Lifestyle
How to have the best Sunday in L.A., according to Betye Saar
Not only is Betye Saar a living legend, but the prolific L.A. artist continues to add to her impressive oeuvre day by day.
She’s been creating powerful, thought-provoking artwork since the ’60s and her pieces have been shown at the Smithsonian, the Museum of Modern Art, the Art Institute of Chicago and LACMA, as well as museums and galleries around the world.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
As her centennial birthday approaches this July, Saar shows no signs of slowing down. She still routinely creates art and continues to garner headlines and accolades. Last year, she was honored with the distinction of “Icon Artist” at the Art Basel Awards. During the upcoming Frieze Los Angeles art festival, which opens Feb. 26, she will be the subject of the photography installation “Betye Saar Altered Polaroids.” And this May, “Let’s Get It On: The Wearable Art of Betye Saar” will debut at Roberts Projects, the gallery that represents her. The exhibition will feature pieces from her early career as a costume and jewelry designer.
Though she’s skilled at painting and photography, she’s most widely known for assemblage, the art of juxtaposing miscellaneous items to form a single cohesive work. Her dioramas, sculptures and large-scale multimedia installations explore the legacy of American slavery, confront racial injustice and celebrate the strength and resiliency of African American women.
“I work with found objects that had another purpose before they came to my hands,” Saar says while seated at a patio table in her succulent-filled tiered garden. “The hardest part of it is going to a flea market, secondhand stores, an estate sale or even just going behind a store to see what people throw away.”
Over the years, she’s traveled by plane, train and automobile in search of usable materials. Meanwhile, admirers, colleagues and gallery workers have sent her curios from New Mexico, Tennessee, New England and beyond. Her daughters — artists Alison and Lezley, and writer Tracye, their mother’s studio director — also stay on the lookout for objects that might catch her eye.
“I’ve been doing this for a long time, so I have quite a collection,” she says.
Indeed, Saar’s multi-level home studio in Laurel Canyon is bursting with dozens of old empty picture frames, discarded window panes, wooden chests, antique chairs and vintage clocks. But there’s always room for more.
Her idea of a perfect Sunday includes foraging for new items (or old ones, as the case may be) to use in her daily art practice. And she’d return to her roots to do it.
“Pasadena is my hometown and I still have a few relatives that live there,” she says.
While visiting her old stomping grounds, she’d embark on a multi-stop shopping spree and wander through a longtime favorite San Gabriel Valley attraction (where her work just so happens to be on display).
This interview has been lightly edited and condensed for length and clarity.
10 a.m.: Search for hidden treasures
Pasadena Community College Flea Market is something that’s part of “the hunt.” Alison usually drives, sometimes Tracye. Some people are there early to get the deals; we’re not like that anymore. I like to look around and sometimes I find interesting fabrics, scarves to wear and strange-shaped succulents for my garden. I hardly ever find really good antiquing things there, because those are at antique stores and they’re usually pretty pricey. But I bought an old, rusty metal birdcage the seller said was from France. I like rusty stuff for my art. I also found an indigo blue kimono to wear at an art event later this year.
1 p.m.: Replenish with Thai food
I’d go down Fair Oaks Avenue — there’s some secondhand stores. Usually, it’s nothing I can use, but I still can’t say no. I have to go see for myself. Then, lunch at Saladang Garden. I always order chicken sate and the green papaya salad. Last time I went, we tried the Thai corn fritter which was really good and crispy. If food is too spicy, I can’t eat it. But somebody in my party would always have something spicy and I can have a spoonful to add to mine.
2:30 p.m.: More shopping
I am attracted to all the odd things at Gold Bug. Notepads and trinkets, curious vintage-y things with animals or interesting patterns, strange candles. Sometimes I surprise myself by buying something. They have a mixture of things that — whether it’s for the color, or the texture — I feel that I can recycle and fit into an art object that I’m making.
3:30 p.m.: Visit a childhood haunt (with a side of more shopping)
I really like the Huntington’s gardens. I remember the first time I went there was with my mother and a friend of hers, and we walked around. All the paths were dirt, you know, they hadn’t even gotten around to paving it yet. But I just fell in love with it. And I really like their gift shop.
6 p.m.: Head west for a culinary classic
If I go someplace to eat for lunch, I usually have leftovers to warm up. Nothing wrong with leftovers — if you liked it the first time, you’ll like it again! But if I had to go out to dinner, the Apple Pan. I would go there in the ’80s with my daughters. I like their sandwiches, or the hickory burger with cheese, and there’s good French fries.
8 p.m.: Tuck into some wind-down watching
Before bed, I like to watch the news because, otherwise, I don’t know what’s going on. I also like a lot of shows on PBS. “Finding Your Roots,” or dramas like “Sister Boniface Mysteries” and “Call the Midwife,” which has been going on forever!
Lifestyle
Video: Stephen Colbert Closes Out “Late Show”
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Stephen Colbert Closes Out “Late Show”
Stephen Colbert signed off for the last time from “The Late Show” on Thursday. His final guest was Paul McCartney and together they performed the Beatles’ “Hello, Goodbye.”
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“Tonight is our final broadcast from the Ed Sullivan Theater.”
By Julie Yoon
May 22, 2026
Lifestyle
L.A. Affairs: I married at 51 after decades of being single. My dog turned out to be the better companion
In the past two years, I’ve changed my pronouns twice. But I’m not talking about my gender identity. I’ve always been a cis she/her/hers woman. I’ve also, for most of my life, been single, an I in a sea of coupled we’s.
