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Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator

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Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator


“The joy is in the work,” said Detroit-based artist Rashaun Rucker.

On Sunday, Feb. 16, Rucker will receive the Alain Locke Recognition Award at the Detroit Institute of Arts (DIA), alongside fellow artist (and Michigan native) Titus Kaphar, who will receive the Alain Locke International Award.

“It’s funny,” Rucker said. “I had this award on a vision board 17 years ago. When I moved here, it was one of the things I wanted to accomplish. And I saw people I knew getting it, like Hugh Grannum and Tylonn Sawyer — friends and family and peers. It was something I always had on my bucket list.

“I got a little emotional when I found out because it’s like a career award. You win the Alain Locke because of sustained excellence in art in our area; you don’t normally see people get it who haven’t been at it for a long time. This feels like validation of my sustained discipline.”

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Along with his art practice, Rucker, a former Detroit Free Press photographer, now teaches art to grades kindergarten through eight at Charles Wright Academy of Arts and Science. It is this work he says that has been the most rewarding for him.

“I never thought about any of the big things, getting work in the Smithsonian and other museums,” he said. “I never thought about winning an Emmy at the Freep. All I ever wanted to do was be a middle school art teacher. My middle school art teacher in Winston-Salem, North Carolina, Kathy Williams, was the first person that made me believe I could be an artist, and told my parents I could be an artist. She would stay after school with me and work with me all through middle school, and I grew wanting to be Kathy Williams for the next person.

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“This is my first year working in a public school as an art teacher. After being in journalism for 20 years, and doing visiting lectures at colleges and different things, it’s kind of serendipity to get this award when I’m back to my original career goal from when I was a kid.”

He said finds he’s learning as much as the students are.

“Sometimes, you go to school and get a lot of education, and then you only follow those rules,” he said. “What’s great is the ability to break rules and create freedom. Kids have this artistic freedom that you eventually lose once you learn too many rules. Part of my education from them is being able to see that and find out for myself, because I can be very rigid in my own practice.

“Being a public schoolteacher, the kids look at you like a big brother. But you’re also a second parent, you are a social worker, you are a caterer, you are a party store. You’re everything. I had a big moment last week — it’s Black History Month, and the kids in the third grade dress up as somebody that had a profound effect on Black history. One of the students wants to be me. That lets me know I’m making a difference, I’m hitting that mark that I need to hit with these kids.”

Rucker said students run up in the halls and excitedly show him sketchbooks full of work they’ve created at home.

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“And now,” he said, “when I’m on lunch duty, I see kids drawing in the cafeteria and I know I’m having an impact.”

He said his biggest surprise in this role has been how much children need.

“How much more love is needed,” he said, “how much more exposure, how much more education is needed. I don’t think you can understand that unless you’ve been a teacher. Even if you give 100%, our kids need so much more. Sometimes, I’ll go home and I’m exhausted, but my parents are both teachers. If you give 100% to this job and you care about it, it’s going to exhaust you, but you know you’re doing the right thing, and I can say that about all the teachers I work with in this building.”

Last year’s Alain Locke Recognition Award recipients were David and Linda Whitaker, art collectors, philanthropists, and major guiding forces in Detroit’s art community. Linda also spent her career in education, including many years as a principal in Detroit.

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“We have breakfast in the same place a couple times a week,” Rucker said. “On the weekend, I’ll go there and we see each other. Linda and I talk about education, and she told me something last week that really touched me. She said, ‘You can’t be a good teacher and be afraid to lose your job. You’ve got to be a fearless educator.’ ”

Linda has great admiration for Rucker and his career work.

“Rashaun Rucker’s photography, drawings, and printmaking capture the spirit of African-American life,” she told the Free Press in a written statement. “He connects with us by creating artwork that exhibits our spirituality, sense of community, and social commentary. His works stimulate our thought processes because (they) can make you feel at home with a sense of belonging or make you take a stand for justice and equality. His works scream, ‘I care.’

“Rucker also utilizes his talents to support and interact with the artistic educational process of our youth and young adults. He is a multifaceted star.”

Detroit Public Schools Community District (DPSCD) superintendent Dr. Nikolai Vitti echoed the commendation of Rucker’s educational work.

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“We are immensely proud to have Mr. Rucker as part of our DPSCD team, where he inspires and educates our visual arts students at Charles H. Wright,” said Vitti. “In a remarkably short period, Mr. Rucker has captivated students with the essential elements and principles of visual art, offering them fresh perspectives on the world around them. We celebrate Mr. Rucker’s lifelong dedication to the arts and his well-deserved recognition with the Alain Locke Award.

“The Alain Locke Recognition Award celebrates local artists and contributors. The award highlights the transformative power of art and its role in enriching cultural heritage and community life. Mr. Rucker’s contributions are a testament to the transformative power of education and the arts.”

Rucker is represented in metro Detroit by Ferndale gallery M Contemporary Art. Owner Mellanie Chard spoke of him as an inspiration.

“What I find so inspiring about Rashaun,” she said, “is his ability to convey artistic intent regardless of the material he is using. I’ve seen him make incredible work with just colored pencils. But whether he is drawing, printmaking, painting or reinterpreting a familiar object, you know it’s him. You can tell it’s his work. To me, that is what makes a true artist. It doesn’t matter what medium he is working in, the intention is always clear.”

