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Bureaucrats hide true price of Obama Presidential Center as taxpayers hit with infrastructure bill

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Bureaucrats hide true price of Obama Presidential Center as taxpayers hit with infrastructure bill

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FIRST ON FOX: Former President Barack Obama once declared that his presidential center would be a “gift” to Chicago, but taxpayers are on the hook for hundreds of millions of dollars in hidden costs related to the beleaguered project.

A Fox News Digital investigation shows taxpayers are now stuck footing the bill for surging public infrastructure costs required to support the project — and no government agency can provide an accounting of the total public cost, despite months of queries and FOIA requests. 

“Illinois Republicans saw this coming a mile away. Now, right on cue, Illinois Democrats are leaving taxpayers high and dry and putting them on the hook for hundreds of millions of dollars to support the ugliest building in Chicago,” Illinois GOP Chair Kathy Salvi told Fox News Digital. “Illinois’ culture of corruption is humming along with pay-to-play deals to their allies and friends while lying to Illinois voters.”

When the project was approved in 2018, Obama pledged to privately fund construction of the expansive 19.3-acre campus in historic Jackson Park through donations to the Obama Foundation – a commitment that remains in place as the center’s construction continues to be privately financed.

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But the extensive infrastructure required to make the campus operationally viable — including redesigned roads, stormwater systems, and relocated utilities — is publicly financed, and without those changes, the center could not function.

At the time, projections placed public infrastructure costs at roughly $350 million, split between the state of Illinois and the city of Chicago.

Former President Barack Obama once professed that his presidential center would be a “gift” to Chicago. Animated GIF showing the Obama Presidential Center under construction alongside a static image of former President Barack Obama. (Fox Flight Team; Getty)

Eight years later, the Illinois Department of Transportation (IDOT) told Fox News Digital that approximately $229 million in infrastructure spending was tied to the site, up from its earlier estimate of roughly $174 million. 

The $229 million figure reflects state-managed spending, which may include federal transportation funds routed through IDOT.

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Meanwhile, Chicago officials have failed to produce a reconciled total showing how much city taxpayers have committed or how current spending compares to the roughly $175 million discussed when the project was approved.

A paper trail without a total

Fox News Digital submitted records requests and press inquiries to every agency involved in the infrastructure work, including the Illinois Department of Transportation (IDOT), Chicago’s Department of Transportation (CDOT), the Office of Budget and Management (OBM), the Mayor’s Office and Gov. J.B. Pritzker’s administration.

Not a single office provided a unified, up-to-date accounting of total public infrastructure spending tied to the project. The investigation involved months of FOIA requests, partial disclosures and repeated follow-ups.

No single agency appears to oversee the full scope of the infrastructure work, and neither the state nor the city has assembled a reconciled accounting — a fragmentation that has made the overall public cost difficult to determine.

Instead, agencies provided partial figures, declined to clarify whether city and state totals overlap or insisted that no consolidated total exists.

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The Illinois Attorney General’s Public Access Counselor (PAC) is reviewing whether multiple agencies complied with state transparency laws following Fox News Digital FOIA requests. 

Exterior view of the Obama Presidential Center tower under construction in Chicago. (Fox 32 Chicago)

Construction costs soar

The center sits on 19 acres of historic public parkland carved out in a controversial transfer for just $10 under a 99-year agreement, making the question of public infrastructure spending particularly sensitive. Legal challenges to the land transfer, including lawsuits arguing the arrangement was not in the public interest, were ultimately dismissed, although the merits of the arguments were not adjudicated on.

The center — though commonly referred to as a presidential “library” — will not function as a traditional facility operated by the National Archives and Records Administration (NARA), and former President Obama’s official records will be maintained by NARA at a federal site in Maryland.

While the Obama Presidential Center in Chicago is expected to provide digital access to archival materials, it will not serve as a federally operated records repository.

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Instead, the Chicago complex will be operated privately, without rent payments, by the Obama Foundation, the former president’s nonprofit organization, which oversees leadership programs and civic initiatives aligned with his values and policy priorities.

