Culture
Learner Tien and Alex Michelsen’s Australian Open is a milestone for American’s men’s tennis
MELBOURNE, Australia — Across seven hours on Friday afternoon, the Australian Open morphed into an American tennis trout farm.
It was nearly impossible to watch a singles match without seeing a red, white and blue flag on the scoreboard, as two early-twenty-somethings and one teenager who looks even younger than his 19 years rumbled through the men’s draw and into the second week.
Did anyone have two Orange County boys, Learner Tien and Alex Michelsen, tearing into the round of 16?
They didn’t.
“I was down a set and a break in the first round of qualies,” Tien, the teenager in the group, said after he had dusted Corentin Moutet of France in three sets. “To now be in the second week feels a little crazy,” he added.
Michelsen had got there first, putting out No. 19 seed Karen Khachanov in three sets.
Wins for American women sandwiched all this, with Emma Navarro getting through to the second week in her third consecutive three-set win to the start of the day. Madison Keys got there to end the night, beating friend, compatriot and Australian crowd favorite Danielle Collins.
All that was a little less surprising. Keys and Navarro have been there before, as has Coco Gauff. Tommy Paul’s best Grand Slam result came in Australia when he reached the semifinals in 2022, and he joined Gauff, Keys and Navarro with a routine win over Roberto Carballes Baena the previous day. Paul and Gauff then kept the American mojo rolling even further, winning their fourth-round matches over Alexander Davidovich Fokina and Belinda Bencic.
Tien, 19, and Michelsen, 20, who will try to keep the vibes alive Monday in Melbourne, are on a rise that is the opposite of that. Michelsen has some past form: he made the third round in Melbourne last year and he has won a couple of first-round matches at the U.S. Open in the last two years — but not like this, knocking off two top-20 players in three matches.
Tien, a two-time national junior champion, had played two Grand Slam main draw matches before this week, a four-set loss to Arthur Fils at the 2024 U.S. Open, and a three-set loss to Tiafoe the year before. The third time was the charm. He beat Camilo Ugo Carabelli of Argentina in five sets
Then the draw handed him two matches against the arch antagonists of the ATP Tour, less a baptism of fire than a mind-bending trip into twisting shots, beguiling spins and the dark arts of tennis with the big boys. Tien took on fifth seed Daniil Medvedev for five sets and nearly five hours in a match that ended not long before dawn. Then came Moutet, who at two sets down reminded Tien that he still had to win a third one, which Moutet played as though hobbled by a hip injury on some points while scrambling across the court at full speed on others. Interesting times for a Grand Slam newbie.
“I didn’t really know what was going on with him,” Tien said in his news conference, still with one foot in the washing machine.
Add in Ben Shelton’s four-set win over Lorenzo Musetti, the Italian who had beaten him two times out of two, and a remarkable statistic appears: this is the first Grand Slam since 1993 with three American men under 23 in the second week. Tien and Michelsen are also the first pair of American men aged 20 or younger to reach the third round at a Grand Slam since the 2003 U.S. Open when Andy Roddick and Robby Ginepri, Michelsen’s coach, did it.
It was America’s two most recent major finalists, Taylor Fritz and Jessica Pegula, who found the fourth round a bridge too far. Gael Monfils produced an immaculate four sets to knock out Fritz; Olga Danilovic produced two of the same to take out Pegula.
Yes, it’s a bit weird. But maybe it’s explainable.
GO DEEPER
What Andy Roddick, the last American man to win the U.S. Open, did next
In mid-November, Michelsen and Tien were banged up. The two close friends, who play Fortnite together in their spare time and who have trained at the same Orange County tennis academy for the past four years, had just ended long seasons. They had the usual menu of sore joints from hitting too many balls for too long.
They didn’t boot up the console.
“They basically put the rackets down for two weeks and went to work,” Rodney Marshall, the Southern California tennis fitness guru who has been working with Michelsen the past year, said during an interview from Los Angeles Saturday.
Everyone calls Marshall ‘Rocket’. He’s one of those experts in sporting torture that American tennis players have trusted with making them faster and stronger and more durable for 15 years.
Marshall, Michelsen and Tien worked together twice a day, six days a week at the academy in California where they have trained together the past four years — and on the sands of Aliso Beach, Calif.
They only had a small window and they needed to figure out what sort of incremental gains they might be able to make. They wanted to gain strength in their lower bodies and fine-tune their movements, so they could get in and out of the corners of the court faster — an essential skill these days.
Tien, who’d missed three months during the first half of the year with a cracked rib, needed some more leverage from his left leg — his back leg on a forehand — to maximize the power he could unleash from his 5ft 11in (180cm) frame. Michelsen, who is 6ft 5in, needed to get better at lowering his center of gravity and finding power from a squatting position.
Life became an endless series of isometrics and plyometrics. The isometrics (holding positions for long stretches) strengthen muscles and tendons; the plyometrics (jumping) build explosiveness.
Saturdays, they went to the beach — to do sprints. Marshall brought an American football and sent them on passing routes across the sand, with one acting as the wide receiver and the other as the cornerback.
