Park Chan-wook’s 12th feature-length movie, No Other Choice, begins with Man-su (Lee Byung-hun) as a proud patriarch at the barbecue, a vision of the platonic ideal domestic life he will spend most of the movie defending. In the long middle where life is lived, the movie offers its audience mirth and pathos and deep social critique. Also: murders. After being laid off from a paper company, Man-su realizes that his best chance at getting hired for his next job is to knock off the three other qualified candidates.
Technology
In No Other Choice, the real job killer is this guy
Adapted from Donald Westlake’s novel The Ax, No Other Choice captures — most delightfully and cathartically — the perpetual and unsolvable anxiety of living under an economic system built around extracting surplus value from its workers. Or the dark irony that if a corporation makes a person redundant, it is strategy; if a human does the same, it’s a crime.
With this film, not to mention his earlier works like Oldboy and The Handmaiden, Park establishes himself as a director who understands intimately that tragedy and comedy cannot be separated. Here, it’s the tragedy that life must be lived, that we ought to work at all, that so much in this life in fact depends on this work, set against the comedy of how somebody like Man-su sets about solving this impossible riddle for himself.
The Verge spoke with Park about his relationship to his source material, artificial intelligence, and how he recovers after wrapping a picture.
This interview has been edited and condensed.
The Verge: Have you ever been fired from a job?
Park Chan-wook: That’s never happened to me, mercifully. Those kinds of things actually happen quite often in our industry. I’ve been fortunate enough to avoid that fate, but there have been many times when I’ve been afraid of being let go. While working on any project, invariably comes a time when differences in opinion form between the studio or the producers. In that instance, whenever I stubbornly stick to my original position, I do so knowing I am exposing myself to that kind of danger.
And when a movie comes out and it doesn’t do well, then comes the fear that I won’t be able to find a job again, or that I won’t be able to raise funds for my next project.
But also that fear isn’t something that accompanies you after you get your report card from the box office exclusively. All throughout the filmmaking process, it stays with you, that fear. It stays with you from the initial planning stages of a movie. And then if the movie doesn’t do well, that fear sharpens, and it never goes away. It is near to you always.
At the screening I attended, you said you first encountered the source material, the Donald Westlake novel The Ax, via your love of the movie Point Blank, which you cite as your favorite noir. Do you remember how you discovered the movie, and are there other Westlake novels you are curious about?
Point Blank is a film directed by John Boorman, a British director, and I watched it for two reasons. The first is that I’ve always liked John Boorman. The first Boorman film I ever saw was Excalibur.
Second, I’m a fan of the actor Lee Marvin. Because Point Blank was a collaboration between a director I like and an actor I also like, I had always wanted to see it. But accessing the movie was difficult in Korea for a long time, so it was only later that I got to watch it.
As for Westlake, surprisingly not too many of his books are in translation. That The Ax was translated into Korean was itself an anomaly. And so I’ve only read a few of his books.
You’ve been trying to make No Other Choice for 16 years. You also said you tried going through Hollywood first. How come?
Since the novel was written with an American setting, I naturally thought making it into an American film would be the best option. At that time, I had already made Oldboy, Thirst, Lady Vengeance, and Stoker, and so making a movie in America was not intimidating.
What was the most common feedback you received in these early years?
In 2010, we secured the rights and began actively pursuing the project. Initially, we met with French investors. Although it was to be an American movie filmed in America, we met with French investors thanks to Michèle Ray-Gavras, wife of [director] Costa-Gavras, who was among our producers, and through her we contacted various studios, from France to the United States.
Starting then, I continued receiving offers that were slightly less than what I wanted, which is why I could not possibly accept them.
As for notes from the studios, beyond anything, they doubted whether the audience would believe that Man-su would resort to murder because he lost his job. They wanted to know how I was going to bring the audience along.
Other than that, people’s senses of humor varied slightly. Some said this part isn’t funny. Others said that part isn’t funny. We faced some challenges.
You mentioned there are Easter eggs strewn about the movie and I am curious about them. You mentioned that the oven mitt Man-su uses during his attempted murder can be seen later back in his kitchen. A Christmas stocking from the same scene can be seen in a family photo in the background. What other such details are there to look out for?
I can’t guarantee that the framed photo with the Santa Claus costume can be seen properly. We did place it on set during filming. In fact, we gathered the entire family, dressed them up and took pictures specifically for that framed photo. But I don’t know if it is actually visible in the final movie. It will definitely, however, be in the extended cut that I’m preparing for the Blu-ray release.
