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The NFL International Player Pathway’s legacy: A TV star, a barrister, a Super Bowl winner

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The NFL International Player Pathway’s legacy: A TV star, a barrister, a Super Bowl winner

They enter as raw prospects with little or no experience in American football. Some have excelled previously in other sports, some have no experience whatsoever as professional athletes. But they all have one thing in common: the dream of making it in the NFL.

Ten weeks of intense training in Bradenton, Florida, for this year’s batch of 13 young hopefuls came to a conclusion on Wednesday as the Class of 2025 from the NFL’s International Player Pathway (IPP) took part in the University of South Florida’s pro day workouts in neighbouring Tampa.

The IPP prospects were put through their paces in front of NFL scouts. They can be picked during the league’s annual player draft taking place from April 24 to 26, or failing that, signed later by any of the 32 NFL teams as free agents. Or the dream ends and other paths must be followed.

Since its inception in 2017, 41 IPP graduates have signed with NFL teams, and there are 23 currently on its teams’ rosters. These include Jordan Mailata, a former rugby league player from Australia who won the Super Bowl in February as an offensive lineman with the Philadelphia Eagles.

The Athletic spoke to members of previous IPP classes — and one from the current crop — to find out about their experiences; did they really manage to learn those huge playbooks, and did they ever make it to the NFL?

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Alex Gray: The rugby player who became a Gladiator

Gray, a former England Under-20 rugby union captain, was part of the first IPP group eight years ago. He was on the Atlanta Falcons’ practice squad, a supplement to an NFL team’s 53-strong active roster, as a tight end from 2017 to 2019 but is now a star on the BBC’s Saturday night game show Gladiators.

The now 33-year-old, from County Durham in the north east of England, had never played American football before joining the IPP, only ever experiencing it through the John Madden NFL video games. But he was excited by the challenge, especially after missing out on representing Great Britain in Rugby Sevens — a mini-version of the sport’s traditional 15-a-side union game — at the 2016 Olympics in Rio de Janeiro because of injury, causing him to fall a “bit out of love” with the sport.

Having grown up excelling in rugby union, which American football was derived from in the 19th century and remains similar to in certain aspects, in that it involves an oval ball and lots of contact, Gray said the IPP programme helped him step out of his comfort zone.

“I’d always been, ‘Alex Gray, the rugby player’, and probably had an entire identity tied up in that,” he says. “But actually I was, ‘Alex Gray, incredibly dedicated, incredibly hard-working, driven, positive, aspirational — who just happened to be good at rugby’.

“It kind of just opened my eyes to the possibilities of life, that as crazy a dream as you might have, all it takes is one phone call from the right person and you doing the hard work, and crazy things can happen. It was an experience for me that showed that most things are possible.”

While rugby training focused more on endurance and the NFL version on strength, training for Gladiators – where everyday members of the public, the ‘contenders’ challenge 18 ‘Gladiators’ in a series of physically demanding events — encompasses everything due to the varied nature of the games, from one-on-one confrontations, such as a pugilistic duel (Gray’s bread and butter) to climbing challenges.

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“Again this is a complete career change, and it’s going into unknown territory,” he says. “But I know the recipe, right? I know the recipe for success. It’s about just working hard, taking all these opportunities, and trying to do the absolute best you can with it.

“Where in the world can you get into a big steel ball and roll around? You can’t, right? But I think being a rugby player and an American football player, aside from boxing or the MMA, that’s as close to being a real-life gladiator as you can be, anyway, so that’s kind of put me in good stead, definitely.”

Eduardo Tansley

Christian Scotland-Williamson: The commentator and barrister


Christian Scotland-Williamson will be called to the bar in September (Romel Birch)

Scotland-Williamson was signed by English top-flight rugby union side Worcester Warriors while studying for a Master’s in international business at Loughborough University in England. In 2017, he made a bone-crunching tackle which came to the attention of NFL scouts.

A member of the same IPP class as his friend Mailata, the 6ft 9in Scotland-Williamson joined the Pittsburgh Steelers as a tight end in 2018.

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“I’d had some frustrations with rugby in general: not being understood, not feeling like I was really accepted or understood by certain coaches, which then limited my opportunities on the pitch,” he says.

