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Bill Gates Isn’t Like Those Other Tech Billionaires

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Bill Gates Isn’t Like Those Other Tech Billionaires

The older he gets, the more Bill Gates is surprised by what the world dishes up.

Take billionaires. There are many now from the tech industry, quite a few with politics that skew forcefully right.

“I always thought of Silicon Valley as being left of center,” Mr. Gates said. “The fact that now there is a significant right-of-center group is a surprise to me.”

Or take the evolution of technology in the decades since he began Microsoft and made it one of the world’s most valuable companies.

“Incredible things happened because of sharing information on the internet,” Mr. Gates said. That much he anticipated. But once social media companies like Facebook and Twitter came along, “you see ills that I have to say I did not predict.”

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Political divisiveness accelerated by technology? “I didn’t predict that would happen,” he said. Technology being used as a weapon against the broader public interests? “I didn’t predict that,” he said.

Mr. Gates is a techno-optimist but he has limits, like cryptocurrency. Does it have any use?

“None,” he said. “There are people with high I.Q.s who have fooled themselves on that one.”

Even artificial intelligence, which Mr. Gates has spoken of enthusiastically, and which Microsoft is heavily invested in, produces a few qualms. “Now we have to worry about bad people using A.I.,” he said. (The New York Times has sued Microsoft and its partner OpenAI over copyright infringement; the companies have denied the claims.)

Mr. Gates, who turns 70 this year, is looking back a lot these days. Next week he is publishing “Source Code: My Beginnings,” which examines his childhood. The first of three projected volumes of memoirs, the book has been in the works for at least a decade but arrives at an unusual moment, as the tech billionaires have been unleashed. Elon Musk, Jeff Bezos, Mark Zuckerberg — their success has given them power that they are enthusiastically, even gleefully, using in divisive ways.

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“Source Code: My Beginnings,” which examines Bill Gates’s childhood, is the first of three projected volumes of memoirs.

Thirty years ago, Mr. Gates created the model for the in-your-face tech billionaire. Microsoft in the 1990s supplied the operating system for the personal computers that were increasingly in every home and office, and the company had big plans for this new thing called the web. Mr. Gates and his company were perceived as powerful, ruthless and ubiquitous. Silicon Valley was terrified and even regulators were alarmed, suing Microsoft.

The anti-Microsoft sentiment in popular culture peaked with the 2001 movie “Antitrust,” about a tech chief executive who murders people in his quest for world domination. Reviewers underlined the allusions to Mr. Gates, although they largely panned the film.

The ire is long gone and Mr. Gates has no recollection of “Antitrust.” Among billionaires who generate strong emotions, he said with a hint of relief, “I’m not at the top of the list. The current tech titans would elicit a stronger negative reaction.”

He is a counterpoint to the moguls in the news. “We don’t have a club,” he said. “Nor do we have consensus. Reid Hoffman” — the co-founder of LinkedIn, a Microsoft board member and vocal supporter of former Vice President Kamala Harris — “is a billionaire. You can ask for his point of view. He’ll be glad to critique.”

Mr. Hoffman, who The Times reported in November was considering leaving the country after Ms. Harris’s election loss, did not respond to emails asking for his point of view. But plenty of others in Silicon Valley are watching the transformation of the billionaires into would-be overlords with a horrified fascination.

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“It’s a steady subject of dismal conversation around here,” said Paul Saffo, a longtime tech forecaster. “The consensus is that Bill Gates looks sainted compared to the awfulness afoot.”

When we talked a few weeks ago, Mr. Gates was sitting on the other side of an office table in a rented suite in Indian Wells, Calif., next to the resort town of Palm Springs. Why were we here? It was cold in Seattle, still Mr. Gates’s home when he is not on the move. That was reason enough.

Despite giving many billions of dollars to the Gates Foundation, his philanthropic juggernaut, Mr. Gates remains the 12th-richest person in the world, with personal wealth of over $100 billion, according to Forbes. But his physique isn’t jacked, he does not have his own rocket fleet, and he seems eager to point out that he does not have all the answers.

After we spoke, Mr. Gates was going to President Carter’s funeral. President Carter was an inspiration and a partner; Mr. Gates’s foundation became a big funder of the Carter Center.

In some respects, they resembled each other. Mr. Gates and Mr. Carter each had two distinct careers, both of which took place in the public eye over years. After Mr. Carter was president, he spent more than 40 years doing good works at home and abroad. That second act tended to be reviewed more favorably than the first.

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So too with Mr. Gates, although his divorce from Melinda French Gates in 2021 was a decided setback for his reputation. There was also an unseemly relationship with the disgraced financier Jeffrey Epstein.

“In India, Japan, China, the American dream is a vaunted thing, of which I am sort of an example,” Mr. Gates said. “And then there’s people who think there shouldn’t be billionaires. There’s people who think I use vaccines to kill children. There’s quite a range of opinions.”

Mr. Gates is the opposite of the reclusive billionaire hidden away on his estate. He recently brought out his second Netflix series, “What’s Next? The Future With Bill Gates.”

The fourth of the five episodes, “Can You Be Too Rich?” had people, including Senator Bernie Sanders, the democratic socialist from Vermont, saying definitively yes. It was a mild but real form of self-criticism that few other billionaires would subject themselves to.

Working on the show didn’t change his mind, though. “Should we outlaw billionaires?” Mr. Gates asked. “My answer to that, and you can say I’m biased, is no.”

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But he supports a tax system that is more progressive. Every year, he adds up the taxes he has paid over his lifetime. He figures he has paid $14 billion, “not counting sales tax.”

Under a better system, he calculates, he would have paid $40 billion. Released in September, “Can You Be Too Rich?” already seems from another era. The answer to Mr. Gates’s question, in an administration staffed by billionaires, is no.

