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2025 NFL Draft matchmaker: Best fits for Cam Ward, Jaxson Dart, other top QBs

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2025 NFL Draft matchmaker: Best fits for Cam Ward, Jaxson Dart, other top QBs

Read Dane Brugler’s 2025 ‘The Beast’ NFL Draft guide.

At least beyond Cam Ward, there is no consensus on where each of this year’s crop of quarterbacks may get drafted. After Ward presumably becomes a Tennessee Titan, the rest of the group is a complete mystery. It’s just as likely Ward is the only quarterback we see on Thursday night as it is that four quarterbacks go in the first round.

Lucky for us, we’re going to cut through all that uncertainty and play quarterback matchmaker, placing all of this year’s top quarterback prospects on the teams that make the most sense. In some cases, that has more to do with what type of quarterback the team needs; in others, it’s about finding the right environment for getting the most out of a particular skill set.

Let’s get to the lovely new couples.

Cam Ward: Tennessee Titans

All signs point to Ward being the Titans’ starting quarterback next year. It’s not even worth entertaining different possibilities for either QB or team at this point. Ward is both a good fit for the core of Brian Callahan’s offense and would bring elements that Titans’ quarterbacks last season did not.

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The Titans’ 2024 offense was all about maximizing play-action opportunities and attacking down the field. Ward has the arm talent and fearlessness as a thrower to excel in that environment. However, Ward also massively improved his quick-game operation in college, and he’s much more comfortable playing from spread and empty formations than Will Levis has ever been. Ward is leaps and bounds ahead of Levis (or Mason Rudolph) as a creator outside of the pocket, too.

There are going to be growing pains with Ward’s overzealous play style early on, but they will be worth it in the long run. Ward has both a floor and ceiling worthy of being the No. 1 pick in this class.

Shedeur Sanders: New Orleans Saints

Finding Sanders’ best fit was trickier than I anticipated. Kevin Stefanski’s downfield play-action offense in Cleveland is not ideal; Brian Daboll’s quicker passing attack in New York might make sense, but that offensive line is a sieve and Sanders is not athletic enough to tap into some of the best parts of Daboll’s playbook.

The idea of Sanders being Kellen Moore’s first crack at a quarterback is intriguing, though. Sanders is at his best operating spread passing concepts, especially in the underneath area. He’s a reliable short-area passer who uses the intermediate and deeper areas of the field to keep defenses honest, rather than making those his preferred areas of attack. That’s perfectly fine for a West Coast-inspired offense.

Of course, falling to ninth overall is no guarantee. The Browns or the Giants may feel the itch of desperation and draft Sanders in the top three. If Sanders does slide a little bit, however, it wouldn’t be a shock to see the Saints stop that fall.

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Jaxson Dart: Seattle Seahawks

It would be stunning if the Seahawks left the first two days of the draft without a quarterback. The deal Sam Darnold signed in March is effectively a one-year contract with team options from then on out — if that doesn’t scream “a developmental quarterback is coming,” I don’t know what does.

Seattle could go in a few directions, but Dart makes sense for their new offense under Klint Kubiak, and vice versa.

Dart reminds me a lot of Jimmy Garoppolo as a passer. The two are quite similar in build, arm talent and ability on throws over the middle of the field. A majority of Dart’s best throws on film are slants, short posts and crossers. The same was true of Garoppolo at his best in San Francisco. Neither Dart nor Garoppolo is a quarterback you want reading out a full progression very often.

In theory, Kubiak’s offense plays into all of that. It’s built off the run game, which is then parlayed into a strong play-action attack. Not only does that simplify reads for the quarterback, it also demands the QB often makes tight throws over the middle of the field, which is where Dart shines.

With a year on the bench to learn the pace of the league, maybe Dart can make it work with the Seahawks.

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Tyler Shough: Cleveland Browns

The Browns’ best path to a quarterback is to take the Day 2 player most ready to start immediately. For my money, that is Shough.

Outside of Ward, Shough is the most talented thrower in the class. He has a flexible yet explosive release that works well from all platforms, in and out of the pocket. Though he’s more of a straight-line thrower than someone with fantastic touch, he still gets the job done from an accuracy perspective.

Shough is a quality processor, as well. Similar to Ryan Tannehill, he can be a hair slow coming off of reads early in the down but generally doesn’t make bizarre mistakes, and he protects the ball well.

In terms of pro readiness and arm talent, Shough just makes the most sense for Kevin Stefanski’s offense right now.

Jalen Milroe: Los Angeles Rams

If Sean McVay wants to keep the offense roughly the same in an eventual post-Matthew Stafford world, Milroe is not the answer — he’s actually the furthest thing from Stafford in this draft class (aside from the two or three bizarre misfires each QB has every game).

