Arizona baseball had won five of its last seven games, which included three road wins, entering Friday evening’s matchup with Kansas State.
Arizona
No. 21 Arizona GymCats open Big 12 competition with 1st regular season win over ASU since 2016
TEMPE—The No. 21 Arizona GymCats last defeated rival Arizona State during the regular season on Feb. 22, 2016. They also outscored the Sun Devils in the 2017 Pac-12 Championships. It’s been all ASU since then.
Those days are over. Arizona defeated ASU by almost a full point. The final score was 196.650 to 195.725, a huge gap in NCAA gymnastics. It was a huge opportunity for the program, and the GymCats seized it.
“Dual meets, it’s really hard (to win),” Arizona head coach John Court said. “We knew that to come up here in this environment…that we needed to do our best performance. We went 24 for 24, which was great. We had season highs in three of the events, which you got to play at your best on the biggest stage. And we went ESPN2 live across the country and showed our program off. That is amazing. You don’t get a lot of opportunities like that to show the A across the nation for women’s gymnastics. Get your first Big 12 win. Get a Territorial Cup point.”
ASU has not had a strong start to its season. The Devils came in ranked lower than Arizona in bars and beam, both by significant amounts. On floor exercise, ASU is ranked 25th to Arizona’s 26th. On vault, the advantage was No. 26 to No. 33. That had the Devils ranked No. 34 overall, well behind their in-state rivals.
Arizona took the lead from the jump, going up 49.175 to 48.825 after the first rotation and never looking back. The GymCats broke 49 points on all four rotations. ASU had a 49+ on bars and beam but was below the mark on floor and vault.
Vault was a deciding factor in the meet. In the past, the GymCats often gave up several tenths on the event because they don’t perform any vaults that start from a 10.0. This year, it was an even match as ASU performed a slate of 9.95 vaults, as well.
Arizona had five vaults that scored at least 9.800. Even the low score of 9.775 is often a score the GymCats would keep. On Sunday afternoon, it was the score they dropped. Meanwhile, the Sun Devils had just two vaults break 9.800. Arizona sophomore Abigayle Martin won the event with a 9.875.
“We don’t have any 10.0 vaults so we have to be clean and we have to land,” said Arizona assistant coach Shelby Martinez. “I think knowing that we are at a disadvantage because our ceiling is lower than every other event that we do, but that’s okay. It doesn’t have to be a disadvantage to our total team score. It’s just important going in. We know what we have to do.”
Martin is one of three GymCats performing the all-around this season and has really taken to the role. She finished third of five gymnasts with a 39.325 on Sunday but gave Arizona scores it could use on all four events.
“I love it,” Martin said. “It’s definitely been my dream since I was a kid, to come in and do everything in college. So that’s been great. I actually prefer it to last year, when I would did like two or three, because there’s no waiting. It’s just go, go, go. And I think that that’s great for me because it’s less time to think. And I’m someone who does better just kind of being relaxed and settling in and going.”
Senior Emily Mueller won the all-around for the second time this season. She did it with a career-high 39.425. The 9.775 on vault was her lowest score of the day. She went for a 9.825 or better on the other three events and won the balance beam with a career-high score of 9.925.
The beam was where Arizona put a bow on its wire-to-wire victory. The teams went into the final rotation with Arizona leading 147.375 to 147.000. After both leadoff gymnasts went 9.800, ASU ran into its first problem.
Sun Devil gymnast Sarah Clark scored 9.450. With Gianna Lenczner scoring 9.775 on the beam for Arizona, it was imperative that the Sun Devils drop that score.
Things got more difficult when Mueller put up her 9.925 in the third spot. On floor, ASU responded with a 9.775 from Halle Braaflat, its third gymnast.
Another huge setback followed for ASU. Lilia Purler stepped out of bounds on one of her tumbling passes and ended with a 9.600. While there was still a possibility of dropping Clark’s 9.450, it meant that Purler’s score would have to count.
