Entertainment
Criticism by Winter Olympic athletes of Trump policies mirror reaction to iconic 1968 protest
History is once again unfolding at the Milan-Cortina Winter Games as Team USA members break records and score dominant triumphs.
But as the Games move into their second week, a different and more provocative history is starting to repeat itself, casting a politically charged shadow over the event.
Champion skier Mikaela Shiffrin, snowboarder Chloe Kim, and freestyle skiers Hunter Hess and Chris Lillas are among the top athletes who have been vocal about their uneasiness in representing their home country during a period of deep political crisis revolving several volatile issues, including the violent federal crackdown in Minnesota by Immigration and Customs Enforcement agents and the Trump administration’s attacks nationwide on immigrants and the LGBTQ+ community.
“It brings up mixed emotions to represent the U.S. right now,” Hess said at a press conference last week. “Just because I’m wearing the flag doesn’t mean I represent everything that’s going on in the U.S.”
Trump blasted Hess’ comments in a Truth Social post, calling him “a real Loser,” adding, “He says he doesn’t represent his Country … If that’s the case, he shouldn’t have tried out for the Team, and it’s too bad he’s on it. Very hard to root for someone like this.”
Commenting on the athletes in an interview with CNN, Vice President JD Vance, who was attending the Games, said the athletes who are critical should expect “some pushback.”
Vance, who was booed when he was shown on a large screen during the opening ceremonies, added, “You’re there to play a sport, you’re there to represent the country and hopefully win a medal. Most Olympic athletes, whatever their politics, are doing a great job, certainly enjoy the support of the entire country, and I think recognize that the way to bring the country together is not to show up in a foreign country and attack the president of the United States, but it’s to play your sport and to represent the country well.”
Vice President JD Vance and his wife Usha at the Winter Olympics opening ceremony in Milan on Feb. 6. Vance said athletes should expect pushback if they criticize the country.
(Natacha Pisarenko/AP)
The outspokenness of the Winter Olympic athletes echoes a dramatic protest by Olympians Tommie Smith and John Carlos which electrified the 1968 Summer Games in Mexico City. The sprinters, who placed first and third respectively in the 200 meter race, spoke not with words but with black-gloved raised fists on the victory stand, producing one of the most iconic images in Olympic history.
As the national anthem played following their victories, Smith and Carlos expressed their anger about racial injustice in America by bowing their heads and raising their fists. The gesture provoked a seismic reaction internationally while infuriating Olympic officials who claimed Smith and Carlos used the world stage to humiliate their home country.
Smith and Carlos’ salute to Black Power is explored in HBO Max’s documentary “Fists of Freedom: The Story of the ’68 Summer Games.” The 1999 Peabody Award-winning film chronicles the fiery moment and its aftermath for Smith and Carlos, who earned both heroic praise and pointed condemnation.
George Roy, who produced and directed “Fists of Freedom,” said “there are similarities between what happened in 1968 and what’s going on now. The similarities are it’s the Olympics and the United States, and in both cases there are athletes saying they wish they could be a little prouder given the current state of things.”
U.S. athletes Tommie Smith, center, and John Carlos, right, hold their fists up in protest after winning medals at the 1968 Summer Olympic games.
(AP)
However, Roy, who has won multiple Emmys and is the founder of Jersey Line Films, added that there are marked differences.
“What Smith and Carlos did was so consequential because it affected them directly,” he said. “They were protesting along with millions in their community. Their point was that they were good enough to represent their country. But when they got back to the real world, they would have trouble getting into restaurants or finding an apartment.”
He added, “It was just more personal than what is happening now.”
In an interview included in the documentary, Smith said the gesture by him and Carlos was often misinterpreted.
“As soon as the national anthem was playing, my glove is going toward God,” said Smith. “The Black fist in the air was only in recognition of those who had gone. It was a prayer of solidarity. It was a cry for help by my fellow brothers and sisters in the country who had been shot, who had been bitten by dogs … It was a cry for freedom.”
He added, “I don’t like the idea of people looking at it as negative. It was nothing but a raised fist in the air and a bowed head to the American flag. Not symbolizing a hatred for it.”
Though he heard cheers, he also heard boos and jeers.
“Fists of Freedom” contains several interviews from sports and media figures who were present or covered the proceedings and had strong opinions about the gesture.
Bob Paul, who was the press secretary for the United States Olympic Committee in 1968, said, “[Smith and Carlos] were wrong. You are supposed to observe due order and decorum to the nth degree at every victory ceremony.”
