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The Disaster to Come: New York’s Next Superstorm

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The Disaster to Come: New York’s Next Superstorm

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The largest city in the country is mostly a cluster of islands. Its inlets and rivers rise and fall with the tides.

When a hurricane pushes the ocean ashore, it produces a storm surge, an abnormal rise of water that creates deadly flooding. This is what happened in New York during Sandy. As climate change causes sea level rise, storm surges, which can travel upstream through the city’s tidal rivers, will become more dangerous.

But a warming climate also brings a newer threat: heavy, rapid downpours that overwhelm New York’s outdated sewer and subway systems and inundate neighborhoods that lie outside hurricane evacuation zones. In October, two New Yorkers died from flash floods after a sudden burst of rain.

Sandy produced a deadly storm surge, and in 2021, the remnants of Hurricane Ida introduced the damage of extreme rainfall. The next hurricane could bring both.

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It would not have to be a major one. A weaker hurricane, dumping sheets of rain and moving in a northwest direction from the ocean, would wreak havoc, experts said.

First Street, a climate risk group in Manhattan, created a model of the damage a storm on such a track could have. In this example, a Category 1 hurricane would make landfall in New Jersey at high tide like Sandy, amid rainfall of four inches per hour — one of the more extreme scenarios.

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The results showed a 16-foot storm surge, two feet higher than Sandy’s, which when combined with a torrential downpour, could put 25 percent of the city under water.

Today, such a storm is not impossible. It could happen about once every century, said Jeremy Porter, who leads the group’s climate implications research. “But it will become more normal with the changing climate,” Dr. Porter said.

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Some of Manhattan’s most iconic spots would be submerged. Downtown, that would include parts of Chinatown, SoHo and the financial district.

In Midtown, several feet of water would pool above long-paved-over creeks. This includes the theater district and areas near Madison Square Garden.

In the Bronx, Yankee Stadium would be nearly surrounded by water, up to 11 feet in places.

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Highways that hug Manhattan would see up to 10 feet of flooding, while farther north, a part of the Cross Bronx Expressway that dips before an underpass could be submerged up to 47 feet.

But Manhattan and the Bronx would largely fare better than the boroughs that border the ocean. Brooklyn, Staten Island and Queens, with miles of low-lying neighborhoods and dire drainage problems, would bear the brunt – over 80 percent – of the flooding.

Property damage across the city could exceed $20 billion, twice as much as Sandy caused, according to First Street.

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Large-scale plans to protect the entire city from storms are underway, but they are years from approval. “We need mobilization at the scale of World War II to really deal with this problem,” said Thaddeus Pawlowski, who teaches urban design at Columbia University. “We’re in trouble.”

Here are some of the neighborhoods, starting inland and moving toward the coast, that would see the worst of the destruction.

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Bedford-Stuyvesant, Brooklyn, could see as much as 11 feet of stormwater.

A large hilly ridge cuts through the middle of Staten Island, Brooklyn and Queens. Its natural elevation provides some of the city’s most spectacular views.

The ridge, called the terminal moraine, is where a glacier stopped its advance some 18,000 years ago. The moraine also is where flooding from extreme rainfall can be particularly bad, impacting neighborhoods where it slopes down and levels out.

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Bedford-Stuyvesant, in Central Brooklyn and north of the moraine, could see as much as 11 feet of stormwater, including along tree-lined streets with brownstones worth millions. Ground-floor apartments that can rent for as much as $4,000 would fill up like cisterns.

South of the moraine, East Flatbush could see nearly eight feet of water.

Four years ago, rains from Ida flooded the streets here.

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“Water was gushing in from everywhere,” said Renée Phillips, 62, a 50-year resident. “That storm was something I’d never seen in my lifetime,” Ms. Phillips said. “And I hope and I pray that I never see it again.”

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This October, Ms. Phillips’s street flooded again. Her 39-year-old neighbor drowned in his basement apartment.

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Ms. Phillips outside her home. Though she rents out apartments on the first floor, maintaining them is difficult because of water damage.

