Culture
Barcelona’s 125th anniversary: When their star striker was kidnapped for 23 days
Friday, November 29, 2024, marks the 125-year anniversary of the formation of FC Barcelona.
To mark the occasion, The Athletic is running a series of pieces, celebrating the people and the moments who have helped make the club what it is today.
We have told you about the story of Joan Gamper, the man who founded the club, and run through some of the most significant numbers in Barca’s history. Now, we look at the scarcely believable story of when their star striker, Quini, was kidnapped in 1981…
“Quini’s wife called me at four o’clock in the morning. She told me he hadn’t come home that night and that she hadn’t heard anything from him.”
Former Barcelona president Joan Gaspart is talking to The Athletic about one of the most unusual incidents in the club’s history.
It was Sunday, March 1, 1981, and Gaspart was vice-president. Barca had beaten Hercules 6-0 at the Camp Nou and La Liga’s top scorer Quini had provided two goals. Barca looked on course for the Spanish title — something that had not happened since 1973-74, in Johan Cruyff’s playing days and when Quini was scoring goals for Sporting Gijon instead.
There was a sense of euphoria in the city and among the players, who decided to go for dinner at a restaurant near the ground.
It was the restaurant Can Fuste, a 15-minute walk from Camp Nou. Everyone was waiting for the then 31-year-old star striker Quini, full name Enrique Castro Gonzalez — but he never arrived.
“There were seven or eight of us,” Carles Rexach — one of the players in the squad tells The Athletic. “(Barca centre-back and Quini’s close friend Jose Ramon) Alexanko met us and said he didn’t know where he was or where he had gone.”
Quini was one of Spanish football’s most famous players in the 1980s (FC Barcelona)
The last anyone had heard from Quini was a TV interview in which he spoke about their upcoming game against Atletico Madrid. Atletico were in first place, two points ahead of Barca and the game was crucial.
Mari Nieves, Quini’s wife, had flown back from Gijon that afternoon with her two children, as she did on many weekends. After the match, her husband stopped by the house to pick up his things before getting in his Ford Granada to head to Barcelona airport to pick her up.
“His wife (when he did not appear at the airport) had called several hospitals, police stations or any place where they might know something,” Gaspart says. “He didn’t show up. Nobody knew anything. We went to his house at five or six o’clock in the morning thinking, ‘Where could he be?’”
Gaspart, then-Barca president Josep Lluis Nunez and Alexanko spent the night at Nieves’ house and immediately called the police.
The next day, the report of Quini’s disappearance became official. The three men stayed with Nieves until she received a call that began to give her answers.
The case caused a stir across the country. It was reported in all the major media outlets and rumours began to spread about whether the Basque separatist group ETA had been involved after terrorising Spain with a number of attacks.
Nieves received the first of 21 calls from her husband’s kidnappers. It was not ETA but three people with no criminal record and no jobs who had tried to solve their financial problems by kidnapping one of the country’s biggest football stars and demanding a large ransom.
“The news spread like wildfire all over Barcelona,” Josep Maria Minguella, a former agent and a figure who has been closely linked to the club over the years, tells The Athletic.
“There was a lot of consternation. With ETA active, there were a lot of kidnappings at the time, but it had never happened to a player. It was reminiscent of what had happened to (Real Madrid legend Alfredo) Di Stefano a few years earlier (when he was kidnapped by Venezuelan guerrillas in 1963).”
As Rexach puts it 43 years later, “At first we thought it was a joke because it was unimaginable.”
On his way home from the airport, Quini had stopped to fill up his car when the three men suddenly assaulted him and forced him into the vehicle at gunpoint. They later abandoned the car and put Quini in a hood and wooden crate in a van and drove to Zaragoza, around a four-hour drive to the west of Barcelona.
There they transferred him to a hideout, where he spent 23 days locked up.
Quini had been top scorer five times in La Liga and had scored 73 goals across four seasons with Barcelona.
“He was one of the best players in Spain and was constantly in the media spotlight,” Rexach says. “They knew kidnapping him was going to have a big impact.”
“He was such a charismatic man and he was good to people,” Juan Carlos Perez Rojo, a player who was in the ‘B’ team but trained with Barca’s senior side, tells The Athletic. “They knew everyone was going to step up and give him the money he needed.” Rojo and Quini became friends some time after the kidnapping and he is into his 46th year at Barca, where he works as a scout.
“As a person he was very simple, a good person, kind,” says Minguella, who helped sign Quini from Sporting Gijon. “He didn’t deserve all the things that happened to him and his family. It’s one of those moments when you realise that life can be unfair.”
Quini with Nieves on the day of his release (Xavier Bonilla/NurPhoto via Getty Images)
It later emerged the kidnappers’ main target had been the then-Barcelona coach Helenio Herrera. When they found out he had a cold, they changed their plans as they feared he might die during the kidnapping.
In the days that followed, the police worked in secrecy.
“There was a lot of upheaval,” says Minguella. “The police controlled the situation and didn’t want too many people to intervene.”
“The police didn’t want people to get in the way, even if they wanted to help,” adds Rexach. “So they just let Alexanko be the one to help.”
Barcelona asked La Liga to postpone the match against Atletico that weekend. The Spanish top flight denied that request, Barca played and lost 1-0 at the Vicente Calderon, Atletico’s former home. The German midfielder Bernd Schuster, who threatened not to play, blamed Nunez and Herrera for the match going ahead.
“There were people who didn’t want to play until they found him and there was a bit of a struggle because the coach thought we had to play even if he wasn’t there,” says Rexach. “It was complicated.”
