Detroit, MI
Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator
“The joy is in the work,” said Detroit-based artist Rashaun Rucker.
On Sunday, Feb. 16, Rucker will receive the Alain Locke Recognition Award at the Detroit Institute of Arts (DIA), alongside fellow artist (and Michigan native) Titus Kaphar, who will receive the Alain Locke International Award.
“It’s funny,” Rucker said. “I had this award on a vision board 17 years ago. When I moved here, it was one of the things I wanted to accomplish. And I saw people I knew getting it, like Hugh Grannum and Tylonn Sawyer — friends and family and peers. It was something I always had on my bucket list.
“I got a little emotional when I found out because it’s like a career award. You win the Alain Locke because of sustained excellence in art in our area; you don’t normally see people get it who haven’t been at it for a long time. This feels like validation of my sustained discipline.”
Along with his art practice, Rucker, a former Detroit Free Press photographer, now teaches art to grades kindergarten through eight at Charles Wright Academy of Arts and Science. It is this work he says that has been the most rewarding for him.
“I never thought about any of the big things, getting work in the Smithsonian and other museums,” he said. “I never thought about winning an Emmy at the Freep. All I ever wanted to do was be a middle school art teacher. My middle school art teacher in Winston-Salem, North Carolina, Kathy Williams, was the first person that made me believe I could be an artist, and told my parents I could be an artist. She would stay after school with me and work with me all through middle school, and I grew wanting to be Kathy Williams for the next person.
“This is my first year working in a public school as an art teacher. After being in journalism for 20 years, and doing visiting lectures at colleges and different things, it’s kind of serendipity to get this award when I’m back to my original career goal from when I was a kid.”
He said finds he’s learning as much as the students are.
“Sometimes, you go to school and get a lot of education, and then you only follow those rules,” he said. “What’s great is the ability to break rules and create freedom. Kids have this artistic freedom that you eventually lose once you learn too many rules. Part of my education from them is being able to see that and find out for myself, because I can be very rigid in my own practice.
“Being a public schoolteacher, the kids look at you like a big brother. But you’re also a second parent, you are a social worker, you are a caterer, you are a party store. You’re everything. I had a big moment last week — it’s Black History Month, and the kids in the third grade dress up as somebody that had a profound effect on Black history. One of the students wants to be me. That lets me know I’m making a difference, I’m hitting that mark that I need to hit with these kids.”
Rucker said students run up in the halls and excitedly show him sketchbooks full of work they’ve created at home.
“And now,” he said, “when I’m on lunch duty, I see kids drawing in the cafeteria and I know I’m having an impact.”
He said his biggest surprise in this role has been how much children need.
“How much more love is needed,” he said, “how much more exposure, how much more education is needed. I don’t think you can understand that unless you’ve been a teacher. Even if you give 100%, our kids need so much more. Sometimes, I’ll go home and I’m exhausted, but my parents are both teachers. If you give 100% to this job and you care about it, it’s going to exhaust you, but you know you’re doing the right thing, and I can say that about all the teachers I work with in this building.”
Last year’s Alain Locke Recognition Award recipients were David and Linda Whitaker, art collectors, philanthropists, and major guiding forces in Detroit’s art community. Linda also spent her career in education, including many years as a principal in Detroit.
“We have breakfast in the same place a couple times a week,” Rucker said. “On the weekend, I’ll go there and we see each other. Linda and I talk about education, and she told me something last week that really touched me. She said, ‘You can’t be a good teacher and be afraid to lose your job. You’ve got to be a fearless educator.’ ”
Linda has great admiration for Rucker and his career work.
“Rashaun Rucker’s photography, drawings, and printmaking capture the spirit of African-American life,” she told the Free Press in a written statement. “He connects with us by creating artwork that exhibits our spirituality, sense of community, and social commentary. His works stimulate our thought processes because (they) can make you feel at home with a sense of belonging or make you take a stand for justice and equality. His works scream, ‘I care.’
