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Eminem's mother, Debbie Nelson, dies at 69. She inspired some of the rapper's most scathing lyrics

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Eminem's mother, Debbie Nelson, dies at 69. She inspired some of the rapper's most scathing lyrics

Eminem’s mother, Debbie Nelson, who inspired the lyrics for songs ranging from the scathing “My Mom” to the heartfelt “Headlights,” has died. She was 69.

Dennis Dennehy, a spokesperson for the Grammy-winning “Rap God” star, confirmed Nelson’s death to The Times on Tuesday. He did not disclose additional details or provide any comment from the rapper.

Nelson died Monday night at a hospital in St. Joseph, Mo., according to TMZ, which first reported her death. Reports about Nelson’s cancer first surfaced in September.

Nelson was 18 years old when she and high school sweetheart Marshall Bruce Mathers Jr. welcomed Eminem (born Marshall Mathers III) on Oct. 17, 1972, in St. Joseph. A few years later, the spouses separated, leaving Nelson to care for their son by herself. Mother and son moved frequently but settled in Detroit.

Throughout his childhood, Eminem and his mother endured a fraught relationship — exacerbated by poverty — that eventually became fodder for multiple songs after he came to fame in the late 1990s. For his sophomore album, “The Slim Shady LP,” Eminem references his mother’s drug use and physical violence in tracks including “My Name Is” and “Brain Damage.”

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“She beat me over the head with the remote control / Opened a hole and my whole brain fell out of my skull,” he raps in in the latter. “I picked it up and screamed / ‘Look, b—, what have you done?’”

Nelson took legal action against her son in September 1999 for his album, alleging defamation and intentional infliction of emotional distress through his lyrics, according to ABC News. At the time, she sought $11 million in damages, but a Macomb County judge awarded her $25,000 instead.

Despite the legal fallout, Eminem continued to tap his relationship with his mother for other songs, including 2002’s “Cleanin’ Out My Closet” and 2009’s “My Mom.” The latter centers on her alleged drug use and how he picked up similar habits as a result.

“Valium was in everything, food I ate, the water that I drank … peas in my plate / She sprinkled just enough of it to season my steak,” he raps. Elsewhere in the song, Eminem describes more rampant drug use, being forced to eat food as a kid and the realization he’d become a drug addict. The rapper, who has long been open about his struggles with addiction, celebrated 16 years of sobriety this year.

In 2008, Nelson published her memoir, “My Son Marshall, My Son Eminem,” where she discussed their fractured relationship and alleged she and her siblings had been abused by their stepfather when she was a child. The same year, she told the Village Voice in an interview she was open to making amends with her estranged son.

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“I’m not ever gonna give up on my kids. I won’t give up on anybody,” she said at the time. “There’s hope for everybody. It’s a matter of just basically swallowing your pride. It’s like a cashed check. It’s over, it’s done. You need to move on.”

A year later, during a 2009 appearance on music show “106 & Park,” Eminem confirmed he was not on speaking terms with his mother but said he had gained a “better understanding of what she was going through” over the years.

Their years-long feud seemingly simmered down in 2013, when Eminem released “Headlights,” with Nate Ruess, frontman for indie pop band fun. Seemingly a letter to his mother, “Headlights” hears Eminem reference “Cleanin’ Out My Closet” and contemplate, “Did I take it too far?”

“I don’t hate you ’cause, Ma, you’re still beautiful to me, ’cause you’re my mom,” he raps, before recalling the tense environment of their home and his father’s abandonment of them both. He also voices regret for his searing song and proclaims, “I love you, Debbie Mathers.”

In 2022, Nelson congratulated her son on X (formerly Twitter) for his 2022 induction into the Rock & Roll Hall of Fame. “I could not let this day go by without congratulating you on your induction into the Hall of Fame,” Nelson said, according to People.

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“I love you very much. I knew you’d get there. It’s been a long ride,” she added. “I’m very, very proud of you.”

Nelson was born in 1955 on a Kansas military base, the eldest child of a “large dysfunctional family,” she wrote in her memoir. After her parents divorced, she took on the responsibility to help provide for her younger siblings. Nelson is also the mother of Nathan Samra-Mathers. Eminem gained custody of his younger half-brother and then raised him after Nelson put Nathan in foster care as a child.

Nelson is preceded in death by her ex-husband, who died in June 2019. In addition to her two sons, she is survived by Eminem’s children Alaina Marie Scott, Hailie Jade and Stevie Laine.

Times staff writer Malia Mendez contributed to this report.

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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