Connect with us

Business

Hollywood writers say AI is ripping off their work. They want studios to sue

Published

on

Hollywood writers say AI is ripping off their work. They want studios to sue

When the Writers Guild of America approved a contract with major studios in 2023, ending a 148-day strike, the union became the first bargaining group to gain significant guardrails around artificial intelligence in Hollywood.

But as AI innovation continues to advance, writers say they need more protection from studios. Now, they’re urging entertainment companies to take legal action against AI firms that they allege are using writers’ work to train AI models without their permission.

John Rogers, a 58-year-old screenwriter in L.A., has spent years co-creating the world of TV drama series “Leverage.” After experimenting with ChatGPT, Rogers said he and the show’s creative team suspected that 77 episodes of the series — or five years’ worth of work — had been ripped off and used to fuel AI.

Rogers said that in 2023, after generative AI took off as a mainstream business, he asked ChatGPT to suggest an episode plot for “Leverage,” a modern day Robin Hood story about a former insurance investigator who works with a team of criminals that steals from unscrupulous rich people and compensates those they have hurt.

Advertisement

Without Rogers prompting the chatbot with character names, ChatGPT suggested a plot idea about taking down a corrupt CEO using characters from the show on its own, Rogers said.

Then he found out that scripts for “Leverage,” along with other shows Rogers was involved with, including 2007’s “Transformers” and the TNT series “The Librarians,” were included in a database that was used to train AI models. That data set had subtitles from OpenSubtitles.org, a website that provides subtitles to movies and TV shows in different languages, according to a November story from the Atlantic.

“I’m angry at the absolute arrogance of these companies,” Rogers said. “These companies have gotten hundreds of billions of dollars of value that would not exist if not for our work.”

The guild sent a letter in December to leaders at major studios, including Netflix, Amazon MGM Studios, Sony Pictures Entertainment, Paramount Global, NBCUniversal, Walt Disney Co. and Warner Bros. Discovery. When reached by The Times, those studios either declined or did not respond to a request for comment on the guild’s letter.

So far, no major studio has filed a lawsuit against any of the big AI companies, despite the writers’ complaints. There have been no publicly announced content licensing deals with AI companies, but some major studios have held discussions with AI firms about the technology, causing concerns among Hollywood talent that more of their jobs will be automated to save money.

Advertisement

“The studios own the copyrights to our material that’s being stolen, so they have grounds for legal action, and that’s why we wrote the letter,” Meredith Stiehm, president of the WGA West, said in an interview. “Frankly, they’ve been negligent. They have not protested the theft of this copyrighted material by the AI companies, and it’s a capitulation on their part to still be on the sidelines.”

The tensions come as the contract between the guild and the Alliance of Motion Picture and Television Producers is set to expire in May 2026. Intellectual property rights and AI will surely be an important element in the upcoming negotiations, said David Smith, a professor of economics at the Pepperdine Graziadio Business School.

“They’re highlighting that it’s going to be a central concern, a key issue that is going to determine how negotiations go,” Smith said regarding the WGA’s letter.

Many writers, including Rogers, Stiehm, “The Killing” creator Veena Sud and “Grey’s Anatomy” co-creator Shonda Rhimes, were listed in a database that the Atlantic created to show what subtitles were used to train AI models from companies, including Facebook owner Meta and Anthropic.

“I’m stunned, disgusted, horrified at what is essentially straight-up plagiarism,” Sud said in a statement. “These AI developers will keep stealing my and other writers’ words until a court finds it illegal, until the studios take action against this theft, and/or until policymakers require developers to negotiate and pay artists for use of our material. It’s a pretty basic concept: Pay the worker for their work.”

Advertisement

The tech industry has said that it should be able to train its AI models with content available online under the “fair use” doctrine, which allows for the limited reproduction of material without permission from the copyright holder.

“We respect intellectual property rights and believe our use of information to train AI models is consistent with existing law,” Meta said in a statement.

Anthropic did not return a request for comment.

“We build our AI models using publicly available data, in a manner protected by fair use and related principles, and supported by long-standing and widely accepted legal precedents,” OpenAI said in a statement. “We view this principle as fair to creators, necessary for innovators, and critical for US competitiveness.”

The problem is what constitutes “publicly available” and how that material becomes accessible to the AI models.