Construction costs for the facility itself have ballooned from early estimates of roughly $330 million to at least $850 million, according to the foundation’s 2024 tax filings, although these expenses are being borne by private donors.

Meanwhile, a $470 million reserve fund — known as an endowment — that the foundation promised to fill to protect taxpayers should the project go belly-up, has received only $1 million in deposits, Fox News Digital previously reported.

OBAMA LIBRARY, BEGUN WITH LOFTY DEI GOALS, NOW PLAGUED BY $40M RACIALLY CHARGED SUIT, BALLOONING COSTS

A before-and-after aerial graphic shows the footprint of the Obama Presidential Center in Jackson Park, including the removal of Cornell Drive and construction along Stony Island Avenue. (Fox News)

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Roads removed, routes rebuilt

Taxpayers often fund routine improvements near major civic projects — such as turn lanes, utility hookups or upgraded traffic signals — but the scale of the work surrounding the Obama Presidential Center is far more extensive.

By comparison, other modern presidential libraries required only limited public infrastructure upgrades and did not involve the removal of a major roadway or the wholesale redesign of a historic park’s traffic pattern.

Much of the publicly financed work reshaped the roads and utilities that once ran through Jackson Park.

Cornell Drive — a four-lane roadway that bordered the center’s east side by the park’s lagoon — was permanently removed under the center’s site plan and enveloped by the campus. Traffic that once ran alongside the lagoon has been rerouted farther west, reducing the number of public roads directly adjacent to the complex and creating a more unified campus footprint around the center.

Crews also tore down trees, relocated water mains, sewer lines, and electrical infrastructure and installed new drainage systems tied to the facility’s structural needs as part of the public infrastructure project.

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City and state officials say the changes were necessary to manage traffic and visitor demand. Critics argued the redesign altered long-standing park infrastructure to accommodate the foundation’s preferred layout.

What’s clear is that without those road closures, reroutes and utility relocations, the project would not function as designed.

The Obama Foundation, which is funding the center’s construction, defended the project in a statement to Fox News Digital.

“The Obama Foundation is investing $850 million in private funding to build the Obama Presidential Center and give back to the community that made the Obamas’ story possible,” said Emily Bittner, a spokesperson for the foundation. 

“After decades of underinvestment on the South Side of Chicago, the OPC is catalyzing investment, from both public and private sources, to build economic opportunity for residents through jobs, housing, and public spaces and amenities.”

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A map graphic shows the footprint of the Obama Presidential Center inside Jackson Park on Chicago’s South Side along Lake Michigan. (Fox News)

The number no one will state

IDOT, which controls the state’s funding for the corridor and signs off on major transportation contracts tied to the project, acknowledged approximately $229 million in state-managed infrastructure spending but did not produce a consolidated accounting reconciling that total across all project phases.

“With all the main parts of this aspect of the overall project awarded, to date the state via IDOT has contributed approximately $229 million,” an IDOT spokesperson told Fox News Digital in July in its latest release. “Approximate breakdown of these funds: $19 million in preliminary engineering; $24 million for construction engineering and $186 million for construction activities.” 

The spokesperson said that the initial $174 million figure was from a “2017 was a preliminary cost estimate.”

CDOT, which carried out the roadway closures, traffic rerouting and utility relocation work inside Jackson Park, acknowledged Fox News Digital’s Oct. 7, 2025, FOIA request and took a statutory extension but never issued a final determination or produced the requested records. The department also did not provide a unified city total or clarify how Chicago’s capital allocations overlap with the state’s spending.

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OBM, which oversees the city’s capital allocations, did not say whether the city’s $175 million estimate remains current and directed Fox News Digital to the Capital Improvement Plan. Chicago’s most recent 2024–2028 Capital Improvement Plan — the city’s multi-year infrastructure budget — lists more than $206 million allocated to roadway and utility work surrounding the project. However, much of that funding is labeled “state,” and neither state nor city officials could clarify how those allocations overlap with IDOT’s reported total.

