Hawaii
Over a year after Lahaina fires, Native Hawaiian homeowners hit another breaking point
Mikey Burke, a Native Hawaiian and fourth-generation Lahainan, lost her home in the Maui wildfires last August. She wants to rebuild for her family of six, but the costs are overwhelming, especially since her rental assistance ran out two months ago. And when she tried to get an extension, she was denied. She also didn’t qualify for FEMA aid until her rent was due.
Lifelong Lahaina residents who have squeezed out every avenue of assistance are now at a unique crossroads: leave the only home they’ve known or figure out a way to stay — both of which feel impossible.
For many Lahaina homeowners, rental assistance through their insurance ended in October after they’d spent the first couple of months post-fire filing claims and getting shuffled into hotels.
Now, they’re feeling a multipronged pinch of expiring financial assistance, rising rents and an insurance gap that has left them unable to pay for rebuilding costs.
“A couple of months ago, we all felt like we were finally at that ‘we can breathe’ phase,” said Kukui Keahi, a fire survivor and the community care lead for the Council for Native Hawaiian Advancement’s Maui recovery program. “Now, I think we’re at this rocky area again.”
Burke is part of a large swath of Lahaina homeowners who had hoped insurance companies would extend their loss of use (LOU) and additional living expense (ALE) benefits past 12 months, like companies had done after wildfires in other states, but they didn’t. Before they can apply for the Federal Emergency Management Agency’s rental assistance, homeowners must first exhaust all of their LOU and ALE policies, which cover rental costs when a disaster makes your home uninhabitable. Burke said she applied as soon as she qualified, but it took two months to get approved and the amount was based on her mortgage, not current sky-high rental rates.
FEMA Regional Administrator Bob Fenton said the lag between applying for assistance and approval often has to do with filing proper paperwork and can be “as quick as 24 to 48 hours” or take “an extended amount of time.” Around half of the valid and referred Maui survivors who have applied for FEMA have been approved for aid, according to the agency.
Burke said she tried multiple avenues of assistance and even negotiated her rent with her landlord to no avail. Stuck with paying $3,100 for her mortgage and $7,600 in rent, she said it was the first time she considered leaving her hometown.
“It was just a split-second,” she said. “But sometimes that’s all people need is that split-second to make that decision.”
A crisis of rising rents
Over the past year, the federal government has focused on moving fire survivors out of hotels and shelters and into something more stable. Because homeowners with LOU or ALE benefits, standard in most homeowners’ insurance policies, don’t qualify for FEMA aid, the agency’s housing programs effectively prioritize those who had been renting before the fires.
“A lot of folks feel there’s a disparity between people who were previously renters and people who are homeowners,” said Maui County Councilmember Tamara Paltin. “There’s a little bit of feeling that homeowners didn’t get much help from the federal government, like how the renters did.”
Fenton said FEMA provides everyone the help they’re authorized to receive through Congress and regulations. “Those that have insurance are probably in a much better situation than those that have nothing,” he said.
Homeowners like Burke disagree. With LOU and ALE coverage expiring, they are now having to pay rent, their mortgage and sometimes homeowners association fees, while navigating the rebuilding process and the costs for permits, architectural plans, contractors and materials on an island with finite resources.
Meanwhile, rents on Maui have climbed significantly. To house survivors in the immediate aftermath of the fire, FEMA put up many in short-term rentals and paid the vacation rental market rate. That cost increase was passed on to survivors with or without FEMA assistance, and they now pay 43%-80% more rent for a home with the same or fewer bedrooms, according to a University of Hawaii Economic Research Organization survey released last month.
Burke said homeowners like herself are forced to consider dipping into their rebuilding money to pay their rent. “The longer we have to rent, the less money we have to build,” she said. “And if it goes on for long enough, homeowners might not be able to build at all. It’s almost having to choose between housing now and housing later.”
Since the fires, about half of survivors have had to move out of West Maui, and nearly a tenth of that group have relocated to the continental U.S. or overseas, according to the UHERO survey. While a third said they plan to move back in the next year, data researchers and community leaders wonder if they will.