And rather than considering it an Easter egg, it might be more accurate to consider it part of creating a believable world for the actors. So that once the actors enter that world, they feel like they can more easily become their characters. And for there to be that trust and sense of a stable reality, the better it is to attend to props or anything else spatially. The more consideration, the better.
AI shows up at the end of the movie, which I imagine was not part of the original idea you had when you began the project. When did you know to add AI to the film?
Had this been made into an American film, such a plot point would not have been available. It was only because the process took so long that the issue could be incorporated.
Any director making a movie about employment, or unemployment rather, would be remiss to not mention AI. Moreover — and this was important for me — by the end, Man-su’s family catches on to what he has done in the name of the family. Of course, Man-su isn’t entirely sure if they know, but the audience knows. The very thing he does for his family will be the thing that leads to its collapse. All of his efforts are for naught, which echoes the situation with AI.
He painstakingly eliminated his human competitors to secure a job. But what he confronts at his new workplace is a competitor more formidable than any mortal. Meaning Man-su likely won’t last long before AI takes over. He will lose his job, yet again, at which point, what was it all for? What were the murders for? This too can be seen as a colossal wasted effort.
Therefore, the introduction of AI technology from a creative perspective was a great addition to the movie.
How do you feel about the use of AI in film? Would you use it in your own work? I am sensing the answer is “no.”
I hope that never happens.
It’s not easy for young film students out there. And if there were a technology that allows them to make their own movies at a reduced cost, in a way that could not have been possible before, who could stop them? It would not be possible to tell them not to.

What is the question No Other Choice is asking?
Those who have arrived at the middle class, those who have become accustomed to a certain way of life, and it wasn’t inherited, they obtained it of their own accord — for that class of people, giving all that up would be very difficult. Slipping from that station would be challenging to accept. I would certainly find it difficult to accept.
Of course, that doesn’t mean I am going to commit murder — three, no less — but it’s an impossible situation.
“My child desperately needs private cello lessons. Not only that, it’s a vital part of them becoming an independent adult.” Giving that up would be staggeringly hard. I am imagining what I might be capable of in such a scenario.
I wanted to create a space in which people might ask themselves that question. Not to simply criticize Man-su, but to ask themselves, what if, what might happen, if there was such a person in such a situation? It’s an exercise in imagination.
What was the most difficult time in your career and how did you recover from it?
When my first two films failed at the box office. Before I made JSA, the period between the first film and the second film, and between the second film and the third film, was most difficult. I had no choice but to make the rounds with my screenplay — not unlike how Man-su does with his resume — looking for producers and studio executives. Often I was rejected. That was a tough time.
By then I had married and had dependents and so I resorted to film criticism to make a living. Being a film critic is a great profession, but it was not what I wanted, so I suffered. What’s more, I wanted to be making my own movie, but instead I was reduced to analyzing other people’s movies. If I watched an excellent movie, I would be filled with envy. The reality that demanded I live like that seemed to also be mocking my pain, a kind of taunting. But I had no other means of surviving.
What will you work on next?
Actually, I have two projects that are already prepared. I have a script for a Western that has been written and revised several times. There is also a sci-fi action film for which I haven’t written the script yet, but I put together a fairly involved treatment for.

How do you recover after filming a movie?
Luckily, I am traveling with Lee Byung-hun at the moment. I might drink a glass of wine with him. He is rather serious about wine, and so if I drink with him, I am bound to drink something good.
Have you any deep and profound advice for young filmmakers?
In film school, you might learn certain lessons from your instructors. You might also learn from directors who are already successful. If you are a fan of genre, you might study the convention of your chosen genre.
That is all very well, but before anything, the first order is to really have your own voice. And to examine yourself honestly. And to tell the story that comes spontaneously from within. In my opinion, spontaneity is the most important thing. Not to say “this is popular,” or “people like this,” but what is the true thing that comes from your own and inner self? Follow that thread with sincerity.
Of course it’s easy for me to say this — anybody can say it — but putting it into practice is another thing entirely.
No Other Choice is in select theaters December 25, 2025, with a wider release planned in January.
Technology
Fox News AI Newsletter: Trump activates ‘tech force’
President Donald Trump’s administration is tasking an AI “tech force” to modernize systems. (Stefani Reynolds/Bloomberg via Getty Images)
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Welcome to Fox News’ Artificial Intelligence newsletter with the latest AI technology advancements.
