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Harrison Ford isn’t retiring: ‘I really wouldn’t know what to do with myself’

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Harrison Ford isn’t retiring: ‘I really wouldn’t know what to do with myself’

“I’m happy to be the age I am, and have no impulse to hide it,” says Harrison Ford. He’s shown above accepting the Screen Actors Guild Life Achievement Award in Los Angeles on March 1.

Valerie Macon/AFP via Getty Images


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Valerie Macon/AFP via Getty Images

After playing some of the most recognizable and beloved characters in cinematic history, Harrison Ford is not interested in retiring. “Without my work, I really wouldn’t know what to do with myself,” the 83-year-old actor says. “I really do love the work. … It constantly changes, and the people change, and the mission and the opportunity change, and it just makes for an interesting way to live your life.”

Ford initially struggled to find his footing in Hollywood. He worked on-and-off as a carpenter for years before landing the breakthrough role of Han Solo in the original Star Wars film. He went on to star in the Star Wars sequels, as well as the Indiana Jones movies and Blade Runner — all the while frequently performing his own action scenes.

“I don’t want to have to hide the face of the character because it’s a stunt guy,” he says. “I want [the audience] to feel the blow. I want them to see the anxiety. I want them to be there when the decision is made or when the decision is missed. I just want them to be there.”

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In the current Apple TV series, Shrinking, Ford plays a therapist named Paul who’s been diagnosed with Parkinson’s disease. Thus far, he says, the show’s writers haven’t shared with him the progression of Paul’s disease. Instead, he says, “Like a true Parkinson’s patient, I don’t really know what’s coming. … I’m sort of living with the symptoms I have been last described as having.”

Recently, Ford teared up while accepting a recognition for lifetime achievement at the Actor Awards. “That speech that I wrote was not crafted to be emotional; it just happened to me,” he says. “I feel slightly embarrassed by it, because I have enough experience with these things to want to be able to manage not to be overcome.”

Interview highlights 

On being asked to help in Star Wars auditions while on a carpentry job at Francis Ford Coppola‘s office

I was there sweeping up. I was just finishing the job when George Lucas walked in [who Ford knew from appearing in Lucas’ last film, American Graffiti] … and I’m standing there in my carpenter’s work belt, sweeping up the floor. It turned out to be a fortuitous occasion, because weeks later I would end up being asked if I would do them a favor and read with the other actors who were being considered for the parts. … I never was told that I was ever to be considered, and then at the end of the process, I guess they ended up with two groups of three people that were in final consideration. I’ve always been amused that in the second group, the character of Han Solo would have been played by Chris Walken. I would have loved to see that.

On his most famous ad-lib in a film

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[It’s] the line in Star Wars where Princess Leia tells me that she loves me and I say, “I know,” instead of saying “I love you too,” which is the scripted line. Simply the impulse was to be more in character. And George Lucas, who had written the line, was not so happy that I didn’t give him the original version. But I really felt strongly about it. So he made me sit next to him when he previewed the film in a public movie theater in San Francisco and it got … a good laugh. And so he accepted it and left it in.

On seeing Star Wars for the first time on screen

I was blown away. I mean, I was really shocked by the power of the film. We shot in England and our English crew were not used to something like Star Wars, and so they were pretty sure that it was going to be a disaster. And we weren’t far from that opinion, ourselves, the actors.

On performing an emergency landing while flying solo in a vintage World War II airplane

Let’s just start by saying that it was a mechanical failure. … It was a 74-year-old airplane, and I was 74 years old at the time. .. Four hundred feet in the air above the airport, the engine quit. And it’s my home airport, and I was familiar with the surrounding terrain, which is cluttered with houses, wires and cars, and people. So I turned to a golf course that was there. …

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In my ear was the very clear voice of one of my aviation mentors who always, when talking about mechanical failures or other kinds of failures, the advice was to “fly the airplane as far into the crash as possible.” You think about this thing when you’re a pilot, you think about the potential, the possibility of it happening, and of course you train. So when it happened, it was not really a surprise, and I thought I knew what I had to do to handle it, so I just started doing the things that needed to be done. … I don’t remember actually being scared. [My injuries] were more than described in the newspaper, but I’m over them all, thank you. I got my license back and continue to fly. … I am not a thrill seeker. I am a very conservative pilot. It’s not that I do crazy stuff for the fun of it.

