Entertainment
Nothing’s funny about scared immigrants, unless it comes from Ramy Youssef
What happens when the political satire of “South Park” collides with a Muslim kid’s coming-of-age story in post-9/11 New Jersey? You get the animated sitcom “#1 Happy Family USA.”
Cocreated and coshowrun by Ramy Youssef and Pam Brady, the A24 production, which premieres Thursday on Prime Video, follows Rumi Hussein (voiced by Youssef) and his family as they navigate the “see something, say something” paranoia of the early 2000s.
The semi-autobiographical story of Egyptian American comedian, actor and director Youssef is at the center of this period comedy where Michael Jordan, music piracy and Britney Spears still dominate the news. Everything is normal in 12-year-old Rumi’s world on Sept. 10. He’s crushing on his teacher Mrs. Malcolm (voiced by Mandy Moore — who happened to rise to fame in the 2000s). He’s tolerating the cluelessness of his Egyptian immigrant parents, father Hussein (also voiced by Youssef) and mother Sharia (Salma Hindy). He’s fighting with his oh-so-perfect/closeted sister, Mona (Alia Shawkat). His devout grandparents also live at home, always on hand to make whatever Rumi’s doing feel haram.
But within 24 hours, the Al Qaeda attacks turn the Husseins from an average dysfunctional family with unfortunate names into a suspected terror cell.
“#1 Happy Family USA” follows a Muslim boy’s coming-of-age story.
(Prime Video)
Rumi’s father, a doctor turned halal cart owner, goes into assimilation overdrive to prove his family is 110% American and absolutely not associated with anyone named Osama. Old Glory, Christmas decor and Easter trimmings suddenly pop up in their front yard. He shaves his beard off. He insists that his wife stop wearing her hijab, which makes Sharia, who is a receptionist for an eccentric dentist (Kieran Culkin), all the more determined to don her headscarf.
Meanwhile, Rumi’s classmates now eye him suspiciously despite his attempts to fit in with the other boys by wearing his new basketball jersey. But the bootleg “Bulls” shirt reads “Balls” instead. It’s also three sizes too big and looks like a dress. Clearly he’s not like the others.
Elements of the storyline mirror Youssef’s childhood montages in his Hulu series “Ramy,” but the medium of adult animation allowed him to “go wild” with the story and characters. He also got to work with Brady, an authority on pushing animated satire to hilarious extremes.
“Animation became the vehicle for how this idea should live. I wanted to look at a wholly unexplored period outside of the lens of a cop drama or the news … and go to the wildest extremes with premises,” said Youssef. “I definitely had the desire to make something stupid in a really great, sophisticated and almost Commedia dell’arte way. Just dumb and loud [laughs]. You can put ‘Ramy’ in a dramedy category and you could, to an extent, put ‘Mo’ there, but here it’s really bursting open in a medium with no limits. Then Pam’s name came up and it was a no-brainer.”
Brady collaborated with Trey Parker and Matt Stone on “South Park” from the show’s start, going on to cowrite with them the film “Team America: World Police” and cocreating the Netflix comedy series “Lady Dynamite.” “As soon as I saw ‘Ramy’ and I saw his stand-up, I was a fan,” said Brady. “I kept begging my manager: ‘Please, can I meet Ramy?’ So I came at it honestly as a fan, knowing that this guy’s doing some next-level stuff. I keep joking with my friends that Ramy’s a real writer. He explores characters. That’s why this experience has been so amazing because it’s pushed me. It’s like, ‘Oh, this is how you do it.’”
Mona Chalabi, Ramy Youssef and Pam Brady are the creative forces behind “#1 Happy Family USA.”
(Christina House / Los Angeles Times)
Illustrator and executive producer Mona Chalabi designed the characters, each harkening back to animation styles of the late ’90s and early 2000s shows like “Futurama” or “Daria.”
“I wanted it to feel like a found tape,” said Youssef. “You pop it in and it looks like it could have been on Comedy Central or MTV [back then]. It’s hand-drawn animation and we made it with an animation studio in Malaysia [called Animasia]. It’s an all-Muslim animation house, which is so crazy. They were so happy to draw hijabs and all these characters. They were like, ‘We relate to it!’ But we even downgraded our computers here in order to make it like it would have been made. Whatever we did took a while and it was like the opposite of AI.”
Adds Brady, “We wanted to make sure, especially with the visuals and the direction and the pacing, that the show felt familiar. That you’d seen a show like this before. We didn’t want to reinvent the form, but we also didn’t want to make it look like ‘Family Guy.’ So it’s like, ‘Oh, this show existed in 1998. You remember it, right?’”
Though the show takes place some 25 years ago, it’s not hard to see the plot’s resonance today in the wake of the deportations and roundups of immigrants and students. The Husseins are up against a wave of Islamophobia, triggered by the 9/11 attacks. They embody the very real fear of being profiled by the outside world, including FBI agent Dan Daniels (voiced by Timothy Olyphant), who happens to live across the street. A dark period, to be sure, but also one rich in comedic value if you’re willing to go there as “#1 Happy Family USA” does. Its characters break out into song while on the verge of being swept up by Homeland Security, or inadvertently cause a widespread panic by dropping on the carpet at the airport to pray when they learn of the terror attacks.
“We were trying to kind of create this time capsule, like around the old DHS of this moment,” said Youssef. “But right now is a time when an immigrant family, and surely a Muslim family, would feel the need to shout, ‘We’re No. 1! Happy Family USA!’ Pam and Mona and I have all been looking at each other with like, ‘Whoa.’ Of all the times this thing could have dropped, it’s dropping right now, when [it’s hard] to joke about this stuff in any other medium.”
At a time when everything feels like a cruel joke, “#1 Happy Family USA” bites back with the satire we need.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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