Veteran TV sportscaster Brent Musburger, who at the time was a columnist with the Chicago American newspaper, wrote: “Airing one’s dirty laundry before the entire world during a fun and games tournament was no more than a juvenile gesture. Smith and Carlos looked like a couple of Black-skinned storm troopers.”
Incensed, Olympic committee head Avery Brundage ordered the sprinters to be expelled from the Games.
Despite the uproar, experts said the salute by Smith and Carlos was a defining moment for Black people, galvanizing the Civil Rights Movement. However, the two men encountered personal and professional difficulties when they returned home.
Both Smith and Carlos have participated in speaking engagements in recent years. They could not be reached for comment.
“We’re not Antichrists,” said Smith in “Fists of Freedom.” “We’re just human beings who saw a need to be recognized.”
Movie Reviews
The Sheep Detectives Review: One of the Most Wholesome Movies of the Year
It’s a good year when we get movies like Remarkably Bright Creatures and The Sheep Detectives at the same time. If there’s one type of emotional draw we’ll never say no to when it comes to the fiction we consume, it’s wholesome. The kind of movies and TV shows that leave you with a bit more hope than you expected. The kind of stories that make you believe that humanity isn’t as broken as it really is.
The Sheep Detectives is essentially tailor-made for anyone who loves a good whodunnit that’s rich with nuance and humor. The clever decision to shift the genre into something both kids and adults could appreciate together is no small feat, and that’s largely where its mass appeal lies. Murder is a heavy subject to deal with—as is grief—yet this story makes sitting with the weight of both a little easier. It could kickstart a number of thoughtful conversations while it simultaneously delivers plenty of laughs along the way.
For adults, there’s also a huge appeal in the casting—the voice actors especially. Anyone who knows me knows that Ted Lasso is the kind of show I’ll always put first, so hearing Brett Goldstein voice a sheep is the kind of A+ decision that’s effortless to appreciate. Hugh Jackman, Nicholas Galitzine, Molly Gordon, Nicholas Braun, Emma Thompson, Julia Louis-Dreyfus, Bryan Cranston, Bella Ramsey, Regina Hall, Rhys Darby, Patrick Stewart, Hong Chau, and the whole cast do an exceptional job as well, making every moment of The Sheep Detectives thoroughly entertaining.

It’s hard to imagine anyone coming out of the movie not thinking it’s one of the best things we’ll watch all year, and that’s a high compliment considering 2026 is full of gems like Project Hail Mary and the upcoming The Odyssey. It’s the exact kind of movie we could all use, but more than anything, the kind of story we could use more of. If there’s any sort of sequel, sign me up. Let’s make it a trilogy. Give us more of the sheep.
The cinematography is gorgeous, the writing is sharp, the performances are thrilling, and the message is a gem worth holding onto. The Sheep Detectives is the kind of feel-good treasure that does an excellent job of reminding us why movies like this will always matter. There’s a thoughtful message about how grief is meant to be shared and why it’s so important to carry those who’ve passed with us. Yes, it’d be convenient to forget our pain by sheer mental willpower, but we aren’t meant to do that. As humans and as animals, I imagine that the good, bad, and ugly are all part of what makes life beautiful, and that’s a comforting message to sit with.
The concept of a whodunnit featuring sheep solving a murder sounds so wild on paper, yet everything about it results in the kind of movie that should signal to Hollywood we want more creative approaches to what’s familiar. There’s a reason The Muppets are so popular, and we shouldn’t be afraid of making things that sound a bit too whimsical on paper. In other words, The Sheep Detectives embraces the whimsy, and it’s exactly what makes it so delightful.
The Sheep Detectives is now streaming on Prime Video.
First Featured Image Credit: ©Amazon MGM Studios
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Entertainment
L.A. County heat advisory: When will high temperatures peak in SoCal?
The National Weather Service has issued a heat advisory for this week that includes Los Angeles County and other parts of the Southland, especially in valleys and away from the coast.
Temperatures are expected to rise in the Santa Clarita Valley, the east and west San Fernando Valley, as well as parts of the San Gabriel Valley and northwest L.A. County mountains beginning Tuesday and lasting through Thursday, with warm, seasonably elevated fire weather conditions, according to the National Weather Service.
Forecasts indicate the mercury will reach 90 to 105 degrees in the interior, 80 to 90 degrees in the inland coastal plain — including downtown L.A. — with highs in the 80s and lower 90s in the foothills and canyons of southwest Santa Barbara County.
Rose Schoenfeld, meteorologist with the National Weather Service in Oxnard, said temperatures should be five to 10 degrees above normal for this time of year thanks to a high-pressure system building up over the region.
Though temperatures are expected to drop after Thursday, don’t expect that cooling to last.
