Lifestyle
A ‘floating’ tennis club with good vibes and a pinch of country club swagger? These Angelenos created it
Across the six players on the tennis court at noon on a Friday in Beverly Hills, I clock two Cartier watches and one Rolex. There’s tennis skirts paired with chunky cable-knit sweaters and white sneakers and tote bags with collegiate embroidery. From behind sunglasses and baseball caps, members appear to be in their mid-twenties to early thirties. But no matter how much the scene may resemble a legacy country club at first glance, this meetup exists almost in opposition to the city’s handful of expensive clubs with yearslong wait-lists and lengthy membership requirements.
Kacper Owsian greets someone to his Tennis Clinic in Beverly Hills.
(Emil Ravelo / For The Times)
This is Sunset Tennis Club, a membership-based tennis club that operates on a series of courts in upscale neighborhoods of Los Angeles. Founded in early 2023 by Anna and Kacper Owsian, the organization thinks of itself as a “floating tennis club,” said Anna, only without the barriers to entry that keep out many millennials and zoomers.
Once a couple, now business partners, Anna and Kacper immigrated to Los Angeles from Poland in late 2022. The pair met over a decade ago playing tennis in the city of Poznań, where Kacper, a former tennis pro, followed in his family’s footsteps coaching at a tennis club and Anna, who plays for fun, worked in the fashion and wellness industries. When the two moved to Los Angeles, they, like many recent transplants, struggled to find community. They used their mutual love of tennis as a way to make friends, setting a once-a-week date to play, followed by nights out for dinner and drinks. From there, the idea to start the club as a business was born.
Living in affluent Brentwood at the time, they were inspired by the aesthetics of country club life, even if they were unable to actually participate. Anna wanted to lend her experience in fashion to branding a tennis club that was “more than just a place to play, but the sport we love, reimagined for the new generation.” Kacper could teach. The first official Sunset Tennis Club started once a week in Beverly Hills, attended by a small group of friends of friends.
Sunset Tennis Club sells one-off clinics, or small group lessons separated by level. Kacper still teaches, but they also employ a handful of coaches. Despite its lack of a single brick-and-mortar location, the club runs on a membership model. Anyone who can afford to invest a few hundred dollars in their game is welcome to join instantly via the brand’s website. Membership is tiered, based on how often one wants to participate in clinics. Four beginner clinics a month runs $200, while attending 12 ranges from $480-540 depending on the member’s experience level. Add-on private lessons are available.
The club plays across six locations — including Beverly Hills, Hancock Park, and Brentwood — all of which are on private properties, accessed through the founders’ personal relationships.
Sunset Tennis Club has arrived in L.A. at a moment where racket sports are surging in popularity. According to a 2024 study by RacquetX, a conference for racket sport professionals, the category — which includes tennis, pickleball, squash, badminton and table tennis — has grown 30% since 2021. Tennis players in the U.S. jumped from 1.9 million players to 25.7 million players in 2024, its fifth consecutive year of growth according to the United States Tennis Association. The founders say that thus far in 2025, Sunset Tennis Club has hosted 1,000 players across its 25 weekly clinics and rotating events monthly.
Anna and Kacper Owsian host a Tennis Clinic in Beverly Hills.
(Emil Ravelo / For The Times)
Its growing membership may have as much to do with the sport of tennis as it does the fashion associated with it. Amanda Greeley, owner of racket sports fashion brand Spence, argues tennis’ increased popularity is a result of the photogenic nature, but also society’s desire for connection.
“Tennis looks good on Instagram, but I also believe it taps into something deeper: Tennis is social. In a world where so much fitness has become solitary — spin bikes, boot camps, apps — tennis offers real, in-person connection. It’s active and communal.”
Even if anyone can join Sunset Tennis Clubs, that doesn’t mean their events are entirely devoid of the old-money swagger often spotted on L.A. tennis courts. The organization operates “in the in between public courts and country clubs … something that’s approachable for people but at the same time a little bit more exclusive and more unique,” said Anna.