Based on First Street estimates, her house could face up to six feet of flooding in the next storm.

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After Ida, Ms. Phillips escaped by wading through her flooded street while carrying two dogs and a cat. Her waterlogged property grew mold and the first floor had to be gutted.

She did not have flood insurance because she did not live in a designated flood zone. Ms. Phillips took out a loan for $89,000 to replace her boiler and fix the first floor. She was just beginning to consider repairs on the rest of her property when the deluge this fall set her back again. The boiler she had installed after Ida was destroyed, leaving her without heat.

“I’m distraught,” said Ms. Phillips, who was grieving her next door neighbor, and panicked about her finances.

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“I feel like I have no control over the situation,” she said.

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Kissena Park, a residential neighborhood in East Flushing, Queens, could get over 19 feet of storm water.

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Ida flooded basement and first-floor homes here, killing three people.

Three years later, in 2024, at a community meeting, Rohit Aggarwala, the city’s climate chief and the commissioner of the Department of Environmental Protection, explained the reasons to residents.

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“The area is a bowl,” he said. Kissena Park also was built over waterways and wetlands, he added.

But there was a third factor, Mr. Aggarwala said: A major sewer artery was there, responsible for 20 percent of storm and wastewater in Queens. When the sewer got overwhelmed, it created a bottleneck in Kissena Park.

All of these forces were at work during Ida.

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Michael Ferraro, 32, who works in information technology, was returning from moving his car to higher ground, when he discovered that his street had turned into a raging river.

“I tried to swim, but the currents were taking me down,” he said, explaining that grabbing onto a fence saved his life.

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Michael Ferraro’s home was inundated during Ida. His neighborhood flooded again this fall.

Based on First Street estimates, his house could be completely submerged during the future storm they projected.

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Upsizing the sewer for Kissena Park would cost billions and take decades, according to the city’s Department of Environmental Protection.

A bluebelt project, which stores excess water in natural holding areas until sewers can process it, is being designed for the neighborhood. But it will not be ready for 10 years.

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Hamilton Beach, just west of Kennedy Airport, was built over coastal wetlands. The neighborhood could see up to nine feet of flooding.

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Southeast Queens was once mostly salt marsh, which provided crucial protection against flooding. But over the years, city leaders filled the marshes in to build neighborhoods, highways and Kennedy Airport.

This happened all over New York. Nearly one million New Yorkers now live on what were once wetlands, according to the Regional Plan Association, an urban planning and research group.

The water frequently returns.

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In Hamilton Beach, when the tide is higher than usual, water pours into the neighborhood from a nearby basin and up through the sewers.

This August, on a clear evening, it flooded again. Some residents moved their cars to higher ground. Others, walking home from work, borrowed plastic bags from neighbors to wrap around their shoes. Sump pumps wheezed, and garbage bags floated through the streets.

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Roger Gendron, 63, a retired truck driver and neighborhood flood-watch leader, took it in from his second-floor porch. “A storm that is hundreds of miles off the coast is doing this,” he said. “Just imagine what a direct hit would do.”

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In August, tidal flooding, a regular occurrence in Hamilton Beach, forced residents to roll up their pants and move their cars.

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Roger Gendron at his house in Hamilton Beach. Water could rise to his second-floor porch in a storm, according to First Street projections.

Hamilton Beach and other areas surrounding Jamaica Bay, the largest wetland in New York City, are prone to compound flooding, when heavy rain and coastal flooding combine.

The water table (where the saturation of the ground stops) is high in southeast Queens for multiple reasons: Sea level rise increases the water table, the city stopped pumping the area for drinking water in the 1990s, and perhaps most important, southeast Queens does not have a comprehensive storm-water drainage network.

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The Department of Environmental Protection, which oversees the city’s water systems, has a 50-year plan to build out such a network. It is 10 years in and has spent over $1.5 billion so far. The work includes a major sewer expansion north of Kennedy Airport.