Things got even better for Arizona with its fourth gymnast on beam. Sophomore Tirzah Wise, who was inserted into the beam lineup for the first time in her career last week, scored a 9.900.
“When Emily went 9.95, that was big,” Court said. “Tirzah going 9.9, too. Career high, career high, back to back. It was a great way to close out the competition.”
When Kimberly Smith scored a 9.700 on floor and Martin countered with a 9.850 on beam, the meet was essentially over. Elena Deets didn’t have her best routine to anchor the beam for Arizona, but she made it mathematically impossible for ASU’s Emily White to score high enough for the Sun Devils to overtake the GymCats.
The GymCats got season highs on every event except floor exercise. Their overall score was also a season high.
Arizona improves to 7-1 on the season and moves up to No. 20 in the rankings. While overall records are not hugely important in college gymnastics, being 1-0 in the Big 12 and landing in the top 20 nationally are important.
Conference standings determine which teams will be in the second session of the league championships at the end of the year. That session tends to get bigger scores even when routines are similar to those performed in the early session. The average of certain season scores will determine which 36 teams advance to NCAA Regionals.
“I think it means everything, and I think that this team is so invested in one another and invested in Arizona gymnastics that it just makes perfect sense,” Martin said. “Like, why not us? I think that coming into the year, we knew that this one would be a harder one. I think we have an underclassmen-dominant class. There’s 12 freshmen and sophomores, so we knew that we’d really have to bond together to come and do something like this. And it’s really great to see us come together and win.”
Lead photo courtesy of Arizona Athletics
Arizona
Detroit Lions NFL Draft Injury Report: Arizona State CB Keith Abney
Due to significant injuries to the CB position last year which includes a shoulder surgery for Terrion Arnold, the Lions CB position scored a 6/10 need on my Lions Defensive Draft Need Rankings. Thus, an early-round selection of a young, healthy prospect like Keith Abney would not come as a surprise. He enters the draft with very low medical concern level.
Here is the excerpt from my medical report on Keith Abney:
(Ages in parentheses are at start of 2026 season and are factored into the concern level. Injury info and ages based on available public information are unverified and subject to update. Games played data courtesy of sports-reference.com.)
Keith Abney, CB (21) – Arizona State
Projected round 2-3. #43 on Jeff Risdon board Feb 19.
Concern level 0/10
There is an isolated report of a hand injury but no corroborating information. Even if the hand injury is true, that’s of minimal to no long-term concern.
His availability in his final two seasons has been perfect. Overall, Abney appears to be medically clean and is at an excellent age.
He finished college with 6 INT and 21 PBU.
For more Lions coverage, follow us on X, @TheLionsWire, and give our Facebook page a like. Follow Jimmy on X, @JimmyLiaoMD
Arizona
Arizona baseball drops low-scoring series opener to Kansas State
In the first game of the series, Arizona (14-23, 5-11 Big 12) battled in a low-scoring affair but fell short in a 2-1 loss to Kansas State (24-12, 8-8 Big 12). The Wildcats from Tucson held the Wildcats from Manhattan at bay for a good majority of the night.
Given that Kansas State leads the Big 12 in conference play in batting, on-base percentage, and slugging, Arizona had a rather good performance, but it was not enough.
Owen Kramkowski pitched seven scoreless innings before allowing the first Kansas State run in the top of the eight. He finished with six strikeouts and kept the high octane Wildcats at bay.
“I thought the defense played well behind him too,” said head coach Chip Hale. “There’s a lot of ground balls, and we made plays where we were positioned in good places, and he was pitching in the eighth inning. That’s unbelievable.”
Garrett Hicks (3-1) came in to try and stop the bleeding for the Wildcats and did so by not allowing Kansas State to take the lead in the eighth. It was in the ninth when the lead was surrendered.