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McVay has long flirted with the idea of a mobile quarterback, though. He was eager to give John Wolford a chance at the end of the Jared Goff saga, then held onto him as the team’s backup through the 2022 season. McVay also gave Bryce Perkins a start in 2022, a game in which Perkins carried the ball 19 times for 90 yards.

Milroe will walk into the league as one of the best athletes at the position. As a passer, he’ll need at least a year to fix his footwork and adapt to the speed of coverage at the NFL level, but that’s okay. There would be no pressure on Milroe to compete with Stafford for the job.

This would be a long play. Regardless of it being a good or realistic idea, I just so badly want to see the world in which McVay gets to re-unlock the boot-action game and dabble in a quarterback-centric rushing attack.

Riley Leonard: New York Giants

Brian Daboll’s best work over the years — outside of his time with Josh Allen — was at Alabama in 2017, with Jalen Hurts, and in 2022, with Daniel Jones.

Though different quality players, Hurts and Jones can both generally be described as sturdy, athletic quarterbacks with the arm talent to push the ball down the field a little bit. Both players added something to the offense via their mobility, and Daboll took advantage.

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Aside from maybe Milroe, Leonard is Daboll’s best swing at that kind of athlete. Leonard is 6-foot-4, 218 pounds with serious wheels. He’s fairly explosive in short areas and excels when he really gets to stride out, similar to Jones. He’s clearly a weapon in the designed-run game and the red zone.

Leonard still has a lot to prove as a passer, but his athletic ability and toughness gives him a floor to work with while he figures it out.

Kyle McCord: Dallas Cowboys

It’s hard to find and hold onto good backup quarterbacks — the Cowboys were lucky to draft and retain Cooper Rush for as long as that they did. Boring as he is to watch, Rush was a perfectly competent quarterback when it came to running the offense and not playing outside of his means.

With Rush now in Baltimore, the Cowboys are in search of the next guy to fill that role. McCord is their best bet.

McCord is not an overwhelming talent. His arm is just okay, and he’s not going to scare anyone on the move. Like any good NFL backup, however, McCord can run an offense efficiently and consistently. He really learned to play within himself at Syracuse, displaying good rhythm and decision-making as a thrower.

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It’s unlikely he ever ascends to anything above a very good backup, but that’s quite alright for a Cowboys team shopping for that exact kind of player.

Will Howard: Pittsburgh Steelers

They have to draft somebody, right? Even under the assumption Aaron Rodgers finally drops the charade and signs, the Steelers need to make some sort of effort to secure a young quarterback.

Howard, if nothing else, fits Arthur Smith’s offense. He is not someone who should be a high-volume passer, which already leans into Smith’s run-first approach. Additionally, Howard’s best traits are his size and arm talent, which allows him to comfortably throw down the field, as well as ample athletic ability for a player his size. Smith’s entire play-action and boot menu would be open with Howard at quarterback.

It’s hard to imagine Howard developing the down-to-down accuracy and play speed to really thrive as an NFL starter, but Smith’s offense in Pittsburgh at least would give Howard a chance to hide his weaknesses and lean into his strengths.

Dillon Gabriel: Miami Dolphins

Putting the short lefty quarterback prospect as a backup to the short lefty NFL quarterback feels like a bit, but it’s not. It makes sense when you consider each player’s strengths and the dynamics of being a left-handed vs. right-handed thrower.

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Firstly, pass-catchers often talk about the flight and spin of the ball being different from lefty quarterbacks — the ball rotates in the opposite direction of 99 percent of quarterbacks, so it looks different coming into a receiver’s vision.

Gabriel, like Tua Tagovailoa, also thrives with RPOs and throws over the middle. He has a flexible and explosive release, making him perfectly equipped to manage those RPOs at a high level. And he thrives on in-breaking throws, even offering more velocity than Tagovailoa does.

The Dolphins desperately need to invest in a backup quarterback somehow. Gabriel fits.

Quinn Ewers: Buffalo Bills

Not every player or team gets their ideal match in an exercise like this. Sometimes, teams have to settle for whoever is left on the dance floor.

From the Bills’ perspective, a young backup quarterback should be on the table, because Mitchell Trubisky has just one year left on his deal. It makes some sense for the Bills to get ahead of things early and get a developmental player in the pipeline.

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Ewers would bring functional athleticism and arm talent for Joe Brady. He still struggles with pocket presence and touch accuracy, especially down the field, but there’s enough talent there to mold a functional backup.

(Top photo of Jaxson Dart:  Justin Ford / Getty Images)

Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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