Lifestyle
Olympic figure skating starts with the team event. Here’s what to know about it
Alysa Liu, one of the skaters representing the U.S. in the team event, practices at the Milano Ice Skating Arena on Monday.
Matthew Stockman/Getty Images
hide caption
toggle caption
Matthew Stockman/Getty Images
Want more Olympics updates? Get our behind-the-scenes newsletter for what it’s like to be at these Games.
Olympic figure skating kicks off Friday with the team competition, in which the U.S. is heavily favored to hold off rival Japan and defend its gold medal from 2022.
The team event is relatively new, making its debut in the 2014 Sochi Games. It pits the world’s 10 top-ranked countries against each other, via representatives in each of the four skating disciplines: men’s, women’s, pairs and ice dance.
Countries get points (1-10) depending on how they score in the first two events (short program and rhythm dance), and the top five move on to the final round (free skate and free dance).
The main battle to watch is between the U.S. and Japan, who finished as the top two in 2022 after Russia was disqualified over a doping case involving one of its skaters. The absence of Russia — still banned from the Games over its war in Ukraine — means that the third medal is somewhat up for grabs.
“There are so many countries vying for that bronze spot,” Canadian ice dancer Piper Gilles said. “There’s Georgia, there’s us, everybody’s pushing for it.”
Part of the suspense is finding out who each country will choose to compete in each category, which is usually announced about 24 hours in advance.
It’s not as simple as just picking the top scorer in each discipline. It requires some strategizing, since anyone who competes in the team event will still have to take the ice two more times in their own category over the next two weeks.
“It’s all going to come down to the decisions that the athletes and the people in charge make,” U.S. skater Amber Glenn said earlier this week. “We are going to prioritize both physical and mental health.”
Take the men, for example. Their free skate closes out the team event on Sunday, just two days before their first day of individual competition.

So countries have to decide whether their strongest skater should compete in both programs of the team event, or skip one of them to get some rest in between. Each country can swap up to two (out of four) entries midway through the competition.
The U.S. has an advantage here, in part because of the sheer size of its 16-person team, having secured maximum quota spots in men’s, women’s and ice dance. The next biggest teams, Japan and Canada, have 12 people each.
“This team in particular is so deep, so talented, and has a great opportunity for a gold medal,” U.S. ice dancer Evan Bates said earlier this week, before the roster was even announced.
Here’s what we know so far.
Who is competing when?
Friday opens with the three shorter programs in women’s, pairs and ice dance.
The U.S. has chosen Alysa Liu — the 20-year-old reigning world champion and two-time Olympian — to compete in the women’s category, at least in the first part of the team event. Earlier this week, when asked whether women might split that category, Liu told reporters “we all signed an NDA for that!”
Her main competition is three-time world champion Kaori Sakamoto, who won bronze in 2022 in addition to helping Japan win silver in the team event.
In pairs, U.S. is putting forward 2024 national champions Ellie Kam and Danny O’Shea. They face a steep challenge from Japan’s Miura Riku and Kihara Ryuichi, two-time Olympians and two-time world champions.
Representing the U.S. in ice dance are powerhouses Madison Chock and Evan Bates, reigning seven-time national champions who helped Team USA win gold in this very event in 2022. They are hoping for a repeat this year, which marks their fourth Olympics together.
“Any time you get the opportunity to compete at the Olympics, you want to cherish it, so there’s nothing but positives for us here,” Chock said earlier this week.
What’s next?
The team event continues on Saturday with the last ice dance program — the free dance — and the first men’s event, the short program.
The U.S. has chosen gold medal favorite Ilia Malinin, who could become the first person to ever land a quadruple axel on Olympic ice.

But it’s not clear whether Malinin will take that risk as early as the team event, especially since he doesn’t need it in order to top the leaderboard. He won U.S. championships in January by more than 50 points even without the quad axel, playing it somewhat safe (if you consider a backflip on ice safe) as he broke in new skates.
Saturday is also when we’ll find out who will represent Team USA in the final half of team competition, in other words, which two athletes will sub out. Sunday concludes with the free skate — the longer, more creative program — in pairs, women’s and men’s.
On Sunday, once all the points are tallied, the first figure skating medals of these Games will be given out. And there will be more to come — the first ice dance competitions start the very next day.
Lifestyle
Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
Focus Features
hide caption
toggle caption
Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
Connect with Pop Culture Happy Hour:
Letterboxd / Facebook
Our weekly newsletter
Support Pop Culture Happy Hour+
Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


Lifestyle
Jessica McCormack: How a Challenger Is Seizing the Jewellery Opportunity
-
Los Angeles, Ca13 minutes agoBicyclist killed by hit-and-run driver in Long Beach
-
Detroit, MI31 minutes agoChild shot while riding bike outside home on Detroit’s west side, police say
-
San Francisco, CA43 minutes agoBay Area restaurant has strict policy on acceptable children behavior
-
Dallas, TX46 minutes agoDetroit Pistons trade Marcus Sasser to Dusty May’s Dallas Mavericks
-
Miami, FL51 minutes agoThe offseason has been a massive success for the Miami Heat
-
Boston, MA58 minutes ago
Can’t afford Boston’s priciest restaurants? Try these instead. – The Boston Globe
-
Denver, CO1 hour agoCity of Denver says images of piling waste a case of illegal dumping
-
Seattle, WA1 hour ago14-year-old dies in electric motorcycle crash at Seattle bike park