In a FOIA response, OBM said it “does not have responsive records” showing any cost overruns, reallocations or a breakdown of spending across major components of the Obama Center infrastructure work. 

The agency also could not explain how Chicago’s $206 million budget line relates to IDOT’s $229 million figure or how much of the city’s amount is actually paid by Chicago rather than the state.

 

Chicago’s 2024–2028 Capital Improvement Program lists $206,078,058 for “Obama Presidential Center & Jackson Park – Infrastructure Improvements,” with most funding labeled as state sources. (City of Chicago Capital Improvement Program)

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Pritzker’s office gave conflicting responses and ultimately produced no records showing the state’s total infrastructure spending.

Meanwhile, Mayor Brandon Johnson’s office did not respond to repeated requests for the city’s total infrastructure spending tied to the project or for how much more Chicago expects to commit. 

Without updated reconciliations from both levels of government, taxpayers still have no clear accounting of the financial obligations associated with the center.

What is clear is that Obama’s “gift” to Chicago comes with a hefty public price tag that has grown more complex — and without updated cost projections, the true total cost remains unknown.

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Minneapolis, MN

10 years later, our Prince superfan shares his Prince Pilgrimage

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10 years later, our Prince superfan shares his Prince Pilgrimage


April 21, 2016.

Ten years later, that day still doesn’t seem real to me.

I was sitting in the newsroom of The Montclair Times in the early afternoon when word came that Prince had died.

I was incredulous. One of my musical heroes was gone. No way.

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I was skeptical because I am a reporter. But also because it was Prince — a superstar so secretive and controlling of his music and public image that you could imagine he would have to give his permission to let the world know of his demise.

As the day passed, videos showed grieving fans standing outside his home and music studio complex, Paisley Park, not far from his beloved Minneapolis. That’s when the reality dawned on me.

Prince Rogers Nelson had gone 2 the afterworld at only 57 years old.

He was gone so young — he had so much more music in him to record, release and perform in public for an adoring audience. He died alone after collapsing in an elevator at his complex.

Those things made me sad.

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But I was also annoyed at myself. For not being a better aficionado of his music — by never seeing him in person and not collecting every piece of music he ever recorded.

After a few days of listening to the radio and online to “Purple Rain” and “1999” being played ad nauseam, I also heard lesser-known cuts like the heartbreakingly melancholic and sadly appropriate “Sometimes It Snows In April.”

When I heard the depressing reports that he died due to an accidental fentanyl overdose, I resolved to pay proper tribute to The Purple One.

I would go to Minnesota on a Prince Pilgrimage.

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‘Nothing Compares 2 U’

April to June 2016.

I said I would go to Minneapolis, to Prince’s home ground, to pay my respects to him. I didn’t think I would go through with booking a ticket on United Airlines from Newark for the weekend before his birthday.

I had used up most of my vacation days and had one to spare, but not another to stay through Prince’s actual born day. Just my luck.

At least I was fulfilling a commitment to an artist I adore.

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I wouldn’t say I was a fanatic for his Royal Badness (one of the many nicknames he carried in his lifetime). But he’s one of the few musicians who really moved me.

I heard his music growing up in the 1980s in Jersey City as a matter of course when the radio dial was set on R&B or pop music stations like KISS-FM and Z-100.

When Prince’s sixth studio album, “Purple Rain,” was released in the summer of 1984, it was a revolution that pushed the rising star into the stratosphere.

I couldn’t go anywhere without hearing the screeching guitar and chanting of Prince that provided the intro to “When Doves Cry,” or the rhythmic strumming of the guitar and the clashing electric drums that start off the album’s title song.

However, it was watching “Purple Rain,” the movie, that put me on the Prince Express. It didn’t matter that he couldn’t act to the satisfaction of critics or that the plot seemed corny. I was just absolutely enthralled by him and his band, The Revolution, tearing through numbers that were a mélange of funk, rock and new wave, while in a musical rivalry with another badass, Morris Day, and his group.