“As soon as I got on that plane to go out there, it was very much a mentality of burning the ships. Everyone is a good athlete in the NFL. That’s not the difference — it’s the mental side. I had a maniacal focus. I rented an apartment on the same street as the facility. It was nine minutes from my bed to my locker. I was first one in, last one out. I lived that mentality.”

In a new country and learning a new sport, Scotland-Williamson applied his academic acumen to learn the playbook — a vast and often complex collection of all the team’s offensive and defensive plays which features new concepts and verbiage.

“For me, the playbook was a non-negotiable. I had two degrees at that point, and I approached it at that level, I had cue cards every night studying them,” he says. “I started working with a Harvard professor who specializes in hypnosis. I’ve read every book possible on skill development and talent development to break that 10,000 hours. I didn’t have 10,000 hours. I had a year.

“If I made a football error, if I dropped a ball, or my technique was slightly wrong in executing a block, then I would be quite kind to myself because that’s just repetition, that’s just time in the game, that will come. But it was unacceptable for me to have a mental error.”

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As a Steelers fan, Scotland-Williamson was familiar with their head coach Mike Tomlin. But his position coach was equally formidable.

“Coach James Daniels was a real hard-nosed, old-school coach from Alabama. He was not scared to cuss you out every single day, so my main goal in the first year was to just shut him up. There were times when I thought he hated me and I thought I was cursed.

“But then in my second year, when he realized I was basically an encyclopedia, he’d go around the room asking people questions and then he’d only ask me last because he’d get me to correct other people if they had made a mistake.

“The Steelers’ defense was elite and Tomlin wasn’t scared to throw me in, even when I was awful. But it meant that I was getting quality work every single day from the best in the league. In terms of preparation, there’s no better practice environment I could have had.

“So when I was finally earning T.J. Watt and Bud Dupree’s respect with my blocking, that’s when I knew that I was doing well. I was seeing what they were doing to people on the weekend, and I was able to stand up to quite a few of their moves when we had pads on.

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“In that second year, I finally got my legs under me, and had more confidence, but it took everything, it genuinely did.”


Scotland-Williamson receiving a fist bump from Mike Tomlin. (Karl Roser/Pittsburgh Steelers)

Scotland-Williamson’s time in Pittsburgh was plagued by injuries and cut short after two seasons.

“Unfortunately, my body didn’t really hold up to give me every opportunity that I felt like I deserved and had worked for. I have permanent nerve damage in my ankles and that ultimately ended my time with the Steelers,” he says.

Scotland-Williamson, 31, has since helped commentate on three Super Bowls with the BBC and UK radio station talkSPORT, as well as the annual NFL games played in London. In September, he will be called to the bar and will specialize in commercial sports law.

He says, “I would genuinely say the reason I’ve been able to do the bar and be successful is because of how I had to learn the playbook.”

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Peter Carline

Mapalo Mwansa: From watching a YouTube clip to the Class of ’25


Mapalo Mwansa is in the third year of an economics and finance degree (NFL UK & Ireland)

YouTube’s algorithm changed Mwansa’s life. While he was at his parents’ home doing the dishes one day, an interview with sprinter Eugene Amo-Dadzie — known as the world’s fastest accountant — played at random on his computer. He was inspired.

“It was just a regular interview, him just speaking on the track, talking about his journey. I had no idea who he was. I’m a man of faith, and he’s also a man of faith. And he talked about his journey being illogical. It just didn’t make sense. He was 30 years of age, but managed to achieve the fourth-fastest British sprinting time ever at that age,” Mwansa says.

“I feel like if I can pull this off, it can be that same sort of inspiration to younger people, to people who are the underdog, people who just believe that they are someone regular — but there’s a big plan for you out there somewhere.”

A talented sportsman, Mwansa decided to focus on American football while studying at Loughborough University.

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“I grew up playing in a multitude of sports — track and field, rugby, soccer, basketball and cricket. I went on to really pursue soccer as my main sport. And then at university, I dropped that and in my first year I started powerlifting and ran a track and field event in front of a couple of guys. And then from there on, I was invited to be part of the Loughborough University American football team. And the journey has been pretty crazy from then on.”