“It was almost like they were cramming,” he said of Tien and Michelsen. “They really embraced the suffering.” If that line sounds familiar, it’s for good reason: four-time Grand Slam champion Carlos Alcaraz, 21, credited finding “joy in the suffering” for his French Open title last June.
Pretty soon, Tien was getting a little more oomph when smacking a tennis ball down the line. Michelsen was getting himself into a ground-level contortion and telling Marshall he could stay there all day. “I love it down here,” he’d yell.
“It’s a constant battle every day,” Michelsen said in an interview after his third-round win over Khachanov, his second win over a seed in six days.
“I look at Marin Cilic. He was like 6-6, and he was always so low. I’ve been trying to replicate that.”
Alex Michelsen’s explosiveness from the ground has been key to his run in Melbourne. (Adrian Dennis / AFP via Getty Images)
On the other side of the country, in Florida, Paul was going through a fitness block of his own with Fritz before the latter headed to southern California for tennis training. Frances Tiafoe, Reilly Opelka, Jacob Fearnley and several other pros were with Paul in Florida.
“A good group,” said Paul, who often talks NFL and NBA with Michelsen in the locker room. “He’s a crazy good competitor,” he said of Michelsen.
Paul said during an interview Friday that he is determined to play matches on his terms in 2025. He wants to move other people around this season, and not be the one getting moved around as much. That always seemed to happen last year when he ran into Alcaraz and Jannik Sinner. His fast-paced, front-foot tennis could hurt them for a little while. He won a set off Alcaraz at Wimbledon and went up 4-1 up on Sinner at the U.S. Open. But then they would force him behind the baseline, and out of the contest.
“Carlos moves unbelievably well when he has to, but if you look at him when he’s playing his best tennis, he’s dictating,” Paul said.
Shelton was in Orlando, doing his own thing. He was trying to figure out how to go from being a below-average returner to someone who can get free points on his serve while stopping other guys from getting free points on theirs.
GO DEEPER
Ben Shelton, serve savant, wants to talk about the return
From the pre-dawn hours Friday, when Tien was beating Medvedev in a match that ended at 2:56 a.m., until sunset Saturday, when Shelton bested Musetti in a fourth-set tiebreaker, the 23-and-under trio showed that the training was worth it.
Tien got back to his hotel after 4 a.m. He ate cold, stale pizza, and didn’t fall asleep until just before 7 a.m. He slept till about 1:30 p.m. before making his way back to Melbourne Park, where he hit tennis balls basically standing still for 45 minutes and endured massage and physiotherapy for five hours.
He was dead asleep by 11 p.m. “That was much needed,” he said.
Then he filleted Moutet, doing to the Frenchmen what Moutet had done to so many others over the years, minus the dark arts of delay and distraction.
“Incredible effort from him today,” Tien’s coach, Eric Diaz wrote in a text message. “Body was not doing well. Impressive mental rebound as well.”
Learner Tien’s court craft has tied his opponents in knots. (Daniel Crockett / AFP via Getty Images)
Shelton had some rebounding to do as well. He’d watched his two losses against No. 16 seed Musetti over and over, reliving the Italian rolling a series of backhand passing shots down the line. Tied at 5-5 in a fourth-set tiebreak, Shelton hit an awful drop shot that sat up for Musetti’s fearsome running backhand. The point looked lost, but Shelton knew what to expect. He covered the line, stabbed a volley into the open court and served out the match.
He’d spent the afternoon keeping an eye on the other matches, especially Michelsen.
“Me and Alex are boys,” Shelton said in his news conference.
“I’ve texted him and told him he’s a dog after every match that he’s won because it’s true. He is a dog. He’s going to be towards the top of the game very soon.”
With Shelton watching on, Michelsen effectively sealed his win over Khachanov with three huge points in the second-set tiebreak. All of them had roots in the off-season training block. He won the first with a curving 108mph second serve, a product of the leg strength and jumps. He took the second after sprinting to a ball outside the tramlines and whipping a forehand down the line. He won the third with his bread and butter, a powerful backhand down the line — with a little extra pop from all those medicine ball throws with Marshall and Tien.
As for Tien, Shelton can see a kindred spirit in his fellow left-hander, despite their diametrically opposite styles. Tien’s game is all about changing pace, floating balls deep to the backcourt and then suddenly attacking. His tennis is nothing like Shelton’s full-frontal assault, but Tien is breaking through here, out of nowhere, two years after Shelton did on the same courts.
“Not a bad place to have a breakthrough,” Shelton said. “On top of all the guys that are already at the top in the U.S., we have a lot more coming. It’s really starting to show itself.”
Indeed it is. The trout farm, a lot easier to create in a wealthy country with more than 300 million people, is doing what it is supposed to do. There were 33 Americans across the singles draws, more players than any other country. As the tournament moves into the quarterfinals, there are already two with safe harbor and potentially four more on the way.
Now comes the hard part: breaking the tape at the finish line as Gauff did in New York 16 months ago. That doesn’t require a trout farm. It requires a unicorn — and there are no farms capable of producing those.
(Top photo: Peter Staples / ATP Tour)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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