Lahaina’s exodus exemplifies what’s happening with Native Hawaiians across the state. As of 2022, nearly a quarter of all Native Hawaiians born in Hawaii had moved away to the continent, according to data from the Council for Native Hawaiian Advancement. Today, more Native Hawaiians live in the continental U.S. than in Hawaii.
“What happens is, you just have people holding on as long as they can, and then eventually they break,” said data researcher Matt Jachowski, who compiled the data for the council. “You hear, ‘Oh, if I move to Texas, if I move to Vegas, if I move to Washington, I’m going to get higher wages. I’m going to get better housing.’”
Bert Noury and his wife, whose Native Hawaiian family goes back generations in Lahaina, decided to take up FEMA on its relocation program. Sick of jumping from one temporary housing situation to another, he took a job transfer to Orlando, Florida. But instead of living with more security, he said FEMA is behind on paying their rent. (Fenton said Noury has not provided FEMA with the necessary documentation; Noury said he’s resubmitted their information multiple times.) Meanwhile, he continues to pay his HOA fees for their townhome in Lahaina, hoping the homeowners association will rebuild in the next five years.
“We’ve been using every single dollar that we’ve saved over the years to give our family a roof and stability, but I want to go back home,” he said. “I want to save up money again and live at home.”
Impossible to rebuild
Earle Kukahiko’s ALE benefits also expired this fall. One of many families in Lahaina who lived several generations on a property, he, his wife, their grown kids and their cousin have been living at his sister’s. Kukahiko and his son sleep in tents outside. He just found out he was accepted for one of the 450 temporary homes built by the state, for which more than 1,500 people applied.
Antsy to rebuild, Kukahiko, 67, is working through the process as fast as it will let him — he hired a draftsman to draw up architectural plans so he can get his building permit, which costs anywhere from $6,000-$10,000. In the meantime, he is not waiting to be back on his ‘āina or land. He spends his days tending to his yard — grasses gathered from the side of the road and replanted. At the center is a stone mound with red and yellow ti leaves, saved from what his father planted decades ago.
“People pass and they say, ‘Wow, first time we see somebody take care of the yard before you even have a house,’” said Kukahiko. “And I’ve always felt that no more hale (home), but get ‘āina.”
Carpenter Jeremy DelosReyes, a seventh-generation Lahainan and a Native Hawaiian, is also caught up in the red tape of rebuilding. Construction was supposed to start in July, but the power lines were cut on his block and the Environmental Protection Agency found his water contaminated. He says with the rise in construction rates, it would take over $1 million to build his house and he got only $410,000 from his insurance.
“I know how to build my house. I can build my house for $400,000,” he said, “but that’s calling in every favor I know from everybody that I know, and I owe them for the rest of my life.”
Community help
It’s been up to community groups and nonprofits to step in to fill the financial gaps for survivors. Burke helps lead the newly formed Lahaina Community Land Trust, which is creating an insurance gap program to help homeowners bridge the costs between insurance payouts and rebuilding. While the trust’s first goal is to help families stay, if a resident does want to sell their land, the trust will offer to buy it at fair market value, build a home on it and sell the home, with a long-term land lease, at an affordable price through a lottery system that prioritizes Lahaina community members.
“There’s this inherent connection to this place and our people that we have and that a lot of us are very conflicted about — like what do I do with this?” Burke said. “For me, [throwing myself into my community] was my coping mechanism at first, and then it also just became the most natural thing in the world. It became my kuleana.”
Kuleana, or the Hawaiian notion of one’s responsibility to the land and community, is what keeps other Native Hawaiians in Lahaina pushing through, they say. DelosReyes has started Kaiāulu Initiatives, where community members can reconnect with the ‘āina by planting native plants on an area overrun with the types of invasive grasses that fueled the wildfires. Kukahiko now serves on the mayor’s advisory team as a liaison to the community.
Keahi said it’s her “biggest honor to give back to the community that raised me,” as she helps residents navigate not just FEMA bureaucracy and unemployment, but also the programs the Council for Native Hawaiian Advancement offers, like rental placement and temporary housing. But she worries about the longevity of recovery programs, as there is no shortage of disasters capturing funders’ attention across the county. Then there are fears the returning Trump administration could cut FEMA funding.
