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Connecticut Sun’s win over Minnesota Lynx delivers the perfect WNBA playoffs showdown

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Connecticut Sun’s win over Minnesota Lynx delivers the perfect WNBA playoffs showdown


MINNEAPOLIS — Basketball might be a game of runs, but Connecticut vs. Minnesota basketball is a game of inches. Regardless of which arena, which lineup or which month — no two WNBA teams have been better matched, blow-for-blow, this season than these. The latest data point — Connecticut’s 73-70 win over Minnesota in Game 1 of the WNBA semifinals — was another one of those nail-biter, stomach-clenching, it’s-anyone’s-game kind of contests.

For that, basketball fans should rejoice. This is what you want to see in the playoffs. Two teams so perfectly matched that truly every possession — and really, every decision within every possession — could be the moment that changes everything.

That Marina Mabrey 3. No, it was the Bridget Carleton 3. Wait, it was that Alyssa Thomas shot feels most important. No way, that Alanna Smith block is going to change everything.

It was a game in which every moment felt monumental because you just knew the final margin would be microscopic. It’s a series that oozes with the parity of the 100-meter dash, a basketball game in need of whatever the equivalent of a photo finish might be.

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The three regular-season matchups between Connecticut and Minnesota were decided by just eight total points. Heading into the fourth quarter of Sunday night’s game at Target Center, after 155 minutes of Lynx-Sun basketball this season, Minnesota — in aggregate — had outscored Connecticut by a single point (Lynx 295 – Sun 294).

“All season long, it has been a physical series. Every game has come down to the wire in the fourth quarter,” Sun forward Alyssa Thomas said. “We expected nothing less.”

In Game 1, Connecticut got the advantage, stealing a win on the road. Thomas, who finished one assist short of a triple-double, continued her season-long role as the Sun’s steadying force. She understood the gravity of each possession and her intention with which she pursued every rebound spoke to that.

Minnesota coach Cheryl Reeve is well acquainted with Thomas’ specific kind of drive and how it can change possessions and games. It was the reason why, after being named the Paris Olympic coach in 2022, Reeve brought Thomas back into the player pool after a decade of Thomas declining camp invites.

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On Sunday night, Thomas battled against Olympic teammate Napheesa Collier. After setting records in the first round of the playoffs, Collier was held to just 19 points and nine rebounds. On another night, that might feel like a pretty good stat line, but Collier — the Lynx’s catalyst — will likely remember the nine shots she missed or the 50-50 balls that went the other way. Pretty good is not good enough for a Minnesota-Connecticut game, and certainly not a WNBA semifinal matchup between the two.

Reeve emphasized that she was preparing the Lynx for the long haul against Connecticut. No one was planning on getting out of this matchup without going nine rounds. The 13 lead changes in Sunday’s game? That was to the script. So the Lynx going down 0-1? Not ideal, but also not a reason to panic. “It’s 40 minutes of 200 minutes,” Reeve said. “That’s the good news for us.”

It wasn’t the prettiest 40 minutes of basketball for either team, but with the two best defensive teams in the WNBA on the floor, pretty isn’t exactly the goal. Minnesota and Connecticut will look back at their game film and see plenty to clean up, but that’s only because the margin here is so small.

“The further you go in the playoffs, the harder it gets,” Reeve said. “Now it’s two teams just going back and forth, not making anything easy. And then it’s just about players finding a way to make a play.”

The good news for both teams is they have rosters full of players who can find ways to make plays. They might not have the free-agency name recognition or star power that the other semifinal between Las Vegas and New York has, but these rosters are stacked with players who created careers by making the most out of opportunities.

Mabrey, who was traded to Connecticut in July, has been a sharpshooting threat and pick-and-roll power for the Sun since her arrival. DeWanna Bonner quietly picks up double-doubles while being a matchup head-scratcher 14 years into her career. DiJonai Carrington, who played all 40 minutes on Sunday, has had a coming-out party in her first full season starting in the W.

Carleton, a second-round pick in 2019 (in a league in which lottery picks have been cut), has worked her way into the Lynx starting lineup and become “Big-shot B.C.” in the Twin Cities. Alanna Smith, who thought her WNBA career might be over when she was cut in 2022 by the five-win Fever, gives Collier — the WNBA Defensive Player of the Year — a run for her money as the league’s best undersized paint defender.

If the past is any indication, these two teams have a lot more (tightly contested) basketball to play. It’s the kind of basketball and importance a WNBA semifinals should exhibit. Both teams are preparing to deliver.

“It’s a long series,” Carleton said. “It’s a five-game series for a reason.”