On objecting to the Vietnam War draft 

I was facing being drafted and I hired a lawyer to represent me to the draft board. I had to explain why I might qualify as a conscientious objector. I explained that I did not have a history of religious affiliation. My mother was Jewish, my father Catholic. … I was raised Democrat. I’m quite happy to accept other people’s versions of God, but I found in a Protestant theologian named Paul Tillich, a sentence that said: If you have trouble with the word God, take whatever is central and most meaningful to your life and call that God.

And to me that was life itself, the complexity, the biodiversity, the incredible integration and complexity of nature, to me seemed to be the same thing as God. And so I prepared an explanation that was probably so unusual that it found the edge of a desk and had a lot of things piled on top of it because it didn’t fit a niche. They never got back to me, basically. The draft board never got back to me.

Lauren Krenzel and Nico Gonzalez Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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Move over, Elsa. The hottest entertainers at L.A. kid parties are ‘KPop Demon Hunters’

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Move over, Elsa. The hottest entertainers at L.A. kid parties are ‘KPop Demon Hunters’

For her 6th birthday party in January, Amy Tzagournis’ daughter Hazel wanted special guests: the characters from “KPop Demon Hunters.” Six months prior, while Tzagournis was out of town, her daughter and 4-year-old son had become obsessed.

“I came back and all of a sudden they knew every word to the songs,” she says with disbelief. “I was like, ‘Where did this come from?’ It was literally out of nowhere.”

Parker Apel, 7, pretends to close the VIP entrance for entertainer Simon Mendoza, who is dressed in the style of a Saja Boy from “KPop Demon Hunters.”

So Tzagournis, of Redondo Beach, hired Funky Divas & Dudes, one of the many characters-for-hire companies in the Los Angeles area that had started to offer “KPop Demon Hunters”-inspired performers. At her birthday party, Hazel and her friends danced to songs from the movie, including “Golden” and “Soda Pop,” alongside the entertainers.

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“We’ve pretty much been doing nothing but ‘KPop Demon Hunters’ parties,” Dana Marie Lazzareschi, one of the co-owners of Funky Divas & Dudes, says. “Every party we’re doing has been ‘KPop.’ It’s insane. We’ve had one party that was Broadway-themed and another that was tropical-themed, but other than that, it’s all been ‘KPop’ every single weekend. Sometimes we have five ‘KPop’ parties in one day.”

Released last June, “KPop Demon Hunters” is a bona fide global sensation, a status that not even Netflix, its distributor, anticipated. By August, when Tzagournis’ daughter first saw it at a friend’s house, the movie about three glamorous K-pop stars doubling as brave warriors to defeat nefarious demons had become Netflix’s most-watched movie ever. And in March, the musical picked up two Academy Awards, one for best animated feature and another for best original song for “Golden,” an empowering anthem turned chart-topping hit.

Nearly half of all of the birthday parties Tzagournis has taken her kids to in the last six months featured some “KPop Demon Hunters” element, whether just the theme or performers (for her daughter’s party, she hired all three demon hunters and a Saja Boy). The parties are so frequent that parents are even sharing decorations to reduce costs, she says.

Passes for guest.
The party included Saja Boys-themed party favor bags and "VIP" passes for guests.

The party included Saja Boys-themed party favor bags and “VIP” passes for guests.

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“One of my daughter’s good friends had a party two weeks before hers and we basically recycled all the ‘KPop’ decorations for her,” Tzagournis says, laughing. “We used theirs and then I passed them off to another mom. These ‘KPop’ decorations for the birthday party got recycled at least two or three times.”

Operating since 2002, Funky Divas & Dudes, like most of these party businesses, offers princesses, superheroes and other pop culture-inspired characters. For a long time, Elsa, the Snow Queen from Disney’s “Frozen” franchise, ruled over little girls’ parties. “We joke that it’s a generational thing, every 10 years a girl with a braid shows up and takes over every kid’s birthday party playlist. There was Elsa back in the day, and now there’s Rumi,” Lazzareschi says, referring to the main heroine in “KPop Demon Hunters.”

The displacement of “Frozen” was also evident to Tzagournis. “The year before, when my daughter was almost 5, everyone was dressed up like Elsa. There were like five Elsas in her class at Halloween,” she recalls. “And this past year, more than 50% of the girls around her age were one of the ‘KPop’ characters.”

