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This prominent attorney collects art to celebrate his Mexican heritage

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This prominent attorney collects art to celebrate his Mexican heritage


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  • Prominent Arizona attorney Jose Cardenas possesses a large private collection of Mexican and Mexican American art.
  • Cardenas, who rose from humble immigrant roots, amassed the collection with his late wife, Virginia, as an embrace of their shared Mexican heritage.
  • He frequently opens his home to visitors for tours and events, sharing stories about the artwork and his life.

Prominent Arizona attorney Jose Cardenas loves to show off his vast collection of Mexican and Mexican American art.

But he once made a fool of himself arguing with the legendary Mexican journalist Elena Poniatowska over a piece of artwork on display in his spacious 4,000-square-foot Chandler home.

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Cardenas was giving Poniatowska a tour of his art collection during a reception he hosted for the writer. She was in town giving a lecture at Arizona State University.

“This is a self-portrait of Siqueiros,” Cardenas remembers telling Poniatwoska, referring to David Alfaro Siqueiros, one of Mexico’s three most famous muralists.

Poniatowska took a look at the sketch and shook her head, “No it’s not.”

The two got into a back and forth, with Cardenas continuing to insist the man depicted in the painting was Siqueiros.

“That’s what they told me when I bought it at the gallery in San Francisco,” Cardenas remembers telling the Mexican author.

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Finally Cardenas backed down, thinking, “She’s getting up in years. I’m not going to embarrass her and argue with her.”

A few days later, Cardenas was flipping through TV channels. He came across a PBS documentary about the 1970 Chicano riots in East Los Angeles. The documentary highlighted a portrait Siqueiros had painted in homage to Ruben Salazar, the Los Angeles Times journalist killed by a tear gas canister fired by a Los Angeles County sheriff’s deputy during the protests.

Poniatowska was right. The figure in the painting was not Siqueiros, the Mexican muralist. It was indeed Ruben Salazar, the Los Angeles Times journalist, as painted by Siqueiros.

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Cardenas tells this story when he gives tours of his art collection to visitors. They break out in laughter.

“You were mansplaining” one visitor told him. “No, I was being an idiot,” Cardenas said, “because why would you argue with her, of all people. She knew (Siqueiros). She wrote about him. She interviewed him. Not the person to say, ‘No, you are wrong.’”

Cardenas built prestigious career from humble roots

The personal art tours Cardenas hosts weekly at his home are peppered with similar stories that showcase his self-deprecating humor and highlight his enormous pride in his humble upbringing and Mexican heritage.

Cardenas comes from modest working-class Mexican immigrant roots. But he rose to become one of the most prominent and successful attorneys in Arizona. He has used his considerable wealth to amass what artists say is the largest collection of Mexican and Mexican-American artwork in the state, which he shares often with visitors during various events at his home, from personal tours to his annual post-Christmas bash.

Born in 1952, Cardenas is the son of an immigrant dad from the Mexican state of Sinaloa, and a Mexican-American mom. Cardenas grew up in Vegas Heights, a working-class Hispanic neighborhood west of Las Vegas that was still segregated. His father, Fortunato Cárdenas Sánchez, had a sixth-grade education. He worked as a foreman for construction company that laid pipelines. He was killed in a work accident when Cardenas was 15.

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His mother, Gloria Frances Gómez Vigil, was born in a small town in northern Nevada to Mexican immigrant parents who eventually moved to Las Vegas. She only attended school through eighth grade.

After his father died, Cardenas, the second-oldest of four children, wanted to quit school and work to help his family with finances. But Cardenas was a good student, and his mother insisted he stay in school and encouraged him to attend college.

Cardenas became the first person in his family to graduate from high school and then college. He earned a bachelor’s degree in political science from the University of Nevada, Las Vegas and then a law degree from Stanford.

After law school, Cardenas clerked for a federal judge in San Francisco and then moved to Arizona in 1978 to work for the powerhouse law firm Lewis and Roca. Cardenas mostly handled commercial litigation but also did pro bono work on death penalty cases. In 1999, he was named managing partner, becoming one of the few Hispanic managing partners of a major law firm in the nation.