“Rucker also utilizes his talents to support and interact with the artistic educational process of our youth and young adults. He is a multifaceted star.”
Detroit Public Schools Community District (DPSCD) superintendent Dr. Nikolai Vitti echoed the commendation of Rucker’s educational work.
“We are immensely proud to have Mr. Rucker as part of our DPSCD team, where he inspires and educates our visual arts students at Charles H. Wright,” said Vitti. “In a remarkably short period, Mr. Rucker has captivated students with the essential elements and principles of visual art, offering them fresh perspectives on the world around them. We celebrate Mr. Rucker’s lifelong dedication to the arts and his well-deserved recognition with the Alain Locke Award.
“The Alain Locke Recognition Award celebrates local artists and contributors. The award highlights the transformative power of art and its role in enriching cultural heritage and community life. Mr. Rucker’s contributions are a testament to the transformative power of education and the arts.”
Rucker is represented in metro Detroit by Ferndale gallery M Contemporary Art. Owner Mellanie Chard spoke of him as an inspiration.
“What I find so inspiring about Rashaun,” she said, “is his ability to convey artistic intent regardless of the material he is using. I’ve seen him make incredible work with just colored pencils. But whether he is drawing, printmaking, painting or reinterpreting a familiar object, you know it’s him. You can tell it’s his work. To me, that is what makes a true artist. It doesn’t matter what medium he is working in, the intention is always clear.”
Rochelle Riley, the city of Detroit’s director of arts and culture, had high praise for both Rucker and Kaphar.
“The entire city should be proud of what the Friends of African and African American Art at the DIA are doing, recognizing brilliance because it is necessary and it is right,” she said. “That this year’s honors are going to MacArthur genius Titus Kaphar and Detroit genius Rashaun Rucker — who are both known, as the Friends noted, for ‘dismantling classical structures’ — is vitally important.
“I’ve known Rashaun for a quarter-century and marveled at his pivot from news photographer and editor to renowned artist whose work is in the National Museum of African American History and Culture, the ‘Blacksonian.’ The Locke Awards ceremony is a moment that should make all Detroiters, all Michiganders stand and cheer.”
Rucker’s latest solo show, “Patron Saints of a Black Boy,” recently left the University of Texas at Austin and is headed to the University of North Carolina Charlotte this spring. It has been four years since his last big solo show in Detroit; he hopes to deliver another in the region next year.
“I think all of this is a testament to just staying with it,” Rucker said of his career achievements. “One of my eighth graders was just telling me about what they couldn’t draw something, and I said, ‘Don’t start with the excuses. Excuses are the tools of the incompetent. Don’t specialize in excuses. They’ll lead you nowhere. A lot of people I graduated college with are not working in this field, and when they see me, they always tell me, ‘Man, you made it and I didn’t!’ The only difference between me and them is I never stopped making art.
“When I worked at the Freep, I was always making art. I never stopped. I tell my students, ‘The thing between you and your dreams is work. And you can’t skip the work.’ I think between social media and influencers, young people think that you can skip the work now. The work is always gonna be the work. I told him, ‘You can fail, just fail forward. And if you have to start over, at the end of the day, it’s just a piece of paper.’ Everything in life is like that: You do the work to get better. I smile when I see kids who cross some kind of barrier they reached with an art project. It makes me happy that they figured it out.”
“The joy,” he said, “is in the work.”
He said finding his calling as a public school teacher has reinvigorated him.
“As an artist, you breathe life into something,” he said. “What I like about my job is watching students breathe life into their pieces every day when I come in here. And just like they do with their pieces, I have to breathe life into them. Belief, confidence — that’s a strong thing to give somebody.
“I wish everybody gave others confidence. The world would be a better place.”
The 32nd annual Alain Locke Awards will be held Sunday, Feb. 16, at the DIA, 5200 Woodward Ave., Detroit. Tickets are sold out.
Contact Free Press arts and culture reporter Duante Beddingfield at dbeddingfield@freepress.com.