Aside from party entertainment, Funky Divas & Dudes also hosts extracurricular dance classes at L.A.-area schools, including the one Tzagournis’ daughter attends. Lazzareschi realized the popularity of the movie when children started requesting “Golden” and other songs from the soundtrack during dance classes. While “Frozen,” she thinks, was geared toward younger audiences, “KPop Demon Hunters” has a broader appeal. “It’s very attractive to all ages, not just the little kindergartners and first graders, but all the way up to third, fourth, fifth graders,” Lazzareschi says. “There are just so many different aspects, like the martial arts, and kids just love that stuff, boys and girls.”

Companies like Funky Dudes & Divas had to quickly meet the demand for the “KPop” characters at L.A. kids’ parties, sourcing costumes from Halloween stores or online retailers. On top of the three demon hunters (Rumi, Mira and Zoey), Lazzareschi also offers male performers resembling the Saja Boys (the rival group in the film) that teach kids breakdancing.

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“The whole dance element made it even better than just hanging out with characters,” says Tzagournis.

Madelynn Wheater, 7, left, and Parker Apel, 7, center, show off their best moves in the dance circle.

Madelynn Wheater, 7, left, and Parker Apel, 7, center, show off their best moves in the dance circle.

A "KPop Demon Hunters" themed plate and cake.

The “KPop Demon Hunters” theme continued onto the plates and cake at Parker Apel’s party.

For Katherine Diaz of Torrance, the “KPop Demon Hunters” craze has been a welcome lifeboat. Diaz manages her 18-year-old daughter Kiara Asiel and several other teenage girls who perform at birthday parties. Diaz’s operation caters to Latino customers as Asiel (an aspiring dancer who plays Rumi) offers bilingual shows. In the wake of the immigration raids last summer, many of their potential patrons refrained from hosting celebrations, dampening their business. Over the last few months, though, demand for the “KPop” characters has generated new opportunities.

“It has been a boom. We have people in our area calling us saying they wanted our ‘KPop’ show because my daughter speaks Spanish,” Diaz says in Spanish.

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In addition to birthday parties, Diaz’s team was recently hired to appear at several McDonald’s restaurants around Los Angeles, where hundreds of children and their parents lined up to take photos. In December, the city of Gardena invited them to perform for the community at a Christmas event.

“They specifically requested the ‘KPop’ girls. We said, ‘But it’s Christmas?!’ and they replied, ‘Yes, but kids are dying to see Huntrix [the phonetic name of the musical group in the movie].’ My girls went dressed in their ‘KPop’ outfits, but I made sure to put little Christmas hats on them.”

To avoid legal repercussions, some of these businesses might offer generic versions of popular characters. In 2017, Disney sued a New York company offering “Star Wars” and “Frozen” character knockoffs at birthday parties, but voluntarily dismissed the case a year later after a judge axed most of its trademark claims. The amount of these companies, not only in L.A. but around the world, might also present “practical difficulties” for copyright holders to take action, says Mark Lee, a partner at corporate law firm Rimon PC who has taught entertainment law at USC.

“To give you an example, I had a client who co-wrote a very famous song,” Lee says. “1.2 million people posted that song on YouTube without authorization. You can send what’s called a DMCA Takedown notice, which is like a cease-and-desist letter to YouTube, but you have to do it 1.2 million times.”

At the same time, these small businesses are helping keep the characters popular.

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Eliana Fraser, dressed in a Rumi costume, paints 6-year-old Ariya Taylor's face at a party for Parker Apel, right.

Eliana Fraser, dressed in a Rumi costume, paints 6-year-old Ariya Taylor’s face at a party for Parker Apel, right.

Both Lazzareschi and Diaz have more “KPop Demon Hunters”-inspired events coming up, but Tzagournis believes the peak of the fad has already passed — at least for now. “I feel like this might be very short-lived, which would differ from ‘Frozen’ and the Disney movies,” Tzagournis says. “The kids are kind of over the ‘KPop’ thing now, but the sequels are probably going to reel them back in.”

A new “KPop Demon Hunters” movie is already in the works.

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Michaela Jaé Rodriguez’s Necklace Gives her Peace

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Michaela Jaé Rodriguez’s Necklace Gives her Peace

Sometimes, when the mood strikes or the outfit is right, Michaela Jaé Rodriguez’s mother will offer to loan her a very special diamond-encrusted peace sign necklace.

Rodriguez, who stars in the new Broadway revival of “The Rocky Horror Show,” wore the necklace when she found out she was nominated for an Emmy in 2021 for her role in “Pose.” (Rodriguez was the first openly trans woman to be nominated for a lead acting category; in 2022, she became the first trans actress to win a Golden Globe.)

