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Refik Anadol's AI tribute to Czech composer Antonín Dvořák takes the stage in Washington, DC

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Refik Anadol's AI tribute to Czech composer Antonín Dvořák takes the stage in Washington, DC


Installed in Prague last September, Refik Anadol’s “data painting” paying homage to Antonín Dvořák in his birthplace was installed near a sculpture of the Czech composer at the Rudolfinum music hall. In Washington, DC, where Dvořák Dreams (2023) is on view at the Kennedy Center for the Performing Arts (until 24 September), it appears near sculptures of former president John F. Kennedy and, less than half a mile away, Avard Fairbanks’s busts of George Washington on the campus bearing his name.

The work’s installation in the District makes sense, according to Elle Anastasiou, who commissioned Dvořák Dreams and directs the new media art organisation 0xCollection, which is backed by the billionaire Czech lottery and gambling businessman and philanthropist Karel Komárek.

“Dvořák was the first renowned composer to involve African American spirituals and African American culture into a western musical canon, and was an incredible supporter of the African American community and culture,” Anastasiou, who is based in Basel and London, tells The Art Newspaper. “Particularly in Washington, at this time of year, [the work] conveys a message that we would like to share—that art, and music, and both of those things put together, even if you don’t fully understand it and it’s not your native context, it is a place of community and it is a language which is fundamental to driving humanity forward.”

Audiences experience Dvořák Dreams by Refik Anadol, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center

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The installation reflects “a very American legacy that reflects values that, upon coming to America, are espoused about this country being founded on immigrants and on the excellence of people from all walks of life and on opportunity and that being the basis of American exceptionalism”, Anastasiou says, “whether or not one can claim those are factually true in today’s day and age”.

The installation is a curated, pre-recorded projection of imagery and sound that plays in a 60-minute loop on a 32ft square screen on the side of a cube in a courtyard beside the Washington performance centre. Depending on the day, the piece runs either from noon or 4pm until midnight. In coordination with music, dizzying waves of colour dissolve and come back together, as if seen from above in a box. At various points, representational imagery—whether a cityscape, the Statue of Liberty or Dvořák composing—fade in and out of view, at times as if seen through a rain-covered or cloudy window.

The public display has drawn picnickers in lawn chairs who have come to see Dvořák Dreams in its US premiere, which began last week. The California-based artist tells The Art Newspaper that one way that he measures the work’s impact is that he has already received three emails from students asking if he would discuss their artificial intelligence (AI) and art theses with them.

Refik Anadol with his work Dvořák Dreams, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center

“In his hometown, when we unveiled the project for the first time, it was very emotional,” Anadol says of the work’s debut in Prague, where he says Dvořák is a hero. “What I felt in the Kennedy Center—now it became a form of art. Now it became like his other works that travel around the world.”

Anadol and his studio of neuroscientists and AI coders have taken pains to focus the sound to create an “immersive experience” at the Kennedy Center, but the artist says he appreciates the background noise, as airplanes fly to and from Ronald Reagan Washington National Airport over the adjacent Potomac River, and the nation’s capital bustles.

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“It was loud enough that it was the prime experience. Not the planes. Not the public. But there’s also beauty in hearing the city,” he says. “Cities are probably the most important living organisms that we have that connect society and the culture.”

Audiences experience Dvořák Dreams by Refik Anadol, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center

Dvořák Dreams is split into four parts representing the musician’s youth in the Austrian empire, his move to New York where he directed the National Conservatory of Music, his return to Europe and his love for composing. Its presentation in the US capital is fitting because “when he came to the United States, his breakthrough happened”, Anadol says.

The artist’s AI “fed” on around 200 works by Dvořák and pored over his notes and art to compose a new piece in the musician’s style. Anadol has done the same for other luminaries, including a projection on Antoni Gaudí’s Casa Batlló in Barcelona, which drew around 65,000 people in May 2023, a work about the poet Rumi in Istanbul in June 2022 and works on Zaha Hadid and Mozart.

“For me it’s an ongoing series,” he said. “What I am advising is we will need independent AIs for each genius or for topics. It is a way of respecting data and respecting the person who left a legacy behind for humanity.”

  • Refik Anadol: Dvořák Dreams, until 24 September, Reach Plaza, Kennedy Center for the Performing Arts, Washington, DC



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Washington, D.C

Fact Check Team: Iran conflict revives Washington fight over who can authorize US force

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Fact Check Team: Iran conflict revives Washington fight over who can authorize US force


As the war in Iran intensifies across the Middle East, a constitutional battle is unfolding in Washington over a fundamental question: Who has the authority to declare war, Congress or the president?

