Connect with us

Education

Video: Opinion | America First? Not When It Comes to Your Health.

Published

on

Video: Opinion | America First? Not When It Comes to Your Health.

This is Camila. She’s trying to figure out how cancer spreads across the body. David here is trying to cure H.I.V. And Rachael, she’s trying to find new treatments for childhood brain cancer. Or at least they were. “The Trump administration has so far terminated more than $1 billion in grants for the National Institutes of Health.” “It has fired over 1,300 employees.” “1,700 canceled awards.” “Wow.” Thousands of scientists have been forced to freeze their lifesaving research. “We’ve had all of our cancer-related research grants terminated.” “I don’t even know if my lab is going to exist next year. I don’t know. And you and the people you love will suffer the consequences in the years to come. “Ultimately, it’s people who will get cancer in 10, 20 or 30 years who will really pay the price for these cuts.” “We’re going to get to the cure for cancer and Alzheimer’s and so many other things. We’re so close to doing something great.” We were close. But with these brutal cuts, Trump just pushed us further away. Because here’s the thing. So many new drugs originate from U.S. government research, not Big Pharma, including those made overseas. Do you know someone with diabetes? “Type 2 diabetes? Discover the Ozempic Tri-Zone.” Prostate cancer? “Xtandi is a prescription medicine used to treat men with prostate cancer.” H.I.V.? “Descovy for PrEP is a once-daily prescription medicine that helps protect against H.I.V.” America is the world champion at inventing new drugs. Our government spends more on medical research than any other country. The result: More than half of all new drugs are developed in the United States, which means American patients get them first. “We developed better therapies for treating H.I.V./AIDS in 1996, and the American patients benefited from them in 1996. The Chinese patients did not benefit from them until 2002.” For decades, we attracted the best scientists, gained early access to cutting-edge clinical trials, and most importantly, saved lives at incredible value for money. “It’s incredibly cheap to do research at a university because — I shouldn’t say this, but our graduate students and our postdocs, they’re really underpaid. Research at a university is a steal.” And despite all of that, Sebastian’s studies to map the human brain have been frozen. “Think about Alzheimer’s and Parkinson’s disease. Think about schizophrenia and autism. The dollar cost of these diseases is huge, and the emotional cost of these diseases is even huger. Can we wait?” Apparently, Trump thinks we can. “Just listen to some of the appalling waste we have already identified.” His cuts have been broad, blunt and politically motivated. “No reason was provided other than the fact that we work at Columbia University.” And sometimes, just plain stupid. “$8 million for making mice transgender.” “There’s no such thing as transgender mice. We study mice that have transgenic mutations in them.” “Everybody can understand the idea of downsizing —” “But we are facing a 40 percent budget cut.” “That’s more like butchery.” “There’s no Plan B.” The pharmaceutical industry isn’t motivated to invest in the risky long-term research that produces the greatest breakthroughs. “Government-funded research is often in the precommercial stage. You can’t make money off of it yet. Once we know that something is going to work, then, of course, the private sector can work on it and make big profits.” And the damage from these cuts cannot be easily undone. “It’s as if you took your baseball team and you not only quit the game but you basically got rid of all your players and then two years later, you decide that you want to get back in the game. You need to build a team all over again.” “Why are we tearing that down? I simply do not understand that.” Long after Trump is gone, we’ll all still be facing the tragic reality he has created. “You’ll start to see other places will have therapies, will have technologies that we will not.” “It will make a difference if your child or grandchild gets cancer.” “Are you willing for them to have to wait or perhaps die because the therapy for them is delayed?” “The ideas and the technologies that are being destroyed today, in this moment, some of them irreversibly, those are the cures that would have been present 20 years from now. And now we won’t even know what we’ve lost.” [MUSIC PLAYING]

Education

A Time of Growth for Museums for Children

Published

on

A Time of Growth for Museums for Children

This article is part of our Museums special section about how institutions are commemorating the past as they move into the future.


As kidSTREAM prepares to open in Ventura County, it joins a national wave of new children’s museums, expansions of existing institutions and a broadened lineup of programming aimed at young visitors.