“Looking ahead, you might be seeing some outlooks that look pretty favorable, but that heat will linger and redevelop with a pretty impressive heat wave for much of the west, that would be starting next weekend or so,” Schoenfeld said. “It doesn’t seem like we’re out of the woods, even if temperatures start to drop after Thursday.”
The rising mercury coincides a with major marine heat wave across the Pacific Ocean that has the potential to affect weather events around the world, bringing months of warmer oceans, which trigger thunderstorms and extreme heat thousands of miles away.
In recent weeks, record heat waves have baked parts of Europe, with temperatures hitting 104 degrees in some countries. France has reported more than 1,000 heat-related deaths.
In the U.S., record heat has gripped much of the Midwest and East Coast, with temperatures between 110 and 115 degrees in major metropolitan areas, with the National Weather Service issuing an extreme heat warning for much of the Midwest, Mid-Atlantic and Northeast.
The sweltering temperatures have disrupted travel and led to a number of cancellations planned for celebrations over the Fourth of July weekend, including Philadelphia’s Salute to Independence parade. The Great American State Fair, on the National Mall in Washington, was forced to shut down for a few hours.
Amtrak canceled some trains in the Northeast because of excessive heat that could affect the tracks.
Movie Reviews
Movie Review – The Isolate Thief (2025)
The Isolate Thief, 2026.
Directed by John Suits.
Starring Mackenzie Foy, Odeya Rush, Joe Pantoliano, Sean Bean, Jack Kesy, Ty Simpkins, Bryan Martin, and Martin Sensmeier.
SYNOPSIS:
A young woman struggles to conceal the gold she stole from violent outlaws who have seized control of her remote outpost, outwitting them amid a deadly winter where survival becomes a game of cunning and betrayal.
Set at a Union outpost in frigid temperatures, John Suits’ The Isolate Thief transcends what was likely a small budget with a fittingly chilly, oppressive look, and an ensemble that sneaks up on you as not only packed but smartly cast. Front and center is Mackenzie Foy shedding her Twilight and Disney-oriented roots for gritty period-piece work that she handles capably and convincingly, whether it be fending off wolves at the outpost, bandaging a wound, playing a deceitful game for survival, or wielding a firearm.
That’s only the start, though, as Joe Pantoliano shows up as a harmless graverobber only to re-enter the picture as the hostage of a group of Union soldiers led by Sean Bean on a search for gold thought to be discovered by him, which in reality has been hidden away by Mackenzie Foy’s parentless (her father recently died in the war, meaning she is all alone at the outpost), grieving, underestimated caretaker waiting for the right moment to make a break with the gold for San Francisco. The merciless candor with which the Union soldiers are comfortable torturing the drifting graverobber should also be enough to signal that something is off about the group and that our hero probably shouldn’t trust them.
Without giving too much away, Ada (Mackenzie Foy) is up against a violent group of outlaws posing as Union soldiers under orders from Sean Bean’s Fiddler, who will stop at nothing for this gold (accompanied by fellow evildoers played by a range of underappreciated names such as Ty Simpkins and Jack Kesy). In the forest, she also stumbles across a badly injured Emily (Odeya Rush), who has a connection to these outlaws, reduced to being treated as a sex object (they refer to her as an unflattering term for a prostitute, which feels inaccurate given that such a term would imply she has a choice rather than having her agency regularly taken as it is here), so broken by her experiences with them that she advises Ada to give in to their demands as defying them typically results more horrifying outcomes.
Even if the screenplay from Kevin Lefler doesn’t necessarily crackle the way a pressure-cooker story like this should (there’s a lot of The Hateful Eight in the film’s DNA, but without anywhere near that level of character and thematic complexity), the cast elevates the material and provides a quiet intensity simmering underneath the casual conversations and deceptions that we know will eventually blow up in Ada’s face. It’s also a story that isn’t afraid to go to some fairly bleak places and put these women through the wringer as they fight back and try to make it out alive.
What it boils down to is a simplistic cautionary tale of ruthless, misogynistic outlaws underestimating the women they are up against. That is also desperately felt when the women turn the tables in the third act. Effectively accomplishing what it sets out to do. A freezing locale is used for atmospheric advantage (the ground is frozen solid, meaning graves can’t be dug, to give an idea of just how cold it is) while allowing Mackenzie Foy to tap into some new acting tools demonstrating resourcefulness, alongside Sean Bean believably going from calm to terrifying on a dime. The Isolate Thief is a feminist period-piece Western that organically empowers through familiar, albeit competent and engaging, storytelling, culminating in some tense battle-of-the-sexes action.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★
Robert Kojder
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