In January 2018, conservative Fox News host Laura Ingraham was having dinner at Toscana, an Italian restaurant in Brentwood, when she spotted the renowned Hollywood director — and unabashed liberal — Rob Reiner.

She asked him to come on her show, “The Ingraham Angle.” He was on set the next day.

After introducing him as “a brilliant director,” who made her favorite movie, “This is Spinal Tap,” Ingraham said: “Last night, the first thing Reiner says is: ‘Are they gonna shut the government down?’’ I’m like, wow, I’m here in L.A.; I wanna talk about Hollywood stuff. But he wants to talk about politics.”

Ingraham and Reiner vehemently disagreed — about alleged Russian influence on the 2016 presidential election, about whether President Trump is racist, about the treatment of conservatives in Hollywood.

But Reiner also called Ingraham “smart as hell.” And Ingraham said Reiner “should be lauded” for being willing to spar with her, unlike many politicians on both sides of the aisle.

It was the kind of blunt but ultimately respectful exchange that added to Reiner’s widespread appeal off-screen, both because of — and in spite of — his views.

Reiner and his wife, Michele, were killed at their Brentwood home last weekend, allegedly by their son, Nick, who has been charged with murder. The couple’s deaths have sent a thunderclap through Hollywood and beyond, partly because the Reiners had so many friends and connections in creative and political circles.

Rob Reiner — who, in the role of Michael “Meathead” Stivic in the groundbreaking sitcom “All in the Family,” played the liberal foil to his bigoted, conservative father-in-law, Archie Bunker — seemed to relish his real-life role as a progressive celebrity activist. That made him a hero to many in blue California but a villain to others, especially the reality-TV-show-star-turned-president, Donald Trump.

In a highly criticized social media post, Trump attributed the deaths to “the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”

But while Reiner, a blistering critic of the president, disagreed with many conservatives on policy, he also worked to build relationships with them — in media and entertainment circles, the California State Capitol, and beyond.

Ingraham this week called him “a legend.”

Actors Alec Baldwin and James Woods listen to director Rob Reiner in between scenes for the 1996 film “Ghosts Of Mississippi.”

(Columbia Pictures via Getty Images)

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Actor James Woods, a longtime Trump supporter, said in a Fox News interview this week that Reiner saved his career by casting him in the 1996 film “Ghosts of Mississippi” over studio objections. He called Reiner “a great patriot” with whom he shared a mutual respect despite myriad political disagreements.

Andrew Kolvet, a spokesman for conservative powerhouse Turning Point USA, wrote on X that he “shared approximately zero in common with Rob Reiner politically, but I am so saddened by this news” and praying that “justice would be swift and without conspiracies [sic] theories.”

Kolvet said Reiner “responded with grace and compassion” to the September killing of TPUSA founder Charlie Kirk — a violent end that Reiner said nobody deserved, regardless of their views.

Hard-right Republican Rep. Marjorie Taylor Greene, of Georgia, called the deaths “a family tragedy, not about politics or political enemies.” And GOP Sen. Ted Cruz, of Texas, wrote on X that “The Princess Bride” was his favorite film and called Reiner “a comedic and story-telling master.”

Off screen, Reiner had a unique ability to connect with people of all persuasions, in various mediums, at the top of their careers or just starting. He was very much influenced by Norman Lear, the creator of “All in the Family,” who blended his Hollywood career with progressive activism.

Similar to Lear, Reiner didn’t just dabble in social causes and campaigns. He launched them, led them and brought people aboard. “He wasn’t building an operation the way Hollywood typically does, making donations, hosting fundraisers,” said Ben Austin, a former aide to Reiner who worked in the White House during the Clinton administration.

And all the time, he did it while making movies, some of them deeply personal, intertwined with his life as a parent.

Reiner was the driving force behind the successful 1998 California ballot measure, Proposition 10, a landmark policy that put a tax on tobacco products and pumped billions of dollars into preschools, teacher training, and support for struggling families. He enlisted help in that effort from such beloved figures as Steven Spielberg, Robin Williams and his own father, comedy legend Carl Reiner.

After the initiative passed, Gov. Gray Davis, a Democrat, appointed the younger Reiner chairman of the First 5 commission overseeing disbursement of the funds.

Rob Reiner co-founded the group that would help overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California.