IN TODAY’S NEWSLETTER:
– Inside Trump administration’s AI tech force designed to modernize government
– Elon Musk slams Anthropic AI models as ‘misanthropic’ and ‘evil’ in scathing social media post
– AI power players pour cash into competitive primaries as 2026 midterms heat up
‘TECH FORCE’: Inside Trump administration’s AI initiative designed to modernize government – FOX Business reports on the Trump administration’s latest initiative to overhaul federal efficiency, detailing an internal AI “tech force” tasked with modernizing antiquated government systems and streamlining operations.
TECH ALLIANCE: War Department to partner with OpenAI to integrate ChatGPT, GenAI for military use – The Department of Defense is reportedly strengthening its technological arsenal through a strategic partnership with OpenAI, aiming to integrate ChatGPT and generative AI capabilities into military operations to maintain a strategic edge.
SCATHING POST: Elon Musk slams Anthropic AI models as ‘misanthropic’ and ‘evil’ – Tech billionaire Elon Musk took to social media to unleash a scathing attack on rival AI firm Anthropic, characterizing their models as “misanthropic” and “evil” in a post that highlights the intensifying ideological rift within Silicon Valley.
Elon Musk, chief executive officer of Tesla Inc., during the US-Saudi Investment Forum at the Kennedy Center in Washington, DC, US, on Wednesday, Nov. 19, 2025 (Stefani Reynolds/Bloomberg via Getty Images)
POWER PLAYERS: AI execs pour cash into competitive primaries as 2026 midterms heat up – With the 2026 midterm elections on the horizon, deep-pocketed investors and executives from the artificial intelligence sector are pouring cash into competitive primaries, hoping to shape the regulatory landscape for the booming technology.
OPINION: AI raises the stakes for national security — here is how to get it right – In this opinion piece, OpenAI’s Chris Lehane argues that the rapid advancement of artificial intelligence has dramatically raised the stakes for American national security, outlining a strategic framework to ensure the U.S. maintains its dominance without compromising safety.
OPINION: The 2028 election will be a referendum on our future in an AI-dominated world – As technology accelerates, this op-ed contends that the 2028 presidential election will serve as a critical referendum on humanity’s future, forcing voters to decide how the nation should navigate an increasingly AI-dominated world.
Children forming deep emotional connections with AI companions is raising questions among parents. (StockPlanets/Getty Images)
BATTLE FOR DOMINANCE: AI wars begin in new Super Bowl commercials – The battle for artificial intelligence dominance has moved to the advertising stage, as tech giants unleash a wave of new Super Bowl commercials designed to capture the public imagination and assert their position in the “AI wars.”
BOT TO THE FUTURE: Humanoid robots are getting smaller, safer and closer to home – Recent advancements in robotics are making humanoid machines smaller, safer, and more viable for domestic use, suggesting that a future where robots assist with daily household tasks is getting closer to reality.
MOYA’S DEBUT: ‘Warm-skinned’ AI robot with camera eyes is seriously creepy – A new development in robotics featuring “warm skin” and camera eyes has sparked a mix of fascination and unease, with many observers describing the lifelike yet artificial creation as “seriously creepy.”
Moya’s humanlike appearance is intentional, from her warm skin to subtle facial details designed to feel familiar rather than mechanical. (DroidUp)
DIGITAL DANGER: AI companions are reshaping teen emotional bonds – A growing trend of teenagers forming deep emotional connections with AI companions is raising questions among parents and psychologists about the long-term impact of synthetic relationships on social development and mental health.
Subscribe now to get the Fox News Artificial Intelligence Newsletter in your inbox.
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Technology
A surprise God of War prequel is out on the PS5 right now
To close out its February 2026 State of Play presentation, Sony revealed God of War Sons of Sparta, a new prequel 2D side scroller in the God of War franchise, and announced that it’s out right now on PlayStation 5.
”God of War Sons of Sparta is a 2D action platformer with a canon story set in Kratos’ youth during his harsh training at the Agoge alongside his brother Deimos,” Sony says. Over the course of the game, Kratos will “learn deadly skills using his spear and shield, as well as harness powerful divine artifacts known as the Gifts of Olympus to take on a wide array of foes.”
Sony’s Santa Monica Studio collaborated on the game with Mega Cat Studios. It costs $29.99, with a Digital Deluxe version available for $39.99.
Sony also announced that it’s working on a remake of the original God of War trilogy, with TC Carson set to return as the voice of Kratos. However, the project is “still very early in development, so we ask for your patience as it will be a while before anything else can be shared,” according to Sony. “When we can come back with an update, we aim to make it a big one!”
Technology
How to safely view your bank and retirement accounts online
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Logging into your bank, retirement or investment accounts is now part of everyday life. Still, for many people, it comes with a knot in the stomach. You hear about hacks, scams and stolen identities and wonder if simply checking your balance could open the door to trouble. That concern landed in our inbox from Mary.
