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‘Hitler’ movie review: Vijay Antony’s revenge drama is outdated and ordinary

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‘Hitler’ movie review: Vijay Antony’s revenge drama is outdated and ordinary

A still from ‘Hitler’
| Photo Credit: Special Arrangement

Vijay Antony is on a spree with his recent films. While his contemporaries rarely churn out a couple of releases each year, the music director-turned-actor starred in four films last year and his latest release Hitler marks his third outing of 2024. But given how almost all of them turned out to be underwhelming, it feels like he’s shooting for quantity over quality, and Hitler, unfortunately, is the latest addition to that list.

Hitler features a story as old as its eponymous dictator. It starts with the shot of a group of worker women (one of them, of course, is heavily pregnant) who, after a tiring day at work, are at the banks of a river crossing where a makeshift rope gets them from one side to another. Thanks to incessant rains, the water level is higher than normal and this recipe for disaster unsurprisingly ends in a… disaster.

The film quickly moves to Chennai where Selva (Vijay Antony) becomes roomie with Karukkavel (Redin Kinglsey) and just like any Indian film hero, falls in love at first sight with a woman he bumps into, quite literally. Concurrently, Deputy Commissioner Shakthi (Gautam Vasudev Menon) is working on a case that involves a murder spree with identical MO and they all link to the politician Rajavelu (Charanraj) who is constantly losing his black money to the killer. As expected, the two worlds collide and if you haven’t figured out how the rest of the film will pan out and who the killer is, you are probably new to the world of Indian cinema and Hitler might actually intrigue you.

Hitler (Tamil)

Director: Dana SA 

Cast: Vijay Antony, Gautham Vasudev Menon, Riya Suman, Charanraj, Redin Kingsley, Vivek Prasanna

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Runtime: 130 minutes

Storyline: A man comes to Chennai searching for greener pastures only to cross paths with a supercop searching for a killer who is robbing a politician’s black money

Hitler, had it released a few decades ago, would have been the textbook example of a vigilante film. But now, it feels like a rehash of multiple cult classics many of us grew up watching and one of them is Gentlemanwhich, incidentally, also starred Charanraj. Sticking to a familiar template is the least of Hitler’s worries as it struggles with a lack of ingenuity. There are attempts to break the mould — like a red herring involving a character played by Vivek Prasanna — but they all fall flat and add almost no value to the painfully predictable plot.

On the upside, the film does a good job of incorporating its female lead into the narrative. Riya Suman plays Sara, Selva’s love interest. After the routine romance-establishing shots, the character is neatly assimilated into the core plot and Riya does a good job with it. Speaking of performances, Gautam looks and feels perfect as an honest supercop forced to work for a politician. Selva, on the other hand, seems to have been written as a mysterious character, whose style of interaction differs on the basis of who he is talking to. But whether it comes across convincingly is a different question; Vijay Antony overselling his overly zealous nature around his roommate is far from convincing.

A still from ‘Hitler’

A still from ‘Hitler’
| Photo Credit:
Special Arrangement

Despite its political backdrop, Hitler never sinks its teeth into its core idea. While it’s lovely to see veteran actor Charanraj back in Tamil cinema after a long gap, he plays a one-dimensional politician who makes the most unintentionally funny decisions ever. When poll predictions aren’t in his favour, he believes bribing people might turn the tide and to escape from the election commission’s strict measures, he sends the black money via local train which gets swindled. If that’s not crazy enough, instead of realising the leaky boat idea, he does that again, twice (I wish I was kidding), to nab the robber only to end up losing crores.

The haphazardly-written Hitler lacks the gripping social narrative Dana’s directorial debut Padaiveeran had or the heart and emotional beats his Vaanam Kottattumoffered, though the story lends itself well to both attributes. Instead, what we get is a watered-down vigilante actioner that neither astounds nor entertains. The tyrant dictator Hitler might have made propaganda films to push his evil agenda, but this Hitler leaves us wishing it had some agenda we could salute.

Hitler is currently running in theatres

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Movie Reviews

“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

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“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report

Billie Eilish fans prepare yourself,  the much talked about secret project has finally arrived on the big screens!

Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.

The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

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The film is very much fan focussed, with the sound mix being so specific that you can hear individual fans singing along in sync with the visuals.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.

The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.

Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.

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Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC

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Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC

The producer of the Mortal Kombat 2 movie has called out critics who gave it a negative review.

At the time of writing, Mortal Kombat 2 has a score of 73% on film review aggregator site Rotten Tomatoes, and a score of 48 on Metacritic.

While this means reviews have generally been mixed, the film’s producer Todd Garner took to X to criticise those who wrote negative reviews, suggesting that some of them were written by critics who aren’t familiar with the source material.

“Some of these reviews are cracking me up,” Garner wrote. “It’s clear they have never played the game and have no idea what the fans want or any of the rules/canon of Mortal Kombat.

“One reviewer was mad that a guy ‘had a laser eye’! Why the fuck do we still allow people that don’t have any love for the genre review these movies! Baffling.”

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When questioned on this viewpoint by some followers, Garner explained that while he doesn’t have an issue with negative reviews in general, his problem is specifically reviewers who don’t appear to be familiar with Mortal Kombat.

“My comment was very squarely directed at a couple of reviewers that did not like the ‘zombies’ and the fact that there was a ‘guy with a laser eye’, etc,” he said. “Those are elements that are baked into the Mortal Kombat IP and therefore we were dead in the water going in.

“There is no way for that person to review how it functioned as a film, because they did not like the foundational elements of the IP. I just wish when something is so obviously fan leaning in its DNA, that critics would take that into consideration.”

One follower then countered Garner’s complaint by arguing that he shouldn’t be criticising people who don’t know the games, when the films themselves take creative license with the IP.

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“Bro to be fair, you invented Cole Young, Arcana and couldn’t even get the simple lore of Mileena and Kitana correct,” said user Dudeguy29. “I’d say you shouldn’t be tossing any stones here.”

“Fair,” Garner replied.

Garner previously criticised the cast of the Street Fighter movie when, during The Game Awards last year, comedian Andrew Schulz – who plays Dan in the Street Fighter film – claimed that the Mortal Kombat 2 movie cast were also in attendance, before joking: “I’m just kidding, they didn’t come, they don’t care about you, they only care about money.”

The jibe didn’t go down well with Garner, who stated on X at the time: “I don’t climb over others to get ahead”. When recently asked how he felt about the cast vs cast rivalry, however, Mortal Kombat co-creator Ed Boon laughed and said he had no issue with it at all.

Mortal Kombat 2 is released in cinemas this Friday, May 8, while Street Fighter arrives later in the year on October 16.

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