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Behind Timberwolves’ decision to start Joe Ingles so his autistic son could see him play

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Behind Timberwolves’ decision to start Joe Ingles so his autistic son could see him play

MINNEAPOLIS — About 35 minutes before the Minnesota Timberwolves were set to tip off against the New Orleans Pelicans on Friday night, an eruption could be heard in the back hallways of Target Center.

It came from the locker room, and the timing seemed odd for a team that was in the doldrums after two straight dispiriting losses to teams that had no business winning in this building. It came from an announcement from head coach Chris Finch, just before the regular game plan meeting started.

As the team gathered around, Finch told them they had the chance to do something special on this night. He wasn’t talking about getting revenge on the Pelicans, who embarrassed them two nights prior. He wasn’t talking about closing the gap on the Golden State Warriors for the coveted No. 6 seed in the Western Conference playoff chase. He was talking about doing something for one of their own and a family that has been through hell.

Finch told his team that he was giving veteran forward Joe Ingles his first start of the season, even though this was a “must-win game.” As the players looked around at each other, he told them why a guy who had appeared in only 18 of the team’s previous 71 games, five of which lasted 3 seconds or less, was suddenly starting for a team that was flailing. He told them that Ingles’ wife and three children were in town visiting this week and that one of life’s little miracles had occurred for them at a game against the Utah Jazz on Sunday.

He told them how Ingles’ 8-year-old son, Jacob, has autism, and how he had never been able to sit through the sensory overload of an NBA game from start to finish. He told them that on Sunday, for the first time ever, Jacob was able to watch the entire game, an incredible breakthrough for him and the family that has fought so hard for him since he was diagnosed at 2 1/2 years old.

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There was only one bummer: Ingles did not play in that game. Friday marked the last day the family would be together before mom and the kids headed back to their full-time home in Orlando, where Jacob has a school that he loves and a house that provides him much-needed comfort.

When Finch got word of Jacob’s milestone, he became determined to make sure that the boy got to see his dad on the court this time. Not only did Finch plan to play Ingles against the Pelicans, he told his team that he planned to put him in the starting lineup.

“I figured, if we’re going to do it, let’s do it in style,” Finch said.

The entire team started clapping and cheering, a response so emphatic that the cement block walls that separate the locker room from the arena hallway couldn’t contain the noise. All of a sudden, a team that had lost its swag, as Julius Randle put it after the loss on Wednesday dropped them to eighth in the West, was reinvigorated.

“I would want coach to do the same for me if I was in that position,” forward Jaden McDaniels said.

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What followed was a 134-93 victory over the Pels. Randle had 20 points, six rebounds and five assists, Rudy Gobert had 15 points, 11 rebounds and three steals and Anthony Edwards scored 17 points. The most important person on the court that night went scoreless in six minutes, missing all three of his shots, committing two fouls and turning it over once. The most important person in the building, a young boy who was non-verbal early on in his diagnosis but is now in school and growing and developing and blossoming, was able to watch an entire NBA game for the second time in a row. The only difference this time was Jacob got to see his dad play.

“This is the stuff,” Ingles said, “I’ll remember forever.”

This was a major moment for the Ingles family, a line of demarcation in a seemingly endless battle to help Jacob find his way in a world that can leave behind kids like him. It was also a jolt to a team that seemed to be hitting a wall, to a group of players that were maybe feeling a little sorry for themselves when even an eight-game winning streak earlier this month couldn’t put a dent in the narrow lead the Warriors had on them in the playoff race.

“Sometimes you gotta do the human thing,” Finch said. “We always talk about how all these minutes matter, and (Ingles’) minutes mattered for another reason.”


Ten days ago, the Timberwolves were flying high after a 20-point thumping of the Nuggets in Denver. They returned to Minnesota for a five-game homestand filled with struggling teams, giving them realistic hopes that a season full of frustration and inconsistency was congealing at just the right time. They beat the Magic and the Jazz to run their winning streak to eight and were carrying themselves like a team that wasn’t afraid of anyone in the West.

