millay

Someone once defined poetry as “memorable speech.” By that standard, each of us has committed at least some poetry to memory. Nursery rhymes, song lyrics and movie catchphrases all find their way into our heads, often without any effort on our part.
More formal memorization used to be a common classroom ritual. Schoolchildren would stand and recite approved works for their teachers and peers. That kind of learning has mostly gone out of fashion, which may be a sign of progress or a symptom of decline. Either way, school shouldn’t be the only place for poetry.
And learning a poem by heart doesn’t have to be drudgery. It can be a way of holding onto something beautiful, a morsel of verbal pleasure you can take out whenever you want. A poem recited under your breath or in your head can soothe your nerves, drive away the noise of everyday life or grant a moment of simple happiness.
At a time when we are flooded with texts, rants and A.I. slop, a poem occupies a quieter, less commodified corner of your consciousness. It’s a flower in the windowbox of your mind.
There are millions of them available, in every imaginable style, touching on every facet of experience. You could store a whole anthology in your brain.
But let’s start with one: “Recuerdo,” by Edna St. Vincent Millay.
“Recuerdo,” first published in 1919 in Poetry magazine, is the recollection of a night out on the town — or more precisely on the water, presumably the stretch of New York Harbor served by the Staten Island Ferry. We asked some friends of the Book Review — poets, novelists, playwrights, actors and other literature lovers — to recite it for us, and a bunch said yes.
Today, Ada Limón, Ina Garten and Ethan Hawke will introduce you to the poem. Here’s the first of the three stanzas.
Recuerdo
We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable—
But we looked into a fire, we leaned across a table,
We lay on a hill–top underneath the moon;
And the whistles kept blowing, and the dawn came soon.
Ada Limón, U.S. poet laureate
Why did we pick “Recuerdo”? We combed through our shelves like Goldilocks, looking for a poem that was just right: not too difficult, but not too simple; not obscure but not a chestnut; not a downer but not frivolous either. We didn’t want a poem that was too long, and we thought something that rhymed would be more fun — and easier — to memorize than a cascade of free verse.
Millay, who was born in Maine in 1892 and was a fixture of the Greenwich Village bohemian scene in the 1920s, caught our eye for a few reasons. In her lifetime, she was a very famous poet.
She was a decidedly modern author who often wrote in traditional forms, and who has stayed popular through 100 years of fluctuating fashion. Her verse, while serious and sophisticated, carries its literary baggage lightly.
When you get to the second stanza of “Recuerdo,” read here by Ina Garten, you realize that it has a hook.
We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
Ina Garten, cook and author
It’s a city poem, but one that incorporates some arresting nature imagery (the sun, the moon, the wan glow of dawn). It delivers a confidential message — addressed to a “you” who shares the memory of those moments by the fire and in the moonlight — while striking a convivial, sociable tone.
The poem concludes with an impulsive act of generosity that carries a hint of melancholy. Here’s Ethan Hawke, reading the third and final stanza.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl–covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.
Ethan Hawke, actor
That’s it. The night is over; another day is here with its obligations and routines; we’re about to trade the open air of the ferry for the crowded underground platforms of the subway.
This poem stands up to repeated readings. It stays in your mind and your ear. It’s a fun poem about having fun, though of course there’s more to it than that. The poem expresses the desire to hold on to a fleeting experience, to fix it in words and images before it’s washed away on the tide of time.
“Recuerdo,” in Spanish, can mean recollection or souvenir, which is kind of perfect. The speaker summons bits and pieces of a memorable night, organizing them into verses that bring those hours back to life, even though they’re gone forever. We pick up those verses, and — impossibly but also unmistakably — we’re right there with her, inhaling the sea-kissed morning air.
So here is the challenge: Memorize this poem! Why? Because it’s unforgettable.
Below, you’ll find a game designed to help you learn “Recuerdo.” Today your goal is to master that wonderful refrain. (Once you’ve done that, you’ll have one third of the poem.) As the Challenge continues through the week, we’ll look closely at how the poem is made, at what it’s about and at the extraordinary woman who wrote it. There will be new games and videos every day, until we disembark on Friday, poem in hand. Bon voyage!
Your first task: Learn the first two lines!
Question 1/3
Let’s start with the refrain. Fill in the rhyming words.
We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
Tap a word above to fill in the highlighted blank. Need help? Click “See Full Poem
& Readings” at the top of the page.
Monday
Learn a poem with us this week. Keep it for a lifetime.

Tuesday (Available tomorrow)
How rhythm and rhyme make a poem memorable.

Wednesday (Available Apr. 30)
This is a New York poem. After you learn it, you can take it anywhere.

Thursday (Available May 1)
This poem is about staying up all night. Use it to greet the day.

Friday (Available May 2)
We’ve learned a poem this week. Now it’s yours.
Edited by Gregory Cowles, Alicia DeSantis, Nick Donofrio and Joumana Khatib. Additional editing by
Emily Eakin, Tina Jordan, Laura Thompson and Emma Lumeij. Design and development by Umi Syam and
Eden Weingart. Additional design by Victoria Pandeirada. Video production by Caroline Kim.
Additional video production by McKinnon de Kuyper. Photo editing by Erica Ackerberg. Illustration
art direction by Tala Safie.
Illustrations by Hannah Robinson.
Audio of “Recuerdo” from “Edna St. Vincent Millay in Readings From Her Poems” (1941, RCA); accompanying
photograph from Associated Press.
Culture
When Kristen Kish, ‘Top Chef’ Host, Hits the Mute Button

Blundstone Boots
There was a point when I wore kitchen clogs, which I found uncomfortable. Then, Birkenstocks, but your heel’s exposed. Your sock’s going to get soaked, especially when you’re flooding the floors to clean at the end of the night. Blundstones are waterproof and they look good. I can go from the airplane to out in the wild, right into the kitchen and I feel like they fit all those scenarios.
Palo Santo
When I opened my restaurant in the Line hotel in Austin, it was in every single room. My wife had to tell me what it was because I was like, “What are these wooden sticks in here for?” I travel with it and when I’m in dressing rooms, studios and hotels, it just makes everything smell familiar to me, regardless of where I am.
Dental Hygiene
When I’m eating different flavors throughout the day — snacking on things or trying 15 dishes on “Top Chef” — at a certain point, my mouth starts to just feel gross. Brushing my teeth, tongue scraping and flossing help me reset a little bit.
Deep Pockets
A lot of women’s pants have little pockets that go down maybe three inches. I need them to touch my thigh. Because I’m not a purse kind of person, I like to fit my wallet, keys and mints all in my pocket if I can. I have a stylist for any clothes that I wear in public or on television. When fending for myself, I’m going to wear pants that are two times too big, comfortable and with deep pockets. Lululemon dance studio relaxed fit mid-rise cargo pants are so comfortable. Not only do they have deep pockets, they also have cargo and back pockets.
Carmex
My preference is the stick. I always carry it in my left pocket; that’s just where it lives. I don’t leave home without it and it’s stashed in random places in our house — on my desk, in the junk drawer downstairs, two in our bedroom. I buy them in bulk and take great pride in finishing them.
Peppermint Gum
My mom used to tell me, “You look like I look like a cow chewing gum.” But it keeps cadence and there’s something in the rhythm of chewing where if I’m doing a task, especially if I’m cooking for hours, it’s a place for the anxiety to go. You know, how people relax with knee bouncing.
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