Rochelle Riley, the city of Detroit’s director of arts and culture, had high praise for both Rucker and Kaphar.

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“The entire city should be proud of what the Friends of African and African American Art at the DIA are doing, recognizing brilliance because it is necessary and it is right,” she said. “That this year’s honors are going to MacArthur genius Titus Kaphar and Detroit genius Rashaun Rucker — who are both known, as the Friends noted, for ‘dismantling classical structures’ — is vitally important.

“I’ve known Rashaun for a quarter-century and marveled at his pivot from news photographer and editor to renowned artist whose work is in the National Museum of African American History and Culture, the ‘Blacksonian.’ The Locke Awards ceremony is a moment that should make all Detroiters, all Michiganders stand and cheer.”

Rucker’s latest solo show, “Patron Saints of a Black Boy,” recently left the University of Texas at Austin and is headed to the University of North Carolina Charlotte this spring. It has been four years since his last big solo show in Detroit; he hopes to deliver another in the region next year.

“I think all of this is a testament to just staying with it,” Rucker said of his career achievements. “One of my eighth graders was just telling me about what they couldn’t draw something, and I said, ‘Don’t start with the excuses. Excuses are the tools of the incompetent. Don’t specialize in excuses. They’ll lead you nowhere. A lot of people I graduated college with are not working in this field, and when they see me, they always tell me, ‘Man, you made it and I didn’t!’ The only difference between me and them is I never stopped making art.

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“When I worked at the Freep, I was always making art. I never stopped. I tell my students, ‘The thing between you and your dreams is work. And you can’t skip the work.’ I think between social media and influencers, young people think that you can skip the work now. The work is always gonna be the work. I told him, ‘You can fail, just fail forward. And if you have to start over, at the end of the day, it’s just a piece of paper.’ Everything in life is like that: You do the work to get better. I smile when I see kids who cross some kind of barrier they reached with an art project. It makes me happy that they figured it out.”

“The joy,” he said, “is in the work.”

He said finding his calling as a public school teacher has reinvigorated him.

“As an artist, you breathe life into something,” he said. “What I like about my job is watching students breathe life into their pieces every day when I come in here. And just like they do with their pieces, I have to breathe life into them. Belief, confidence — that’s a strong thing to give somebody.

“I wish everybody gave others confidence. The world would be a better place.”

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The 32nd annual Alain Locke Awards will be held Sunday, Feb. 16, at the DIA, 5200 Woodward Ave., Detroit. Tickets are sold out.

Contact Free Press arts and culture reporter Duante Beddingfield at dbeddingfield@freepress.com.



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Man jumps into action to save girlfriend in crash involving teen driver fleeing MSP

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Man jumps into action to save girlfriend in crash involving teen driver fleeing MSP


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At WDIV, we are committed to informing and delighting our audience. In our commitment to covering our communities with innovation and excellence, we incorporate Artificial Intelligence (AI) technologies to enhance our news gathering, reporting, and presentation processes. Read our article to see how we are using Artificial Intelligence.



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Why a Detroit family’s $300 brick repair job turned into a fraud investigation

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Why a Detroit family’s 0 brick repair job turned into a fraud investigation


DETROIT – What started as a seemingly routine home repair quickly unraveled into something far more troubling for one Detroit family.

A man appeared to be posing as a contractor — arriving in construction gear and accompanied by two teens — showed up April 7 at a west side Detroit home, offering to do brick work for about $300. But according to the homeowner’s daughter, the situation started to seem fishy — and expensive — fast.

Tameka Kelly said the trio told her 76-year-old mother they were with “State Line Construction” and began working almost immediately.

“I just felt used and taken advantage of,” Kelly said, looking back at the situation.

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“They kept working — kept putting cement down, I said, ‘you might want to tell them to stop.’ He said, ‘well right now it’s $1129.’ I said, ‘my mother‘s not paying you $1000,’” Kelly said.

At one point, the man even offered to repair the bottom of the home’s wheelchair ramp — something Kelly said her sister, who lives with her mother, relies on daily. But she refused because something just didn’t sit right.

“I gave him the $300,” Kelly said, hoping they would just leave. “I thought, well, he knows where my mom lives. I don’t want him coming back trying to do something to my mom‘s house or something to our vehicles.”

Kelly later tried to confront the man, who identified himself as Brian Lopez, and called the number on the invoice.

“When I called he was like, ‘no no no brickwork no brickwork’ I said, ‘yes you did. You were just here. I said I don’t forget a voice,’” she said.

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But the biggest red flag came when she looked closer at the address listed on the invoice.

The address — 70 West Maple in Troy — turned out to be a McDonald’s.

“I really got upset when I found out that address was to a McDonald’s,” Kelly said.

Initially, Kelly said when she tried to file a report with Detroit police, she said they told her the situation was a civil matter and she could not file one. She then filed a complaint with the Michigan Attorney General’s Office.

Now, Detroit police tell Local 4 they will be taking Kelly’s fraud report, and once that is completed, an investigation will follow.

