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Convicted 'American Nightmare' rapist pleads guilty to two more home invasions

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Convicted 'American Nightmare' rapist pleads guilty to two more home invasions

Matthew Muller, the notorious kidnapper whose most infamous crime was detailed in the Netflix documentary “American Nightmare,” appeared Friday in court and pleaded guilty to two additional crimes.

Wearing a brown Santa Clara County jail uniform, Muller, 47, replied with a taciturn series of “yes” answers as Superior Court Judge Cynthia A. Sevely confirmed he was admitting guilt in two home invasions in 2009. In both cases, Muller broke into homes in the early hours, bound his female victims and attempted to drug and sexually assault them.

In total, Muller is now suspected or convicted in at least six violent crimes, beginning when he was 16.

“This extremely dangerous person left a trail of traumatized and terrified victims,” Dist. Atty. Jeff Rosen said. “It took the collective courage of his victims and determined law enforcement officers to stop him. This nightmare is over.”

The Santa Clara charges against Muller came about as a result of the work of an unlikely team of law enforcement officers and the two victims in the Vallejo case, Denise Huskins and Aaron Quinn. Over the last 10 months, the pair said, they obtained clues about the crimes — and even confessions — from Muller before approaching local authorities with jurisdiction in the incidents.

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“We knew there was more to this from the beginning, and clearly how things were handled from the beginning led to a lot of errors,” Huskins said in an interview last week. “We didn’t really have anyone in law enforcement that we trusted and we felt were doing this case justice.”

The first Santa Clara County incident took place on Sept. 29, 2009, when a Mountain View woman in her 30s told police she awoke to find a man on top of her. According to a description of the case from the Santa Clara County district attorney’s office, Muller demanded she drink a medicated beverage, then tied her up and said he was going to rape her.

The woman was able to persuade him to stop his assault, according to the district attorney’s office. Before leaving, Muller allegedly told her that she should get a dog for protection.

About three weeks later, on Oct. 18, 2009, a woman in nearby Palo Alto awoke to find Muller on top of her, according to the district attorney’s office. He tied the woman up and forced her to drink Nyquil.

Again, the woman was able to persuade him to stop, according to prosecutors. And again, before leaving, he gave the woman “crime prevention advice,” according to the district attorney’s office.

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Last week, Muller was also charged in another new case, in the Contra Costa town of San Ramon, after authorities examined evidence brought to light through Huskins’ and Quinn’s investigative efforts.

After “American Nightmare” came out, Huskins and Quinn were contacted by an unlikely ally: the police chief in the Monterey Bay town of Seaside, Nick Borges. He had seen the documentary and wanted to help.

That Borges had nothing to do with the case didn’t stop him from becoming involved. He invited Huskins and Quinn to speak to law enforcement in Seaside to share their belief that police interrogation methods that focused on Quinn’s guilt had sent the investigation down the wrong road.

Borges also persuaded the detective ultimately responsible for Muller’s arrest, Misty Carausu, to come.

The four met with El Dorado County Dist. Atty. Vern Pierson, who has jurisdiction in the county where Huskins was held captive — and the seeds of a new investigation were planted.

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At lunch after the law enforcement conference, Huskins and Quinn told Borges about their frustrations, and a desire to reach out to Muller personally to seek answers. But the couple feared that could present risks. Borges offered to write Muller on their behalf.

Muller wrote back, giving details of other crimes and even legal declarations with confessions.

Armed with the new information, Pierson, who had been working with the FBI and other agencies, in November traveled to Tucson to interview Muller in person. Over two days, according to Pierson, Muller shared more details, including information on a Northern California attack he claimed to have committed when he was 16. That case is still under investigation, Pierson said.

Attorney Anthony Douglas Rappaport, left, speaks at a 2016 news conference with clients Denise Huskins and Aaron Quinn. The couple reached a $2.5-million settlement with the city of Vallejo after police falsely accused them of fabricating Huskins’ kidnapping.

(Sudhin Thanawala / Associated Press)

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In Huskins’ case, which the Netflix documentary is based on, Muller broke into her Vallejo home in March 2015 and drugged and bound her and her then-boyfriend, Aaron Quinn. Muller blindfolded them with swim goggles and gave them medicine to make them sleepy. He put headphones on Quinn and played recordings designed to make Quinn think he was dealing with more than one kidnapper.

Muller then put Huskins into Quinn’s car and drove off with her, eventually taking her to his family’s cabin in South Lake Tahoe. He held her there for two days and sexually assaulted her, before driving her across California and releasing her in Huntington Beach.

Initially, Vallejo police dismissed Quinn’s account of his girlfriend being spirited away by a kidnapper — or kidnappers — who put headphones on him and made him drink a substance that made him sleepy. Officers interrogated Quinn for hours, brushing aside his story and theorizing he was behind her disappearance.

