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Behind Timberwolves’ decision to start Joe Ingles so his autistic son could see him play

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Behind Timberwolves’ decision to start Joe Ingles so his autistic son could see him play

MINNEAPOLIS — About 35 minutes before the Minnesota Timberwolves were set to tip off against the New Orleans Pelicans on Friday night, an eruption could be heard in the back hallways of Target Center.

It came from the locker room, and the timing seemed odd for a team that was in the doldrums after two straight dispiriting losses to teams that had no business winning in this building. It came from an announcement from head coach Chris Finch, just before the regular game plan meeting started.

As the team gathered around, Finch told them they had the chance to do something special on this night. He wasn’t talking about getting revenge on the Pelicans, who embarrassed them two nights prior. He wasn’t talking about closing the gap on the Golden State Warriors for the coveted No. 6 seed in the Western Conference playoff chase. He was talking about doing something for one of their own and a family that has been through hell.

Finch told his team that he was giving veteran forward Joe Ingles his first start of the season, even though this was a “must-win game.” As the players looked around at each other, he told them why a guy who had appeared in only 18 of the team’s previous 71 games, five of which lasted 3 seconds or less, was suddenly starting for a team that was flailing. He told them that Ingles’ wife and three children were in town visiting this week and that one of life’s little miracles had occurred for them at a game against the Utah Jazz on Sunday.

He told them how Ingles’ 8-year-old son, Jacob, has autism, and how he had never been able to sit through the sensory overload of an NBA game from start to finish. He told them that on Sunday, for the first time ever, Jacob was able to watch the entire game, an incredible breakthrough for him and the family that has fought so hard for him since he was diagnosed at 2 1/2 years old.

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There was only one bummer: Ingles did not play in that game. Friday marked the last day the family would be together before mom and the kids headed back to their full-time home in Orlando, where Jacob has a school that he loves and a house that provides him much-needed comfort.

When Finch got word of Jacob’s milestone, he became determined to make sure that the boy got to see his dad on the court this time. Not only did Finch plan to play Ingles against the Pelicans, he told his team that he planned to put him in the starting lineup.

“I figured, if we’re going to do it, let’s do it in style,” Finch said.

The entire team started clapping and cheering, a response so emphatic that the cement block walls that separate the locker room from the arena hallway couldn’t contain the noise. All of a sudden, a team that had lost its swag, as Julius Randle put it after the loss on Wednesday dropped them to eighth in the West, was reinvigorated.

“I would want coach to do the same for me if I was in that position,” forward Jaden McDaniels said.

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What followed was a 134-93 victory over the Pels. Randle had 20 points, six rebounds and five assists, Rudy Gobert had 15 points, 11 rebounds and three steals and Anthony Edwards scored 17 points. The most important person on the court that night went scoreless in six minutes, missing all three of his shots, committing two fouls and turning it over once. The most important person in the building, a young boy who was non-verbal early on in his diagnosis but is now in school and growing and developing and blossoming, was able to watch an entire NBA game for the second time in a row. The only difference this time was Jacob got to see his dad play.

“This is the stuff,” Ingles said, “I’ll remember forever.”

This was a major moment for the Ingles family, a line of demarcation in a seemingly endless battle to help Jacob find his way in a world that can leave behind kids like him. It was also a jolt to a team that seemed to be hitting a wall, to a group of players that were maybe feeling a little sorry for themselves when even an eight-game winning streak earlier this month couldn’t put a dent in the narrow lead the Warriors had on them in the playoff race.

“Sometimes you gotta do the human thing,” Finch said. “We always talk about how all these minutes matter, and (Ingles’) minutes mattered for another reason.”


Ten days ago, the Timberwolves were flying high after a 20-point thumping of the Nuggets in Denver. They returned to Minnesota for a five-game homestand filled with struggling teams, giving them realistic hopes that a season full of frustration and inconsistency was congealing at just the right time. They beat the Magic and the Jazz to run their winning streak to eight and were carrying themselves like a team that wasn’t afraid of anyone in the West.

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Then came an overtime loss on Monday to the Pacers, who played without Tyrese Haliburton, Myles Turner and Pascal Siakam. They followed that on Wednesday with a loss to the Pelicans, who were beaten by 46 points in their previous game and had the second-worst record in the West.

“The energy is off. It’s funky. We’re not playing with that same spirit or the same confidence,” Randle said after that game.

Finch searched for answers to restore the team’s edge. On Thursday, he spoke of how the team has proved to be “moody” this season, soaring when the shots are falling and the wins are coming and sulking when things aren’t going their way.

“We’ve got to be able to survive our own mistakes a little bit better,” Finch said. “Sometimes guys have the propensity to worry a little bit too much about themselves and how things affect themselves rather than the greater good.”

He emphasized to the group that there was little anyone could do to change their individual statistics this late in the season. The sample size is too large for any of them to see their per-game averages rise or fall in a noticeable way. The only thing they can do to affect their seasons in a positive way is to come together and win some games.

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Little did he know that less than 24 hours after having that talk with the team during a film session at practice, he would get word of something that could help him illustrate in ways both powerful and relatable what an approach like that looked like.