Advertisement

When a writer sells their work to a studio, the studio owns the copyright to that material. Lisa Callif, a partner with Los Angeles law firm Donaldson Callif Perez, said she believes that studios would have legal standing to sue the AI companies.

“The tricky part is whether or not the studios agree that the works have to be defended,” Callif said. “The studios have a vested interest in these AI platforms being developed and being useful to them.”

The current contract between the WGA and AMPTP contains language to ensure that there is a human writer behind every script. Writers must be notified if they are given research or intellectual property that uses AI, and a writer cannot be made to use AI in their work if they don’t want to, the contract says. But there is nothing in the agreement that addresses compensation when a writer’s work is used to train AI models.

“We didn’t get everything we wanted on training, and that’s why we so urge the studios to do something about this scraping of our material,” Stiehm said.

The AMPTP declined to comment for this story.

Advertisement

Some studios are working with AI companies as they look for ways to cut costs. For example, “Hunger Games” studio Lionsgate has a partnership with New York AI company Runway to create a new model for Lionsgate to help with behind-the-scenes processes such as storyboarding.

Tech giants like Amazon (which operates the Prime Video streaming service and MGM Studios) and YouTube parent company Google have invested billions of dollars in Anthropic. YouTube last year unveiled a feature for its video creators to help them brainstorm ideas.

Companies want to use artificial intelligence but are also wary about upsetting Hollywood talent.

OpenAI has been in exploratory talks with studios about how they could use its text-to-video tool Sora, according to an OpenAI partnerships lead who wanted to speak anonymously because the discussions are ongoing. Sora has been used to make music videos, commercials and short films. The discussions have not involved licensing whole libraries of content, this person said.

OpenAI has met with Warner Bros. Discovery and Disney, according to several other people familiar with the matter who declined to be named because they weren’t authorized to speak publicly.

Advertisement

Suing the AI giants would be expensive and time consuming. Countries around the world have different rules for copyright holders, making the legal landscape challenging.

Nonetheless, AI companies are facing several copyright lawsuits from publishers such as the New York Times and music giants, including Universal Music Group.

The results of the pending cases will help guide other entertainment companies’ next moves, experts said.

“It has massive implications in the industry,” said media lawyer Kailin Che at entertainment law firm Feig/Finkel. “I think everyone’s gonna wait and see what happens there.”

On Tuesday, a judge ruled in favor of Thomson Reuters in its lawsuit against AI startup Ross Intelligence, which it accused of reproducing work from its research firm Westlaw, according to reports. The judge rejected Ross’ possible defenses, including on “fair use.”

Advertisement

John Lopez, a 44-year-old writer who has worked on drama series “The Terminal List” and “Strange Angel,” said he’s worried that up and coming writers will have a harder time breaking in, adding that the technology also devalues the work and artistry of screenwriting.

“This was blood, sweat and tears and work and love, and it was transformed into just value for them,” Rogers said.

Business

In a first for the country, voters in Monterey Park ban data centers

Published

on

In a first for the country, voters in Monterey Park ban data centers

Residents of Monterey Park voted overwhelmingly to ban data centers on election day, making the San Gabriel Valley city the first in the nation to do so by public vote.

As of Wednesday, 86% of votes were in favor of Measure NDC, the city ban, according to the Los Angeles County registrar-recorder/county clerk.

Other cities and towns have passed moratoriums on data centers, as a wave of opposition sweeps the country. But the Monterey Park vote can only be overturned by another ballot measure, making it the most permanent data center ban in a jurisdiction.

Monterey Park’s City Council had already banned data centers by ordinance, after a proposed 247,000-square-foot data center met an outpouring of public anger and concern. The developer withdrew that plan.

Advertisement

That facility would have been less than 500 feet away from the nearest home, and would have used three times the electricity of the entire 60,000-person city. Residents said it would have caused noise and air pollution and driven up electricity rates.

“This ensures long-lasting protections for current and future generations,” Amy Wong, co-founder of the group San Gabriel Valley Progressive Action, said of the vote. “It means that future city councils cannot overturn a data center ban, even if data center developers wanted to spend money to fund pro-data center candidates.”

The measure had no formal opposition. The developer of the proposed facility, investment firm HMC StratCap, said it wouldn’t engage in the ballot fight when it withdrew in March.

The Data Center Coalition, an industry trade group, expressed disappointment in the vote.

“It sends a signal that the area is closed for business, both for data centers and for other significant economic development projects,” state policy director Khara Boender said.