In an interview that has been edited and condensed, Rodriguez dives deeper into the hand-me-down-and-around peace sign and talks about her loved ones who have imbued it with their magic.

Tell me about your necklace.

It’s this peace sign that my mother lends to me. She always wants her pieces back, but she lets me wear them a good amount.

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I’m not married yet, but you know that tradition of something old, something new? That’s what I feel when I get it. It just feels like she’s handing over, crazy enough, a legacy and a lineage. The people that gave it to her were people that were really monumental in her life. My Aunt Nita, she was this rambunctious, spirited energy. God bless her, she passed away from cancer, but she still kept her juice. And my uncle, I had such a close relationship with him. He was a Capricorn, which makes it all the better because we’re Capricorns together.

What kind of events might prompt your mom to loan you the necklace?

When I’m going out for a show, or when I’m going for a big event, or when we’re traveling. She usually gives it to me for monumental moments in my life.

Is the necklace always with you, even if you’re not wearing it?

I don’t leave it alone. Usually it’s with me, and I’m always just checking it. Touch, for me, is a big thing. It’s a very spiritual and magical thing for me. Feeling it makes me know that there is some strength there. But if it’s gone, I feel like there’s kind of a separation. The only way I feel better is if it’s in my mom’s hands or if it’s in her possession again, honestly, because I know that it’s in a safe space and that energy is being harnessed in the right way.

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Are there other people it’s connected to in your life?

I think my grandmother, more than anything, because my grandmother passed away in Covid, and my mom always wore it in that time. My Aunt Kim because she had it in the time when we were doing “Pose,” and my Aunt Kim passed away. My Aunt Debbie, too, who passed away from cancer.

Those are the people who are imbued in it, latched onto it, or a piece of their spirit.

Do you think about passing the peace sign necklace down someday?

Well, one, I feel like it would have to be a coming-of-age gift. I’d have to watch them grow and say, “You’ve gotten your stripes of growth, you’ve done a great job, and this is a really important piece to a lot of us.” If I had a daughter or a son, I’d probably give it to one of them, and more likely my daughter because, you know: mama, daughter, little baby girl. Or one of my nieces, and I have one in my mind already. I would probably give it to her, and I would just let her know that this is a piece of jewelry that has been handed down by very powerful women, and women who have instilled a lot of strength in me.

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Small spaces surprise and shine at the 2026 Pasadena Showcase House of Design

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Small spaces surprise and shine at the 2026 Pasadena Showcase House of Design

Designers Jeanine Hattas Wilson and Julie Kennedy’s magical transformation of a 4-foot-by-4-foot storage closet at this year’s Pasadena Showcase House of Design almost feels like a metaphor for design showcases themselves: not quite real, but pure fantasy.

“It was inspired by our dad, who used to read to us in Woodstock, Ill.,” Wilson says of their immersive storybook escape, which features a delightful hand-painted mural on the walls and tiny lanterns that, when touched, offer a narrated fairy tale. “We wanted to create a special, intimate space for kids.”

61st Pasadena Showcase House of Design

Where: Baldwin Oaks Estate, Arcadia

When: Through May 17

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Hours: 9:30 a.m. to 5 p.m. Tuesday-Wednesday, Thursday, Saturday-Sunday; 9:30 a.m. to 6:30 p.m. Friday

Tickets: $38-$75

Parking and shuttle location: Santa Anita Park, Huntington Gate 3, Lot C

Information, including shops and special events: pasadenashowcase.org

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Showhouses are always extravagant, and this year’s event takes place inside the 8,000-square-foot former home of Clara Baldwin Stocker, daughter of land investor and racehorse breeder Elias J. “Lucky” Baldwin. Like her father, Stocker was known for her colorful personality and love of lavish things, including parties that lasted for days. (Baldwin Stocker’s 1929 obituary noted that out of her $10-million estate, about $1.5 million was jewelry, “the collection and wearing of which was her hobby.”)

Many of the 30 revamped interior and exterior spaces in the 1907 shingle-style home include details Baldwin Stocker would have loved. The Midnight Garden Dining Room by the House of Pontovi, for example, has an Italian Murano glass chandelier, feminine Art Deco-style swivel chairs with flapper-style fringe and a gold-leaf ceiling that has replaced Calico Corners fabric. The Entertainment Room by Studio Joshua features statement lighting by Los Angeles designer Jason Koharik, an 11 Ravens custom billiards table and a Champagne cooler built into the marble bar.