Ingles’ wife, Renae, and all three children have spent the entire season at the family’s full-time home in Orlando. The end of Ingles’ career is much closer than the start, so when he signed a one-year, veteran minimum deal with the Timberwolves last summer, they decided the family would not follow him to Minnesota. Taking Jacob out of his comfort zone for nine months did not seem practical or productive.

Joe being gone has put even more of the burden on Renae’s shoulders.

“There’s a little less stress because I can afford to pay for Jacob to get what he needs, but it doesn’t take away the meltdowns in the supermarket,” Joe said. “There’s been so many times that my wife is laying on the floor in public and you can feel people staring at you, you know they’re judging you and commenting about it. But they have no idea what he’s gone through that day or the night before or the situation.”

The school they found in Orlando has been an immense help to Jacob’s development. The progress manifested in a tangible way for this basketball family on Sunday against the Jazz. Typically, Jacob will not last long amid the onslaught of thumping music, strobing lights and mascots running amok. They tried to take him to a Minnesota Wild hockey game earlier this season.

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“He lasted three minutes,” Ingles said.

Then came Sunday, when Renae and the kids watched the entire first half without issue. At halftime, they retreated to a family room where the children of players hang out, play video games and pass the time if they do not want to sit still in an arena seat for two straight hours. When they got to the room, Jacob had a request for his mother, Renae told The Athletic.

“Have the timer on and watch the clock so that I don’t miss a second of the action,” he said.

Renae almost did a doubletake. She asked Jacob if he wanted to stay and play PlayStation instead.

“Why?” he said. “I can play the PlayStation at home. I’m here to watch my dad.”

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They all returned to their seats and watched the entire second half. Joe kept looking up at his family, expecting the seats to be empty each time. Each time, the three of them were right there, having a blast. The pride overflowed from the thick-skinned Aussie, offering a moment of clarity for how far his son had come.

“There’s a lot to it that people don’t see behind the scenes,” Joe said. “Shoot, with the NBA and the money, (people think) those problems go away, and they don’t. It’s a reality for us every day, and Jacob is doing great now, but there’s still a lot of challenges that we go through.”

Renae has a robust Instagram presence, and she dedicates much of it to advocating for inclusion and educating about life with autism. She said she rarely posts about basketball on her feed, but she could not contain her excitement after the game against the Jazz.

“As a dad, just really proud that he’s worked so hard every day with school, therapy, speech, everything that he has to do to fit in in a not very friendly world a lot of the time,” Joe said, “and fit in to work has hard as he has and now get the benefits of now being able to be with his brother, sister and mom, sit there and watch his dad.”


On Friday morning, while Finch was still looking for ways to snap the team out of the mini-funk it was in, he was made aware that Jacob was going to be back in the arena one more time before they headed back home. It was suggested to him that if the Wolves got a comfortable lead in the game that night, getting Ingles into the game would be a cool moment.

His wheels started turning. He called Ingles into his office.

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“Initially, I probably thought I was going to be in trouble for something, so I was trying to think of what I’d done over the last 48 hours,” Ingles said.

Finch talked with Ingles about Jacob, about the eternal ups and downs of autism, about the hope that Sunday provided them, but also the acknowledgment that there was no certainty with how Friday would go. Maybe Jacob would build on that experience and ride another game out the whole way. Or maybe it would be another tough night and Jacob would ask mom to go home three minutes into the game.

Finch soaked it all in and then told Ingles of his plan. He did not want to wait for garbage time to get Ingles some minutes. The Wolves had been playing poorly so there was no guarantee those minutes would come anyway. The coach told Ingles he wanted him to start, just to make sure that Jacob, Milla and Jack all got to see him play.

“Are you sure?” Ingles said.

Ingles knew this was no small gesture from Finch. The Wolves had lost two straight games and were 1 1/2 games behind the Warriors for the coveted No. 6 seed, which would take them out of the Play-In Tournament. These games are too important, and the Wolves had some mojo to rediscover. Ingles did not want to mess with that pursuit.

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Ingles had played a grand total of 3 seconds in the previous 10 games and had not played more than 5:13 in the last 14 games. And Finch wanted to start him?

“It’s the reality of our business. People get fired every day,” Ingles said. “You see coaches on three-, four-year deals, players getting traded. It’s a brutal business. The fact that it even crossed his mind shows a lot.”

Finch insisted. He spoke to guard Mike Conley about giving Ingles his starting spot for the night. Conley has always been the most selfless of the Timberwolves players, so it came as no surprise to Finch that his point guard was thrilled with his idea. Conley also played with Ingles in Utah and was intimately aware of the family’s struggles, so there wasn’t a moment’s hesitation.

That the Pelicans were playing without star Zion Williamson, who overwhelmed the Wolves in their game on Wednesday night, was of little solace. The Timberwolves have followed a maddening pattern of playing their worst basketball against teams that were missing their best players.

This was no time for sentiment.

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Or was it?

What if a gesture like this was exactly what the team needed? What if a squad that looked a little bit tired, a lot frustrated and, more than anything, completely confused about how things had fallen off so quickly had to touch some grass? What if the best way to get some worn-down players to stop hanging their heads was for their coach to put his neck on the line for a teammate? What if he was trying to show them that he saw them not as just X’s and O’s on a whiteboard, but as human beings with families, and that sometimes there are things far more important than basketball?