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Then came an overtime loss on Monday to the Pacers, who played without Tyrese Haliburton, Myles Turner and Pascal Siakam. They followed that on Wednesday with a loss to the Pelicans, who were beaten by 46 points in their previous game and had the second-worst record in the West.

“The energy is off. It’s funky. We’re not playing with that same spirit or the same confidence,” Randle said after that game.

Finch searched for answers to restore the team’s edge. On Thursday, he spoke of how the team has proved to be “moody” this season, soaring when the shots are falling and the wins are coming and sulking when things aren’t going their way.

“We’ve got to be able to survive our own mistakes a little bit better,” Finch said. “Sometimes guys have the propensity to worry a little bit too much about themselves and how things affect themselves rather than the greater good.”

He emphasized to the group that there was little anyone could do to change their individual statistics this late in the season. The sample size is too large for any of them to see their per-game averages rise or fall in a noticeable way. The only thing they can do to affect their seasons in a positive way is to come together and win some games.

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Little did he know that less than 24 hours after having that talk with the team during a film session at practice, he would get word of something that could help him illustrate in ways both powerful and relatable what an approach like that looked like.


Ingles’ wife, Renae, and all three children have spent the entire season at the family’s full-time home in Orlando. The end of Ingles’ career is much closer than the start, so when he signed a one-year, veteran minimum deal with the Timberwolves last summer, they decided the family would not follow him to Minnesota. Taking Jacob out of his comfort zone for nine months did not seem practical or productive.

Joe being gone has put even more of the burden on Renae’s shoulders.

“There’s a little less stress because I can afford to pay for Jacob to get what he needs, but it doesn’t take away the meltdowns in the supermarket,” Joe said. “There’s been so many times that my wife is laying on the floor in public and you can feel people staring at you, you know they’re judging you and commenting about it. But they have no idea what he’s gone through that day or the night before or the situation.”

The school they found in Orlando has been an immense help to Jacob’s development. The progress manifested in a tangible way for this basketball family on Sunday against the Jazz. Typically, Jacob will not last long amid the onslaught of thumping music, strobing lights and mascots running amok. They tried to take him to a Minnesota Wild hockey game earlier this season.

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“He lasted three minutes,” Ingles said.

Then came Sunday, when Renae and the kids watched the entire first half without issue. At halftime, they retreated to a family room where the children of players hang out, play video games and pass the time if they do not want to sit still in an arena seat for two straight hours. When they got to the room, Jacob had a request for his mother, Renae told The Athletic.

“Have the timer on and watch the clock so that I don’t miss a second of the action,” he said.

Renae almost did a doubletake. She asked Jacob if he wanted to stay and play PlayStation instead.

“Why?” he said. “I can play the PlayStation at home. I’m here to watch my dad.”

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They all returned to their seats and watched the entire second half. Joe kept looking up at his family, expecting the seats to be empty each time. Each time, the three of them were right there, having a blast. The pride overflowed from the thick-skinned Aussie, offering a moment of clarity for how far his son had come.

“There’s a lot to it that people don’t see behind the scenes,” Joe said. “Shoot, with the NBA and the money, (people think) those problems go away, and they don’t. It’s a reality for us every day, and Jacob is doing great now, but there’s still a lot of challenges that we go through.”

Renae has a robust Instagram presence, and she dedicates much of it to advocating for inclusion and educating about life with autism. She said she rarely posts about basketball on her feed, but she could not contain her excitement after the game against the Jazz.

“As a dad, just really proud that he’s worked so hard every day with school, therapy, speech, everything that he has to do to fit in in a not very friendly world a lot of the time,” Joe said, “and fit in to work has hard as he has and now get the benefits of now being able to be with his brother, sister and mom, sit there and watch his dad.”


On Friday morning, while Finch was still looking for ways to snap the team out of the mini-funk it was in, he was made aware that Jacob was going to be back in the arena one more time before they headed back home. It was suggested to him that if the Wolves got a comfortable lead in the game that night, getting Ingles into the game would be a cool moment.

His wheels started turning. He called Ingles into his office.

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“Initially, I probably thought I was going to be in trouble for something, so I was trying to think of what I’d done over the last 48 hours,” Ingles said.