And the Bloom Lounge by the Art of Room Design is so large that it can accommodate several different seating areas, a game table and a hidden liquor cabinet — another nod to Baldwin Stocker, who was also known as “the Diamond Princess.”

It’s hard to decide what stands out more at the Baldwin Oaks Estate in Arcadia: the layered interiors that look ready for a shelter magazine, or the smaller spaces, like the closets, mudroom and hidden powder rooms that have been transformed into something special.

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Here are a few examples of what to expect at the event, which supports youth music programs throughout Los Angeles County.

The Enchanted Room by Hattas Studios

Identical twins Hattas Wilson and Kennedy of Hattas Studios transformed a small 4-by-4-foot storage closet into a magical forest with their hand-painted mural depicting characters from stories like “Cinderella,” “The Little Mermaid” and “The Frog Prince.” A young Clara Baldwin appears with her dog, Lucky. You can touch the tiny lanterns to hear a story in each scene or simply curl up in the soft green fuzzy chair, close the velvet curtains and let your imagination wander.

Laundry and Craft Room by Arterberry Cooke Architecture

A pink and green laundry room.
A pink and green Laundry Room at the 2026 Pasadena Showcase House of Designer

Architect Barrett Cooke turned laundry into a pleasure in this beautiful room, which doubles as a craft room outfitted with new rose-colored cabinets, playful circular Fireclay Tile, quartzite countertops and stunning views of the San Gabriel Mountains. “I straddled making it utilitarian with how beautiful it can be,” Cooke said of the local artists represented, including ceramics by Jen King, stained glass by Molly Miller, oil paintings by Lareina Holsopple and a print by local artist and Jungalow designer Justina Blakeney. “The art ties it all together.”

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The vault in the Family Parlor Room by Jamie Loren Home

A closet is turned into a moody "vault" inside a family room.
A family room with blue walls, a game table and TV.

The family room is the only space with a television, but with a mah-jongg table, the TV hardly seems necessary. “We wanted to create a room where the family can congregate,” said designer Jamie Loren, describing the cozy parlor painted in the color Viridian Odyssey by Dunn-Edwards Paints. She also turned what used to be a gun closet into a “vault” filled with family heirlooms, including a typewriter, perfume, photos, jewelry and a flask. “This is an ode to Clara,” she said.

Powder Room by Rebecca J. Hansen Design Studio

A powder room with black-and-white tile and blue wallpaper and yellow trim out front.

Details make all the difference in the small powder room by Rebecca J. Hansen, who explains that both the room and the nearby vestibule are focused on mixing patterns while keeping a consistent color palette. Hansen chose patterned terra-cotta tile from Foothill Tile & Stone Co. in Pasadena for the walls, and just outside, she used wallpaper from House of Hackney with mythical animals. Brass hardware from Corston Architectural Detail, chalk pastels and bold wood trim painted a marigold color brought everything together. “It feels like I’m in a castle in England,” she said.

The second floor landing by Blue Brick Design

The foyer of the 2026 Pasadena Showcase House of Design.

Designer Lara Hovanessian has transformed the foyer walls of both the first and second floors into a striking display for local artists Blakeney, Susanna Speirs Ali and Lareina Holsopple. The spaces feature the newly released Huntington Collection wall covering by Morris & Co. in the iconic Strawberry Thief motif, pink ceilings and Alberto Giacometti-style lighting from Visual Comfort.

The Mudroom by Gex Designs

A mudroom with topiaries and a dog bed.

Inspired by the shingles of the 1907 home, Noelle Gex Djokovich, known for last year’s playful flower-cutting room, has reimagined this space with custom cabinets, patterned floors and charming details such as a dog bed, a Lewis & Wood fabric skirt and a rag rug from Nickey Kehoe. “Adding layers to a small room makes you feel good when you come home,” she said.

The Magnolia Room by Cordrey Collection

A bedroom with white drapes and bedding and green and yellow accents.
An elegant dressing room closet.

Designer Steven Cordrey says the Magnolia wallpaper reflects his Southern roots and the Phillip Jeffries grasscloth on the walls is practical (“It’s easy to clean,” Cordrey says). He also likes to bring the outdoors in, pointing to the views of the estate’s grand oaks and pool from the second-floor bedroom. There’s a hidden touch too: Rock Zehler’s stylish dressing room, inspired by Art Deco and the 1970s, has a secret closet tucked behind a pocket door.

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