Mwansa, 20, is in the third year of an economics and finance degree. But that is on hold as the linebacker/edge-rusher attempts to earn a place on an NFL practice squad, to follow in the footsteps of Scotland-Williamson and another Loughborough alumnus.

“Adedayo Odeleye is now with the Baltimore Ravens. He was picked up by the Houston Texans (in 2022), and he had the same journey. The broadcasting of The Pathway documentary series (also on YouTube) last year really helped my understanding of what was going on in the IPP, and it made me feel like it’s tangible — ‘I can touch that’.”


“It’s a 10-week process to try and turn dreams into reality” says Mwanza (NFL UK & Ireland)

After flying out to Florida in January, Mwansa and his counterparts have now reached the end of a gruelling stretch, which has featured six-day weeks packed with training and study.

He explains, “We have breakfast at 8am, then positional meetings, where we watch some film (of games or previous training sessions). Then we take ourselves to the field for a little bit of conditioning. It’s called movement, but it’s really conditioning. And then we take ourselves to lift. Then it’s lunchtime at midday and a little bit of free time — if you eat quickly. Then you take yourself to treatment, because we’re going 100 per cent every day, you have got to make sure you take care of your body. Then we have our practice at 2pm.

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“After that, it’s film study — looking at what we’ve completed and to practice what we could do better and evaluate our performances. That’s the only way you can get better. And then it’s dinner time. Then chill out in the evening… well, it normally turns into watching more film with our positional group.

“It’s a 10-week process to try and turn dreams into reality, to get ourselves onto an NFL roster. And then see what we can do after that.”

Peter Carline

Darragh Leader: Quitting JP Morgan to help the next generation

Irishman Leader, a professional rugby union player before leaving to successfully study for an MBA on a scholarship at Clemson University in South Carolina, was in last year’s IPP class. Since then, he has played a season in the ELF — a professional American football league with teams in nine countries across Europe — for Austria’s Swarco Raiders Tirol, finishing rated as the league’s top punter and fourth in points as a kicker, and joined an athlete transition programme at financial giant JP Morgan.

Earlier this month, however, he quit JP Morgan to join his brother, Tadhg, at Leader Kicking, a business which aims to help Europeans secure places as punters and kickers in U.S. college football. Tadhg is also an IPP coach who works with kickers and punters.

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“The last two weeks since I joined my brother, I’ve been to a competition in Dallas, watched this year’s IPP lads in Florida, and then I am going to New York next week. So it’s a lot more enjoyable than staring at an Excel sheet, copy-and-pasting in some rich fella’s billion-dollar account,” he says.


Darragh (left) and his brother at the NFL Combine (Hugo Pettit)

“I was playing in the ELF last year, but I decided most likely to not do that this year and just go full-time coaching to try and find the next group of lads, getting more lads over for college football in the States. We’ve like seven guys that are doing very well at the moment and have attended all these kicking camps and done like top 20 out of thousands of people over the last three or four years. Hopefully, we will have seven more Irish lads playing college football come next season.

“We think there’s so many Irish guys, European guys, rugby guys around Europe that are walking around with massive legs and probably don’t even realize they could be over in America, playing college football (as kickers or punters), making money, trying out for the NFL.”

While on the IPP, Darragh ripped the quad muscle in his thigh off the bone, making it difficult for him to find an NFL roster spot. However, along with New Orleans Saints kicker Charlie Smyth and two others, he was part of the first group of Irishmen to take part in the NFL scouting combine, a pre-draft player analysis event. His journey was captured in a recent documentary titled Punt on RTE Player, an Irish public service broadcaster.

Eduardo Tansley

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Aaron Donkor – Learning ‘the language of football’

Donkor had played American football in the German Football League, his country’s top division, and at college in the States before joining the IPP in 2021. He was with the Seattle Seahawks’ practice squad in 2021 and 2022 as a linebacker then dropped down below the NFL’s elite level with the Houston Roughnecks and Arlington Renegades in the U.S.-based XFL and the Calgary Stampeders of the Canadian Football League (CFL). Last September, the now 30-year-old won the European League of Football (ELF) title with German team Rhein Fire.