The debate focuses on the War Powers Resolution, a 1973 law designed to prevent years-long military conflicts without congressional approval. Lawmakers passed the measure in the aftermath of the Vietnam War to reclaim authority they believed had drifted too far toward the executive branch.

What Is the War Powers Resolution?

The War Powers Resolution was intended to put limits on a president’s ability to send U.S. troops into combat without Congress signing off.

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Under the law, a president can deploy forces into hostilities only if Congress has formally declared war, passed a specific authorization for the use of military force, or the U.S. has been attacked.

The resolution also sets strict deadlines.

The president must notify Congress within 48 hours of introducing U.S. forces into hostilities. From there, a 60-day clock begins. If Congress does not approve the military action within that time, troops must be withdrawn — though the law allows an additional 30-day wind-down period.

Some argue the law was crafted to prevent “never-ending wars.” While others say presidents from both parties have routinely stretched and sidestepped its requirements.

WASHINGTON, DC – JANUARY 14: Sen. Cory Booker (D-NJ) visits with Senate pages in the basement of the U.S. Capitol Police ahead of a vote on January 14, 2026 in Washington, DC. Republicans voted to block a Venezuela war powers resolution after receiving assurances from President Donald Trump and Secretary of State Marco Rubio of no U.S. forces remaining in Venezuela and pledges for congressional involvement in major future operations. (Photo by Chip Somodevilla/Getty Images)

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What Does the Constitution Say?

The War Powers Resolution is rooted directly in the U.S. Constitution.

Article I, Section 8 gives Congress — not the president — the power “to declare War.”

Article II, Section 2 names the president as Commander-in-Chief of the Army and Navy.

In simple terms, Congress decides whether the country goes to war. The president directs the military once it is engaged.

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The framers intentionally split that authority. Their goal was to avoid concentrating too much war-making power in one person — likely a reaction to the monarchy they had just broken away from.

But how that balance plays out in real time is often a legal and political fight. At times, disputes over war powers have reached the courts, though Congress and the executive branch frequently resolve them through political pressure rather than judicial rulings.

A Pattern of Stretching the War Powers Resolution

Essentially, every president since 1973 has pushed the boundaries of the War Powers Resolution rather than fully complying with its original intent. As the Council on Foreign Relations explains, the resolution was designed to “provide presidents with the leeway to respond to attacks or other emergencies” but also to **require termination of combat after 60 to 90 days unless Congress authorizes continuation.”

For example:

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  • Ronald Reagan ordered the U.S. invasion of Grenada in 1983 without prior congressional authorization, later reporting to Congress in a manner “consistent with” the resolution.
  • Bill Clinton directed the 1999 NATO air campaign in Kosovo after congressional authorization efforts failed, continuing U.S. engagement beyond the WPR’s typical 60-day reporting window.
  • Barack Obama oversaw U.S. participation in the 2011 Libya campaign, arguing that limited strikes did not trigger the full force of the WPR’s time limits.

In more recent years, Donald Trump’s administration has once again brought these issues to the forefront.

War Powers Arguments from the White House

The Trump administration’s principal legal rationale has centered on two points:

Short-term strikes or limited military actions do not always trigger the full 60-day clock under the War Powers Resolution, especially when described as defensive, limited in scope, or tied to national security emergencies rather than prolonged hostilities. In some cases, the White House relies on prior Authorizations for Use of Military Force (AUMFs) or other statutory authorities rather than seeking new congressional approval.

Current Public Opinion on Iran Strikes

Public opinion reflects significant skepticism about the current U.S. military engagement with Iran. A recent Reuters/Ipsos poll found that just 27% of Americans support the recent U.S. and allied strikes on Iran, while 43% disapprove and 29% remain uncertain.

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Another national poll conducted by SSRS for CNN found that nearly 60% of U.S. citizens disapprove of the military actions, and a similar share said that President Trump should seek Congressional authorization for further action.

Beyond polling, internal deliberations in Congress have already begun. Both Democratic and Republican lawmakers have pushed for votes on war powers resolutions that would seek to limit or require authorization for further military action against Iran. Past attempts to pass similar restraints have failed, reflecting deep partisan divisions and the complexities of enforcing the War Powers Resolution.



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Students at Southeast charter school outperformed 75% of DC on citywide math test – WTOP News

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Students at Southeast charter school outperformed 75% of DC on citywide math test – WTOP News


Two years ago, leaders at Center City Public Charter School’s Congress Heights campus made a decision to offer more advanced math classes to some of their oldest students.