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(Photo of Napheesa Collier and Alyssa Thomas: David Berding / Getty Images)





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‘We will never forget’: Walz, Minnesota not done with Noem

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‘We will never forget’: Walz, Minnesota not done with Noem













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Minnesota Wild Acquires Defenseman Jeff Petry from the Florida Panthers | Minnesota Wild

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Minnesota Wild Acquires Defenseman Jeff Petry from the Florida Panthers
 | Minnesota Wild


SAINT PAUL, Minn. – Minnesota Wild President of Hockey Operations and General Manager Bill Guerin today announced the National Hockey League (NHL) club has acquired defenseman Jeff Petry from the Florida Panthers in exchange for a seventh-round pick in the 2026 NHL Draft. The draft pick becomes a fifth-round selection in the 2026 NHL Draft if Minnesota wins two playoff rounds and Petry plays in 50 percent or more of the Wild’s playoff games during those first two rounds.

Petry, 38 (12/9/1987), owns eight assists, 22 penalty minutes and 45 shots on goal in 58 games for Florida this season. The 6-foot-3, 207-pound native of Ann Arbor, Mich., has recorded 393 points (96-297=393), 103 power-play points (24-79=103), 1,745 shots on goal and 1,616 blocked shots in 1,039 games across 16 NHL seasons with the Edmonton Oilers (2010-15), Montreal Canadiens (2015-22), Pittsburgh Penguins (2022-23), Detroit Red Wings (2023-25) and Florida (2025-26). He has also amassed 13 points (5-8=13) and 90 shots on goal in 48 postseason games across four Stanley Cup Playoff appearances (2015, 2017, 2020, 2021), all with Montreal.

Petry skated in the 1,000th game of his NHL career with Florida on Nov. 17 vs. Vancouver after signing with the Panthers as a free agent on July 1, 2025. He served as an alternate captain for Montreal for three seasons (2019-22) and set career-high marks in goals (13), assists (33) and points (46) with the Canadiens during the 2018-19 season. Petry totaled 28 points (7-21=28) in 51 career American Hockey League (AHL) games in parts of three seasons (2009-12) with the Springfield Falcons (2009-10) and Oklahoma City Barons (2010-12), and represented the United States at the 2012, 2013, 2014 and 2024 IIHF World Championships, earning a bronze medal with Team USA in 2013. He was originally selected by Edmonton in the second round (No. 45 overall) of the 2006 NHL Draft. He will wear sweater No. 2 with Minnesota.

Minnesota travels to play the Vegas Golden Knights tomorrow, March 6, at 9 p.m. CT on FanDuel Sports Network and KFAN FM 100.3.

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Minnesota Wild single-game tickets are on sale now at wild.com/tickets, ticketmaster.com and at the Grand Casino Arena Box Office. Flex, 11-Game, half and full season memberships are also available for purchase. Please visittickets.wild.com or contact a Wild Ticket Sales Representative by calling or texting (651) 222-WILD (9453) for more information. Group reservations of eight or more tickets can contact [email protected] for more information. Single game suite rentals are also available, contact [email protected] for more information or book instantly at wildsuites.com.

Follow @mnwildPR on X and visit www.wild.com/pressbox and for the latest news and information from the team including press releases, game notes, player interviews and daily statistics.





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Minnesota’s oldest operating theater is in danger of closing it’s doors

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Minnesota’s oldest operating theater is in danger of closing it’s doors


One of the oldest operating theaters in the Midwest is in danger of closing its doors for good.

If you’re heading south on Highway 15, Fairmont, Minnesota, is your last gasp before you hit Iowa. It officially became a city in the late 1800s — and not long after, the Opera House was born.

“We are the oldest, operating, continuously operating theater in the state of Minnesota,” said Jane Reiman, a lifelong resident of Fairmont.

When the doors opened in 1901, operas, musicals, plays, and concerts—drew people from across southern Minnesota, and even from Iowa and South Dakota.

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“We have done a lot of entertainment over the years.”

The rock band America once performed at the opera house, as did folk legend Arlo Guthrie. In the 1990’s, the opera house even got a visit from Paul McCartney. His family bought seats.

“They came here and sat in the chairs, and now we have plaques on the chairs to memorialize them.”

In 3rd grade Blake Potthoff went to his first performance at the theater, and later, he acted on stage.

“You’ve grown up with this opera house?” asked WCCO’s John Lauritsen.

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“Yeah. Absolutely, it’s a part of me even before I became executive director,” said Potthoff.

But like everything else, the theater has aged over time, to the point that it’s going to cost more than $4 million just to keep it running. If they can’t raise the money, the Opera House may have already seen its final curtain call.

“The building is on life support, and we are doing everything we can to make sure we get back to surviving and thriving,” said Potthoff.

Scaffolding is there, just to reinforce the roof; that’s the biggest expense. But the Fairmont community is starting to respond. Grants and donations have raised $1.5 million so far—still short, but a start.

When renovations are complete, they’d also like to maintain the old character of this theater. That includes this hand-cast plaster, which is also 125-years-old.

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The chandeliers were installed a decade before the Titanic sank, and they’re hoping to keep those too. For Blake and others, the show has to go on. For the people in the seats, the actors on stage, and for the livelihood of a small town.

“There’s reason to save this building. That $4 million isn’t impossible. Only improbable. And I truly believe it too. I have a history of performing here. And I have two young kids. I want them to perform on stage like I had the opportunity,” said Potthoff. 



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