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'Golden Bachelor' Gerry Turner reveals cancer led to abrupt divorce. His ex disagrees

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'Golden Bachelor' Gerry Turner reveals cancer led to abrupt divorce. His ex disagrees

There was more to the shocking “Golden Bachelor” divorce than met the eye. Gerry Turner, who charmed all ages as the ABC franchise’s elder star, has cancer and he says that’s what cut short his marriage to final rose recipient Theresa Nist.

The 72-year-old revealed to People on Tuesday that early in their marriage he was diagnosed with a rare bone marrow cancer, which influenced their decision to split. Nist, in a separate interview with the magazine, appeared to disagree. (More on that later.)

Upon announcing their divorce in April, Turner and Nist said that distance was mainly the culprit. The two couldn’t decide whether they should live in Turner’s Indiana or Nist’s New Jersey — because they didn’t want to be separated from their respective families.

The reality star said the cancer revelation “probably will clear up a lot of mystery” around what happened at the beginning of the year.

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“As Theresa and I were trying very hard to find our lifestyle and where we were going to live and how we were going to make our life work, I was unfortunately diagnosed with cancer,” he told People.

The former couple, who got engaged during the “Golden Bachelor” finale that aired in November 2023, tied the knot during an ABC special that aired in January. But three months later, the two announced on “Good Morning America” that they were calling it quits. Turner filed his divorce petition the same day, ending the short-lived marriage to the financial services professional.

Turner said his diagnosis followed a three-year-old shoulder injury that he sustained while teaching a pickleball class. But he got busy and didn’t have it properly looked at until after his run on the reality show. Then his orthopedic surgeon referred him to another doctor after his lab work contained “unusual blood markers” that they initially believed could be caused by a blood disorder.

The reality star said he was then diagnosed with Waldenström’s macroglobulinemia, a slow-growing bone marrow cancer. The Mayo Clinic says it’s a non-Hodgkin’s lymphoma that occurs when white blood cells turn into cancer cells and build up in the spongy material of the marrow.

“Unfortunately, there’s no cure for it. So that weighs heavily in every decision I make,” Turner told People. “It was like 10 tons of concrete were just dropped on me. And I was a bit in denial for a while; I didn’t want to admit to it.”

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The widower shared the perceived blood disorder news with Nist in February and underwent additional testing for a more definitive diagnosis. He told Nist in mid-March that it was cancer,. Their conversation was brief and she was understandably “a little bit awestruck” by the news, he said.

“I wanted my life to continue on as normal as possible, and that led me to believing that as normal as possible more meant spending time with my family, my two daughters, my two son-in-laws, my granddaughters,” he said, adding that “the importance of finding the way with Theresa was still there, but it became less of a priority.”

He also pushed back against judgments about their split that he believes are “unfair” and characterized their abbreviated union as a “cherished memory” that he wished had a different ending.

“I hope that people understand in retrospect now that [the diagnosis] had a huge bearing on my decisions and I think probably Theresa’s as well,” he said. “Hopefully they’ll look at things a little bit differently, that maybe it wasn’t quite a rash, fast decision that people thought. That there was something else going on.”

However, Nist, 71, told People that her ex-husband’s diagnosis “wasn’t a factor in the ending of the relationship.” At least not for her.

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“If that was something on his part, maybe, I don’t know. But no, that didn’t factor into ending the relationship,” she said. “Part of it was the distance, but that wasn’t the only part. That’s really all I will say.”

Meanwhile, Turner said that he’s working with a hematology-oncology group in Fort Wayne, Ind., and is going to “pack as much fun” he possibly can into his life.

“[W]hen I’m gone, I’m gone, but I’m not going to have regrets,” he told the magazine.

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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