Finch talked with Ingles about Jacob, about the eternal ups and downs of autism, about the hope that Sunday provided them, but also the acknowledgment that there was no certainty with how Friday would go. Maybe Jacob would build on that experience and ride another game out the whole way. Or maybe it would be another tough night and Jacob would ask mom to go home three minutes into the game.

Finch soaked it all in and then told Ingles of his plan. He did not want to wait for garbage time to get Ingles some minutes. The Wolves had been playing poorly so there was no guarantee those minutes would come anyway. The coach told Ingles he wanted him to start, just to make sure that Jacob, Milla and Jack all got to see him play.

“Are you sure?” Ingles said.

Ingles knew this was no small gesture from Finch. The Wolves had lost two straight games and were 1 1/2 games behind the Warriors for the coveted No. 6 seed, which would take them out of the Play-In Tournament. These games are too important, and the Wolves had some mojo to rediscover. Ingles did not want to mess with that pursuit.

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Ingles had played a grand total of 3 seconds in the previous 10 games and had not played more than 5:13 in the last 14 games. And Finch wanted to start him?

“It’s the reality of our business. People get fired every day,” Ingles said. “You see coaches on three-, four-year deals, players getting traded. It’s a brutal business. The fact that it even crossed his mind shows a lot.”

Finch insisted. He spoke to guard Mike Conley about giving Ingles his starting spot for the night. Conley has always been the most selfless of the Timberwolves players, so it came as no surprise to Finch that his point guard was thrilled with his idea. Conley also played with Ingles in Utah and was intimately aware of the family’s struggles, so there wasn’t a moment’s hesitation.

That the Pelicans were playing without star Zion Williamson, who overwhelmed the Wolves in their game on Wednesday night, was of little solace. The Timberwolves have followed a maddening pattern of playing their worst basketball against teams that were missing their best players.

This was no time for sentiment.

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Or was it?

What if a gesture like this was exactly what the team needed? What if a squad that looked a little bit tired, a lot frustrated and, more than anything, completely confused about how things had fallen off so quickly had to touch some grass? What if the best way to get some worn-down players to stop hanging their heads was for their coach to put his neck on the line for a teammate? What if he was trying to show them that he saw them not as just X’s and O’s on a whiteboard, but as human beings with families, and that sometimes there are things far more important than basketball?

Finch did not just start Ingles for ceremony and pull him at the first whistle. He called the first play for Ingles, getting him a clean look at a runner down the lane that rimmed out. Ingles played the first six minutes of the first quarter, but like life with Jacob, this was no fairy tale. Truth be told, Ingles didn’t play very well, but Finch did not pull the plug early, even as they fell behind early.

Once Ingles left, with the Timberwolves ahead 13-12, he did not return to the game. Conley started the second half, and the Wolves pulled away.

“Guys were behind it, and I think it gave us just the right boost that we needed and change of energy,” Finch said. “So it’s not often that you get to do those types of things. But we’re really happy that we could.”

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“I’ve watched him build his amazing family and I watched him go through everything they went through, the family,” said Gobert, who played seven seasons with Ingles in Utah. “I was excited and I was excited obviously for his family and to play with Joe, because I think he’s a really, really good player.”


Nights like this are not just big for the Timberwolves or the Ingles family. Finch’s magnanimous decision quickly spread across social media, the kind of organic, flash-bulb moment that can generate even more support for children like Jacob.

Joe and Renae have become tireless advocates for autism awareness. They helped organize Autism Awareness/Acceptance nights when Ingles played for the Jazz and Milwaukee Bucks and are board members for KultureCity, a non-profit that specializes in sensory accessibility and inclusion.

Renae knows that the coverage this moment receives will make hearts swell across the country. But she also wants it to serve as a reminder of how difficult life can be for families like theirs, especially those who do not have the financial resources of an NBA player.

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“This truly took years and years of work and practice and getting it wrong and not having it work and trying things and failing at things and so much sacrifice to get to this point,” she said. “So it feels nice this week that Joe and I can feel like we are making the right choices for Jacob and his needs. But it’s not all rainbows. … We still have those days and moments.”