(Los Angeles Times)

And in 2009, Reiner co-founded the American Foundation for Equal Rights, which led the successful legal fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California. The group hired legal luminaries from opposite sides of the political spectrum to overturn the ballot measure: the conservative former U.S. Solicitor General Theodore Olson and litigator David Boies, a liberal who squared off against Olson in the U.S. Supreme Court ruling that gave George W. Bush the presidency in 2000.

Former Los Angeles Mayor Eric Garcetti, a Democrat, said in an interview Wednesday that Reiner successfully rallied people to the cause because he was so adept at humanizing the stories of the plaintiffs and other same-sex couples — and emphasizing love.

“I don’t think you can overstate how influential he was at the national, state and local level and how well-liked he was,” Garcetti said. “Politics and movies share this in common: They both need good stories … and he was such a gifted storyteller.”

Garcetti said that while many celebrities lend money and faces to political causes, prettying up political mailers and email blasts, “Rob built those causes. He wasn’t like the frosting on the cake. He actually was the baker.”

Garcetti, then a Los Angeles City Council member, joined Reiner in stumping for 2004 Democratic presidential hopeful Howard Dean, for whom the director was an early backer. Garcetti crossed paths with him often, including during the push to overturn Proposition 8 — and at the Los Angeles City Hall wedding of Paul Katami and Jeff Zarrillo, two of the plaintiffs in the federal case that struck it down.

Katami wrote in an Instagram post this week that Reiner and his wife “stood with us in court for 4.5 years” and that he and his husband sat at the couple’s table in their home many times.

Rob Reiner chats in 2012 with Paul Katami and Jeff Zarrillo, plaintiffs in the case that struck down Proposition 8, which banned same-sex marriage in California.

(Brian van der Brug / Los Angeles Times)

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“Because of them, they were able to sit at our table, at our wedding, on a day and in a moment that would not exist without their belief in who we are and how we love,” Katami wrote.

He added: “They are brave. They are funny. They are generous. They are deeply human. And they make everyone around them feel seen, protected, and encouraged to be more fully themselves.”

Former L.A. Mayor Antonio Villaraigosa, a Democrat now running for California governor, officiated Katami and Zarrillo’s wedding. He said in an interview that Reiner personally bankrolled much of the legal fight because he genuinely believed it was the right thing to do.

In 2008, Villaraigosa kicked off his successful reelection campaign with a private reception at the Reiners’ home.

“You know, the one thing about Rob Reiner: There was no pretense,” Villaraigosa said. “If you go to his house … he’s a very wealthy man — he has been a director, an actor, co-founder of Castle Rock Entertainment — and yet his house was like a home. It wasn’t a mansion. It was like a ranch-style house, very homey.”

Rob Reiner hugs then-Mayor Antonio Villaraigosa in January 2015. The director had just introduced Villaraigosa at a school as the mayor kicked off his Leadership Tour highlighting his support for universal preschool.

(Al Seib / Los Angeles Times)

Villaraigosa and others said Reiner had a granular knowledge of the policies he supported, garnering the respect — if not always the affection — of those with whom he disagreed.

Gale Kaufman, a veteran Democratic strategist who was a longtime advisor to the influential California Teachers Assn., clashed with Reiner over education policy but admired his commitment to — and knowledge about — the issue.

Kaufman told The Times this week that she was amazed by “his attention to detail and his dogged determination that he was right.”

“This was not just someone giving you a pot of money and saying, ‘Go do this.’ This was a guy who was … in every piece of it.”

Cinematographer Reed Morano was one of several in Hollywood whose career soared because of Reiner.

In the late 2000s, Morano was known for filming low-budget projects — often in a gritty, hand-held style. Many of them premiered at the Sundance Film Festival, including the Oscar-nominated “Frozen River.”

In the early 2010s, Morano got a chance to pitch her talents to Reiner and producer Alan Greisman, who were assembling a team to shoot 2012’s “The Magic of Belle Isle,” starring Morgan Freeman and Virginia Madsen and directed by Reiner.

Barely 15 minutes after leaving the meeting, Morano got a call telling her she had the job.

“The thing that strikes me is he could have had anybody he wanted,” said Morano on a call Tuesday from New York City, noting that “Belle Isle” was the biggest budget project she had worked on up to that point. “It’s just he was so open-minded and so forward-thinking, and I think he could see potential that other people couldn’t see.”

Morano then handled cinematography for Reiner’s “And So It Goes,” starring Michael Douglas and Diane Keaton, released to 2014. Reiner, she said, also wanted her to work on “Being Charlie,” the 2015 addiction drama co-written by his son Nick, but she was unable to because of scheduling conflicts. Separately from Reiner, she would go on to win an Emmy in 2017 for directing on the series “The Handmaid’s Tale” and a prize at Sundance for her second film as director, 2018’s “I Think We’re Alone Now.”