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In 2009, Cardenas left Lewis and Roca to serve as chief legal adviser and senior vice president at Arizona State University, a position he held until 2022.

For nearly 20 years, Cardenas also hosted Horizonte, a public affairs show focusing on Arizona issues through a Hispanic perspective on Arizona PBS (KAET-TV Channel 8). He stepped down in 2023. Now semi-retired, the 73-year-old Cardenas continues to serve as special senior university adviser at ASU.

Cardenas and his Mexican-born wife, Virginia, were childhood sweethearts. When Virginia turned 15, Cardenas was one of the escorts in her quinceañera coming-of-age celebration. The two then began dating in ninth grade. They married when Cardenas was 19 and Virginia was 20 by one month. She worked as a counselor at Chandler High School. She died in July 2012 of kidney cancer.

Cardenas and Virginia bought their first artwork when he was still a financially struggling law student at Stanford. The two prints Cardenas purchased from a fellow student are now among the thousands of pieces of artwork that adorn his home.

Couple made frequent trips to purchase art

Cardenas said he and Virginia were introduced to the world of Mexican and Mexican American art when they moved to Arizona and met artists Zarco and Carmen Guerrero at a party. They are the founders of Xicanindio, the original name of Xico, a nonprofit organization that promotes Latino and Indigenous art and culture.

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The couple became deeply involved in the organization. Virginia became the program director for several years and Cardenas served on the board of directors, including a stint as president.

Over the years, Cardenas and Virginia traveled frequently to Mexico City, Sante Fe and San Francisco to purchase paintings, crosses, ceramics, prints and pottery that cover practically every inch of Cardenas’ ranch home in Chandler.

Cardenas said he considers the collection an embrace of the Mexican heritage he and Virginia shared.

“It’s pride,” Cardenas said during an interview at his home.

“Virginia was born in Mexico. She came here when she was eight,” Cardenas said. “And I never considered myself Mexican American because when I was growing up, those terms weren’t used. So we were Mexicans.”

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After Virginia died in 2012, Cardenas commissioned East L.A.-born artist George Yepes to paint a portrait of her. Yepes is best known as the artist who painted the cover of the 1988 Grammy Award-winning album by Los Lobos, “La Pistola y El Corazón.”

At first, Yepes turned down the commission after Cardenas showed her photo of Virginia, who was known for her dazzling smile.

“I can’t do it,” Cardenas recalled Yepes saying. “She’s always smiling. I don’t do smiles.”

A few weeks later, Yepes emailed Cardenas. “I think I can do it.”

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The 7-foot-tall portrait Yepes painted of Virginia now hangs in Cardenas’ living room, where it dominates one of the walls. Cardenas considers it his most treasured piece, along with a portrait by a different artist of his three grown sons when they were young.

The funny thing about this is she was pretty short, she was barely five foot tall. This painting is seven feet. And she’s sitting down. So talk about bigger-than-life-size,” Cardenas told a group of visitors during one of his tours.

Home is an art gallery, with frequent visitors

Cardenas frequently opens his home to visitors, serving as docent as he escorts visitors from room to room, telling stories along the way about various pieces of artwork.

In addition to the personal tours, Cardenas hosts an annual open house to showcase the ofrendas he creates in honor of Dia de los Muertos. At his Day of the Dead open house in November 2025, during the Trump administration’s ongoing mass deportation effort, one of the ofrendas focused on immigration. The ofrenda included photos of Cardenas’ relatives from Mexico, along with numerous quotes by Pope Francis that Cardenas printed out and framed.

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“Migrants and refugees are not pawns on the chessboard of humanity,” read one quote.

“It is necessary to respond to the globalization of migration with the globalization of charity and cooperation, in such a way as to make the conditions for migrants more humane,” read another.

Cardenas also hosts an annual Los Tres Reyes Magos party every January in honor of Three Kings Day, a Christian holiday that is popular in Mexico and Latino America and marks the biblical visit of the three kings to the baby Jesus. This year’s party, attended by some of the most influential people in Arizona, will be Jan. 10.