Renae’s voice quivered and tears welled in her eyes as she thanked Finch and the Timberwolves for everything they gave her family on Friday night.

“Tonight was truly bigger than basketball for us and our family,” she said on her Instagram story.

Finch wanted it to be bigger than basketball for the other 14 players on the roster as well. They had been in their feelings over the last four days and needed to snap out of it. A 41-point romp over one of the worst teams in the league doesn’t mean another winning streak is about to commence. It shouldn’t put the Warriors on notice that they are re-engaging in the race. But it did allow for them to step outside of themselves, look at a 37-year-old father and an 8-year-old son and take a moment to understand how good they’ve got it.

Long after the game was over, after media swarmed him at his locker for the first time all season and after he received all the well wishes from teammates, security guards and team personnel, Ingles walked to his car and made the short drive from the arena to his downtown apartment. When he opened the door, his three children were all there to greet him.

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All they wanted to do was talk about the game.

Sign up to get The Bounce, the essential NBA newsletter from Zach Harper and The Athletic staff, delivered free to your inbox.

(Photo of Anthony Edwards and Joe Ingles: Brad Rempel / Imagn Images)

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Culture

Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

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Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

SELLING OPPORTUNITY: The Story of Mary Kay, by Mary Lisa Gavenas


Mary Kay, the cosmetics company whose multilevel marketing included sales parties and whose biggest earners were awarded pink Cadillacs, was really in the business of selling second chances. Or, at least, that’s what Mary Lisa Gavenas argues in “Selling Opportunity,” a dual biography of the brand and the woman behind it.

Mary Kathlyn Wagner, who would become Mary Kay Ash, “the most famous saleswoman in the world” and “maybe the most famous ever,” in Gavenas’s extravagant words, was born in 1918 to a poor family and raised mostly in Houston. Although a good student, she eloped at 16 with a slightly older boy. The young couple had two babies in quick succession.

Mary Kay’s creation was a combination of timing and good luck. Door-to-door sales was a thriving industry — but, traditionally, a man’s world: Lugging heavy samples was not considered feminine, and entering the homes of strangers, unsafe. But things began to change during the Great Depression, Gavenas suggests, thanks to a convergence of factors — financial pressures and the rise of the aspirational prosperity gospel espoused by Dale Carnegie’s self-help manuals.

At the same time, female-run beauty lines like Annie Turnbo Malone’s Poro and Madam C.J. Walker’s were finding great success in Black communities. And, coincidentally or otherwise, the California Perfume Company changed its name to Avon Products in 1939.

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Ash began by selling books door to door, moving on to Stanley Home Products in the 1940s. She was talented, but direct sales was a rough gig. Every party to show off wares was supposed to beget two more bookings; these led to sales that resulted in new recruits. But there was no real security or stability: no salary, no medical benefits, no vacations. “Stop selling and you would end up right back where you started. Or worse,” the author writes.

Gavenas, a onetime beauty editor who wrote “Color Stories,” takes her time unspooling Mary Kay’s tale, with a great deal of evident research. We learn about direct sales, women’s rights and Texas history.

But, be warned: Readers must really enjoy both this woman and this world to take pleasure in “Selling Opportunity.” Mary Kay the person keeps marrying, getting divorced or widowed and working her way through various sales jobs (it’s hard to keep track of the myriad companies and last names). Gavenas seems to leave no detail out. Thus, the 1963 founding of the eponymous beauty company doesn’t come until almost 200 pages in.

Beauty by Mary Kay included a Cleansing Cream, a Magic Masque and a Nite Cream (which containined ammoniated mercury, later banned by the F.D.A.). The full line of products — which was how Mary Kay strongly encouraged customers to buy them — ran to a steep $175 in today’s money. (To fail to acquire the whole set, Ash said, was “like giving you my recipe for chocolate cake but leaving out an important ingredient.”)

Potential clients attended gatherings at acquaintances’ homes — no undignified doorbell-ringing here — where they received a mini facial, then an application of cosmetics like foundation, lip color and cream rouge — and a wig. The company made $198,514 in sales its first year.