“If the airport were still a wetland, we wouldn’t have to build a gigantic sewer under the highway,” said Mr. Aggarwala, the head of the department, on a recent tour of the work site.

In 40 years, once the entire system for southeast Queens is complete, the pipes here and in other parts of the network will be able to transport over one billion gallons of storm water to the bay.

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And this is just one corner of the city. It will take at least 30 years and about $30 billion to improve the parts of the sewer system that are the most vulnerable to storm water, Mr. Aggarwala said.

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The centerpiece of sewer work in southeast Queens is a project just north of Kennedy Airport, shown here in August.

Throughout New York, city leaders are reckoning with decisions that were made some 100 years ago to build infrastructure on wetlands.

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“The work is endless,” said Jamie Torres-Springer, president of construction and development for the Metropolitan Transportation Authority, during a recent tour of a subway yard.

The 30-acre subway yard in the eastern Bronx — the city’s third largest — was built over a salt marsh, where a tidal creek used to flow. Of the transit system’s 24 subway yards, which maintain and store thousands of train cars, 13 are vulnerable to storm surge.

The city’s two biggest yards now have flood walls, drainage improvements and other protections. Work on the eastern Bronx yard is scheduled for next year.

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In Brooklyn, Coney Island would be under up to six feet of water, with bridges and roads washed out.

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Projected flooding is not shown along the beachfront because of uncertainty in the data caused by concurrent tidal activity.

Sandy devastated the Brooklyn peninsula.

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“We’re afraid every day that it’s going to happen again,” said Pamela Pettyjohn. During the superstorm, a sinkhole opened under her home.

Ms. Pettyjohn, who is in her 70s, lives near the famous amusement park, where oceanside development has spawned new high-rises, built to withstand floods.

She and other residents are concerned that the new developments, some of which include higher sidewalks and elevated bases that encourage water to flow under, around or through them, could worsen flooding in lower-lying areas, while taxing an already-overburdened sewer system.

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And, with few ways on and off the peninsula, the addition of thousands of residents here could make a hurricane evacuation even more perilous.

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Pamela Pettyjohn placed a flood barrier outside her home before a storm this summer.

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Her house could face nearly six feet of flooding.

After Sandy, Ms. Pettyjohn, a retiree, spent her savings rebuilding her home. She is living without heat because salt water from the storm slowly rusted out her boiler. The soaring cost of flood insurance keeps her from buying a new one, she said.

As the housing crisis deepens in New York, more homes are cropping up in flood zones like Coney Island. New properties must be elevated at certain heights and have other protections, but older homes do not have these requirements. So New Yorkers like Ms. Pettyjohn get trapped in money pits, unable to relocate. Others buy older homes because they are more affordable.

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It drives Joe Tirone, a real estate broker in Staten Island, crazy. “There is no fear whatsoever,” he said during a tour of Midland Beach, a neighborhood known for its historic bungalows.

During Sandy, many bungalows in Midland Beach flooded, and they have since been repaired and put up for sale. Some are so inexpensive that New Yorkers can own them outright. Two neighboring bungalows, for example, are on sale as a package deal for $325,000, in a city where the median price for one home is about $800,000.

Without a mortgage, though, there is no mandate to buy flood insurance. Some homeowners could lose everything in the next hurricane.

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“People are still deniers here,” Mr. Tirone said. They will continue to snatch up real estate deals in flood zones, he continued, until the government dictates to them otherwise.

He added: “The question is, ‘What’s that going to take?’ ”

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Methodology

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Floodwater depths visualized in this article are based on a flood model produced by First Street, a group based in Brooklyn that models climate risks. For this article, First Street estimated floodwater levels across New York City if a Category 1 hurricane would hit the city on a path similar to Superstorm Sandy’s, combined with rainfall at a rate of four inches per hour.

The 3-D base map in this article uses Google’s Photorealistic 3D Tiles, which draw from the following sources to create the tiles: Google; Data SIO; National Oceanic and Atmospheric Administration; U.S. Navy; National Geospatial-Intelligence Agency; General Bathymetric Chart of the Oceans; Landsat / Copernicus; International Bathymetric Chart of the Arctic Ocean; Vexcel Imaging US, Inc.