A decade before Morano connected with Reiner, Michael Trujillo, now a veteran campaign consultant, went to work for him as a young communications and policy aide for First 5. He was in his early 20s and was stunned to learn he would be working steps from Reiner’s office in the Beverly Hills headquarters of his legendary Castle Rock Entertainment.

Rob Reiner speaks in 1998 to a child development policy group about Proposition 10, which added sales tax to tobacco products to fund early childhood education.

(Robert Durell / Los Angeles Times)

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“I show up to Castle Rock Entertainment as a 22-year-old, in Beverly Hills, off Maple Drive. I’m just a Mexican kid from the northeast San Fernando Valley. My dad was a construction worker. My mom was a secretary … and I’m like, ‘What the f— am I doing here?” Trujillo said with a laugh.

Castle Rock, he said, was simultaneously a Hollywood hot spot and “a classroom in politics.” Trujillo said he once played office golf — blue cardboard for water hazards; brown paper for sand traps — with actors Christopher Guest and Eugene Levy while the movie “A Mighty Wind” was being edited. Politicians were always there, too.

Trujillo regularly joined Reiner on his once-a-month flights from Santa Monica to Sacramento for First Five commission meetings and tagged along to news conferences and school classrooms. He usually carried a Sharpie, knowing fans would show up with DVDs or VHS tapes of their favorite Reiner flicks to be signed.

“Rob was able to have conversations with anyone and everyone,” Trujillo said. “If you’re a Republican or Democratic legislator nationally, or even local or in the state, you were still a fanboy. You still wanted to meet his character from ‘All in the Family.’ You still wanted to shake the hand of the guy that made ‘Princess Bride.’ You still wanted to talk to the guy that made ‘A Few Good Men.’”

EXCLUSIVE: A pro-police group will request the Justice Department investigate a Virginia prosecutor accused of being unfairly lenient to illegal immigrant suspects, using an oversight law the Biden administration used to scrutinize police departments like one in Kentucky after the Breonna Taylor incident.

The law enforcement “pattern-or-practice” provision, under 34 USC 12601, was previously used to investigate alleged civil rights violations during the Biden era by police departments — including in Louisville after a no-knock warrant was served, leading to a shootout that killed Taylor.

It has also been used against departments in New Jersey, Mississippi and Tennessee, as well as a division of the NYPD, for allegations ranging from excessive use of force, to gender bias and allegedly unlawful traffic stops.

VIRGINIA AG CALLS DEM PROSECUTOR’S ACTIONS ‘WEAPONIZED INCOMPETENCE’ IN SCATHING REPORT

On Wednesday, the Law Enforcement Legal Defense Fund (LELDF) told Fox News Digital it would ask the Trump Justice Department to use the same law in a different respect to investigate progressive Fairfax County Commonwealth’s Attorney Steve Descano in Virginia.

Descano, who received at least $600,000 from a George Soros-funded political action committee during his first election bid in Virginia’s largest jurisdiction in 2019, came under fire recently for the nonprosecution of an illegal immigrant who allegedly murdered someone the day after he was released.

LELDF’s request “seeks to use established federal civil-rights tools to test whether a prosecutor’s office is operating a discriminatory system that endangers the public and erodes equal justice under law,” the group’s president, Jason C. Johnson told Fox News Digital. LELDF officials will formally ask Deputy Attorney General Harmeet Dhillon to investigate Descano’s office under the same “pattern-or-practice” concerns as Biden’s DOJ had in Louisville.

The group alleged the Fairfax Commonwealth’s Attorney’s Office “violat[ed] the civil rights of US citizens by favoring illegal aliens and non-citizens in charging, plea bargaining, and sentencing decisions.”

They cited Descano’s “official policy” to consider “immigration consequences” when prosecuting cases.

“As a federal prosecutor, Steve protected immigrants from criminals who targeted them due to their immigration status… Steve knows that regardless of immigration status, all our neighbors deserve equal protection of, and equal access to, the law,” a passage on Descano’s campaign page reads.

 “The fear of law enforcement that Donald Trump has fostered in immigrant communities does nothing but lead to increased crime,” Descano claimed in backing up his policy.