One of the most powerful pieces on display in his home is a painting Cardenas commissioned as a tribute to the victims of the 2022 mass school shooting in Uvalde, Texas. The shooting killed 19 students and two teachers, and injured 21 others. The artwork, which Cardenas displays in his dining room, also was painted by Yepes, the artist who painted the portrait of Virginia.

The painting depicts a woman draped in an American flag, her arms and hands outstretched in the shape of a crucifix, with swords piercing her exposed heart, while doves flutter around her head, wrapped in a crown of thorns.

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‘Everything they have in the collection was for them’

One of the most striking pieces is a massive Talavera ceramic jar created by artist and restauranteur Gennaro Garcia, a native of San Luis Rio Colorado, Sonora, who now lives in Phoenix. Garcia created the piece in Puebla, Mexico, where he studied the hand-painted Mexican ceramic artform that blends Spanish and Indigenous influences.

Cardenas had the piece shipped to his home, where he had to remove the table from his kitchen to make room for the artwork, which towers over six feet in height.

Garcia said he strived for years to have his artwork included in the Cardenas’ collection.

As an artist, you want you want to be in in collection that you admire,” Garcia said. “His collection was already so good, and I wanted to have my name associated with those other artists” and with Virginia and Jose Cardenas as collectors.

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Garcia describes the collection as a love story between the couple.

“Everything they have in the collection was for them,” Garcia said. “I always remember them standing in front of the art, talking about it, and then deciding to buy it” as a couple.

Garcia said he was not aware of a larger personal collection of Mexican and Mexican American artwork in Arizona.

“It’s the biggest one. Easy,” Garcia said.

Cristina Cardenas, a Mexican-born artist based in Tucson, agreed.

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“In Arizona, to tell you the truth, I haven’t met anybody else with a bigger or more rich collection” especially of Mexican-American and Arizona artists, said Cardenas, who is not related to Jose.

She has sold numerous paintings to Cardenas. The collector also has commissioned her to paint several murals at his home, including a mural of a smiling Virginia that adorns an outdoor wall in the home’s sizable patio, and a mural of Mexican artist Frida Kahlo that greets visitors to his home.

The artist said Cardenas and Virginia have supported many artists through their collecting. They have played a role in opening the door for Latino artists to sell their work to other collectors, Cardenas said, noting that she once sold a print to former Arizona governor and U.S. Homeland Security Secretary Janet Napolitano through an introduction by Cardenas.

“It’s a commitment to represent our people, our communities, and to represent Mexico and the really highest rich cultural history that it has,” the artist said.

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She noted that visitors will notice that Cardenas and Virginia have had a strong interest in collecting female figurative art. They were influential in shifting Xico artists away from depictions of low-riders and other traditional Chicano symbols toward prints and paintings that celebrate female figurative art.

Cardenas the artist, and others, often wonder what will happen to the massive collection after Cardenas is gone.

“It has to be preserved and it has to stay together. That’s my recommendation,” Cardenas the artist said.

Collection is a priceless legacy

Jose Cardenas said he isn’t sure what will become of his collection. He knows that some of the pieces will be passed down to his children and family, including the portrait of Virginia. The rest may go the Hispanic Research Center at Arizona State University, he said.

In the meantime, his collection continues to expand. He recently mounted two new pieces by renowned contemporary American artist Ayana Jackson, who reconstructs the portraiture of the 19th and early 20th centuries to, according to her bio, “assess the impact of the colonial gaze on the history of photography.”

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The two pieces Cardenas acquired depict the artist suspended in midair in a battle stance while in character as Adelita, the Mexican female revolutionary soldier.



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2026 NFL draft: 3 potential trades back from No. 3 for Arizona Cardinals

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2026 NFL draft: 3 potential trades back from No. 3 for Arizona Cardinals



Since the Arizona Cardinals want to trade back from the No. 3 picks, here are three deals that could work.

The Arizona Cardinals have the third pick in the 2026 NFL draft, which begins this week on Thursday. All the reports coming out are saying that they want to trade out of the pick to acquire more draft picks.

But what does a trade look like and who could be involved?

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The Kansas City Chiefs are involved in talks at some level. ESPN’s Adam Schefter expects trade talks to heat up this week.