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Although Ash may have seemed a pioneer, in many ways Mary Kay was a traditionalist company, whose philosophy was “God first, family second, career third.” Saleswomen, official literature dictated, were working to provide themselves with treats rather than necessities so as not to threaten their breadwinner husbands.

And yet, they were also encouraged to sell sell sell. Golden Goblet pendants were awarded for major orders. After the company started using custom pink Peterbilt trucks for shipping, it began commissioning those Cadillacs for top consultants. (Mary Kay preferred gifts to cash bonuses, lest women save the money to spend on practical things rather than the licensed frivolities.) The Cadillacs, always driven on company leases, would become industry legend and part of American pop culture lore. “Never to be run-down, repainted or resold, the cars would double as shining pink advertisements for her selling opportunity,” Gavenas writes.

The woman herself was iconic, too. While Ash was a product of the Depression, she was also undeniably over-the-top. She wore white suits with leopard trim, lived in a custom Frank L. Meier house and brought her poodle to the office.

Mary Kay went public in 1968, making her the first woman to chair a company on the New York Stock Exchange. By the 1990s, the Mary Kay headquarters near Dallas was almost 600,000 square feet. They commissioned a hagiographic company biopic; there was a Mary Kay consultant Barbie; they were making $1 billion in wholesale. When she died, in 2001, Ash was worth $98 million.

And yet, Gavenas cites that at the company’s height, in 1992, sales reps made on average just $2,400 per year.

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Instead of so much time in the pink fantasia of Mary Kay, it would have been nice for a few detours showing how infrequently the opportunities the company sold were truly realized.

SELLING OPPORTUNITY: The Story of Mary Kay | By Mary Lisa Gavenas | Viking | 435 pp. | $35

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Historical Fiction Books That Illustrate the Bonds Between Mother and Child

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Historical Fiction Books That Illustrate the Bonds Between Mother and Child

We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.

In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.

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How ‘The Sheep Detectives’ Brought its Ovine Sleuths to Life

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How ‘The Sheep Detectives’ Brought its Ovine Sleuths to Life

Sometime in the 2000s, the producer Lindsay Doran asked her doctor for a book recommendation. “I’m reading that book everybody’s reading,” the doctor replied. “You know, the one about the shepherd who’s murdered and the sheep solve the crime.”

Doran had not heard of the book, “Three Bags Full,” a best-selling novel by a German graduate student (“No one’s reading it,” she recalls responding, inaccurately), but she was struck by what sounded like an irresistible elevator pitch. “Everything came together for me in that one sentence,” she said. “The fact that it was sheep rather than some other animal felt so resonant.”

Doran spent years trying to extricate the book from a complicated rights situation, and years more turning it into a movie. The result, opening Friday, is “The Sheep Detectives,” which features Nicholas Braun and Emma Thompson as humans, and Julia Louis-Dreyfus, Patrick Stewart and others giving voice to C.G.I. sheep stirred from their customary ruminations by the death of their shepherd, George (Hugh Jackman).

The film, rated PG, is an Agatha Christie-lite mystery with eccentric suspects, a comically bumbling cop (Braun) and a passel of ovine investigators. It’s also a coming-of-age story about growing up and losing your innocence that might have a “Bambi”-like resonance for children. The movie’s sheep have a way of erasing unpleasant things from their minds — they believe, for instance, that instead of dying, they just turn into clouds — but learn that death is an inextricable part of life.

“In some ways, the most important character is Mopple, the sheep played by Chris O’Dowd,” the screenwriter, Craig Mazin, said in a video interview. “He has a defect — he does not know how to forget — and he’s been carrying his memories all alone.”

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“Three Bags Full” is an adult novel that includes grown-up themes like drugs and suicide. In adapting it for a younger audience, Mazin toned down its darker elements, changed its ending, and — for help in writing about death — consulted a book by Fred Rogers, TV’s Mister Rogers, about how to talk to children about difficult subjects.

The journey from book to film has been long and circuitous. “Three Bags Full” was written by Leonie Swann, then a 20-something German doctoral student studying English literature. Distracting herself from her unwritten dissertation, on the topic of “the animal point of view in fiction,” she began a short story “playing around with the idea of sheep detectives,” she said. “And I realized it was more like a novel, and it wasn’t the worst novel I’d ever seen.”

