Lifestyle
L.A. Affairs: I was a suburban lacrosse mom. I was ready to detonate my life and have a Hollywood affair
With the wind whipping my hair in every direction, I blasted out of Los Angeles International Airport. On my way northward and speeding in my white Mustang convertible, I careened wildly through the city and then the canyons. My heart pounded; my thoughts raced. I could only think about Nick’s eyes, his lips, what he would smell like.
Other drivers glanced at my sleek rental car, their envy fueling my confidence. I had never had an affair before, and these fantasy wheels seemed like the perfect grace note for my Hollywood love story. Sunglasses on, I was on a mission to put a body to the voice.
Falling for this handsome, very recent widower was beyond reckless. I was a suburban lacrosse mom and I was jeopardizing my 20-year marriage, two children, two hypoallergenic dogs, meticulously designed houses, swimming pools, gardeners and gutters. My ticket out of suburbia came at a steep price, but I was on autopilot, spellbound and fueled by lust.
I didn’t know a lot about Nick, but what I knew ignited me. The fact that he was from L.A. didn’t hurt. Had he hailed from Chicago, I never would have responded to his initial tweet. Nick went to Princeton and graduated with all of the Ivy League haughtiness, if not the GPA or success, associated with such a diploma. A simple IMDb search would have highlighted a failed career and the worst New York Times movie review I had ever read. I regularly did more research on what type of mascara to buy than I did any online probing about this man for whom I was about to detonate my life.
My L.A. affair started in the bedroom of my Long Island house. I was one of a handful of patient zeros, the first cohort of Americans to test positive for the novel coronavirus in March 2020. I was well enough to recover at home and quickly became the only good news story in America. I invited the world to join me in my convalescence while news stations around the world carried footage of my self-documented isolation. Holed up, I started an organization in my bedroom, Survivor Corps. My goal was to inspire people previously infected with COVID-19 to donate plasma so their antibodies could be transferred to less fortunate patients fighting for their lives. My husband at the time was not patient with my new hobby of saving lives.
“A CNN Heroes profile by Sanjay Gupta is nice. Know what would also be nice? Cooking dinner for your kids,” he said to me in a sneer masquerading as a smile.
Nick’s first wife was one of my quarter million members (no, I didn’t know her). Suffering from a debilitating case of long COVID, she took her own life. Nick, grief-stricken, took to the airwaves to tell the world about the insidious long tail of COVID while anchors cried and women swooned. Within weeks, Nick and I were texting and talking for hours, and I booked a flight to California.
Having been married over 20 years, my dating skills were thin, the red flags inoperative. I had never heard the term “love bombing”; I was too busy experiencing it. As I drove, my mind swirled while my foot got heavier on the gas pedal. I looked down at the speedometer: 79 mph. I pushed the pedal to 85. Finally, I pulled into the Ventura motel where we had arranged to meet. Nick finally arrived in a decidedly unsexy Suburban and swaggered toward me; I lost my breath and teetered against the hot metal of my car.
“Hey, I’m Nick,” he said with a drawl as if he were John Wayne or an airline pilot. Maybe both.
He was shorter than the movie star I had imagined, but I was from the East Coast and was not yet in on the Hollywood secret that most movie stars are, in real life, shorter than everyone’s imagination. He was closer to my eye level but just as good-looking. He came straight for me and took me in his arms. We inhaled each other deeply. Nick smelled like Southern California, as promised. His aroma was earthy, sun-kissed, balanced with tennis and golf.
A year and a half after meeting, Nick and I exchanged vows in Marina del Rey, and I adopted his unpronounceable last name. The Nick I married, the one I fell for, vanished almost overnight. After Week 2, nothing I did was right, and his once-gentle nature fractured into an uncontrollable and constant rage. He constantly accused me of trying to control him. He also accused me of stealing keys to a car I didn’t drive and drafting words written in his handwriting.
“I told you I was feral,” he said, seething.
“No, you definitely did not,” I said, heaving while cowering from my Ivy League prince.
He made it crystal clear that apologies were not in his repertoire; my tears only fueled his emotional withdrawal.
I kept faith by remembering our perfect first year together until Nick, almost three years later, let me in on the joke. He had been cheating on me since our first days together, using his dead wife’s cellphone as his burner. He was splitting his time pretending to grieve her, being secretly committed to me and dating anyone who worked it in a dress and heels. He went on dates with 10 different women within the first year.