Times journalists consulted the following experts: Phil Klotzbach, Colorado State University; Paul Gallay, Klaus Jacob, Jacqueline Klopp and Adam Sobel, Columbia University; Franco Montalto, Drexel University; Amal Elawady, Florida International University; Ali Sarhadi, Georgia Institute of Technology; Kerry Emanuel, Massachusetts Institute of Technology; Lucy Royte and Eric W. Sanderson, New York Botanical Garden; Zachary Iscol, New York City Emergency Management; Andrea Silverman, New York University; Fran Fuselli, Northwest Bronx Community and Clergy Coalition; Bernice Rosenzweig, Sarah Lawrence College; Brett Branco and Deborah Alves, Science and Resilience Institute at Jamaica Bay, Brooklyn College; Philip Orton, Stevens Institute of Technology; Jorge González-Cruz, University at Albany, SUNY; Stephen Pekar and Kara Murphy Schlichting, Queens College, CUNY; Tyler Taba, Waterfront Alliance.

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Essential New York City Movies Picked by Ira Sachs and Blondie’s Debbie Harry and Chris Stein

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Essential New York City Movies Picked by Ira Sachs and Blondie’s Debbie Harry and Chris Stein

Film

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Leo McCarey’s “Make Way for Tomorrow” (1937). The Criterion Collection

‘Make Way for Tomorrow’ (1937), directed by Leo McCarey

The log line: After the bank forecloses on their home, an elderly couple must separate, each living with a different one of their adult children. 

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The pitch: “It’s a film that Orson Welles famously said ‘would make a stone cry,’” says Sachs, 60, about McCarey’s movie, singling out a long sequence at the end that depicts “a date through certain lobbies and bars of New York City that offers a snapshot of Midtown in the ’30s.” 

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Tippy Walker (left) and Merrie Spaeth in George Roy Hill’s “The World of Henry Orient” (1964). United Artists/Photofest

‘The World of Henry Orient’ (1964), directed by George Roy Hill

The log line: A wily 14-year-old girl and her best friend follow a ridiculous concert pianist, on whom they have a crush, around the city.

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The pitch: Hill’s 1960s romp inspired Sachs’s film “Little Men” (2016), which is about boys around the same age as these protagonists. “It’s an extraordinarily sweet film that also seems, to me, very honest,” he says. 

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Rip Torn (left) in Milton Moses Ginsberg’s “Coming Apart” (1969). Courtesy of the Everett Collection

‘Coming Apart’ (1969), directed by Milton Moses Ginsberg

The log line: Rip Torn plays an obsessive psychiatrist who secretly films all the women passing through his home office, inadvertently capturing his own mental breakdown. 

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The pitch: Shot in one room with a fixed camera, Ginsberg’s film “really feels of a time,” says Sachs. It’s also “very sexual and very free,” reminding him of what’s possible when it comes to making movies. 

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Don Murray and Diahn Williams in Ivan Nagy’s “Deadly Hero” (1975). Courtesy of the Everett Collection

‘Deadly Hero’ (1975), directed by Ivan Nagy

The log line: A disturbed, racist cop saves a cellist from a crook, only to become her tormentor. 

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The pitch: Harry, 80, and Stein, 76, were extras in Nagy’s film, which stars Don Murray, Diahn Williams and James Earl Jones as the cop, the cellist and the crook, respectively. The pair call the movie “[expletive] weird,” but also say that their day rate — $300 — “was the most money we’d ever made on anything” up to that point.

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Chantal Akerman’s “News From Home” (1976). Collections Cinematek © Fondation Chantal Akerman

‘News From Home’ (1976), directed by Chantal Akerman

The log line: An experimental documentary by Akerman, a Belgian filmmaker who moved to New York in her early 20s, the film features long takes of the city and voice-over in which the director reads letters from her mother. 