Detroit, MI
Detroit Pistons’ loss to Cavs shows weaknesses before playoffs
What questions have Pistons answered this season?
Friend of the pod Laz Jackson walks through what the Detroit Pistons have proved of themselves this year.
CLEVELAND – In just five days, the Detroit Pistons faced the Cleveland Cavaliers twice.
They split the games to finish their season series against the Central Division rivals, but with a potential reunion looming in the second round of the NBA playoffs, the Pistons came away from both games unsatisfied.
On Friday, it was the Pistons needing overtime to overcome a Cavaliers team missing James Harden and Donovan Mitchell at Little Caesars Arena. On Tuesday, March 3, in Cleveland, however – with Harden back in the lineup – the Pistons struggled in the areas they usually thrive, for a 113-109 loss.
The Pistons’ first loss on the road since Jan. 29 didn’t feature their usual fire for much of the night.
“I’m frustrated with the effort level, the attention to detail that we played on that end of the floor,” coach J.B. Bickerstaff said. “The times and opportunities where we did do the right thing, did get stops, we let people outwork us to come up with offensive rebounds. We can’t afford to not play at maximum effort. That’s been our superpower all year long and, tonight, I felt like there were times where we were outworked. If we’re outworked, this isn’t going to be the results that we want.”
The Pistons work at being the league’s most disruptive team via turnovers has given them a top-three defensive rating. They force turnovers on 17.2% of possessions – best in the NBA –and only trail the Houston Rockets in offensive rebounding percentage. They also lead the league in steals and blocks per game. Getting out in transition and capitalizing on second-chance opportunities has created an above-average offense despite struggles on 3-point shooting.
For three quarters against the Cavaliers, little of that materialized – as least until the Pistons grabbed seven steals in the final period (after just two in the first three). Overall, the Pistons were beat on the offensive glass (11-10), mustered just 10 fastbreak points (their lowest total since Jan. 27) and picked up 11 second-chance points (their least since Feb. 6).
It was, in all, a lackadaisical defensive performance, with the Pistons repeatedly losing shooters behind the arc as the Cavs knocked down 17 3-pointers – eight more than the Pistons.
“Obviously they’re a good team, but we haven’t been playing to our standard on that side of the ball,” Pistons wing Javonte Green said. “Coach talked about the effort we need to bring every game. We just need to play harder. We can’t get outworked on offensive rebounds and 50-50 balls, that’s our identity. I feel like we needed to pick up that slack.”
The Pistons also were hurt by a poor shooting performance by Cade Cunningham; he finished with 10 points and 14 assists but shot 4-for-16. Cleveland threw multiple defenders at him all night, and he obliged by passing the ball and setting up his teammates. It led to a big second half for Tobias Harris, who scored all 19 of his points in the last two quarters.
But it wasn’t enough.
“On the defensive end we just couldn’t put up a wall, couldn’t get a stand going,” Cunningham said. “Personally, I had a lot of bad closeouts; just off the ball, I didn’t feel sharp. Just gotta clean all that stuff up.”
With 22 games remaining, the Pistons are focused on cleaning up the margins so they’ll be ready for postseason play. These two games against the Cavaliers have given them a list of areas to clean up.
Friday, they needed an extra period to win after rallying from a late nine-point deficit despite losing Cunningham late after he fouled out with just under two minutes left in the fourth quarter. Jalen Duren and Daniss Jenkins stepped up in overtime after Duncan Robinson also fouled out.
Mostly, the Cavaliers have proven they can pounce during soft stretches on defense. Thursday brings another rematch with a contender, as the Pistons wrap up a three-game road trip against the San Antonio Spurs (another opponent from last week).
“We didn’t play our best basketball the other night,” Bickerstaff said of the Cavaliers’ game on Feb. 27. “Give our guys credit because we played 53 minutes and were able to pull it out in some adverse conditions. Cade fouls out, Duncan fouls out, our guys still figure out a way to get it done.