Nick was living a double — make that triple — life.
Failing with the higher caliber dating apps, he met and had an affair with a South American woman he met via Tinder. He had sex with her in our bed — without a condom because he “trusted her” — in the middle of the afternoon. He manipulated this woman, telling her that he loved her, while they fantasized together about a shared future. She wanted to move to Los Angeles to live with him — ostensibly to live her own California dream, that of snagging a green card.
Our vows that we wrote and rewrote obsessively were meaningless. We had boastfully told our story to People magazine for its Real-Life Love series; his quotes were nothing but wildly creative fiction. Nick was as good a liar as an actor, and he was much better at both of those skills than he was at screenwriting.
My Hollywood ending was far from glamorous: me, catatonic on Nick’s couch, realizing I had given it all up for an honest-to-God psychopath. Within months of our wedding, I would end up in solitary confinement, based on Nick’s charges of domestic abuse, in the most frightening lockup in downtown L.A., while he hung up on my jailhouse pleas for help. A year after that, I would end up in inpatient trauma therapy while Nick apparently told people that I was a drug addict and mentally unstable. All the while, I kept wondering how far I needed to sacrifice myself, my pride and my dignity to prove loyalty to the same vows that, for him, were nothing more than script practice.
I should have listened to my mother: “Don’t get fooled by Los Angeles; nothing there is ever what it seems.”
The author is the founder of Survivor Corps. She splits her time between Los Angeles and Washington, D.C., and is co-authoring a memoir with her husband Nick Güthe. She is on X (formerly Twitter): @dianaberrent
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
Nature needs a little help in the inventive Pixar movie ‘Hoppers’ : Pop Culture Happy Hour
Piper Curda as Mabel in Hoppers.
Disney
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Disney
In Disney and Pixar’s delightful new film Hoppers, a young woman (Piper Curda) learns a beloved glade is under threat from the town’s slimy mayor (Jon Hamm). But luckily, she discovers that her college professor has developed technology that can let her live as one of the critters she loves – by allowing her mind to “hop” into an animatronic beaver. And it just might just allow her to help save the glade from serious risk of destruction.
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Lifestyle
Kim Kardashian Never Tried to Buy Rare Hermès Bag for North West, Despite Report
Kim Kardashian
never denied rare hermés bag for north west …
It Never Happened!!!
Published
Kim Kardashian is not the celebrity who got turned away trying to buy a rare Hermès bag for her daughter, despite a viral claim suggesting otherwise … TMZ has learned.
Sources familiar with the situation tell TMZ … the story circulating online that Kim once attempted to purchase a coveted Mini Kelly bag for her daughter North West and was rejected simply never happened.
We’re told Kim has maintained a very friendly relationship with the luxury brand for years but not through the channels described in the report.
According to our sources, Kim has a very friendly relationship with the brand and has only used the same contact for over ten years in Paris and not the press office.
The sources also shut down the central claim behind the rumor telling us Kim did not request a bag for North, nor did she visit any Hermes store recently or get turned down.
We’re told those close to the situation are particularly bothered by the story because it involves a child. One source said, “They find it very disturbing that anyone would make up stories about a child for clicks.”
The claim appears in journalist Amy Odell’s “Back Row” newsletter, which cited a former employee of the Beverly Hills Hermès boutique who alleged Kim and Kanye West once tried to purchase a black Mini Kelly bag for North but were denied.
The ultra-rare alligator Mini Kelly is one of the most coveted Hermès bags on the market and can fetch more than $75,000 on resale.
Lifestyle
This historian dug up the hidden history of ‘amateur’ blackface in America
In 2013, historian Rhae Lynn Barnes was researching blackface in America when she encountered a stumbling block at the Library of Congress: Various primary sources on the subject were listed as “missing on shelf.”
Barnes spoke to one of the librarians, and explained that she was writing a history of minstrel shows and white supremacy. Barnes says the librarian admitted that, in 1987, she had personally hidden some of these books because she feared the material would be used by the Ku Klux Klan.
“Once [the librarian] understood the research I was doing … a few hours later, she came up with a cart packed to the brim with all of the material that I had been hoping to see,” Barnes says.