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The pitch: “I’m intrigued by how beauty contains sadness in the city,” says Sachs. Not only is her film a “beautiful record of the city” but it captures “what it is to be alone here, to have left some sort of community and, in particular for Chantal, separated from her mother.”

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Michael Wadleigh’s “Wolfen” (1981). Orion/Courtesy of the Everett Collection

‘Wolfen’ (1981), directed by Michael Wadleigh

The log line: Albert Finney stars as a former N.Y.P.D. detective who returns to the job to solve a violent and bizarre string of murders. 

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The pitch: Wadleigh’s film is not only a vehicle for Finney, says Stein, it also “has a lot of footage from the South Bronx when it was still completely destroyed” by widespread arson in the 1970s.

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Seret Scott in Kathleen Collins’s “Losing Ground” (1982).

‘Losing Ground’ (1982), directed by Kathleen Collins

The log line: Collins’s film — the first feature-length drama for a major studio directed by an African American woman — observes a rocky relationship between a college professor and her painter husband.

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The pitch: Sachs calls “Losing Ground” “a revelation.” The characters are “so human and fascinating and extremely modern,” he says, adding that he loves a movie that “exists in some very complete version of the local.”

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Griffin Dunne in Martin Scorsese’s “After Hours” (1985). Mary Evans/Ronald Grant/Everett Collection

‘After Hours’ (1985), directed by Martin Scorsese

The log line: In Scorsese’s black comedy, an office worker (Griffin Dunne) has a surreal and bizarre evening of misadventure while trying to get back uptown from a woman’s apartment in SoHo. 

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The pitch: Harry and Stein recommend this zany tale and borderline “nightmare” for the way it captures a bygone era of New York. “It’s this great image of [Lower Manhattan] when it was still raw, you know, Wild West territory,” Stein says. 

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A scene from Edo Bertoglio’s “Downtown 81” (1980-81/2000). Courtesy of Metrograph Pictures

‘Downtown 81’ (shot in 1980-81, released in 2000), directed by Edo Bertoglio

The log line: Bertoglio’s film is a striking portrait of a young artist who needs to raise money so he can return to the apartment from which he’s been evicted. 

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The pitch: Jean-Michel Basquiat stars as the artist in this snapshot of life in New York during the ’80s. Despite all the drama surrounding it — postproduction wasn’t completed until 20 years after filming, and for many years the movie was considered lost — the film is notable, says Stein, because “it’s got all the characters and all our buddies in it.”

These interviews have been edited and condensed.

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13 Actors You Should Never Miss on the New York Stage

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13 Actors You Should Never Miss on the New York Stage

Theater

Quincy Tyler Bernstine

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Sara Krulwich/The New York Times

A master of active stillness, the 52-year-old Bernstine (imposing in the 2024 revival of John Patrick Shanley’s “Doubt,” above) has that great actorly gift of making thought visible. A natural leader onstage, she compels audiences to follow her.

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Victoria Clark

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One of the theater’s best singing actors, with Tonys for Adam Guettel and Craig Lucas’s “The Light in the Piazza” (2005) and David Lindsay-Abaire and Jeanine Tesori’s “Kimberly Akimbo” (above, 2022), Clark, 66, performs not on top of the notes but through them, delivering complicated characterization and gorgeous sound in each breath.

Susannah Flood

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Flood, 43, is a true expert at confusion, a good thing because she often plays characters like the twisted-in-knots Lizzie in Bess Wohl’s “Liberation” (above, 2025). What makes that confusion thrilling is how she grounds it not in a lack of information or purpose but, just like real life, in an excess of both.

Jonathan Groff

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The rare musical theater man with the unstoppable drive of a diva, Groff, 41, sweats charisma, as audience members in ringside seats at Warren Leight and Isaac Oliver’s Broadway musical “Just in Time” (above, 2025) recently discovered. Giving you everything, he makes you want more.