Mr. Gates tries to be nonpolitical but he thought the consequences of the 2024 election were so significant he got involved financially for the first time. He gave $50 million to Future Forward, the principal outside fund-raising group supporting Ms. Harris, The Times reported in October. He didn’t talk publicly about it then and won’t now.

After our conversation, it came out that he had a three-hour dinner with the president-elect at the time, Donald J. Trump, about world health challenges like H.I.V. and polio. “He showed a lot of interest in the issues I brought up,” Mr. Gates told The Wall Street Journal.

This week the Trump administration created confusion over whether it would stop disbursing H.I.V. medications bought with U.S. aid. A spokeswoman for Mr. Gates declined to comment.

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“I will engage this administration just like I did the first Trump administration as best I can,” Mr. Gates said in our interview.

Writing an autobiography is another way Mr. Gates is different from his peers, few of whom seem so introspective. His childhood, in an upper-class enclave in Seattle in the 1960s and early 1970s, is not inherently dramatic.

“A lot of people have the story of what a tough childhood they had, and how that is partly why they’re so competitive,” he said. “I don’t have that.”

What he did have was his mother, Mary Gates. She was remarkably accomplished in an era when most upper-class women were encouraged by society to stay home. The first woman president of King County’s United Way, she later was on the board of the United Way of America; in 1983, she was the first woman to run it.

“She was almost too intense for me,” Mr. Gates said. His father, a lawyer, was more removed but was drawn into the battle of wills.

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There was a period when Bill — he was in sixth grade — was supremely difficult. “I could go days without speaking, emerging from my room only for meals and school,” he writes in “Source Code.” “Call me to dinner, I ignored you. Tell me to pick up my clothes, nope. Clear the table — nothing.”

“I was provoking them,” he said in our interview. “I didn’t think they had any logic for why I had to show respect for them. My mom was pretty pushy about ‘Eat this way,’ and ‘Have these manners,’ and ‘If you’re going to use the ketchup you have to put the ketchup in a bowl and have to put the bowl here.’ She thought of me as pretty sloppy. Because I was.”

It was not really about the ketchup, of course. “I didn’t have any negative feelings toward her but I could pretend to not care what she said in a way that definitely irritated her,” he said. “What was I trying to prove?”

Parents then could not keep tabs on their children if the children were determined. His sister Kristi, he remembers, “was wary of what might go wrong. Whereas I’m like, ‘Hey, what could go wrong?’” Bill spent much of his time programming, often sneaking away at night.

Then something did go wrong, at the end of his junior year in high school. His best friend, Kent, was mountain climbing, fell and died.

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“It was Kent being an independent thinker, pushing his limits,” Mr. Gates said. “His parents worried about him and he was not naturally coordinated. And yet he seemed to be enjoying it and they didn’t stand in his way.”

What Mr. Gates learned from the tragedy was that life can be unfairly bad as well as unfairly good. He was very lucky; Kent was very unlucky.

Mr. Gates said that if his teenage self were diagnosed now, he would probably be told he was on the spectrum. Maybe his mother intuitively understood what he needed. “I wanted to exceed her expectations,” he said. “She was pretty good at always raising the bar.”

Raising the bar is what he consistently did when he and his friend Paul Allen started a company in Albuquerque in 1975 to produce software for the Altair 8800, a rudimentary personal computer. Mr. Gates was barely out of his teens. He soon moved the fledgling operation to the Seattle area, closer to his mother.

Stewart Alsop covered Mr. Gates when he was the editor of InfoWorld, an influential tech magazine of the era. “Bill gave the privilege of having dinner with him solo in Seattle every six months; the price was always coming up with something he hadn’t thought of,” Mr. Alsop said. That was easy as “he had a hard time seeing the world outside of his life.”

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If Mr. Gates is on the spectrum, he now thinks it gave Microsoft an edge. “I didn’t believe in weekends; I didn’t believe in vacations,” he once said. He knew the license plate numbers of his employees so he could check if they tried to go home. It was a model for thousands of tech start-ups to come.

“Source Code” ends with the beginning of Microsoft. Spreadsheets, databases and word processing were primitive tools, but users got an edge in productivity. The future would be better. “We really didn’t see much downside,” Mr. Gates said.

He kept his optimism for a long time. In 2017, he reviewed the book “Homo Deus,” by the Israeli philosopher Yuval Noah Harari. Mr. Gates took issue with the author’s warning about a potential future where the elite upgrade themselves through tech and the masses are left to rot. “This future is not preordained,” Mr. Gates wrote.

Now he is reading Mr. Harari’s latest book. “Nexus: A Brief History of Information Networks from the Stone Age to A.I.” is a critical analysis of our reliance on technology.

“Every smartphone contains more information than the ancient Library of Alexandria and enables its owner to instantaneously connect to billions of other people throughout the world,” Mr. Harari writes. “Yet with all this information circulating at breathtaking speeds, humanity is closer than ever to annihilating itself.”

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Mr. Gates took “Nexus” personally. Mr. Harari “makes fun of people like myself who saw more information as always a good thing,” Mr. Gates said. “I would basically say he’s right and I was wrong.”

(Mr. Harari was unavailable for comment because he was attending a meditation course.)

To be clear, Mr. Gates is not apologizing. He remains a believer in the power and goodness of tech. But for all he resisted them initially, his mother’s lessons are evidently still with him. Mind your manners. Try and do good. And try not to get carried away.

As a billionaire, other people invest you with huge powers, Mr. Gates said. Because you are successful in one sphere, he mused, “they think you’re good at lots of things you’re not good at.”

It almost sounded like a warning.

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Audio produced by Patricia Sulbarán.

Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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