“How do I protect my bank accounts, 401K and non-retirement accounts when I view them online?”
Mary’s question is a good one, because protecting your money online is not about one magic setting. It comes down to smart habits layered together.
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DATA BREACH EXPOSES 400,000 BANK CUSTOMERS’ INFO
Securing your device with updates and antivirus software is the first step in protecting your financial accounts online. (REUTERS/Andrew Kelly)
Secure your device before logging into financial accounts
Everything begins with the device in your hands. If it isn’t secure, even the strongest password can be exposed. These essentials help lock things down before you ever sign in.
Start with these device security basics:
- Keep your phone, tablet and computer fully updated with the latest operating system and browser versions
- Use strong, always-on antivirus protection to block malware and phishing attempts. Get my picks for the best 2026 antivirus protection winners for your Windows, Mac, Android and iOS devices at Cyberguy.com.
- Avoid public Wi-Fi when accessing financial accounts, or use a trusted VPN if you have no other option. For the best VPN software, see my expert review of the best VPNs for browsing the web privately on your Windows, Mac, Android and iOS devices at Cyberguy.com.
Protect your bank and investment account logins
Your login details are the front door to your money. Strengthening them reduces the chance that anyone else can get inside.
Strengthen your account logins by:
- Using strong, unique passwords for every financial account
- Avoiding saved passwords on shared or older devices
- Relying on a password manager to create and store credentials securely. Our No. 1 pick, includes a built-in breach scanner that alerts you if your information appears in known leaks. If you find a match, change any reused passwords immediately and secure those accounts with new, unique credentials.
- Checking whether your email or passwords have appeared in known data breaches and updating reused passwords immediately. Check out the best expert-reviewed password managers of 2026 at Cyberguy.com.
- Turning on two-factor authentication (2FA) wherever it’s available
Avoid common online banking scams when logging in
Even well-secured accounts can be compromised through careless access. How you log in matters.
Reduce your risk when accessing financial accounts:
- Typing website addresses yourself or using saved bookmarks
- Avoiding login links sent by email or text, even if they look official
- Checking for “https” and the lock icon before entering credentials
- Logging out completely after every session, especially on mobile devices
Add extra layers of protection to financial accounts
Strong, unique passwords and two-factor authentication help stop criminals even if one login is exposed. (Photo by Neil Godwin/Future via Getty Images)
DON’T LET AI PHANTOM HACKERS DRAIN YOUR BANK ACCOUNT
Think of these as early warning systems. They help catch problems quickly, before real damage is done.
Enable financial account alerts and safeguards:
- Setting up alerts for logins, withdrawals, password changes and new payees
- Requiring extra confirmation for large or unusual transactions
- Freezing your credit with the major credit bureaus to block new accounts opened in your name. To learn more about how to do this, go to Cyberguy.com and search “How to freeze your credit.”
Protect your identity beyond your bank accounts
Your financial accounts are only part of the picture. Identity protection helps stop problems before they ever reach your bank.
Go beyond basic banking security:
- Monitoring for identity theft involving your Social Security number, phone number and email
- Using an identity protection service that alerts you if your data appears on the dark web or is used fraudulently. See my tips and best picks on how to protect yourself from identity theft at Cyberguy.com
- Removing your personal information from data broker websites that buy and sell consumer data. A data removal service reduces risk before identity theft happens. Check out my top picks for data removal services, and get a free scan to find out if your personal information is already out on the web by visiting Cyberguy.com.
Review bank and credit statements for early warning signs
Review your bank, credit card and investment statements regularly, even when nothing looks suspicious. Small red flags often appear long before major losses.
Everyday security habits that prevent financial scams
Many successful scams rely on pressure and trust, not advanced technology. Good habits close those gaps.
Practice smart daily security habits:
- Never allow anyone to log into your accounts remotely, even if they claim to be from your bank
- Avoid storing photos of IDs, Social Security cards, or account numbers on your phone or email
- Stop immediately if something feels off, and contact the institution directly using a verified phone number
Logging in the right way, by typing web addresses yourself and avoiding suspicious links, reduces phishing risks. (Martin Bertrand / Hans Lucas / AFP via Getty Images)
Kurt’s key takeaways
Checking your bank or retirement accounts online should feel routine, not risky. With updated devices, strong logins, careful access and smart habits, you can keep control of your money without giving up convenience. Security is not about fear. It is about staying one step ahead.
Have you ever clicked a financial alert and wondered afterward if it was real or a scam? Let us know your thoughts by writing to us at Cyberguy.com
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