Washington, D.C
Refik Anadol's AI tribute to Czech composer Antonín Dvořák takes the stage in Washington, DC
Installed in Prague last September, Refik Anadol’s “data painting” paying homage to Antonín Dvořák in his birthplace was installed near a sculpture of the Czech composer at the Rudolfinum music hall. In Washington, DC, where Dvořák Dreams (2023) is on view at the Kennedy Center for the Performing Arts (until 24 September), it appears near sculptures of former president John F. Kennedy and, less than half a mile away, Avard Fairbanks’s busts of George Washington on the campus bearing his name.
The work’s installation in the District makes sense, according to Elle Anastasiou, who commissioned Dvořák Dreams and directs the new media art organisation 0xCollection, which is backed by the billionaire Czech lottery and gambling businessman and philanthropist Karel Komárek.
“Dvořák was the first renowned composer to involve African American spirituals and African American culture into a western musical canon, and was an incredible supporter of the African American community and culture,” Anastasiou, who is based in Basel and London, tells The Art Newspaper. “Particularly in Washington, at this time of year, [the work] conveys a message that we would like to share—that art, and music, and both of those things put together, even if you don’t fully understand it and it’s not your native context, it is a place of community and it is a language which is fundamental to driving humanity forward.”
Audiences experience Dvořák Dreams by Refik Anadol, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center
The installation reflects “a very American legacy that reflects values that, upon coming to America, are espoused about this country being founded on immigrants and on the excellence of people from all walks of life and on opportunity and that being the basis of American exceptionalism”, Anastasiou says, “whether or not one can claim those are factually true in today’s day and age”.
The installation is a curated, pre-recorded projection of imagery and sound that plays in a 60-minute loop on a 32ft square screen on the side of a cube in a courtyard beside the Washington performance centre. Depending on the day, the piece runs either from noon or 4pm until midnight. In coordination with music, dizzying waves of colour dissolve and come back together, as if seen from above in a box. At various points, representational imagery—whether a cityscape, the Statue of Liberty or Dvořák composing—fade in and out of view, at times as if seen through a rain-covered or cloudy window.
The public display has drawn picnickers in lawn chairs who have come to see Dvořák Dreams in its US premiere, which began last week. The California-based artist tells The Art Newspaper that one way that he measures the work’s impact is that he has already received three emails from students asking if he would discuss their artificial intelligence (AI) and art theses with them.
Refik Anadol with his work Dvořák Dreams, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center
“In his hometown, when we unveiled the project for the first time, it was very emotional,” Anadol says of the work’s debut in Prague, where he says Dvořák is a hero. “What I felt in the Kennedy Center—now it became a form of art. Now it became like his other works that travel around the world.”
Anadol and his studio of neuroscientists and AI coders have taken pains to focus the sound to create an “immersive experience” at the Kennedy Center, but the artist says he appreciates the background noise, as airplanes fly to and from Ronald Reagan Washington National Airport over the adjacent Potomac River, and the nation’s capital bustles.
“It was loud enough that it was the prime experience. Not the planes. Not the public. But there’s also beauty in hearing the city,” he says. “Cities are probably the most important living organisms that we have that connect society and the culture.”
Audiences experience Dvořák Dreams by Refik Anadol, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center
Dvořák Dreams is split into four parts representing the musician’s youth in the Austrian empire, his move to New York where he directed the National Conservatory of Music, his return to Europe and his love for composing. Its presentation in the US capital is fitting because “when he came to the United States, his breakthrough happened”, Anadol says.
The artist’s AI “fed” on around 200 works by Dvořák and pored over his notes and art to compose a new piece in the musician’s style. Anadol has done the same for other luminaries, including a projection on Antoni Gaudí’s Casa Batlló in Barcelona, which drew around 65,000 people in May 2023, a work about the poet Rumi in Istanbul in June 2022 and works on Zaha Hadid and Mozart.
“For me it’s an ongoing series,” he said. “What I am advising is we will need independent AIs for each genius or for topics. It is a way of respecting data and respecting the person who left a legacy behind for humanity.”
- Refik Anadol: Dvořák Dreams, until 24 September, Reach Plaza, Kennedy Center for the Performing Arts, Washington, DC
TALLAHASSEE, Fla. (WCTV) – Seventy-two veterans took a trip Saturday to our nation’s capital to visit memorials honoring their service in the armed forces.
This year marks the 12th trip to Washington, D.C. for Honor Flight Tallahassee.
Early Saturday morning, veterans and their guardians met to take a charter flight up to D.C.