NFL teams use a variation of a trade value chart when it comes to draft picks. Now, what a team actually is willing to give up can be influenced by potential competition with other teams, but we can’t count on that.

Here is the general trade value chart teams use.

Here are some potential deals that could be done.

Kansas City Chiefs

The Chiefs have two first-round picks, which would be appealing to the Cardinals, who reportedly want to make a move for quarterback Ty Simpson, and the 29th pick might be just the spot to get him.

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The third overall pick is worth 514 points.

The Chiefs’ picks at No. 9 (387 points) and No. 29 (202 points) together are worth 589.

To make up the difference, the Cardinals could give up No. 65 (78 points) for a total of 592 points.

One deal could be:

  • Cardinals receive get No. 9 and No. 29 (589 points)
  • Chiefs receive No. 3 and No. 65 (592 points)

Another could be:

  • Cardinals receive No. 9, No. 29, No. 74 and 2027 third-round pick (653 points + value of future third-round pick, which is 36-78 points)
  • Chiefs receive No. 3 and No. 34 (689 points)

The Cardinals keep their third-round pick and the Chiefs essentially move back five spots from No. 29.

Dallas Cowboys

The Cowboys have the 12th and 20th picks but no pick in the second round.

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Pick No. 12 is 347 points and No. 20 is 269 for a total of 616.

This deal is close:

  • Cardinals receive No. 12, No. 20 (616 points)
  • Cowboys receive No. 3, No. 65 (592 points)

New Orleans Saints

The Saints are perhaps a dark horse to move up, although they do not have two first-round picks. They have the No. 8 pick, worth 406 points. Their second-round pick, at No. 42, is worth 142 points.

This deal could work:

  • Cardinals receive No. 8, No. 42 (548 points)
  • Saints receive No. 3, No. 104 (547 points)

Then the Cardinals could use their two second-round picks to then move back into Round 1 to get Ty Simpson.

They could trade No. 34, No. 42 and No. 65 (395 points) for No. 28, No. 38 and No. 106 (398 total points).

Get more Cardinals and NFL coverage from Cards Wire’s Jess Root and others by listening to the latest on the Rise Up, See Red podcast. Subscribe on Spotify, YouTube or Apple podcasts.

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Dust returns to Phoenix area after hazy weekend – KTAR.com

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Dust returns to Phoenix area after hazy weekend – KTAR.com


PHOENIX — Breezy winds kicked up a blanket of dust across the Valley on Sunday, and forecasters say more is on the way this week.

Visibility in Phoenix became so bad on Sunday that Sky Harbor airport stopped flights for over an hour

The wind and dust peaked Sunday afternoon and gradually improved into the evening, said Michael Graves, an air quality meteorologist with the Arizona Department of Environmental Quality.

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“You might’ve seen the mountains a bit obscured in the distance,” Graves told KTAR News 92.3 FM on Monday. “A lot of haze in the air.”

By Monday morning, skies had largely cleared and dust levels near the ground had dropped significantly.

Expect more gusty, dusty days this week

The relief may be short-lived.

ADEQ is watching for increased afternoon breezes Tuesday, Wednesday and Friday, this time from the west and southwest. Though the winds are expected to be weaker than Sunday’s, Graves said forecasters cannot rule out dust.

“I wouldn’t say windstorm,” Graves said. “I would just say we’ve got some waves coming in. They’re going to increase our afternoon breeziness.”

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It’s enough to kick up dry, exposed dirt, which could create pockets of dust. There is a slight chance of broader regional dust transport, Graves said.

It will impact people with asthma, COPD or respiratory conditions the most. Graves advised those with issues to monitor conditions and stay indoors during the dustiest hours.

“If you’re going to be outside, be outside during the times when it’s less dusty or hazy,” Graves said.

Graves noted that spring weather systems typically pass to the north of the Phoenix area, delivering wind and slight temperature drops but little to no rain, a pattern likely to continue.

KTAR News reporter Kellen Shover contributed to this report.