“In addition to providing a safe place, Steve’s office will take immigration consequences into account when making charging and plea decisions. Although prosecutors typically refer to immigration consequences as ‘collateral consequences,’ avoiding the unnecessary destruction of families and communities will be a top priority for Steve as Commonwealth’s Attorney. Wherever possible, Steve will make charging and plea decisions that limit or avoid immigration consequences.”

That type of prosecutorial discretion runs afoul of the law, LELDF claimed in their letter to Dhillon.

SEARS DEMANDS RECALL OF FAIRFAX PROSECUTOR AFTER ATTEMPTED KIDNAPPING CASE

They pointed to the case of Marvin Morales-Ortez, who reportedly had first-degree murder charges stemming from a 2019 incident dropped by Descano’s office — which in turn told Washington’s ABC affiliate their evidence showed it was “clear that he was ultimately not the perpetrator who had killed Mr. [Jose] Guillen Mejia.”

Nick Minock, a reporter for the outlet, later obtained a transcript of Morales-Ortez’ preliminary hearing where Descano’s office posited that Morales-Ortez was present when Guillen Mejia was murdered and had ambushed the man on a walking path.

A short time after he was released, Morales-Ortez allegedly went to a home on Fan Shell Court in Reston, Va. — near John F. Dulles International Airport — and allegedly shot a man inside.

That chain of events enraged the Trump administration, with Assistant DHS Secretary Tricia McLaughlin saying that “Fairfax County politicians [who] push[ed] pushing policies that released this illegal alien from jail” have “blood on their hands.”

In the letter, LELDF argued that “dozens of illegal aliens like Morales-Ortez have repeatedly received excessive leniency from [Fairfax] under Commonwealth’s Attorney Steve Descano.”

They pointed directly to a passage in a 2020 memo from Descano laying out similar to his campaign page that “[Assistant Commonwealth’s Attorneys] shall consider immigration consequences where possible and where doing so accords with justice.”

LELDF claimed the memo and the policy it forwards directly violates the Constitution and denies U.S. citizens equal protection under the law versus illegal immigrants.

“It is both immoral and unlawful for a government agency to engage in systemic discrimination against U.S. citizens to the benefit of those illegally present,” the group told Dhillon.

The memo represents the necessary predicate for a federal investigation, they argued, while also taking issue with Fairfax’s “explicit policy directing prosecutors to weigh immigration consequences, including deportation’s ‘detrimental impact’ on families and communities, while ensuring no better outcomes than for non-immigrants.”

In a fuller excerpt from the memo, Descano says that when the seriousness of an offense and its harm is significant, the weight of “potential adverse immigration consequences” should be “minimal,” while the opposite is true for “less serious” offenses and those with “no identifiable victim.”

In those cases, subordinate prosecutors should “have greater latitude in negotiating a resolution that takes adverse immigration consequences into account.”

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While his office did not respond to a request for comment, Descano has also bristled at the notion of being tied to Soros — recently hitting back at a top Youngkin administration official who blamed prosecutors linked to the Hungarian-American financier for the crime crisis.

“I’m not a ‘Soros funded prosecutor’, I’m the CA for Fairfax County – where the murder rate is 75% lower than the entire Commonwealth’s. Maybe [she] should look at the numbers (especially since she works in public safety) before making such a ridiculous claim,” Descano tweeted in 2022.

Billionaire Larry Ellison has stepped up, agreeing to personally guarantee part of Paramount’s bid for rival Warner Bros. Discovery.

Ellison’s personal guarantee of $40.4 billion in equity, disclosed Monday, ups the ante in the acrimonious auction for Warner Bros. movie and TV studios, HBO, CNN and Food Network.

Ellison, whose son David Ellison is Paramount’s chief executive, agreed not to revoke the Ellison family trust or adversely transfer its assets while the Warner Bros. transaction is pending. Paramount’s $30-a-share offer remains unchanged.

Warner‘s board earlier this month awarded the prize to Netflix. The board rejected Paramount’s $108.4-billion deal, largely over concerns about the perceived shakiness of Paramount’s financing.

Paramount then launched a hostile takeover, appealing directly to Warner shareholders, offering them $30 a share. Paramount on Monday extended the deadline to Jan. 21 for Warner investors to tender their shares.

“We amended this Offer to address Warner Bros. stated concerns regarding the Prior Proposal and the December 8 Offer,” Paramount said in a Monday Securities & Exchange Commission filing. “Mr. Larry Ellison is providing a personal guarantee of the Ellison Trust’s $40.4 billion funding obligation.”

Warner Bros. Discovery did not provide an immediate comment.