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William Jackson Harper

Sara Krulwich/The New York Times

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Unmoored characters are often unsympathetic. But whether playing a confused doctor in the 2024 revival of Anton Chekhov’s “Uncle Vanya” or a delusional bookstore clerk in Eboni Booth’s “Primary Trust” (above, 2023), Harper, 46, makes vulnerability look easy, and hurt hard.

Joshua Henry

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There are singers who blow the roof off theaters, but the 41-year-old Henry’s voice is so huge and deeply connected to universal feelings that he seems to be singing inside you. Currently starring in the Broadway revival of “Ragtime” (above, by Lynn Ahrens, Stephen Flaherty and Terrence McNally), he blows the roof off your head.

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Mia Katigbak

Superb and acidic in almost any role — in distress (Annie Baker’s 2023 “Infinite Life,” above) or in command (2024’s “Uncle Vanya”) — Katigbak, 71, finds the sweet spot in even the sourest truths of the human condition.

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Judy Kuhn

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Sara Krulwich/The New York Times

With detailed intelligence and specific intention informing everything she sings, Kuhn, 67, is (among other things) a Stephen Sondheim specialist — her take on Fosca in “Passion” (above, 2012) was almost literally wrenching. It requires intellectual stamina to keep up with the master word for word.

Laurie Metcalf

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Sara Krulwich/The New York Times

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The fierce, sharp persona you may know from her years on “Roseanne” (1988-97) is about a tenth of the blistering commitment Metcalf, 70, offers onstage in works like Samuel D. Hunter’s “Little Bear Ridge Road” (above, 2025). She goes there, no matter the destination.

Deirdre O’Connell

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For 40 years an Off Broadway treasure, O’Connell, 72, handles the most daring, out-there material — including, recently, a 12-minute monologue of cataclysmic gibberish in Caryl Churchill’s “Kill” (above, 2025) — as if it were as ordinary as barroom gossip.

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Conrad Ricamora

Sara Krulwich/The New York Times

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Revealing the Buddy Holly in Benigno Aquino Jr. (in the 2023 Broadway production of David Byrne and Fatboy Slim’s “Here Lies Love”) or the queer wolf in Abraham Lincoln (in Cole Escola’s “Oh, Mary!,” above, last year), Ricamora, 47, is uniquely capable of great dignity and great silliness — and, wonderfully, both together.

Andrew Scott

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Sara Krulwich/The New York Times

It’s a tough competition, but Scott, 49, may have the thinnest skin of any actor. Whether he’s onstage (playing all the characters in Simon Stephens’s Off Broadway “Vanya,” above, in 2025) or on film, every emotion — especially rue — reads right through his translucence.

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Michael Patrick Thornton

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Sara Krulwich/The New York Times

Some actors are hedgehogs, projecting one idea blazingly. Thornton, 47, is a fox, carefully hoarding ideas and motivations. Keeping you guessing as Jessica Chastain’s benefactor in the 2023 revival of Henrik Ibsen’s “A Doll’s House” or as a pathetic lackey in last year’s production of Samuel Beckett’s “Waiting for Godot” (above, center), he holds you in his thrall.

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How a Geologist Lives on $200,000 in Bushwick, Brooklyn

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How a Geologist Lives on 0,000 in Bushwick, Brooklyn

How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.

We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?

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Here’s one way to make New York more affordable: triple your income. After moving from Baton Rouge, La., in 2016 to attend graduate school, Daniel Babin lived mostly on red beans and rice or homemade “slop pots,” renting rooms in what he called a “cult house” and a building on a block his girlfriend was afraid to visit.

Then, in January, he got a job as a geologist with a mineral exploration company, with a salary of $200,000, plus a $15,000 signing bonus. A new city suddenly opened up to him. “I can take a woman out on a $300 dinner date and not look at the check and not feel bad about it,” he said. He also now has health insurance.

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Mr. Babin, 32, a marine geologist who also leads an acoustic string band, now navigates two economic worlds, one shaped to his postdoctoral income of $70,000 a year — when his idea of a date was a walk in Central Park — and the other reflecting his new income. In this world, he is shopping for a vintage Martin Dreadnought guitar, for which he will gladly drop $4,000.