Advertisement

“It deprives local residents of the opportunity to compete for jobs and investment, while also causing the area to relinquish substantial long-term economic investment, high-wage jobs, and critical tax revenue to neighboring areas or other states.”

SGV Progressive Action worked with hyperlocal groups including No Data Center Monterey Park to rally support for the measure.

The group is now focused on stopping data center proposals in the City of Industry and fighting a move by City of Industry, Santa Fe Springs, Vernon and City of Commerce to welcome data centers and other industry with fast-tracked permitting and tax incentives.

City of Industry, in the San Gabriel Valley, and Vernon, south of downtown L.A., are primarily industrial areas, each with around 300 permanent residents. They are employment centers, and tens of thousands of workers commute in daily.

There has been little vocal opposition to data centers among the few residents of these cities. Wong said the protest is primarily coming from the surrounding neighborhoods.

Advertisement

“If a data center gets built in City of Industry, residents across the region would bear the brunt of pollution and increased utility costs,” Wong said, noting that it is surrounded by 16 other cities and unincorporated communities.

Data center proposals have been limited in California compared to Virginia, Texas, Georgia, Illinois and Arizona, which sit at the center of a recent boom in hyperscaler facilities to power artificial intelligence.

California has the third-most data centers in the country, with 300, but high electricity rates, expensive land and regulatory hurdles mean that fewer, and smaller, facilities are currently planned than in other hotspots.

That doesn’t mean opposition hasn’t been fierce. In Coachella and Imperial County, residents are showing up in droves to protest local proposals.

In the San Gabriel Valley, Montebello, El Monte and Baldwin Park have all enacted temporary moratoriums, and Alhambra recently banned data centers as part of a zoning code update.

Advertisement

Wong said she hoped the ballot measure vote would galvanize the opposition. “The vote is a testament to the people power of our region,” she said. “Our region is worth protecting, and we won’t let data centers determine our future.”

Continue Reading

Business

Rent-hike ban to protect fire victims ends despite gouging concerns

Published

on

Rent-hike ban to protect fire victims ends despite gouging concerns

A rule intended to prevent rent gouging in the wake of the Eaton and Palisades fires has lapsed in Los Angeles County, possibly exposing some renters to hikes.

The executive order that blocked rent increases was issued by Gov. Gavin Newsom amid the devastating wildfires last year. Under the order, landlords couldn’t increase rents by more than 10% above their prefire levels.

The rule, which was supposed to be temporary and was repeatedly extended, ended Friday after a vote to extend it again failed to garner enough votes. Supervisor Lindsey Horvath, whose district includes Pacific Palisades, sounded the alarm in a motion to extend price protections that failed to pass at the Board of Supervisors’ May 19 meeting.

“These price gouging protections continue to be necessary as construction and rebuilding continue, and as thousands of people remain displaced,” the motion said. “Families which signed short-term leases could face drastic price increases of 50% or more without further price gouging protection.”

Advertisement

Los Angeles County is home to more than 1 million rental properties, though not all of them needed protection from the new rule. There are already stricter rent increase caps for many residences, depending on the location, type and age of the building. Despite the rent control in the region, the people of Los Angeles pay among the highest rents in the country.

It is uncertain whether renters will face rapidly rising rents now that the protection has lapsed. But some real estate experts and policymakers said there was no need for the temporary rule that was part of the governor’s state of emergency.

Supervisors Kathryn Barger, Janice Hahn and Holly Mitchell abstained from voting on the motion to extend the protection, while Supervisors Hilda Solis and Horvath supported it.

“I abstained because I did not see sufficient evidence to justify extending this emergency ordinance, nor did I see evidence to eliminate it entirely,” Hahn said.

Barger’s office said she supported allowing the protections to sunset while waiting to see whether new information emerged.

Advertisement

“Market data already shows countywide rents are only about 2% above pre-emergency levels and rental inventory has grown,” Barger representative Helen E. Chavez Garcia said. “The Supervisor is also mindful of the burden these ongoing protections place on small property owners throughout the county.”

Mitchell did not immediately respond to a request for comment.

There haven’t been steep rent hikes in neighborhoods within three miles of the Palisades fire, according to a Times analysis of data from Zillow, the property listing company.

In ZIP Codes within three miles of the Palisades fire, rent increased 4.8% from December 2024 to April 2025. In areas around the Eaton fire, which destroyed swaths of Altadena, rent jumped 5.2% in the same period.