In her new book Darkology: Blackface and the American Way of Entertainment, Barnes traces the origin of minstrel shows, performances in which an actor portrays an exaggerated and racist depiction of Black, often formerly enslaved, people.
Barnes says minstrel became so popular in the 1800s that the stars began publishing “step-by-step guides” explaining how amateurs could create their own shows. By the end of the century, amateur minstrel performances became one of the most popular forms of entertainment in the U.S. Many groups, including fraternal orders, PTAs, police and firemen’s associations and soldiers on military bases, put on their own shows.

During the Great Depression, Barnes notes that President Franklin D. Roosevelt’s Works Progress Administration sought to “preserve American heritage” by promoting blackface. As part of the effort, she says, the government distributed lists of “top minstrel plays that they recommended to schools, to local charities, to colleges.” Roosevelt was such a fan of minstrel shows that he co-wrote a script, to be performed by children with polio.
Barnes credits the civil rights era and especially mothers with helping de-popularize blackface in the 1970s, first in schools and then in the larger culture. “They successfully get the shows out of school curriculum piece by piece. And by 1970, most of these publishing houses are going under because of the incredible work of Black and white mothers who worked with them,” she says.
Interview highlights
Stein’s makeup company created multiple shades of blackface for performers in amateur minstrel shows.
WW Norton
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WW Norton
On commercial blackface makeup that replaced shoe polish and burnt cork
It’s an entire commercial empire. So Stein’s makeup was one of the largest. They were a theatrical makeup company. And you’ll actually find today when you go into Halloween stores that a lot of these blackface makeup companies still exist today for Halloween costume makeup and also for clown makeup. …
Burnt cork was incredibly difficult to get off of your face. You’re essentially taking fire ash and then mixing it with shoe polish or some sort of shiny ingredients, and so it was incredibly hard to get it off. So when Stein and these other cosmetic companies begin to create the tubes … that did come in 29 colors and you could pick which bizarre racial calculus you wanted to represent, they would come off with cold cream or makeup remover and that was one of their selling points — now it’s easy to take off.
On Stephen Foster‘s songs for minstrel shows, like “Oh Susannah!”

What’s interesting about those songs is they are romanticizing the relationship between an enslaved person and their enslaver. And so when we have commentary, even from the president now, who recently said slavery wasn’t so bad, well, slavery was horrific, but if you were raised on a diet of Stephen Foster music, and going to minstrel shows, you can somewhat understand how somebody at the time could easily be led to believe that slavery was a grand old party because that’s what it was supposed to be telling you. It’s pro-slavery propaganda.
On the slogan “Make America Great Again” originating from early 20th-century minstrel shows
“Make America Great Again” or “This Is Our Country” or “Take Back Our Country” are all slogans and songs that were very common in minstrel shows. And so a lot of minstrel shows reinterpreted slavery in a fantastical way, that the Civil War ended and that in these minstrel shows there was Black rule and that everything America held dear was desecrated. And so this [blackface] “Zip” character … sometimes he’s named “Rastus” — he has different names that he goes by — runs for office, political office, becomes president, and he’s the first Black president and the first thing he does is he takes away America’s guns. Sound familiar? And so a lot of these terms that you could perhaps say [are] dog whistles in white of supremacy are taken line for line from these minstrel shows.
On not censoring this history
Historians right now are in somewhat of a culture war in that it is our patriotic duty as American citizens and as patriots to help make sure that the American public has access to our history in all of its complexity. And the truth is that you can’t understand the victories and the triumphs without understanding how far Americans had to push. And I think that’s especially true of blackface. When we didn’t adequately understand how long blackface was a mainstay in American culture. Because many historians believe that it had died out by 1900, when in fact it only accelerates and increases up through the 1970s. And so if you just say, “Oh, it just died out. It was no longer in fashion,” then what you’re losing is the incredible, dangerous, and brave work of thousands of Black and white mothers across the United States in the 1950s and the 1960s, of students who stood up during Jim Crow America and said, “This is not OK. We are humans. We deserve dignity. And we want you to understand our history.” …
I think these are the hard conversations Americans actually want to have. And I think America is completely ready for those hard conversations and moving forward.
Anna Bauman and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.
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