Finding a New Base Line

On a recent morning at Mr. Babin’s home in Bushwick, Brooklyn, where he shares a 6,800-square-foot cohousing space with 17 roommates, he was still figuring out how to manage this split.

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Daniel Babin lives in a cohousing space modeled on the ethos of Burning Man, the annual arts festival in Nevada.

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“I’m feeling less inclined to just let it rip than I was a few months ago,” he said of his spending habits. He socks away $1,500 from each paycheck, and has not moved to replace his 2003 Toyota Corolla, an “absolute dump” given to him by his father. “Hopefully, I’m returning a little bit to some kind of base-line lifestyle that I’ve established for myself over the last five years,” he continued. “Because the fear is lifestyle inflation. You don’t want to just make more money to spend more money. That’s not the point, right?”

Lightning Lofts, the cohousing space where Mr. Babin has lived since January 2024, bills itself as part of a “social wellness movement” and seeks to continue the ethos of Burning Man, the annual communal art and cultural festival in the Nevada desert.

For a room with an elevated loft bed and use of common areas, Mr. Babin pays $1,400 a month in rent, plus another $250 for utilities and weekly housecleaning.

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He was first drawn to the organization through its events, including open mic “salons” where he played music or read from his science fiction writings. These were free or very cheap nights out, unpredictable and fascinating.

“You would see dance and tonal singing, and some dude wrote an algorithm that can auto-generate A.I. video based on what you’re saying — beautiful storytelling,” he said.

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“So I just showed up every month, basically, until they let me live here.”

The room was a good deal. He had looked at a nearby building where the rent was $1,900 for a room in a basement apartment that flooded once a month. “Ridiculous,” he said.

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But beyond its financial appeal, Mr. Babin liked the loft’s social life. “I used to be chronically lonely, and I just don’t feel lonely anymore,” he said. “Which is fantastic in a crazy place like New York. It’s so alive and it’s so isolating at the same time.”

Splurging on Ski Trips

Before Mr. Babin got his new job, he used to go to restaurants with friends and not eat, trying to save up $35 for a “burner” party — in the spirit of Burning Man — or Ecstatic Dance, a recurring substance-free dance party. He loved to ski but could not afford a hotel, so he would carry his old skis and beat-up boots to southern Vermont and back on the same day.

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“Going on a hike is a pretty cheap hobby,” he said, recalling his money-saving measures. “Living without health insurance is a good one.”

He still appreciates a good hike, he said. But on a recent ski trip, he splurged on new $700 boots and another $300 worth of gear. “I’m like, this is something I’ve wanted for 10 years, so I deserve it,” he said.

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He bought a $600 drone to take pictures for his social media accounts, and then promptly crashed it into the Caribbean (he’s now replacing the rotors in hopes of returning it to health).

He cut out the red beans and rice, he said, but his usual meal is still a modest $13 sandwich from the nearby bodega or $10 for pizza. “If I’m getting takeout and it’s less than $17, I don’t feel too bad about it,” he said.

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A Future After Cohousing

A big change is that dating is much more comfortable now, and he feels more attractive as a marriage prospect. “It turns out that a lot more people pay attention to you if you offer them dinner instead of a walk in the park,” he said.

He is now thinking of leaving the cohousing space — not just because he can afford to, but because his work has kept him from joining house events, like the regular potluck dinners. “I sometimes feel like a bad roommate, because part of being here is participating,” he said. “I feel like there might be someone who would enjoy the community aspect more than I’m capable of contributing right now.”

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He sounds almost wistful in discussing his former economizing. If it weren’t for the dating issue, he said, he would not need the higher income or lifestyle upgrades. “I never really felt like I was compromising on what I wanted to do,” he said.

He paused. “It’s just that what I was comfortable with has changed a little bit.”

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We are talking to New Yorkers about how they spend, splurge and save.

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