In L.A. County, ZIP Codes farther from the fires saw only about a 2% increase.

Advertisement

A landlords representative, Jesus Rojas of the Apartment Owners Assn. of Greater Los Angeles, told the supervisors during public comment at the meeting that the county’s rent-gouging rules have “long outlived the emergency they were intended to address” and are now being “wrongfully used to harm thousands of rental housing providers throughout the county.”

“There is no proof that multifamily rental housing providers are hugely increasing rents for impacted homeowners,” Rojas said.

Indeed, there are strong signs that the property market in the Los Angeles area has at last begun to cool.

L.A. metro-area rent prices recently fell to a four-year low, with the median rent slipping to $2,167 in December.

Meanwhile, condominium sales had their slowest start of the year in decades. Condo sales in Los Angeles have plummeted to a 20-year low, with fewer than 2,000 units sold in January and February — the worst start to the year since 2005.

Advertisement

Newsom defended the price-gouging protections shortly after they went into effect.

“In the days following the Los Angeles firestorms, we worked quickly to protect Los Angeles survivors from any form of exploitation,” he said in February 2025. “The state has the tools in place to not only block price gouging during this emergency, but also to prosecute bad actors.”

The Los Angeles County Department of Consumer and Business Affairs said it received more than 2,000 complaints after the fires, alleging that retailers and landlords were taking advantage of people put in hardship by their losses, and sent out more than 2,000 cease-and-desist letters to businesses and landlords for alleged price gouging, said Morine Merritt, who oversees department investigations into consumer and real estate fraud.

“Close to 90% of the complaints that we received involved allegations of rent increases,” Merritt said in an interview. Now that the fire-related protections have expired, existing laws and “regular market conditions determine price increases for goods and services, including rents,” she said.

Crackdowns on fire-related rent gouging have been rare, said Chelsea Kirk of the activist organization the Rent Brigade, which analyzed L.A. County’s rental market in the year after the fires. It reported 18,360 potential examples of price gouging in listings but said that few lawsuits had been filed by authorities so far.

Advertisement

Last week, Rent Brigade announced what it said was the first private civil lawsuit brought by a family that claimed to be rent-gouged in the aftermath of the wildfires. Plaintiffs Randall and Candy Renick, whose Altadena home was damaged, said they were charged nearly three times the maximum permitted rate for nearly 10 months. They seek restitution of $96,000 plus civil penalties and attorneys’ fees.

The rental market has probably stabilized since the fires, Kirk said, but other families may still be “locked into illegal rents” that they agreed to pay when they were in a rush to find housing after they were displaced.

Continue Reading

Business

Read Nick Bilton’s Letter to Scott Pelley

Published

on

Read Nick Bilton’s Letter to Scott Pelley

Dear Mr. Pelley:

I meant what I said in my letter last week to the 60 Minutes team: joining 60 Minutes is the honor of my career and I am grateful to be working alongside the people who have contributed to the most important television journalism brand this country has ever produced. While I’m new to 60 Minutes, I’ve devoted my career to investigative journalism and storytelling. I started this job excited to collaborate and to benefit from the wisdom and experience of the 60 Minutes veterans, with you among them. For that reason, one of the first things I did in my new role was call you to talk and invite you to dinner. It is a profound disappointment that you rejected that overture and chose ambush instead. Yesterday, you hijacked my first meeting with staff to disparage me, my qualifications, and my intentions with remarkable incivility and contempt. I welcome a diversity of viewpoints and respectful debate among the team, but this was nothing of the sort. Yesterday’s performative display of hostility enacted in front of the staff instead of in a civil, private conversation-demonstrated that you have no interest in contributing to the future success of the show, or approaching my new tenure with a mind open to collaboration and progress. I am here to deliver first-in-class news programming, not to make headlines about newsroom drama. I am eager to work alongside those who share this goal.

Despite yesterday’s misconduct, I had hoped that in sitting down with you today we could find a path forward together. You made clear that you are not interested in such a path.

Your antipathy to the future of the show has come through loud and clear. And I have heard you. I therefore write on behalf of CBS News, Inc. (“CBS”) to inform you that your employment with CBS is terminated for cause effective immediately. Enclosed is your formal termination letter.

Sincerely,

Nick Bilton

Executive Producer, 60 Minutes

Continue Reading
Advertisement

Trending