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My 13-year-old self also developed a crush on the leading lady, Apollonia Kotero, for her sultry voice and because she stripped nude to purify herself in the waters of Lake Minnetonka. It blew my mind then (and still blows my mind now).

Prince would remain in the background of my music listening as the years passed.

If it wasn’t his voice, it was the voice of others singing his songs, because he was as adept a songwriter as he was a performer. “I Feel for You” (Chaka Khan), “Manic Monday” (The Bangles) and “Nothing Compares 2 U” (Sinéad O’Connor) are some of the major hits that came from his pen.

The first vinyl album I ever got, in my teens was “Around the World in a Day,” his 1985 anti-commercial and purposely obscured follow-up to “Purple Rain.”

In college and afterward, whenever I had a few bucks in my pocket, I bought various albums on CD: “Diamonds and Pearls,” “The Black Album,” “The Gold Experience” and “Rave Un2 the Joy Fantastic,” and “Lovesexy” on cassette. I paid for a ticket to watch what may be Spike Lee’s worst movie, “Girl 6,” in part to hear Prince’s music.

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But it wasn’t just Prince’s virtuoso musicianship that made me a believer. It was also his personality, confounding and infuriating at the same time, that intrigued me.

I chatted with NYU classmates about how he slept no more than two hours a day because he worked so hard in the studio, playing all the instruments and producing every track. Yet he looked like he hadn’t aged a minute.

You would hear stories of him boosting artists that he admired by having them play on his albums and in concert. Then you would hear stories of his unkindness and controlling nature toward his bandmates and others in his inner circle.

He was a man who attained a level of stardom that demanded he bask in the spotlight at all times. Then there was the man who operated in secrecy and would alternate between the public, large-scale appearances and his surprise late-night concerts at small venues.

He was a true Gemini.

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In the late spring of 2016, I was taking in all of who Prince was, as he was no longer among us mere mortals, while preparing to pay homage to him.

‘MPLS’ and ‘Uptown’

June 3 to 5, 2016.

“Rock ‘n’ Roll Is Alive! (And It Lives in Minneapolis)”

Prince’s 1993 song popped into my head as the United Airlines plane landed at Minneapolis-Saint Paul International Airport around 10:30 p.m. on June 3.

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In the morning, my Prince Pilgrimage was underway as I took a bus near my hotel toward downtown Minneapolis.

While on the bus, I could see out my window why he spent nearly his entire life in or near this city, and created songs like “MPLS” and “Uptown” that presented his hometown to the world.

The widest boulevards I have ever seen outside of Paris. The streets where you saw yards with no fences and many trees. The heat normally expected in late spring was tempered by the Minnesota coolness.

I had an itinerary of the stops I needed to make on a sunny Saturday.

First Avenue and 7th Street Entry was a Greyhound bus depot converted into two music venues starting in the early 1970s. On the wall outside, a giant painted gold star etched with the name PRINCE. Only fitting, as the “Purple Rain” movie was filmed inside First Avenue.

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539 North Newton Ave. in the northern part of Minneapolis is where a teenage Mr. Nelson lived with his dad for a short time until he was thrown out.

When I stopped by to view the three-bedroom house, an African American couple was chatting up a man standing outside the house. After they were done, it was my turn to engage Maurice Phillips, Prince’s former bodyguard, who married his boss’ sister Tyka.

I went into reporter mode to get the inside scoop from him on my favorite recording artist.

What was Prince like? “He’s just a normal kind of guy like us. He put on his pants the same kind of way.”

Are there other thoughts about Prince you want to share? “No. But I know Prince is looking down. I got to get done with this yard work.”

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Later, I made my way to the Parkway Theater in South Minneapolis for what I thought was the best way to mourn the man: “This Thing Called Life — The Prince Tribute.”

Julius Collins, on lead vocals, was backed by members of Prince’s 1990’s band, the New Power Generation, along with other singers and instrumentalists. They regaled attendees with renditions of Prince songs while photos and videos of him played on a screen behind them.