“Currently I’m just in the gym grinding. I haven’t signed anything, so I’m waiting, reading and training,” Donkor, who hasn’t ruled out another crack at the NFL, says having seen out his contract with the Fire.

“I’m not asking for a contract at all, I think I would love a workout because I believe if you bring value to a team, I think they’re winning. And let’s find out if I can bring value to a team. I think I can. So I’m grateful for an opportunity if it comes towards me and I’m patiently waiting for it.”


Donkor (No. 43) attempts a tackle playing for Seattle in the 2021 NFL pre-season (Steph Chambers/Getty Images)

The German, who also played basketball in Germany’s second tier, comes from a family of athletes — his brother Anton is a left-back for Schalke in 2. Bundesliga, the second division of soccer in his homeland.

His biggest challenge while with the IPP, he says, was changing position from outside linebacker to inside linebacker. His American college experience, at New Mexico Military Institute and Arkansas State University, gave him a head-start, and he says “learning the language” of American football is important for IPP athletes as it helps “put all the skills that you have developed at the right point at the right time on the field.”

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The NFL has played at least one regular-season game in Germany each year since 2022, contributing to the growth of the sport in the country. “They really fall in love with the support of football once they see the details and it’s the same way that happened to me,” Donkor says of German fans. “When I first found out about football, I realised, ‘Oh, this is deeper than just running into each other.’ Once you look a little deeper, you find the beauty in it. I hope I can be a part of revealing how beautiful this game is.”

Eduardo Tansley

Ayo Oyelola – The Londoner attempting ‘the impossible’

Oyelola has been with the Jacksonville Jaguars for two NFL pre-seasons (2022 and 2023) and on the Pittsburgh Steelers (2024) roster. He was selected by the IPP twice, in 2021 and 2022, and was one of the first athletes to do so with a soccer background. He is now a free agent and preparing for the NFL’s training camps this summer.

The Londoner, a member of Chelsea and Dagenham & Redbridge academies when younger, quit soccer to study law at the University of Nottingham. For a time, his focus was his education.

“I fully stopped playing football when I went to university, and honestly, I can’t even tell you what I was thinking at that point. I wasn’t playing sports, and that was bad for me. I realized I needed to be playing sports,” says the 26-year-old.

“So when I was a student, I was between going back to soccer, boxing or American football, so I looked at the pathways for American football and I was just like, ‘Yeah, I think I can do this based off my athleticism.’ So from around 2017, early 2018, that’s been my goal — to make the NFL.”

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That Oyelola can see a clear pathway to the NFL is a sign of how globalized the game has become. But the road to the NFL hasn’t been plain sailing. In his first stint in the IPP, Oyelola tore his hamstring, but he believes it was a blessing in disguise as he then went to the CFL and won the Grey Cup (its version of the Super Bowl) that year with the Winnipeg Blue Bombers.

When he returned to the programme in 2022, he was more confident.

“The first time I went on, that feels like the hardest thing I ever did,” Oyelola says. “I played academy football growing up, so I’m used to being in a structured professional environment when it comes to sports, but I think because what the programme is trying to do is basically impossible — trying to get you ready for the NFL in 10 weeks, which just isn’t possible, but they try and get you as close to it as possible.

“As an international, you’re getting told that in 10 weeks you can be in the NFL. That’s mentally just a crazy thing to be dangled in front of your face. So mentally, that is hard for everyone. Obviously, everyone doesn’t make it.”

But those testing 10 weeks, or 20 in Oyelola’s case, changed his life. “Even if I never made it to the NFL, it taught me a lot of life lessons,” he says. “It was such a monumental task; it shows you the value of process and hard work. For me, that’s when my faith (in God) strengthened, because I had to, because I could not do it in my own strength.”

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Eduardo Tansley

(Top photo of Mapalo Mwansa: NFL UK & Ireland)

Culture

Famous Authors’ Less Famous Books

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Famous Authors’ Less Famous Books

Literature

‘Romola’ (1863) by George Eliot

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Karl Leitz for Anthony Cotsifas Studio

Who knew that there’s a major George Eliot novel that neither I nor any of my friends had ever heard of?

