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‘Carry-On’ Movie Review: A ‘Die Hard’ Style Christmas Thriller You Definitely Need To Watch

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‘Carry-On’ Movie Review: A ‘Die Hard’ Style Christmas Thriller You Definitely Need To Watch

One of the great debates around Christmas time is whether the classic Bruce Willis action-movie Die Hard should be considered a Christmas movie or not. Sure, it takes place at Christmastime, but is it really a Christmas movie the same way Home Alone or Miracle On 34th Street are Christmas movies?

The obvious answer is “Yes” though a more nuanced one would be “It’s up to you.” If you consider it a Christmas movie, it’s a Christmas movie. If you don’t, that’s cool by me. “To each their own” is an old saying that more people should study and practice.

Whether you consider Die Hard a Christmas movie or not will determine whether you consider Netflix’s new thriller, Carry-On a Christmas movie. Like Die Hard, it takes place near Christmas and like Die Hard 2 it takes place in an airport. Unlike Die Hard, it does not have the star power of Bruce Willis to elevate it into the halls of classic action movies. On the other hand, it’s much better than the later, lousier Die Hard films that released after Die Hard With A Vengeance, perhaps the greatest in the entire franchise.

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Carry-On will never be considered a Christmas classic or an all-time great action-thriller, but it’s still a lot of fun and I’m happy we have another holiday action flick that doesn’t suck, because a lot of Christmas movies across genres are pretty terrible.

The movie stars Taron Egerton as Ethan Kopek, a TSA agent stuck in a job he hates with a remarkably patient and attractive girlfriend, Nora, played by Sofia Carson. They learn they’re having a baby, because having a pregnant girlfriend makes the stakes that much higher when things go bad. Nora also works at the airport, but not as a TSA agent. She tells Ethan that all she wants for Christmas is for him to follow his dreams of becoming a police officer.

Things take a turn for the worse when a mysterious criminal, only known as Traveler, shows up. Jason Bateman is terrific in the role. He’s casually, almost nonchalantly, villainous. Using Nora’s life as collateral, he forces Ethan to allow a suitcase through the baggage check. The contents of the luggage turn out to be worse than Ethan could ever imagine. What follows is a tense series of events as Ethan tries (and often fails) to outsmart the Traveler and prevent a terrible tragedy, all without getting his girlfriend and unborn baby killed.

Danielle Deadwyler plays Detective Elena Cole, a police officer investigating a murder which leads her down a trail of breadcrumbs right to the airport where she dives headfirst into the conflict playing out there. The Rossi plays the Traveler’s sniper and tech genius, Watcher. And Breaking Bad’s Dean Norris plays Ethan’s boss, Phil Sarkowski. It’s a good cast overall, though mostly the film focuses on Ethan and Traveler and their interactions.

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The movie works because it does a great job at keeping the tension high and the pacing tight. It never outwears its welcome, moving along at a nice clip, with most of its best moments just a conversation between Ethan and Traveler. There’s action, but not Die Hard levels of action.

I did feel like the ending was a bit dangly, with some big plot points unresolved. I won’t spoil any of that because, well, you should watch for yourself. And while the writing is just fine throughout, it’s nothing special either. There are no classic yippee-ki-yay lines here. I doubt I’ll rewatch this over the years, not because there’s anything particularly wrong with the movie, but because there’s nothing particularly stellar about it, either. Carry-On is a fun, tense, popcorn movie with some holiday tinsel on top. Give it a watch.

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Movie Reviews

Mana Shankara Vara Prasad Garu Review: USA Premiere Report

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

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With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

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– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

 Mana Shankara Vara Prasad Garu Movie Review by M9

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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