Why sheep? “I wasn’t someone who was thinking about sheep all the time,” Swann, who lives in the English countryside and has a dog named Ezra Hound, said in a video interview. Yet they have always hovered on the periphery of her life.

There was a friendly sheep that she used to see on her way to school. There was an irate ram that once chased her through the streets of a Bavarian village. And there were thousands and thousands of sheep in the fields of Ireland, where she lived for a time. “There were so many of them, and you could tell there was a lot of personality behind them,” she said.

A book in which sheep are stirred to action had to be a mystery, she said, to motivate the main characters. “In a lot of other stories, you would have trouble making a sheep realize there’s a story there,” she said. “They would just keep grazing. But murder is an existential problem that speaks to sheep as well as humans.”

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Swann (the name is a pseudonym; she has never publicly disclosed her real name) found a literary agent, Astrid Poppenhusen, who brought her manuscript to market. Published in 2005, the book was translated into 30 languages and ended up spending three and a half years on German best-seller lists. (The German title is “Glennkill,” after the village in which it takes place.) Other novels followed, including a sheep-centric sequel, “Big Bad Wool,” but Swann never finished her dissertation.

Doran, the producer, read the book — now published in the United States by Soho Press, along with four other Swann novels — soon after hearing about it. She was determined to make it into a movie. Whenever she told anyone about the idea, she said, she had them at “sheep.”

The director, Kyle Balda (whose credits include “Minions”), was so excited when he first read the script, in 2022, that “I immediately drove out to a sheep farm” near his house in Oregon, he said in a video interview. “Very instantly I could see the behavior of the sheep, their different personalities. I learned very quickly that there are more varieties of sheep than dogs.”

How to make the sheep look realistic, and how to strike the proper balance between their inherent sheep-iness and their human-esque emotions were important questions the filmmakers grappled with.

It was essential that “the sheep in this world are sheep” rather than humans in sheep’s clothing, Balda said. “It’s not the kind of story where they are partnered with humans and talking to each other.”

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That means that like real sheep, the movie sheep have short attention spans. They’re afraid to cross the road. “They don’t drive cars; they don’t wear pants; they’re not joke characters saying things like, ‘This grass would taste better with a little ranch dressing,’” Doran said.

And whenever they speak, their words register to humans as bleating, the way the adult speech in “Peanuts” cartoons sounds like trombone-y gibberish to Charlie Brown and his friends.

Lily, the leader of the flock, is played by Julia Louis-Dreyfus. It is not her first time voicing an animal in a movie: She has played, among other creatures, an ant in “A Bug’s Life” and a horse in “Animal Farm.” “When I read the script, I thought, ‘Wow, this is so weird,’” she said in a video interview. “It’s not derivative of anything else.”

Lily is unquestionably not a person; among other things, like a real sheep, she has a relatively immobile face set off by lively ears. “But her journey is a human journey where she realizes certain things about life she didn’t understand,” Louis-Dreyfus said. “There’s also the question of being a leader, and how to do that when you’re questioning your own point of view.”

Nicholas Braun took easily to the role of Officer Tim, the inept constable charged with solving the shepherd’s murder.

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“The part was a little Greg-adjacent in the beginning, and I don’t really want to play too many Gregs,” Braun said via video, referring to Cousin Greg, his hapless punching bag of a character in the TV drama “Succession.”

“I’m post-Greg,” he said.

It takes Officer Tim some time to notice that the neighborhood sheep might be actively helping him tackle the case. But Braun said that unlike Greg, who is stuck in perpetual ineptitude, Tim gets to grow into a braver and more assertive person, a take-charge romantic hero — much the way the sheep are forced into action from their default position of “just forgetting about it and moving on and going back to eating grass,” he said.

Braun mused for a bit about other potential animal detectives — horses, say, or cows — but concluded that the sheep in the film were just right for the job. He predicted that the movie would change people’s perception of sheep, much the way “Toy Story” made them “look at their toys, or their kids’ toys, differently.”

“I don’t think people are going to be eating as much lamb after this,” he said.,

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