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“Romola” was Eliot’s fourth novel, published between “The Mill on the Floss” (1860) and “Middlemarch” (1870-71). If my friends and I didn’t get this particular memo, and “Romola” is familiar to every Eliot fan but us, please skip the following.

“Romola” isn’t some fluky misfire better left unmentioned in light of Eliot’s greater work. It’s her only historical novel, set in Florence during the Italian Renaissance. It embraces big subjects like power, religion, art and social upheaval, but it’s not dry or overly intellectual. Its central character is a gifted, freethinking young woman named Romola, who enters a marriage so disastrous as to make Anna Karenina’s look relatively good.

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It probably matters that many of Eliot’s other books have been adapted into movies or TV series, with actors like Hugh Dancy, Ben Kingsley, Emily Watson and Rufus Sewell. The BBC may be doing even more than we thought to keep classic literature alive. (In 1924, “Romola” was made into a silent movie starring Lillian Gish. It doesn’t seem to have made much difference.)

Anthony Trollope, among others, loved “Romola.” He did, however, warn Eliot against aiming over her readers’ heads, which may help explain its obscurity.

All I can say, really, is that it’s a mystery why some great books stay with us and others don’t.

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‘Quiet Dell’ (2013) by Jayne Anne Phillips

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Karl Leitz for Anthony Cotsifas Studio

This was an Oprah Book of the Week, which probably disqualifies it from B-side status, but it’s not nearly as well known as Phillips’s debut story collection, “Black Tickets” (1979), or her most recent novel, “Night Watch” (2023), which won her a long-overdue Pulitzer Prize.

Phillips has no parallel in her use of potent, stylized language to shine a light into the darkest of corners. In “Quiet Dell,” her only true-crime novel, she’s at the height of her powers, which are particularly apparent when she aims her language laser at horrific events that actually occurred. Her gift for transforming skeevy little lives into what I can only call “Blade Runner” mythology is consistently stunning.

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Consider this passage from the opening chapter of “Quiet Dell”:

“Up high the bells are ringing for everyone alive. There are silver and gold and glass bells you can see through, and sleigh bells a hundred years old. My grandmother said there was a whisper for each one dead that year, and a feather drifting for each one waiting to be born.”

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The book is full of language like that — and of complex, often chillingly perverse characters. It’s a dark, underrecognized beauty.

‘Solaris’ (1961) by Stanislaw Lem

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Karl Leitz for Anthony Cotsifas Studio

You could argue that, in America, at least, the Polish writer Stanislaw Lem didn’t produce any A-side novels. You could just as easily argue that that makes all his novels both A-side and B-side.

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It’s science fiction. All right?

I love science and speculative fiction, but I know a lot of literary types who take pride in their utter lack of interest in it. I always urge those people to read “Solaris,” which might change their opinions about a vast number of popular books they dismiss as trivial. As far as I know, no one has yet taken me up on that.

“Solaris” involves the crew of a space station continuing the study of an aquatic planet that has long defied analysis by the astrophysicists of Earth. Part of what sets the book apart from a lot of other science-fiction novels is Lem’s respect for enigma. He doesn’t offer contrived explanations in an attempt to seduce readers into suspending disbelief. The crew members start to experience … manifestations? … drawn from their lives and memories. If the planet has any intentions, however, they remain mysterious. All anyone can tell is that their desires and their fears, some of which are summoned from their subconsciousness, are being received and reflected back to them so vividly that it becomes difficult to tell the real from the projected. “Solaris” has the peculiar distinction of having been made into not one but two bad movies. Read the book instead.

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‘Fox 8’ (2013) by George Saunders

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Karl Leitz for Anthony Cotsifas Studio

If one of the most significant living American writers had become hypervisible with his 2017 novel, “Lincoln in the Bardo,” we’d go back and read his earlier work, wouldn’t we? Yes, and we may very well have already done so with the story collections “Tenth of December” (2013) and “Pastoralia” (2000). But what if we hadn’t yet read Saunders’s 2013 novella, “Fox 8,” about an unusually intelligent fox who, by listening to a family from outside their windows at night, has learned to understand, and write, in fox-English?: “One day, walking neer one of your Yuman houses, smelling all the interest with snout, I herd, from inside, the most amazing sound. Turns out, what that sound is, was: the Yuman voice, making werds. They sounded grate! They sounded like prety music! I listened to those music werds until the sun went down.”