Originally opened in 1963 as the Junior Museum of Oneida, the institution has relocated several times and reopened last May in a 14,000-square-foot space. A two-story climber anchors the main floor, allowing children to navigate ramps, platforms and woven rope pathways. The museum houses five themed galleries, including World Market, which introduces music, art and cultural traditions from around the world, and Let’s Experiment, devoted to STEAM-based learning through prism and light exploration, an animation station and other hands-on activities.

Founded by two mothers, Erin Gallagher and Meg Hagen, the museum opened last September in a former farm and garden center. They set out to establish a dedicated children’s institution to serve as an anchor for the community. The 6,400-square-foot space includes 12 exhibit areas focused on STEM exploration, art, engineering, imaginative play and sensory activities. It also offers family and after-school programs, as well as designated sensory-friendly hours. An additional 4,000 square feet of outdoor play space is expected to open in late spring.

Advertisement

In March, the 90,000-square-foot museum expanded with the Gallery of Wonder, a 9,000-square-foot early childhood space designed for children from infancy to age 5. The gallery includes five interactive environments. Into the Woods invites climbing, swinging and fort building in a forest setting, while Under the Waves offers a softly lit ocean cove with sensory-focused light and sound where children can play with puppets. Viva Village centers on community life, encouraging children to role-play everyday helpers. Tot*Spot, reimagined as an oversized garden, caters to infants and toddlers, while the outdoor Treetop Terrace is a space for active play.

The museum debuted two permanent exhibits in October as part of a broader transformation. Galactic Builders is a 1,788-square-foot space-themed environment that invites children to design rockets, engineer rovers and explore physics concepts through hands-on exploration. SKIES is a quieter, sensory-focused space featuring reading nooks, a dedicated area to rest and recharge and immersive visuals of sunrises, sunsets and drifting clouds. Together, the additions expand the museum’s interactive footprint by more than 4,500 square feet and mark the first phase of a multiyear effort to update its learning environments for young visitors.

In November, the museum unveiled a $11.6 million expansion that doubled its footprint to more than 30,000 square feet. The addition includes three galleries, two of which house permanent exhibits. The Sunflower Gallery is a hands-on environment where children can explore the prairie ecosystem and includes a two-story sunflower structure they can climb. The Hall of Bright Ideas celebrates creative Kansans with engineering-based activities. A third gallery will host traveling exhibitions, and the expansion adds three laboratory classrooms for STEAM programs and camps.

Conceived by a former preschool teacher and children’s cartoon artist, Mike Bennett, the Portland Aquarium opened last June as an animal-free, cartoon-style aquarium. Bennett said he wanted marine science to feel like “stepping inside a hand-drawn cartoon.” The 5,000-square-foot space showcases six ocean biomes, including the Wreck, focused on deep-sea carnivores and mysterious creatures, and the Open Ocean, highlighting some of the largest animals that swim in the seas. Throughout, visitors encounter illustrations of more than 100 marine species, including sea otters, jellyfish and great white sharks. Each child receives a guidebook created in collaboration with marine biologists to use throughout the galleries.

Advertisement
Continue Reading

Education

Video: Toy Testing with a Discerning Bodega Cat

Published

on

Video: Toy Testing with a Discerning Bodega Cat

new video loaded: Toy Testing with a Discerning Bodega Cat

Cats are notoriously difficult to buy toys for, so we enlisted the help of Oreo — a lazy yet discerning bodega cat — and Michelladonna of “Shop Cats” to test a few options with pets writer Mel Plaut.

March 31, 2026

Continue Reading

Education

Video: YouTube’s C.E.O. on the Rise of Video and the Decline of Reading

Published

on

Video: YouTube’s C.E.O. on the Rise of Video and the Decline of Reading

new video loaded: YouTube’s C.E.O. on the Rise of Video and the Decline of Reading

On “The Interview,” Neal Mohan, YouTube’s C.E.O., talks about the platform’s role in an age of post-literacy and his belief that video serves as a vital “visual library” for a new generation of learners.

March 31, 2026

Continue Reading
Advertisement

Trending