Warner stock jumped 3.5% on the news to $28.75. Paramount shares climbed 4.2% to $13.61 and Netflix fell 1.2% to $93.23.

The Ellison family acquired the controlling stake in Paramount in August. The family launched their pursuit of Warner Bros. in September but Warner’s board unanimously rejected six Paramount proposals over the last three months.

Paramount started with a $19 a share bid for the entire company. Netflix has offered $27.75 a share and only wants the Burbank studios, HBO and the HBO Max streaming service. The Netflix bid is a mix of cash and stock. It envisions Warner Bros. spinning off its linear cable channels, including CNN, into a new publicly traded company, Discovery Global, by the middle of next year.

Paramount upped its all-cash offer to $30 a share Dec. 4, in the waning hours of the auction.

That night, Warner Bros. Discovery’s board voted unanimously to accept Netflix’s $72-billion offer (the total value of the deal is $82.7 billion). The company, in regulatory filings, has cited Netflix’s stronger financial position.

Since then, Paramount executives launched their hostile bid and held meetings with Warner investors in New York, where they echoed the proposal they’d submitted in the closing hours of the auction.

On Monday, Paramount also agreed to increase the termination fee to $5.8 billion from $5 billion, matching the one that Netflix offered. Paramount would have to pay Warner that amount should the deal collapse.

Three Middle Eastern sovereign wealth funds representing royal families in Saudi Arabia, Qatar and Abu Dhabi have agreed to provide $24 billion of the $40.4-billion equity component that Ellison is backing.

The Ellison family has agreed to cover $11.8-billion of that. Initially, Paramount’s bid included the private equity firm of Jared Kushner, President Trump’s son-in-law, but Kushner withdrew his firm last week. Previously, Paramount dropped the Chinese firm Tencent from its financing consortium over regulatory concerns.

“In an effort to address Warner Bros.’s amorphous need for ‘flexibility’ in interim operations, Paramount’s revised proposed merger agreement offers further improved flexibility to Warner Bros. on debt refinancing transactions, representations and interim operating covenants,” Paramount said in its statement.

Paramount confirmed that the Ellison family trust owns about 1.16 billion shares of Oracle common stock and that all material liabilities are publicly disclosed.

“The Ellison Trust has financial resources well in excess of what would be required to meet its commitments to be entered into in connection with the Offer and the second-step merger [with Paramount], including, among many other assets and financial resources available to it,” Paramount said.

Paramount has been aggressively pursuing Warner Bros. for months, yearning for the scale the Warner assets would bring the company that, before the Ellison takeover, had suffered from years of under-investment.

David Ellison was startled earlier this month when the Warner Bros. board swiftly agreed to a deal with Netflix for $82.7 billion, including some of Warner’s debt, for the streaming and studio assets. He alleged during a CNBC appearance that the Warner Bros. board had failed to seriously consider the merits of his family’s bid.

Paramount subsequently launched its hostile takeover offer in a direct appeal to shareholders. The Warner Bros. board urged shareholders to reject Paramount’s offer, which includes $54 billion in debt commitments, deeming it “inferior” and “inadequate.” The board singled out what it viewed as uncertain financing and the risk implicit in a revocable trust that could cause Paramount to terminate the deal at any time.

Warner added that its shareholders also would have equity in the new Discovery Global, which Warner believes could fetch about $3 a share. Paramount has said its deal is more straightforward. The Ellisons, who enjoy friendly relations with Trump, have told shareholders their deal would face a smoother regulatory review.

Larry Ellison and Trump are on friendly terms, and Ellison’s software company Oracle is part of a consortium taking over social media app TikTok. That deal is expected to close next month.

Trump’s support was also key to the Ellison family’s takeover of Paramount. Before that deal was approved, Paramount agreed to pay Trump $16 million to settle a lawsuit over “60 Minutes” edits that most legal experts called frivolous.

Trump has said that he wants CNN to be included in the Warner Bros. sale. Trump has long chafed over CNN’s coverage.

In the past, the president indicated that he favored Paramount’s pursuit of Warner Bros. — but he has been more circumspect in recent weeks, making complimentary comments about Netflix Co-Chief Executive Ted Sarandos.

Executives from both Paramount and Netflix have argued that they would be the best owners and use the Warner Bros. library and movie and TV production capabilities to boost their streaming operations.

Netflix also announced Monday that it has refinanced part of a $59-billion bridge loan with cheaper and longer-term debt.

Bloomberg contributed to this report.