The world prefers a we to an I, especially if you’re a woman. If someone casually asks what you did this weekend, responding “I bought a Christmas tree” is a sad, lonely statement to most listeners. Responding “We bought a Christmas tree” is a happy, cozy statement, reflecting that you will not be spending Christmas alone, or, one can infer, most likely dying alone too.
I, like many women, was raised on the myth of marriage. Growing up in the San Fernando Valley in the ’70s and ’80s, it was a foregone conclusion I’d get married one day and have a family. My mom often would say, “Just wait until you have kids of your own,” when she thought I was being difficult. She continued to say this into my 40s, at which point I’d respond, with sadness and self-pity, that, at my age, I was probably never going to have kids or get married.
Finally, well into middle age, I stopped caring about getting married and focused on how good my life as a single woman was. I lived in an ocean-view apartment in Santa Monica. I’d built a successful small business. I had great friends. I’d adopted a dog, Fofo, the best decision of my life.
Then I met the love of my life. Vagner was tall, unbearably handsome and disarmingly charming.
We found each other on an app and met up for the first time at my community garden plot on Main Street, then got ramen at Jinya. From that moment on, we were together. Vagner loved the Santa Monica Pier, which he’d seen in a video game he’d played with his teenage son in Rio. The pier was a short stroll from my apartment, and when we walked Fofo at sunset, Vagner always wanted to climb the wooden stairs and take in the glorious view from the pier. He was like a kid experiencing something from a movie in real life, and seeing the city through his eyes gave it a new sense of wonder.
When I broke my shoulder six weeks into our romance and needed surgery, he stayed with me in the hospital and moved in to care for me. Only an amazing guy would do that. One evening Vagner got down on one knee and proposed. We were in love. He was in the U.S. on a six-month tourist visa, and to stay together, we had to get married before his visa expired. Vagner was the most loving, caring man I’d ever known, so I said yes.
We got married three months after meeting, and Vagner turned into a different person 24 hours after we said, “I do.”
The toothpaste he bought at Costco lasted longer than our marriage.
But for the 11 months we were married, I experienced the glory of being a we instead of an I. Suddenly I was part of a giant club, the Partnered People. While it wasn’t an exclusive club, it still felt wonderful to finally get in.
I relished speaking in the plural. I loved talking to my married friends about us, our marriage, our life. I was no longer left out.
If I could find love and get married for the first time at 51 — in L.A., a city notoriously difficult for dating, especially for women over 40 — anyone could.
When I began to confide in married girlfriends about our problems, they unfailingly shared their own marital struggles, things they’d never mentioned when I was single. Over sushi and spicy margaritas at Wabi on Rose, a longtime friend advised me about how to give your husband wins, build up his self-esteem and keep from overwhelming him with perceived demands. I was grateful for her advice, and though I tried the strategies she’d suggested, nothing I did made any difference. Vagner was shut down, emotionally absent and prone to walking out every time we had a disagreement.
Still, I clung to my newfound identity as a we, even though there was very little us in the marriage. Even being unhappily married, I was still part of the club.
“It doesn’t matter if you date for 10 weeks or 10 years, people change after they get married,” I heard from more than one sympathetic soul. I took some comfort in this since I was beginning to blame myself for getting married too quickly.
The truth of the matter was, we had a far bigger problem than adjusting to being married. Believing we were simply two good people who’d rushed to the altar under the influence of euphoric new love and the pressure of an expiring visa was far less painful than the truth.
In our first conversation, he told me he was a lawyer. In reality, he was an ex-military police officer who’d been dismissed for misconduct. But his biggest omission was neglecting to tell me about his second child, a 13-year-old son who bore his full name, whose existence I discovered three months into our marriage when he disclosed it on an immigration form. He claimed the child wasn’t his but the product of his ex-wife’s infidelity.
Also, Vagner rarely wanted to spend time together. The moment he got his employment authorization, he announced a plan to take a job in Florida as a long-haul truck driver. On Christmas Eve. That was the beginning of the end.
The reality, which I only began to absorb bit by bit after I ended it, is that my husband was not only a prolific storyteller but also a master manipulator. I was lucky to get out with only a broken heart, not a broken life.
As good as it had felt — at least briefly — to finally be a we, there was no denying that I had been far happier as an I. As I walked Fofo by the beach, cuddled with him on the couch and threw his ball at Hotchkiss Park, I realized he was a superior companion to my ex-husband.
Fortunately, I hadn’t changed my name, so the only thing I had to change back were my pronouns. There was not even one tiny part of me that missed being able to refer to myself as we, so immense was the relief of freeing myself of Vagner.
Although I forfeited my membership in the Partnered People club, I became a member of another, equally nonexclusive-but-far-less-touted club, the Happily Divorced Women.
The author is the founder of Inner Genius Prep, a boutique educational and career consulting company. She lives in Santa Monica, holds an MFA in creative writing from Brooklyn College and is working on a memoir about having a mystery illness. She’s on Instagram: @smgardengirl.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
‘Star Wars: The Mandalorian and Grogu’ may not be the way : Pop Culture Happy Hour
Pedro Pascal in The Mandalorian And Grogu.
Lucasfilm Ltd.
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Lucasfilm Ltd.
The Mandalorian has made the jetpack-assisted leap to the big screen with the new movie Star Wars: The Mandalorian and Grogu. The laconic bounty hunter (Pedro Pascal) and his cute sidekick Grogu are hired by the good guys to do a job for some bad guys. You know what you’re gonna get – creatures, droids, easter eggs, and lots of fights. But, after three seasons on Disney+, will folks go out to the theaters to watch something they’ve gotten to know on their couches?
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