Anna Owsian at her Tennis Clinic
(Emil Ravelo / For The Times)
Outside of access to private courts, the feeling of exclusivity comes from the Sunset Tennis Club’s branding and membership, which tends to share an affinity for crisp tennis whites and beautiful watches. Sunset Tennis Club’s Instagram feed resembles that of a fashion brand. Influencers like Song of Style’s Aimee Song and Kardashian makeup artist Mary Phillips are known to frequent clinics. Beyond tennis lessons, membership includes access to social events that range from watch parties at boutique hotels to invites to private boxes at tennis tournaments. Recently, the club partnered with the apparel company FILA to gift members a tennis outfit and an invite to their private box suite at the high-profile BNP Paribas Open in the La Quinta desert, providing members with otherwise everyday lives a taste of the L.A. influencer life. Chelsea Ma, a 28-year-old producer who discovered Sunset Tennis Club through an Instagram ad, attends a clinic with the group once a week. She says she’s also made close friends through the club, some of whom she’s traveled with.
“I was already playing tennis once or twice a week, but I knew I wanted to get better,” Ma said. “It was difficult to find friends who wanted to play tennis on a regular basis [before joining] … The club is one of a kind. It taps into a lifestyle their members already live by but through the foundation of tennis.”
Much like your typical country club, there is a dress code at Sunset Tennis Club clinics: Tennis whites or all-black attire is required. At most courts, the group’s logo is displayed on nets and can be seen in the background of members’ carefully posed Instagram photos on the court. On the Friday that I visited in Beverly Hills, house music by Rufus du Sol played softly from a speaker as we practiced drills. Even with all those small details, the experience wasn’t exactly the Ritz. Members parked on the street, bathroom access varied court by court and there was no spot to grab a cobb salad afterwards. But aesthetically and tonally, whiffs of affluence are in reach for those who want a taste.
Lifestyle
‘The Middle’ Actor Pat Finn Dead at 60 After Cancer Battle
Pat Finn
‘The Middle’ Actor Dead at 60
Published
Veteran comedic actor Pat Finn — who starred in sitcoms like “The Middle” and “The George Wendt Show” — is dead from a cancer battle … TMZ has confirmed.
Family sources tell us Pat passed away Tuesday morning at his home in Los Angeles, and he was surrounded by his family.
Pat came up in Hollywood around the same time as his good friend Chris Farley. He and Chris attended Marquette University in 1987, played rugby together there … and were roommates in Chicago when they both joined the Second City comedy troupe.
In the early 90s, Pat landed a guest role as Joe Mayo on “Seinfeld” … and went on to play Dan Coleman on “The George Wendt Show,” and Phil Jr. on “Murphy Brown.”
He’s probably best known for his role on “The Middle,” where he played Bill Norwood from 2011 to 2018.
I don’t like to be the guy who post pics with celebrities that pass. But this guy wasn’t just a celebrity to me. He was a friend. One of the best dudes I knew with a PERFECT sense of humor. I love you Pat Finn and I’ll see again in the after , we can sing together and shake our… pic.twitter.com/pQhobHKbCZ
— Jeff Dye (@JeffDye) December 24, 2025
@JeffDye
Several of his co-stars and friends, including comedian Jeff Dye, have posted online tributes.
While Pat’s family sources would not confirm what kind of cancer he’d been fighting, there are reports he was diagnosed with bladder cancer several years ago.
Pat is survived by his wife Donna — to whom he’d been married since 1990 — and their 2 children.
RIP
Lifestyle
In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings
The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.
Anh Nguyen for NPR
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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.
Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.
The Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.
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A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.
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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.
Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”
Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.
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Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.
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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.
Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.
Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”
Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.
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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.
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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.
Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”
Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.
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Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.
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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.
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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”
Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.
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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.
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