When Huskins turned up, police grew more suspicious, questioning how a kidnapping victim could reappear hundreds of miles away wearing sunglasses and carrying an overnight bag.

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Huskins “did not act like a kidnapping victim,” retired Vallejo Police Capt. James O’Connell later said in a sworn statement.

Police tried to get Huskins and Quinn to turn on each other and admit there had been no crime, offering immunity to whoever flipped first, according to statements from their family members.

Then, police went public with that sentiment. “There is no evidence to support the claims that this was a stranger abduction or an abduction at all,” Police Lt. Kenny Park said in a statement at the time. “Given the facts that have been presented thus far, this event appears to be an orchestrated event and not a crime.”

However, less than three months later, evidence gathered from a June 5, 2015, home invasion robbery in the Bay Area community of Dublin helped authorities link Muller to the kidnapping. That case led authorities and Carausu, the detective, to the Muller family’s South Lake Tahoe cabin, where they found, among other things, Quinn’s computer, goggles and tape with a strand of long blond hair.

Huskins and Quinn, who later married, sued the Vallejo Police Department for defamation and reached a $2.5-million settlement in 2018.

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Muller, a Harvard-educated lawyer and former Marine, pleaded guilty in 2016 to kidnapping Huskins. In 2022, he pleaded guilty to additional charges of sexually assaulting her. Until he was transported to Santa Clara County to face the new charges, he was serving his 40-year sentence at a federal prison in Tucson.

Muller is expected to return to Santa Clara County Superior Court on Feb. 21 for sentencing.

Movie Reviews

Movie review: A24’s “Marty Supreme” is a mixed bag of humor and intensity

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Movie review: A24’s “Marty Supreme” is a mixed bag of humor and intensity

Josh Safdie’s “Marty Supreme” arrives with all the energy and confidence of an aspiring athlete – even one of the table tennis variety. 

The film is packed with vivid period detail and striking cinematography that brings 1950s New York to life. On a purely technical level, the movie succeeds. It’s visually inventive, rhythmically paced and often laugh-out-loud funny.

The plot is also engaging, moving at a fast pace to keep up momentum for over two hours. Safdie builds a world where table tennis is more than a game; instead becoming a stage for obsession, ego and ambition. Even as the story dips further and further into chaos, the narrative stays entertaining and unpredictable enough to keep audiences invested.

But as strong as the filmmaking is, the movie’s impact is limited by its abrasive lead. Timothée Chalamet’s Marty Mauser is undeniably watchable, yet consistently unlikable. His selfishness, impulsive decisions and willingness to steamroll everyone around him creates a major disconnect between Mauser and the audience.

Chalamet’s performance is committed and his intensity drives several of the film’s most engaging scenes. Still, it is difficult to root for a character who rarely shows the vulnerability or growth needed to anchor a story this ambitious. For many viewers (myself included), that emotional detachment will shape the entire experience.

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The film’s tone may also catch audiences off guard. For a movie centered on table tennis, “Marty Supreme” is extraordinarily vulgar. Its R rating is well earned, with explicit sexual content, coarse language and several violent scenes that land with surprising force. From consensually dubious spanking scenes to Holocaust jokes, the film more than toes the line between bold and unsettling. The contrast between the lightness of the sport and the heaviness of the film’s content is intentionally jarring, but the shock factor can overshadow the story’s strengths.

Even so, “Marty Supreme” remains a compelling watch. Safdie’s direction is inventive, the pacing is tight and the supporting cast (including Gwenyth Paltrow and Tyler, The Creator) bring welcome depth to the film’s darker impulses. 

The result is a movie that is engaging and frequently funny – but also brash and not particularly easy to love.

Whether viewers leave impressed or unsettled will depend on their tolerance for its unlikable hero and its unexpectedly graphic approach. For all its craft and confidence, “Marty Supreme” is the kind of film that invites debate and, for some, a fair amount of discomfort.

If nothing else, it proves that a table tennis movie can surprise you – for better and for worse.

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“Marty Supreme” is set for a public release on Dec. 25, with specific times varying by theatre. If you are interested in attending a showing, consider taking advantage of discounted AMC tickets, available for reservation through the Center for Leadership and Engagement here at Simmons.

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‘South Park’ creators clash with performers at their Colorado restaurant

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‘South Park’ creators clash with performers at their Colorado restaurant

“South Park” creators Matt Stone and Trey Parker, who this summer landed one of the richest TV deals ever, are being called Scrooges by performers at their Casa Bonita restaurant near Denver.

In late October, the performers, including the famed cliff divers, went on a three-day strike, citing unsafe working conditions and stalled negotiations over their first contract. The performers voted unanimously to unionize with Actors’ Equity Assn. a year ago.