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State Line initially told Local 4 they were not familiar with a Brian Lopez, then an attorney for State Line construction told Local 4 that, after checking the company’s records, there is no Brian Lopez that works for the company. As a matter of fact, the attorney said, State Line Construction does not do cement or residential construction. He said they focus on electrical work.

Attempts by Local 4 to reach the man going by the name Brian Lopez with the number given were unsuccessful.

Kelly said she felt compelled to speak up to prevent others from falling victim.

“I’m really upset about it, and I don’t want it to happen to anybody else,” she said.

Copyright 2026 by WDIV ClickOnDetroit – All rights reserved.

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Detroit Pistons already facing must-win Game 2 vs Orlando Magic

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Detroit Pistons already facing must-win Game 2 vs Orlando Magic


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How in the world did things get so bad so fast for the Detroit Pistons?

In just one outing in the 2026 NBA playoffs, they went from top-seeded darlings of the Eastern Conference to punching bags punked by an 8-seed short on rest but long on resilience and toughness.

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“I would say they ‘outphysical-ed’ us today,” Pistons wing Ausar Thompson said after the Orlando Magic stole Game 1 of the first-round NBA playoff series, 112-101, at Little Caesars Arena on Sunday, April 19. “One, because they got more rebounds than us. They forced more turnovers.”

Yes, this was always going to be a physical series. Though you would think the Pistons, owners of the NBA’s second-best defense and playing at home, would have a sizable advantage.

It also should have helped them that they were coming off six days’ rest, as opposed to the Magic coming off winning a play-in game just 47 hours earlier.

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It didn’t help that Pistons star Cade Cunnigham was playing in just his fourth game since suffering a collapsed lung and missing 11 games. He scored a game-high 39 points, but he didn’t operate as smoothly as usual, with just four assists (far off his 9.9-assist season average) while committing three turnovers.

Another indictment of the Pistons’ worrisome play: Tobias Harris (19 points) was Cunningham’s only teammate who scored in double digits. Meanwhile, all five Magic staters did so, led by Paolo Banchero’s 23 points on 8-for-15 shooting.

And just like that, the Magic came out firing, scoring 35 points in the first quarter and never trailing.

“Yeah, just that we came out a little too tight, lax, whatever the word is, maybe both for some of us, but just didn’t come out with the right energy,” Cunningham said. “Gave them life further on. And then, you know, we had to deal with that for the rest of the game. We were better in stints, but can’t dig a hole like that.”

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He’s right. The Pistons can’t dig a hole like that in Game 2 on Wednesday night. Because if they do, and they lose, the Magic would not only have homecourt advantage – they got that with Sunday’s victory – but could close out the series without another win in Detroit, with three of the next four games coming in Orlando.

That’s precisely what makes Game 2 a must-win game for the Pistons. It’s bad enough they lost the opener at LCA, where they were 31-9. But now they’ve let the Magic set a hard-edged tone in the kind of the game that could lead them to steal the series.

“I know that they feel great about this game,” Cunningham said. “This was a big win for them. They came in, they handled their business and stole one on the road. That’s what you want to do in the playoff series.

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“So I’m sure that they feel great about that. Obviously, we’re sick about losing this one. It’s a long series, though. There’s no confidence dropped from us. We know that team. They know us. So it’ll be a long, fun series.”

Cunningham might be right, because the Pistons are arguably the better team. They have enough talent and more depth.

What the Pistons don’t have is the advantage of desperation. They had an excellent season from start to finish, closed with a 60-22 record, and wrapped up the East’s top seed on April 4.

The Magic, meanwhile, have been playing with fire (and not always the good kind) down the stretch, while their fifth-year coach, Jamahl Mosley, entered the postseason on the hottest of hot seats after his squad went 0-7 in road playoff games over the past two seasons.

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To make things even worse, the Magic lost the regular-season finale to the Boston Celtics – well, their reserves, at least – to blow their chance at the 7-seed and homecourt in the play-in tournament. Then Orlando lost to the Philadelphia 76ers (on the road, of course) in the first play-in game before beating the Charlotte Hornets (in Orlando) to advance to a best-of-seven series – featuring four road games – vs. the Pistons.

Now, it looks like the Magic have found their form, as they routed the Hornets, 121-90, and stunned the Pistons. And just like that, Mosley went from hot seat to just plain hot.

Banchero wouldn’t go so far as to say the victory set up his team to steal the series, but he didn’t deny it was exactly the kind of start Orlando needed.

“It’s just a good win for us as a team getting it on the road against a great team and 1-seed,” he said. “But at the end of the day, we got to come back Wednesday, you know, reciprocate it, you know?

“They’re not going to lay down. They’re going to turn it up. So we’ve got to be ready for that. And it’s just one-game-at-a-time mentality, you know? That’s what it’s got to be. It’s the first of four.”

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Yes, it’s just the first of four wins the Magic needs to advance. If the Pistons don’t find an answer quickly, the math – and hardly anyone else – won’t be on their side when they head to Central Florida this weekend.

Contact Carlos Monarrez at cmonarrez@freepress.com and follow him on X @cmonarrez.



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