Once Saunders became more visible to more of us, we’d want to read a book that ventures into the consciousness of a different species (novels tend to be about human beings), that maps the differences and the overlaps in human and animal consciousness, explores the effects of language on consciousness and is great fun.

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We’d all have read it by now — right?

‘Between the Acts’ (1941) by Virginia Woolf

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Karl Leitz for Anthony Cotsifas Studio

You could argue that Woolf didn’t have any B-sides, and yet it’s hard to deny that more people have read “Mrs. Dalloway” (1925) and “To the Lighthouse” (1927) than have read “The Voyage Out” (1915) or “Monday or Tuesday” (1921). Those, along with “Orlando” (1928) and “The Waves” (1931), are Woolf’s most prominent novels.

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Four momentous novels is a considerable number for any writer, even a great one. That said, “Between the Acts,” her last novel, really should be considered the fifth of her significant books. The phrase “embarrassment of riches” comes to mind.

Five great novels by the same author is a lot for any reader to take on. Our reading time is finite. We won’t live long enough to read all the important books, no matter how old we get to be. I don’t expect many readers to be as devoted to Woolf as are the cohort of us who consider her to have been some sort of dark saint of literature and will snatch up any relic we can find. Fanatics like me will have read “Between the Acts” as well as “The Voyage Out,” “Monday or Tuesday” and “Flush” (1933), the story of Elizabeth Barrett Browning’s cocker spaniel. Speaking for myself, I don’t blame anyone who hasn’t gotten to those.

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I merely want to add “Between the Acts” to the A-side, lest anyone who’s either new to Woolf or a tourist in Woolf-landia fail to rank it along with the other four contenders.

As briefly as possible: It focuses on an annual village pageant that attempts to convey all of English history in a single evening. The pageant itself interweaves subtly, brilliantly, with the lives of the villagers playing the parts.

It’s one of Woolf’s most lusciously lyrical novels. And it’s a crash course, of sorts, in her genius for conjuring worlds in which the molehill matters as much as the mountain, never mind their differences in size.

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It’s also the most accessible of her greatest books. It could work for some as an entry point, in more or less the way William Faulkner’s “As I Lay Dying” (1930) can be the starter book before you go on to “The Sound and the Fury” (1929) or “Absalom, Absalom!” (1936).

As noted, there’s too much for us to read. We do the best we can.

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Culture

6 Poems You Should Know by Heart

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6 Poems You Should Know by Heart

Literature

‘Prayer’ (1985) by Galway Kinnell

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Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell in 1970. Photo by LaVerne Harrell Clark, © 1970 Arizona Board of Regents. Courtesy of the University of Arizona Poetry Center

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“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”

“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”

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Lucille Clifton in 1995. Afro American Newspapers/Gado/Getty Images

“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”

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‘Sonnet 94’ (1609) by William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

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“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”

“It trombones magnificent, unbearable sorrow,” says Seidel.

“It’s smartass and bitter and bright,” says Seidel.

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These interviews have been edited and condensed.

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Culture

Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

Literature

FRANCE

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According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).

Classic

‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)

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Karl Leitz for Anthony Cotsifas Studio

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“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”

Contemporary

‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq

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“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”

JAPAN

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According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).

Classic

‘Man’yoshu’ (late eighth century)

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“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”

Contemporary

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‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata

“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”

INDIA

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According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).

Classic

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‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa

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“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”

Contemporary

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‘The Complex’ (2026) by Karan Mahajan

“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”

THE UNITED KINGDOM

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According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).

Classic

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‘Jane Eyre’ (1847) by Charlotte Brontë

“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”

Contemporary

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‘All That Man Is’ (2016) by David Szalay

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“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”

BRAZIL

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According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).

Classic

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‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis

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“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”

Contemporary

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‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron

“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”

These interviews have been edited and condensed.

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