The strike ended when the restaurant’s management agreed to bring in a mediator to assist in the negotiations.

But the standoff has continued, prompting Actors’ Equity to take out an ad in the Denver Post this week that depicts a “South Park” cartoon-like Parker and Stone awash in hundred-dollar bills while their staff, including a gorilla and a person clad in a swimsuit, shivers outside in the Colorado cold.

The union said its goal is to prod the star producers to resolve the labor tensions by giving about 60 Casa Bonita performers, including magicians and puppeteers, a pay increase and other benefits along with their first contract.

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A full page ad is running in the Denver Post on Dec 24.

(Actors’ Equity Association)

Other Casa Bonita workers voted earlier this month to join the International Alliance of Theatrical Stage Employees Local 7.

“At Casa Bonita, we value all of our team members and their well being,” the restaurant management said in a statement. “We are negotiating in good faith with our unionized team members in the hopes of concluding fair collective bargaining agreements.”

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Parker and Stone declined to comment through a spokesperson.

The pair, who also created the hit Broadway play “The Book of Mormon,” rescued the kitschy, bright-pink Mexican-themed eatery in Lakewood, Colo., from bankruptcy in 2021 and have since plowed more than $40 million into the restaurant to upgrade and correct unsafe electrical, plumbing and structural issues after the facility had fallen into disrepair.

For “South Park” super-fans, the venue has become something of a mecca since first being featured in the seventh season of the long-running Comedy Central cartoon.

In that episode, Cartman flips out when Kyle invites Stan, Kenny and Butters Stotch to his birthday party at Casa Bonita (not Cartman), where they are serenaded by the restaurant’s ubiquitous mariachi bands.

Along with legions of other kids who grew up in Colorado, Parker and Stone fondly remember making the trek to the Casa Bonita of their 1980s youth. Restoring the restaurant has become a passion project for the writers, a journey that became grist for a documentary, “¡Casa Bonita Mi Amor!,” which streams on Paramount+.

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In July, Paramount managers were eager to tie up loose ends to facilitate the company’s sale to David Ellison’s Skydance Media and RedBird Capital Partners. The incoming management team also became involved in the protracted negotiations to strike a new deal with Parker and Stone’s production company, Park County, to avoid having the situation unravel, possibly tripping up their corporate takeover.

Paramount ultimately agreed to extend the overall deal for Park County as well as lock up the show’s exclusive global streaming rights for $300 million a year over five years. Until this year, the show streamed exclusively on HBO Max.

The overall deal is slated to bring Parker and Stone’s firm $1.25 billion through 2030.

As part of the pact, the team agreed to create 50 new “South Park” episodes for Paramount. The series has enjoyed a ratings bounce and increased cultural resonance this year as it routinely roasts President Trump.

Actors’ Equity, which also represents Broadway performers, is seeking pay raises for its members at Casa Bonita. Union representatives said performers’ wages there average $21 to $26 an hour.

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“Matt and Trey have become fabulously wealthy by pointing out the hypocrisy of rich and powerful people,” said David Levy, communications director for Actors’ Equity. “And now they are behaving exactly like the people they like to take down.”

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Movie Reviews

Movie Review 2025 with 11 Films of the Year

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Movie Review 2025 with 11 Films of the Year

Image: Wicked: For Good – Movie Poster

Another year is drawing to a close, and it’s time for our cinema review! In 2025, we saw many franchises return to the big screen, along with sequels to cult classics and new adaptations of legendary stories. From sci-fi and horror to musical adaptations, a wide range of genres offered fresh releases. Whether all of it was truly great is for everyone to decide individually – here is our trailer recap!

While Disney continues to push its live-action remake strategy (Snow White, Lilo & Stitch), Pixar at least delivered a brand-new animated feature with Elio.

When it comes to video game adaptations, several titles were released this year – most notably the Minecraft adaption A Minecraft Movie starring Jack Black and Jason Momoa, the second installment of Five Nights at Freddy’s, and the Until Dawn film, which was heavily criticized by the community.

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In Germany, Bully Herbig delivered a sequel to his comedy Der Schuh des Manitu with Das Kanu des Manitu, bringing the characters from one of his most successful films back to the big screen.

Just before Christmas, James Cameron launched the third part of his hit film series Avatar. Sequels also arrived for Jurassic World, the DCU, the Conjuring universe, and the popular animated film Zootopia.

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Director Guillermo del Toro took on a new adaptation of the absolute sci-fi horror cult classic and novel by Mary Shelley: Frankenstein has now been brought back to life by the creator of films such as Pacific Rim and The Shape of Water.

When it comes to adaptations, arguably the most popular musical of the year: with Part 2, the Wicked hype has returned once again.

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