Collins’ voice boomed as he sang, “Good times were rolling/She started dancing in the streets,” (“Uptown”), “Do I believe in God?/Do I believe in me? — Controversy” (“Controversy”), and “Police ain’t got no gun/You don’t have to run” (“DMSR”).

It was the perfect end to day one of the pilgrimage. I got back to my hotel in the late evening to have a meal and prepare for day two.

I should have skipped the takeout from the nearby fast-casual joint, because the resulting heartburn had me down for the count  — and nixed plans to visit the last stop on the pilgrimage: Paisley Park.

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Yet I had a Plan B for the following day, so I wouldn’t let Prince down.

At 2000 Fourth Avenue South in Minneapolis is Electric Fetus, the iconic record store where Prince reportedly made his last public appearance and last music purchases five days before he died.

On my shopping list was his shopping list:

  • Stevie Wonder, “Talking Book.”
  • Chambers Brothers, “The Time Has Come.”
  • Joni Mitchell, “Hejira.”
  • The Swan Silvertones, “Inspirational Gospel Classics.”
  • Missing Persons, “The Best Of Missing Persons.”
  • Santana, “Santana IV.”

I got only three of those CDs, as the others were (unsurprisingly) sold out. I couldn’t have regrets, because, in a weird way, it was the closest to being there when he was there, the closest I would ever get to meeting him.

His famous opening line to “Let’s Go Crazy” also came to mind: “Dearly beloved. We are gathered here today to get through this thing called ‘life.’”

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RIP Prince (June 7, 1958-April 21, 2016).

Ricardo Kaulessar covers race, immigration, and culture for NorthJersey.com. For unlimited access to the most important news from your local community, please subscribe or activate your digital account today.

Email: kaulessar@northjersey.com

Twitter/X: @ricardokaul



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Indianapolis, IN

Indianapolis Democrat Andrea Hunley to seek bid for mayor’s job in 2027

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Indianapolis Democrat Andrea Hunley to seek bid for mayor’s job in 2027


INDIANAPOLIS (WISH) — State Sen. Andrea Hunley, a Democrat representing Indianapolis, has announced her candidacy for a bid to run for mayor of Indianapolis in 2027.

Hunley, who had previously teased a mayoral run, has scheduled a launch event for May 8 as her official kickoff her campaign to lead the city, said her campaign website. The Assistant Minority Leader in the Senate announced in January that she would not seek another term in the Indiana Senate, to which she was elected in 2022.

Hunley’s website says, “Indianapolis is my city. Our city. As someone who knows this city, someone who has served this community as a public school teacher leading our children and supporting families, I am committed to the future of the people of Indianapolis.

“Indianapolis is the economic driver and a key cultural hub for our state. Our city boasts creative entrepreneurs and long-standing local businesses, vibrant neighborhoods and corporate headquarters, community-centered nonprofits and public schools. I aim to champion a better quality of life by listening to and working alongside the people, businesses and neighborhoods that make up our great city.”

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Mayor Joe Hogsett has not disclosed if he’s seeking a fourth four-year term.

City-County Council Member Vop Osili in January announced his campaign for the Democratic nomination.

In the same month, Pike Township Trustee Annette Johnson announced her intention to seek the Democratic nomination to run for mayor. She’s running this year to continue in the trustee’s job, which she has held since 2019.

Marion County Prosecutor Ryan Mears, who had been mentioned as a possible Democratic candidate for mayor, announced in January he would seek another four-year term this year for his current job. However, he did not rule out running for the Democratic bid for mayor in 2027.

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Cleveland, OH

Rabbi Leibel Alevsky, Chabad of Northeast Ohio founder and director, dies at 86

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Rabbi Leibel Alevsky, Chabad of Northeast Ohio founder and director, dies at 86






























Rabbi Leibel Alevsky, Chabad of Northeast Ohio founder and director, dies at 86 | Local News | clevelandjewishnews.com

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