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Students at Southeast charter school outperformed 75% of DC on citywide math test

Two years ago, leaders at Center City Public Charter School’s Congress Heights campus in D.C. decided to offer more advanced math classes to some of their oldest students.

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The choice was complicated, and some educators wondered whether the kids would be ready.

To prepare for the possible change, Principal Niya White and her team visited high schools, both nearby and farther away, to see how algebra was being taught.

In some classrooms, White would see former students sleeping in the back. They were bored or had already finished their work.

For White, that made the choice clear — in order to set students up for success, they needed to expand their offerings so kids felt challenged and engaged by the time they reached high school.

“I’m born and raised here,” White said. “I was given the option of whether to leave Southeast D.C., leave D.C., go off to do things and come back. There are a lot of folks and a lot of students or a lot of families that don’t ever get that option. They’ve got to have it.”

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Now, the Southeast D.C. campus is offering pre-algebra to seventh graders and algebra to eighth graders. In the 2024-25 school year, 70% of eighth graders at the school either met or exceeded expectations on the citywide standardized math test.

Education news outlet The 74 first reported that’s a stronger mark than the 64% of eighth graders who met or exceeded expectations in Ward 3. Only one-fourth of all D.C. students did the same.

Jessi Mericola, who teaches seventh and eighth grade math, was one of the educators who considered whether students were ready to make such a significant leap.

Initially, half of the rising eighth graders did an accelerated seventh grade curriculum, and then attended summer school to finish the curriculum so they could take algebra in eighth grade.

This year, for the first time, all of seventh grade is being accelerated so next year, “all of our students will be doing algebra,” Mericola said.

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“We found that if we tell them they’re ready for it, they believe you, and they want to meet that expectation,” Mericola said.

Each class has about 20 students, with the largest in the school at 26, she said. Classes are divided into sections. There’s an individual review on a recently learned concept, a small group review on something from earlier in the year and then a full group lesson.

Mericola co-teaches with a colleague, and even if a student is struggling to grasp an idea, “we come back and reteach things from before that maybe you missed it the first time, but you catch it the second time; and if you miss it the second time, you catch it the third time.”

It’s an approach, White said, comes from avoiding the assumption that “we can’t move a child forward because of something or one of the things they haven’t mastered yet.”

Eighth grader Kennedy Morse said math was a struggle before she got to the Congress Heights campus, but now, it’s become one of her strongest subjects.

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She’s gained confidence from tutoring help and being able to ask questions without judgment.

“It was really shocking for me to be on a higher level,” Morse said. “It was hard. It was hard at first.”

Leonard White had a similar experience.

“I’m actually glad that they can believe in me to do the harder work in these classes,” White said.

While getting access to more advanced math classes at a younger age could help students take more rigorous courses in high school and college, Principal White said with any change, the focus is helping “show them all the possibilities and help them make the choice for themselves, versus it being forced upon them.”

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Washington Commanders to pay DC $1M to resolve lawsuit over abusive workplace culture – WTOP News

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Washington Commanders to pay DC M to resolve lawsuit over abusive workplace culture – WTOP News


Brian Schwalb, the District’s attorney general praised the new ownership for rectifying the Commanders’ internal issues.

The former owners of the Washington Commanders will pay the District of Columbia $1 million to resolve a 2022 lawsuit that alleged the NFL franchise misled its fans regarding the team’s toxic and abusive workplace culture in order to protect the its brand.

Dan Snyder still owned the team at the time, and as D.C. Attorney General Brian Schwalb announced the settlement Monday, he praised the new owners for rectifying internal issues, including accusations of rampant sexual assault and harassment.

“The Commanders’ current owners have commendably opened a new chapter in the team’s history, committing to ensure all employees are protected from abuse and treated with dignity,” Schwalb said. “I want to thank the victims for coming forward to tell their stories — without their bravery, none of this would have come to light.”

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A group led by Josh Harris purchased the Commanders in 2023 from Snyder, who had faced pressure to sell the team after a series of scandals and decades of perceivable mediocrity on the field.

Since then, new ownership has strengthened the team’s human resources department and implemented an anti-harassment policy and an investigation protocol for complaints of misconduct, Schwalb’s office said in a news release.

Under the agreement, the team will maintain those reforms, along with paying $1 million to D.C.

The NFL separately fined Snyder $60 million in 2023 after its own investigation concluded that he personally engaged in multiple forms of misconduct, including sexual harassment.

D.C.’s suit accused Snyder and the team of misleading the public about what they knew regarding the hostile work environment and Snyder’s role in creating it.

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The Commanders and Snyder deny all the allegations and are not admitting wrongdoing by reaching a resolution, according to the terms of the settlement.

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© 2026 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.



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