It took until the sixth inning but the first run was scored by Arizona. Andrew Cain singled to left field and after Maddox Mihalakis flew out, it was Beau Sylvester bringing Cain home with a triple through right center field.
Sylvester extended his hitting streak to eight games and it proved to be not enough to get Arizona to the finish line.
Kansas State tied the game at the top of the eight when back to back singles got runners on at first and third. Then a passed ball allowed the third base runner to come home.
Arizona had a chance to retake the lead in the bottom of the ninth after Cain singled to deep right field. With Sylvester back at the plate, it seemed like it was a perfect set up.
A wild pitch nearly got past Kansas State and Cain tried to take advantage of it and steal home. However, Kansas State was able to corral the pitch and get Cain out at home.
AJ Evasco started the ninth inning with a double for Kansas State and back to back fly outs eventually got him home to give Kansas State the lead and the win.
With eight players being left on base, Arizona will need to bring those runners in more often than not if they want to tie the series Saturday afternoon.
As a young team, the Wildcats have had to walk a very tight line between disappointment and dejection and will need to continue handling these losses with grace if it wants to turn a corner.
“It’s the way it goes, it’s baseball,” said Hale. “If we don’t handle it, we will come out tomorrow and won’t be ready to go, so hopefully they handle it.”
Arizona
Hair shows are a staple of Black culture. This Arizona competition is in its 4th year
Over the last 75 years, hair shows have become a staple of Black culture in the U.S. These events celebrate textured hair through the creative, and often sculptural, styling of centuries-old techniques like braiding and barbering.
The biggest hair shows in the country take place in cities with a much larger Black population than Phoenix — like Bronner Bros. in Atlanta, which can bring in around 30,000 people semi-annually.
But as the Black community here grows and newer Arizona residents bring the culture with them, hair shows have started to pop up in town.
The fourth annual Arizona Fantasy Expo Hair Show will return Sunday in Phoenix.
Show producer Athena Ankrah attended the third annual Fantasy Expo Hair Show in Phoenix last April, and shares what she saw.
About 200 people crowd La Princesa event hall in north Phoenix on a Sunday evening in 2025. Music blasts from speakers on either side of a stage and flows into the dance floor below. There are people of all ages here. Most attendees are dressed in white, to match the all-white ball theme, but there’s no shortage of color atop models’ heads.
Lauren Jackson, 20, just graduated from a barber school in Phoenix.
We’re watching a competition between two barbers — who can shave the cleanest tapered fade the fastest — when she tells me her plans for the event she’s competing in: the loc battle.
“So I made a basketball hoop out of locs,” Jackson said.
Hair shows give local hair stylists, barbers and braiders the chance to show off their creative talents through showcases and competitions.
Some stylists had been working on their entries for more than a year leading up to the Fantasy Hair Expo. But that wasn’t the case for Jackson. The event’s organizers promoted the show at Jackson’s barber school shortly before that day.
“I’m like, OK, bet! … Mind you, this was a week before the hair show,” Jackson said.
Hair shows are a Black American tradition dating back about 75 years. The creative hair styling can be so eccentric, it’s almost performance art.
Because it’s not just the hair style on display. It’s a message conveyed through clothes, and sometimes choreography. And a chance to delight in hair textures and styles that have historically been a target of discrimination.
“A lot of us are like really creative and they’re styles that you just can’t do on a daily basis. So the hair show just kind of gives you the platform to just have fun with it, you know, just be really artistic,” Aisha Wesley said.
Wesley is a cosmetologist who organized the event with fellow cosmetologist and friend LaTricia Williams.
“I definitely think that the hair show is empowering to the community because it’s like, if nobody else accepts us, we accept us, right,” Wesley said. “I’ve had clients before that have had to come back and get their hair redone because their job was like, ‘you can’t wear that.’ You know? the hair show just kind of gives that freedom …”
“I can wear whatever I wanna wear,” Williams said.
That freedom and ingenuity was on display at the show.