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Trying to beat the heat: Addressing rising temperatures in Southern Arizona

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Trying to beat the heat: Addressing rising temperatures in Southern Arizona


The University of Arizona and Tucson are known for yearlong warm weather, but when is it too much? With temperature reaching record highs in March, the city of Tucson has already reported increased temperatures for this year. 

In the wake of the third annual Southern Arizona Heat Summit, integrating voices throughout the City of Tucson, community stakeholders and experts from UA gather to speak about possible solutions and policies to address rising temperatures and extreme heat. 

The summit strives to ensure that the lived experiences of Southern Arizona residents are voiced. The first summit commenced in 2024, in response to the declaration of an extreme heat emergency in Arizona by Gov. Katie Hobbs, as part of a larger plan called Arizona’s Extreme Heat Response Plan. 

With representation from organizations such as the American Red Cross, the National Council for Occupational Safety and Health, Arizona Jobs with Justice, Tucson Indian Center and many more, the summit emphasized the importance of the perspective and concerns of stakeholder groups throughout the community. 

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The summit included a variety of UA experts, including faculty representing the School of Geography, Development and Environment; the Udall Center for Studies in Public Policy; the Mel & Enid Zuckerman College of Public Health and the College of Architecture, Planning and Landscape Architecture.

One particular project, led by Ladd Keith at the School of Landscape Architecture and Planning, is a part of the Southwest Urban Corridor Integrated Field Laboratory, which is funded by the United States’ Department of Energy to explore extreme heat throughout Arizona. SW-IFL works in collaboration with other national laboratories including those at ASU and NAU. 

The team works to analyze extreme heat in the southwest and rural areas, and how communities deal with heat by conducting interviews. The team has also prescribed policy to Pima County and the City of Tucson regarding more effective strategies to combat rising temperatures, such as green stormwater infrastructure. 

Anne-Lise Boyer, a post-doctoral researcher with the Climate Assessment for the Southwest, shared that the team particularly analyzed extreme heat in three parts: heat mitigation, heat management and heat governance.

Mitigation deals with prevention through strategies such as green infrastructure and planting trees, while management includes cooling sensors and heat warning systems. Governance allows these measures to be enacted through policy.

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In Tucson, some of the most meaningful work the team has engaged in has been drafting the City of Tucson’s Heat Action Roadmap in 2024, which outlines goals to mitigate and mandate extreme heat and its impacts while prioritizing community voices.  

The goals of the roadmap include informing and educating citizens of Tucson on the adverse effects of extreme heat and cooling people’s homes and neighborhoods by incorporating heat risk in regional planning. These steps are essential to practicing heat management, especially as the city of Tucson grows. 

“I think the most interesting thing about being based in Tucson is that because the heat has been here for a long time, it’s like a laboratory in itself,” Boyer said. “We have all this research and all this collaboration happening with local actors because it’s a pressing issue in Arizona.”

As the annual heat summit recurs, new ideas and perspectives continue to be shared throughout the community. Boyer shared that this year, the Southern Arizona Heat Summit focused on the youth perspective, highlighting middle school and high school students and how heat impacts their everyday lives. Many students spoke about how heat shaped their lives at home, school and sports.

“That’s one of the goals, to have community members participate and give their input in how they wish the city will deal with the heat,” Boyer said. 

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Boyer and Kirsten Lake, a program coordinator for the SW-IFL team, also shared how the impacts of extreme heat impact some neighborhoods and communities in Tucson more than others, and that their research often evaluates these factors to determine where heat management efforts would make the greatest impact.

“Its important when you’re putting into effect some of these measures, that you make sure you put it where it’s going to make the biggest difference,” Lake said.

The work of the SW-IFL team is not just locally known. The Brookhaven National Lab based in New York deployed a specialized truck to Tucson to collect information on the atmosphere and rising temperatures. The SW-IFL team hosted the Brookhaven team.

Additionally, Keith’s work has led to a guidebook called “Planning for Urban Heat Resilience” which focuses on the adverse effects extreme heat poses to marginalized communities across the country. 

“It is so different from place to place and neighborhood to neighborhood because you have to take the whole context into account,” Boyer said. “They recommend first to document the heat impacts in your communities.”

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