“We need to be better. We need to be better defensively, we need to impose ourselves on the game a little bit more than we did last game. I thought the last two quarters of the Orlando game [on Sunday] were the best quarters we’ve played defensively since New York [on Feb. 19]. I hope, and told our guys, that we can continue to build off that, because that’s where it always starts for us. You can tell the tone by how we are defensively and how we’re getting after it.”
Contact Omari Sankofa II at osankofa@freepress.com. Follow him on Bluesky and/or X @omarisankofa.
[ MUST WATCH: Make “The Pistons Pulse” your go-to Pistons podcast, listen available anywhere you listen to podcasts (Apple, Spotify) or watch live on YouTube. ]
Next up: Spurs
Matchup: Pistons (45-15) at San Antonio (44-17).
Tipoff: 8 p.m. Thursday, March 5; Frost Bank Center, San Antonio.
TV/radio: FanDuel Sports Network Detroit; WXYT-FM (97.1).
Detroit, MI
Police search for suspect, accomplice after teen injured in shooting outside Detroit school gym
The Detroit Police Department is searching for a suspect and an accomplice in connection with a shooting last week that injured a teen outside a school gym.
The shooting happened in the 3400 block of St. Aubin, the same area where the Detroit Edison Public School Academy’s Early College of Excellence is located. Police say that at about 8:27 p.m. on Feb. 27, there was an altercation inside the gym that continued outside.
Police say the suspect allegedly fired multiple shots at the victim, striking him. The teen was taken to a hospital for treatment. His current condition is unknown.
Police say the accomplice who was with the suspect was also armed.
Anyone with information is asked to call DPD’s seventh precinct at 313-596-5740, Crime Stoppers at 800-Speak Up or DetroitRewards.tv.
Detroit, MI
Bruce Campbell announces cancer diagnosis; ‘Fear not,’ he tells fans
Treatment will delay the Royal Oak-born actor’s plans to tour his new film ‘Ernie & Emma’ this summer.
Royal Oak-born movie star and cult hero Bruce Campbell announced on social media on Monday that he has been diagnosed cancer — a type that is “treatable” but not “curable,” he said.
“I apologize if that’s a shock — it was to me too,” the “Evil Dead” star, 67, wrote in a message posted to Instagram.
He went on to say “I’m not gonna go into any more detail,” and he didn’t. He said the public announcement had to do with scaling back appearances on his schedule, including tour dates behind his latest film, “Ernie & Emma.”
Campbell planned to show the movie June 5 at the Redford Theatre; as of Monday night, that date is still on the Redford schedule, but Campbell wrote in his note he plans to get “as well as I possibly can over the summer so that I can tour with my new movie ‘Ernie & Emma’ this fall.”
The movie is written, directed by and stars Campbell as a man who goes on a journey following the death of his wife. Campbell produced the movie alongside his wife, Ida Gearon, and filmed it in Oregon, where he now lives.
Campbell told The News in January he dedicated “Ernie & Emma” to his childhood moviemaking pals, including Scott Spiegel, who died of a heart attack in September 2025.
“It’s a callback to the carefree days of Super 8, where we could do whatever the f–k we wanted to do,” Campbell said of “Ernie & Emma.” “So I thought, ‘All the boys are responsible for this,’ so they’re all in there.”
Campbell got his start making movies around Metro Detroit with his childhood pal, Sam Raimi. Campbell starred in Raimi’s “Evil Dead” trilogy and has since appeared in most of Raimi’s films; Campbell makes a brief appearance in a photograph in the background of an early scene in Raimi’s latest, “Send Help.”
He’s also an author; Campbell’s autobiography “If Chins Could Kill: Confessions of a B Movie Actor” was published in 2001.
In his post on social media, Campbell thanked fans and said he was not out to elicit sympathy.
“Fear not, I am a tough old son-of-a-bitch and I have great support, so I expect to be around for a while,” he wrote.
agraham@detroitnews.com
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