The Lahaina Community Land Trust understands that funding is an uphill battle, but it has slowly been making gains. Last month, the trust acquired its first property — the sellers, who weren’t originally from Hawaii, wanted the property to stay in community hands — and is in the process of acquiring a second. When Burke and the trust’s founders went out to celebrate the sale over dinner, they noticed a local family commemorating an event of their own: their last dinner in Lahaina. They were moving away that night.
“That was crushing,” said Carolyn Auweloa, a co-founder of the trust. “It’s what we know is going to happen. But it’s one thing for people to have to leave for a little while. What’s scary is some of them are leaving and don’t really have a clear path to come back. They’ll be displaced and then replaced with who?”
Hawaii
Kanakaʻole, Zane ʻohana transform Hawaiian cultural practices into captivating visual arts | Maui Now
This powerful new exhibition will feature the work of Nālani Kanakaʻole, Sig Zane, and Kūhaʻoʻīmaikalani Zane—a Hilo-based family of artists whose creative practices are deeply rooted in hula ʻaihaʻa.
Hula ʻaihaʻa is the low-postured, vigorous, bombastic style of hula that Kanakaʻole was known for as kumu hula of Hālau o Kekuhi. The hula springs from the eruptive volcano personas of Pele and her sister Hiʻiaka, characteristic of Hawaiʻi Island’s creative forces.
The Bishop Museum, the State of Hawaiʻi Museum of Natural and Cultural History, on Oʻahu is presenting “Ea Mai ʻEiwa: Patterns of Practice” in the J. M. Long Gallery beginning on Saturday, April 18, 2026.
The exhibition title references “Kūhaʻimoana,” a chant describing the migration of shark gods from Kahiki (ancestral homeland) to Hawaiʻi. “Ea Mai ʻEiwa” reflects the strength, resilience, and environmental knowledge embodied in these ancestral stories.
Bringing together new and existing works alongside botanical specimens and cultural treasures from Bishop Museum’s collections, the exhibition weaves themes of migration, community resilience, and environmental stewardship—offering insight and inspiration for today.
“This exhibition demonstrates that the gap between historic collections and contemporary art is actually a lot smaller than people think,” said Sarah Kuaiwa, Ph.D., Bishop Museum curator for Hawaiʻi and Pacific Cultural Resources. “Audiences will see how the artists use the same materials as pieces in Bishop Museum collections but in different forms. The resonance between the artist’s work with mea kupuna (ancestors) is what makes ‘Ea Mai ʻEiwa’ a uniquely Bishop Museum exhibition.”
Kuaiwa curated the group exhibitions along with co-curator, kumu hula Kauʻi Kanakaʻole, and Bishop Museum exhibit designer, DeAnne Kennedy.
The artists’ work across visual and performing arts is continually charged and sustained by hula. From Nālani Kanakaʻole’s art direction and choreography to Sig Zane’s photography and textile design, and Kūhaʻoʻīmaikalani Zane’s graphic design and immersive installations, each artist channels ʻike (knowledge, wisdom) carried through generations.
“Through repetition, deep study, and consistent practice, mastery is achieved. As practitioners of hula, the artists have continued to deepen their understanding of the natural and spiritual world, which has in turn inspired their art practices,” Kuaiwa said. “They aim to produce art in various visual media not only to educate, but to also be aesthetically celebrated and enjoyed.”
“Patterns of Practice” was suggested by Sig Zane as a way of representing how the artists hone their skills.
“‘Kūhaʻimoana,’ for me, has many layers to it,” Kūhaʻoʻīmaikalani Zane said. “On a first take, it’s a migratory chant that compares migrations to waves of ocean-navigating sharks. That metaphor sets out the tone of connectivity between our natural environment and the beings that inhabit it.”
“‘Kūhaʻimoana’ is an example illustrating metaphorical depth within Hawaiian poetry,” said Sig Zane. “The importance of navigation surfaces in day-to-day cultural practices. This archaic chant reveals nuanced content, giving us a peek into hierarchy, dualities, and familial belief systems.”