Barca played two more games with Quini still missing, losing 2-1 to Salamanca and drawing 0-0 with Real Zaragoza. They would finish four points behind champions Real Sociedad in fifth place.
“That year we didn’t win La Liga because we spent those three weeks just thinking about Quini,” Rexach says.
Meanwhile, the police continued to do their job. As calls from the kidnappers were made from phone boxes, they asked Telefonica, Spain’s leading telecoms company which owned them, to cooperate.
“The kidnappers went completely unnoticed,” Juan Martinez Ruiz, one of the 20 officers in charge of the case, later told Spanish magazine Libero. “That was the main reason it took so long to locate them. They had never broken a dish, they had no previous convictions, they were not related to criminals… They were absolutely normal.”
The police issued a statement appealing for the public to help and had to deal with an avalanche of false leads. Telefonica had trouble identifying the origin of the calls.
In one of their calls, the kidnappers told Nieves they were nervous because of how much Quini ate, given they no longer had enough money to buy sandwiches. They were demanding 100 million pesetas for his ransom (worth around €600,000 today), a figure that had risen from the original 70 million pesetas.
In one of the attempts to pay the kidnappers, the police asked Alexanko to go to La Jonquera, a Catalan town close to the French border, with a briefcase full of banknotes. The kidnappers asked him to cross the border, but the police refused because the French authorities would have arrested him on the spot.
On March 20, the three men asked the money to be paid into a Credit Suisse bank account.
“Barca were looking for solutions because the kidnappers were very absent-minded,” Minguella says. “Those who kidnapped him did not have very clear ideas about what ransom they wanted to ask for and were changing their strategy.
“Nunez’s secretary called me to find out if I had any way of getting money in Switzerland, where the kidnappers asked for the money to be deposited. I was doing business in Luxembourg and Switzerland and I had money there. I said yes and agreed to help with the payment.”
The bank account was in the name of one of the kidnappers, Victor Miguel Diaz Esteban. The Swiss police worked closely with their Spanish counterparts to track him down. Diaz Esteban went to Switzerland to withdraw one million pesetas in U.S. dollars on March 24; within 18 hours, the police had arrested him after finding the hotel where he was staying and following his steps when he left for the airport to catch a plane to Paris. He was interrogated and confessed to holding Quini in a basement in Zaragoza.
In less than a day, the police released him and arrested a second kidnapper.
Quini later told friends this was when he was most afraid because he heard a lot of noise and thought the kidnappers would kill him. But on the night of March 25, radios across Spain announced he had been freed.
When he arrived in Barcelona, a huge crowd was waiting for him at the police station — Quini had to go out to greet them.
The striker prepares to give a press conference after his release (FC Barcelona)
“When he came out he was in a very bad state, you could see it,” Rexach says. “All I know is that I gave him a hug. He was hidden in a place with no light for 23 days. It’s something you wouldn’t wish on your worst enemy.”
“He wanted to play and get back to normal as soon as possible,” Rojo says. “They gave him psychological support, I heard about it from team-mates some time later.”
Quini returned for the last four games of the La Liga season, playing again barely a week after his release, and was received with full honours at every ground he played at. He played 90 minutes in each of his first three league games after his return — scoring twice in a 5-2 win against Almeria — and still finished as La Liga’s top scorer with 20 goals. He also scored in both legs of the Copa del Rey semi-final and twice in the final against his boyhood side Sporting Gijon in the final as Barca lifted Spain’s national cup.
“On every pitch, when they said Quini’s name, there was five minutes of applause,” Rojo says. “He had a spectacular reception.”
The three kidnappers were sentenced to 10 years in prison and given a five million peseta fine.
“They were simple people, without great possibilities,” Quini told a press conference after his release. “They fed me with sandwiches because they couldn’t afford any more.”
“There were team-mates who made jokes after that,” Rojo says. “Sometimes, when we were in hotels after dinner when you go to the room, there were team-mates who would go into his wardrobe to scare him when he arrived.”
Quini spent three more seasons at Barcelona, finishing with 73 goals in 141 appearances for the Catalans. He then returned to Sporting Gijon in 1984, where he spent the last three years of his playing career. He worked as a coach, team delegate and director of institutional relations for them.
The kidnapping had a very real impact on Quini, who died of a heart attack aged 68 in 2018. He was given an emotional tribute by the Camp Nou, with a huge tifo unfurled that read ‘Quini, sempre recordat’ — Quini, always remembered.
The Camp Nou tribute to Quini after his death (Xavier Bonilla/NurPhoto via Getty Images)
“This affected him a lot throughout his life,” Rexach says. “He spent many days locked underground in a very small cell. He didn’t want to talk about it because every time he did, he relived the trauma.
“He did tell me that when he was fed by the kidnappers he sometimes kept (the food) to himself. He thought that if they hunted them down and killed them, it would be impossible for anyone to find him there and he would starve to death.
“He had those 23 days in his head until the day he died. People think he forgot it quickly, but he didn’t. When someone would ask him a question (about it), you’d see him change the subject very quickly.
“It’s the most unbelievable thing that has happened to Barca in its history.”
(Top photos: Getty Images; design: Eamonn Dalton)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Georgia1 week agoHow ICE plans for a detention warehouse pushed a Georgia town to fight back | CNN Politics
-
Movie Reviews7 days ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Science1 week agoIndustrial chemicals have reached the middle of the oceans, new study shows
-
Science1 week agoHow a Melting Glacier in Antarctica Could Affect Tens of Millions Around the Globe
-
Culture1 week agoTest Your Memory of Great Lines From Classic Irish Poems
-
Sports4 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico3 days agoClovis shooting leaves one dead, four injured