Finch did not just start Ingles for ceremony and pull him at the first whistle. He called the first play for Ingles, getting him a clean look at a runner down the lane that rimmed out. Ingles played the first six minutes of the first quarter, but like life with Jacob, this was no fairy tale. Truth be told, Ingles didn’t play very well, but Finch did not pull the plug early, even as they fell behind early.

Once Ingles left, with the Timberwolves ahead 13-12, he did not return to the game. Conley started the second half, and the Wolves pulled away.

“Guys were behind it, and I think it gave us just the right boost that we needed and change of energy,” Finch said. “So it’s not often that you get to do those types of things. But we’re really happy that we could.”

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“I’ve watched him build his amazing family and I watched him go through everything they went through, the family,” said Gobert, who played seven seasons with Ingles in Utah. “I was excited and I was excited obviously for his family and to play with Joe, because I think he’s a really, really good player.”


Nights like this are not just big for the Timberwolves or the Ingles family. Finch’s magnanimous decision quickly spread across social media, the kind of organic, flash-bulb moment that can generate even more support for children like Jacob.

Joe and Renae have become tireless advocates for autism awareness. They helped organize Autism Awareness/Acceptance nights when Ingles played for the Jazz and Milwaukee Bucks and are board members for KultureCity, a non-profit that specializes in sensory accessibility and inclusion.

Renae knows that the coverage this moment receives will make hearts swell across the country. But she also wants it to serve as a reminder of how difficult life can be for families like theirs, especially those who do not have the financial resources of an NBA player.

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“This truly took years and years of work and practice and getting it wrong and not having it work and trying things and failing at things and so much sacrifice to get to this point,” she said. “So it feels nice this week that Joe and I can feel like we are making the right choices for Jacob and his needs. But it’s not all rainbows. … We still have those days and moments.”

Renae’s voice quivered and tears welled in her eyes as she thanked Finch and the Timberwolves for everything they gave her family on Friday night.

“Tonight was truly bigger than basketball for us and our family,” she said on her Instagram story.

Finch wanted it to be bigger than basketball for the other 14 players on the roster as well. They had been in their feelings over the last four days and needed to snap out of it. A 41-point romp over one of the worst teams in the league doesn’t mean another winning streak is about to commence. It shouldn’t put the Warriors on notice that they are re-engaging in the race. But it did allow for them to step outside of themselves, look at a 37-year-old father and an 8-year-old son and take a moment to understand how good they’ve got it.

Long after the game was over, after media swarmed him at his locker for the first time all season and after he received all the well wishes from teammates, security guards and team personnel, Ingles walked to his car and made the short drive from the arena to his downtown apartment. When he opened the door, his three children were all there to greet him.

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All they wanted to do was talk about the game.

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(Photo of Anthony Edwards and Joe Ingles: Brad Rempel / Imagn Images)

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Culture

6 Poems You Should Know by Heart

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6 Poems You Should Know by Heart

Literature

‘Prayer’ (1985) by Galway Kinnell

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Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell in 1970. Photo by LaVerne Harrell Clark, © 1970 Arizona Board of Regents. Courtesy of the University of Arizona Poetry Center

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“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”

“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”

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Lucille Clifton in 1995. Afro American Newspapers/Gado/Getty Images

“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”

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‘Sonnet 94’ (1609) by William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

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“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”

“It trombones magnificent, unbearable sorrow,” says Seidel.

“It’s smartass and bitter and bright,” says Seidel.

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These interviews have been edited and condensed.

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

Literature

FRANCE

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According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).

Classic

‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)

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Karl Leitz for Anthony Cotsifas Studio

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“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”

Contemporary

‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq

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“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”

JAPAN

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According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).

Classic

‘Man’yoshu’ (late eighth century)

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“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”

Contemporary

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‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata

“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”

INDIA

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According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).

Classic

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‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa

Karl Leitz for Anthony Cotsifas Studio

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“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”

Contemporary

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‘The Complex’ (2026) by Karan Mahajan

“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”

THE UNITED KINGDOM

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According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).

Classic

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‘Jane Eyre’ (1847) by Charlotte Brontë

“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”

Contemporary

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‘All That Man Is’ (2016) by David Szalay

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Karl Leitz for Anthony Cotsifas Studio

“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”

BRAZIL

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According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).

Classic

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‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis

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“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”

Contemporary

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‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron

“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”

These interviews have been edited and condensed.

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6 Myths That Endure

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6 Myths That Endure

Literature

The Myth of Meeting Oneself

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“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”

The Myth of Utopia

“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”

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The Myth of Invisibility

“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”

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The Myth of Steadiness vs. Speed

Charles Henry Bennett’s illustration “The Hare and the Tortoise” (1857). Alamy

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“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”

The Myth of Magic

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William Etty’s “The Sirens and Ulysses” (1837). Bridgeman Images

“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”

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The Myth of the Immortal Soul

“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”

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These interviews have been edited and condensed.

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