Kanakaʻole passed away in January this year, so Kauʻi Kanakaʻole hopes that “Ea Mai ʻEiwa: Patterns of Practice” reflects Kanakaʻole’s philosophy of practice and piques curiosity within people about others’ stories, history, and culture.
“She intentionally taught hula with depth of language, craft, and art form to encompass a full-on lifestyle commitment,” Kanakaʻole said. “This was her everyday; the way she learned, grew, and inspired.” “I would love for guests to leave (the exhibition) with a mixture of awe, appreciation, and curiosity.”
Highlights of the “Ea Mai ʻEiwa: Patterns of Practice” exhibition include:
- Nālani Kanakaʻole’s kite installation, “Kūhaʻimoana,” her last large-scale installation before her passing
- Botanical specimens from various locations across Hawaiʻi Island, chosen to represent their hula ʻahu (altar) and sources of inspiration the artists frequently draw from
- Uniquely colored kūpeʻe (sea snails) shells made into adornments, as well as adornments made to look like kūpeʻe shells
- Kapa (barkcloth) made from the 19th century with dynamic designs
- ʻAwa (kava, Piper methysticum) cups and kānoa (kava bowl) associated with the aliʻi
- New and archival sketches and rubylith artworks by Sig Zane from 1990 to present
- A collection of family photos from the Kanakaʻole ʻOhana
- Memorabilia and ephemera from the theatrical performance, “Holo Mai Pele” (1995-2000)
“Ea Mai ʻEiwa: Patterns of Practice” will be presented in both ʻŌlelo Hawaiʻi and English, and will be on view until Sept. 20, 2026.
For more information, visit bishopmuseum.org.
Hawaii
Large section of Aloha Stadium demolished as project proceeds – West Hawaii Today
The demolition of Aloha Stadium on Oahu took a big step forward Thursday with the first section of seating pulled down from the steel structure.
Half of the elevated deck-level seating on the stadium’s makai side was severed and toppled backward as part of demolition work that began in February.
The other half of the upper makai-side seating is slated to come down Tuesday, followed by similar sections on the mauka side and both end zones, though the concrete foundations for lower-level end-zone seating are being preserved for a new, smaller stadium to rise on the same site.
A private partnership, Aloha Halawa District Partners, led by local developer Stanford Carr, is replacing the 50,000-seat Aloha Stadium, which opened in 1975 and was shuttered in 2020, with a new stadium featuring up to 31,000 seats.
AHDP is using $350 million of state funding toward the cost of the new stadium, which could be $475 million or more, and will operate and maintain the facility on state land for 30 years with a land lease.
The development team also is to redevelop much of the 98-acre stadium property dominated by parking lots with a new mixed-use community that includes at least 4,100 residences, two hotels, an office tower, retail, entertainment attractions and open spaces expected to be delivered in phases over 25 years and costing close to or more than $5 billion or $6 billion.
Earlier parts of stadium demolition work led by Hawaiian Dredging Construction Co. included removing four covered multistory spiral walkways leading to the upper level from the ground, and concourse bridges.
Demolishing the stadium is projected to be done by August, according to Carr.
Building the new facility is expected to be finished in 2029.
Hawaii
This Airbnb Tiny Home Sits on a Lava Field in Hawaii With Unbeatable Night Sky Views—and It’s a Guest Favorite
-
Detroit, MI48 minutes agoGame 21: Tigers at Red Sox, Garrett Crochet battles both Detroit and the weather
-
San Francisco, CA60 minutes agoWhy do gray whales keep dying in San Francisco’s waters?
-
Dallas, TX1 hour agoDallas Mavericks Owners Might Be Making Big Mistake in Search for New GM
-
Miami, FL1 hour agoDefense dominates, Mensah flashes in Miami’s spring game – The Miami Hurricane
-
Boston, MA1 hour ago
A crowd scientist is helping the Boston Marathon manage a growing field of 30,000-plus runners
-
Denver, CO1 hour agoDenver Nuggets Altitude broadcasts now being offered in Spanish for first time ever
-
Seattle, WA1 hour agoNeed to shred? Free drive-up/ride-up shredding Wednesday at Village Green West Seattle
-
San Diego, CA2 hours agoGame 21: San Diego Padres at Los Angeles Angels