Culture
A former NFL player found purpose in … woodworking? Millions of viewers are following along
In some ways, John Malecki can thank a cheap coffee table for his 1.2 million subscribers on YouTube.
Had he owned a sturdier table, maybe he wouldn’t have thought twice about his enthusiasm for HGTV’s home improvement show “Fixer Upper”, which he watched on repeat as a fringe offensive lineman in the NFL.
As it turns out, though, Malecki’s table broke right before his final preseason with his hometown Pittsburgh Steelers in 2013. And as the “Fixer Upper” fan he was, building a new one sounded way better than just buying a replacement.
At that point, Malecki was on his fifth team in four years. An undrafted free agent out of Pitt, football had always been his north star, guiding him in any decision since elementary school.
Now, in his mid-20s, his north star was dimming.
In between training camp practices, with the help of some Home Depot two-by-fours, Malecki constructed a homemade coffee table for his South Side Pittsburgh apartment. As he reflected on his appreciation for the work Chip and Joanna Gaines did on “Fixer Upper”, he thought, “I kind of want to build my own cool s—.”
In the weeks that followed — and especially after his NFL career ended when he was cut in September that year — he bought some new woodworking tools. The start of what would be a large collection — and a whole new passion.
Today, Malecki’s 1.2 million YouTube subscribers tune in to his woodworking channel to watch him build everything from cutting boards and end tables to a hidden whiskey cabinet and a door inspired by “The Lord of the Rings.”
Like others who pour themselves into their work, Malecki did not view himself as someone who had many interests outside of football. When he started building his coffee table, he had no formal training and didn’t know what he was doing; he was just curious and allowed himself to follow it.
So what happens when we pay a bit more attention to those everyday afterthoughts and give ourselves the freedom to explore new areas of growth?
Passions can be brought out of us at odd times, but most often when we feel an underlying need for change in our lives. For Malecki, that meant creating post-football opportunities to experiment, fail and develop.
While watching one of his videos now, you might notice a tattoo on Malecki’s arm. He got it after one of his college coaches used to preach the importance of perseverance.
It says: Keep chopping wood.
Two years earlier, Malecki was holed up in an extended stay hotel on Christmas Day, alone except for a bottle of Jack Daniels and an elk puzzle. A member of the Tampa Bay Buccaneers practice squad at the time, Malecki was already on his third team that season. The Bucs played the next day, and the bottle and puzzle filled his time away from home.
Back in Pennsylvania, Malecki’s family was crafting its annual lavish spread: filet roast paired with pasta made from scratch, his grandmother’s homemade gnocchi, his mother’s pumpkin pie.
His mom had sent him a care package that week, trying to replicate the experience.
Still, he said, “I was super bummed.”
And yet he was also living out everything he had always wanted. When he was a 10-year-old growing up in Murrysville, 30 minutes from downtown Pittsburgh, he had placed a piece of paper in a time capsule with his dream written on it: “I’m going to be in the NFL.”
If that meant Christmases alone in a hotel room and away from his family, that was part of the deal.
“At the time I was a firm believer that you have to suffer in order to get what you want in life,” he said.
Following that season with the Bucs, he had two more stints with the Steelers sandwiched around a brief stop in Washington. When Steelers head coach Mike Tomlin called him into his office in 2013, Malecki’s intuition told him it might be permanent.
“Appreciate your work, John,” Tomlin told him.
His football career was over.
The next spring, Malecki interviewed for a sales job at a metal byproduct company. He hadn’t played in the NFL in months, and what he wanted more than a sales job was another shot in the NFL.
But when the owner of the company told him during the interview, “This is great, John, but you don’t have any experience,” it was like a slap across the face.
“I was useless,” Malecki said. “I had no skills. … All my childhood hopes and dreams crumbling. I was just sad. Just lost in multiple facets of life.”
The one thing Malecki continued to do during that time of uncertainty was build new stuff out of wood.
John Malecki (No. 74) playing against Syracuse in college. (George Gojkovich / Getty Images)
One day Malecki was hanging out with former teammate Baron Batch, who had just bought a new house. The lack of furniture in the house was glaring. No table or chairs, just couches.
They were sitting in the new, empty garage, looking at the workbench in the corner, crowded with random supplies on top of it.
“What if we built stuff?” Malecki asked Batch.
The same excitement Malecki had before he built his apartment coffee table crept in. Soon after, Batch’s house was furnished with homemade tables, cabinets and shelving.
Buying tools off Craigslist, using more Home Depot two-by-fours and an old jointer his dad gifted him, Malecki started to spend most of his time attempting new builds.
“I was just boozing and hanging out with my buddies,” Malecki laughed. “We were curious a lot, and I was trying to figure out that next thing in life.”
He began posting on Facebook and Instagram, showing what he and Batch were doing. He had no expectations of where this could lead. But comments started to roll in:
I would love one.
Could you make me that?
Batch and Malecki decided to open up a studio together full-time, called Studio A.M., where they combined Batch’s artistic visions with Malecki’s woodworking skills. As time went on, and his Instagram and Facebook following grew, he decided a YouTube presence could help, so he started posting a few videos.
“They are so bad,” Malecki said. “Just awful.”
Then, in 2016, he posted a video of a cross-cut sled, a common woodworking tool. It was a basic YouTube post, and he expected the usual mild response. Except it got a couple hundred thousand views.
“Holy s—,” he thought, “I don’t know how to capitalize on this, but this feels good.”
As he was finding his way, he kept telling himself the same mantra he used during his football career: “Just do the reps, John. You go to the gym, you hate it, just do the reps. You don’t like this drill, you don’t like this exercise, the coach said do it, you do it.”
Malecki allowed himself the freedom to explore an area he was curious about, gradually letting go of the idea his only purpose in life was football. But he did keep his sense of purpose, the things he believed in that translated across fields.
“Effort and attitude,” Malecki said. “Those are two of the controllable things you have. I took that from football and applied it dramatically to the next phase of my life. You can’t lose if you don’t quit.”
In 2018 Malecki signed a year-long sponsorship with a company for $65,000, his big financial breakthrough. It was the first time he realized he could actually make a living woodworking. Now, he makes almost what he did in his best year playing in the NFL, in one month.
“We were just taken aback at how creative he was,” said Max Starks, a former Steelers teammate. “We knew he was creative, we knew he was funny, but to combine both of those things and do it so seamlessly and be genuine about it is something that’s kind of fascinating.”
Former teammate Ramon Foster first met Malecki as a Steeler, and it quickly became apparent what kind of person he was.
“He came to work every day, he took a lot of crap, and he stayed and persevered,” Foster said.
So when Malecki started to sell his creations, Foster wanted to be one of his first big sales. He now owns a customized University of Tennessee cutting board, along with a coffee table, corn hole boards and cutting boards crafted by Malecki.
In return, Foster asks for only one thing.
“I just want to put it out there,” Foster said. “If he ever goes and meets Chip and Joanna Gaines and he doesn’t invite me and my wife, we’re gonna have a real problem!”
(Photo: Justin K. Aller / Getty Images)
Culture
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Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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