Now, seeing 40 inches of dollar bills sewn into the bottom of a pixie haircut would have been enough.
But the same stylist, Cherie Nelson of Majestik Handzz Beauty Demand in Mesa, put together a whole crew of models with ’90s-inspired streetwear and exuberant hair to match.
Nelson put one model in vivid bubblegum pink afro puffs, and another with huge headphones over her ears — made entirely of braids.
And for the finale: A young woman crawls on stage, covered in wigs. She’s wearing crimped wigs from head to toe. Underneath, the leather catsuit, knee-high boots and afro wreath around her face gives her a sort of Janet Jackson lioness look.
She stalks downstage, rises to her feet and pulls the lion’s mane onto her shoulders to reveal bantu knots: sleek sectioned hair twisted into knots, a protective style dating back to Zulu women in South Africa.
The crowd is loving it.
“She went from hoodie, to a lion’s mane, to a jacket, to Catwoman – how do you do that?” the host said.
Finally, it’s time for Lauren Jackson’s event — the loc battle.
It’s all about who can craft the most creative and colorful style out of locs and accessories, with extra points for technique and details.
For the uninitiated, locs aren’t always dreadlocks. The term often refers to a more structured twist or coiling of hair rather than the Rastafari-style organic loc-ing of hair.
Loc specialists — also called locticians — can build their styles ahead of time, but on competition day they only have 30 minutes to attach everything to their model’s head and make any finishing touches.
“Y’all ready? Get set! Go!” the host exclaimed.
Anna Holly drove from San Francisco the night before to compete with her mom as her hair model.
“It was about 12 hours. But it wasn’t bad,” Holly said while laughing.
Despite the time constraint, Jackson’s entry is not insignificant.
She super-glued, painted and shaped synthetic hair onto a basketball hoop with about a foot tall backboard.
“So I bought a box of those, the sandwich bags, and I’m like, ‘well, I can use this.’ At Dollar Tree, they also had a hoop already made. So I basically wrapped the whole thing with locs,” Jackson said. “Then I took some orange loc hair and I wrapped that with the rim. And then I took some silver grayish lock hair as well for the, the net to the basketball hoop.”
“It was so hard, I’m not gonna lie. I stayed up like day and night trying to figure it out between school,” Jackson said.
And it’s functional, too — she brought a teeny tiny basketball to prove it.
“Now, if Steph Curry come out of there and shoot a 3? You won!” the host said.
Another loctician, Elisha Davis, has built a sea goddess look that’s essentially a huge halo of locs sticking straight up. It’s woven with seashells. The stylist and her model have matching glittery siren makeup. The design is minimal enough that you can really see the details.
“She sells seashells by the seashore. … Aphrodite ain’t playin’!” the host said.
And Holly is installing a replica of a famous landmark on her mother’s head.
“Is that traffic on her head, y’all? … It’s the Golden Gate Bridge!” the host said to cheers from the crowd.
Yes, the Golden Gate Bridge, made entirely of hair.
“I’m like, dang, I didn’t even know that was possible, y’all! And she had cars on the bridge!” Jackson said.
Master loctitian and cosmetologist Jai Davis is this event’s judge.
“I’m looking for detail, creativity. … I like integrity more than flash. I like skill more than flash,” Davis said.
It was a tight race. But a winner and runner-up are announced.
“This one was super, super hard, we had to go all the way down to details. We had to look at edges and fresh retwists because the creativity in this competition was so cold,” Davis said. “So, because we had to go down to detail and crispy edges. … We gon’ give it to the Golden [Gate] Bridge!”
So Jackson’s basketball hoop didn’t win.
But despite that, she said, “it was so worth it. If I can go back, I would do it all over again.”
And next time, she’ll be ready.
“Oh my God, I’m gonna do so much more next year. Oh my goodness, I can not wait for next year. ‘Cause I’m gonna do so much more,” Jackson said.
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