Throughout the day, veterans were taken to the World War II memorial, as well as the Korean and Vietnam War memorials. The veterans also visited Arlington National Cemetery and the Tomb of the Unknown Soldier.
More Tallahassee news:
The day ended with a wonderful welcome home celebration.
Our Jacob Murphey, Julia Miller, Taylor Viles, and Grace Temple accompanied the veterans, capturing moments from throughout the day.
The team will have live coverage from Washington, D.C. on Monday to share more from the day’s events.
We will continue to have coverage throughout the month of May, leading up to our Honor Flight special on Memorial Day.
To keep up with the latest news as it develops, follow WCTV on Facebook, Instagram, YouTube, Nextdoor and X (Twitter).
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4 things to know about the weather:
- Chances of rain in the morning
- Gusty Sunday
- Chilly Monday
- Temps will rise again through the work week
Download the NBC Washington app on iOS and Android to check the weather radar on the go.
After a nice and warm Saturday, changes arrive for part two of the weekend.
The first half of your Sunday will have a chance for showers. Winds will pick up with our next system and are expected to gust to about 20-30 mph. Cooler air will settle in, and lows Sunday night fall into the 40s.
Highs temps Monday will reach only into the mid to upper 50s.
However, temperatures will rise through the week, so you won’t need your jackets every day.
QuickCast
SUNDAY:
Showers, then partly cloudy
Wind: NW 10-15 mph
Gusts @ 30 mph
HIGH: Lower 60s
MONDAY:
Partly cloudy
Wind: NW 10-15 mph
Gusts @ 25 mph
HIGH: Upper 50s
Stay with Storm Team4 for the latest forecast. Download the NBC Washington app on iOS and Android to get severe weather alerts on your phone.
Washington, D.C
‘It’s a twilight zone’: Iran war casts deep shadows over IMF gathering in Washington
The most severe energy shock since the 1970s, the risk of a global recession and households everywhere stomaching a renewed surge in the cost of living – hitting the most vulnerable hardest.
In a sweltering hot Washington DC this week, the message at the International Monetary Fund meetings was chilling: things had been looking up for living standards around the world. But then came the Iran war.
“Some countries are in panic,” said the fund’s managing director, Kristalina Georgieva, addressing the finance ministers and central bank bosses in town for the IMF and World Bank spring meetings. “The sooner it [the Iran war] ends, the better for everybody.”
Such gatherings are not typically used to fight geopolitical battles. “You don’t get people shouting at one another at these things,” one senior figure remarked. But, as a record-breaking April heatwave swept the US capital, no one could ignore the mounting damage from the Iran war.
Those familiar with the mood over breakfast at a meeting of the G20’s representatives on Thursday, which included Donald Trump’s treasury secretary, Scott Bessent, and the outgoing US Federal Reserve chair, Jerome Powell – said the atmosphere in the room was sombre amid an open exchange of serious views.
“It is such a twilight-zone meeting,” said Mohamed El-Erian, a former IMF deputy managing director who is now chief economic adviser at the Allianz insurance group. “There are several shadows hanging over it: one is the shadow that comes from concern about the global economy as a whole.
“The second is that some countries are going to be particularly hard hit, and it’s mostly countries that very few people are talking about. But the third concern is the adding of insult to injury: the fact that the US, which started a war of choice, is going to be hit, but by a lot less than elsewhere in relative terms.”
Before Thursday’s breakfast, Rachel Reeves had started her day with an early-morning jog. Joined by her counterparts from Spain, Australia and New Zealand for a run down the iconic National Mall, she posted an Instagram selfie with a not-so-subtle dig: “Friends that run together – work together.”
A day earlier, the chancellor had told a CNBC conference that she thought “friends are allowed to disagree on things” as she criticised Trump’s Iran war as a “mistake” and a “folly” that had not made the world safer.
Speaking at a venue just steps away from the White House, before a one-on-one meeting with Bessent, she said this “fair message” was needed because UK families and businesses were feeling the pain from higher energy prices triggered by the conflict.
Those close to Reeves insist her meeting remained cordial. Britain and the US have significant shared interests in AI, financial services and trade. The chancellor also said the UK government had little time for the Iranian regime.
But with the IMF having warned on Tuesday that the Iran war could risk a global recession – in which Britain would be the biggest G7 casualty – it was clear Reeves had travelled to Washington ready to pick a fight.
“I’m struck by how vocal she has been and the words she used,” said one global financier. “We know the disagreement between Bessent and [European Central Bank president] Christine Lagarde earlier in the year. But that was in private.”
At a cocktail party held at the British ambassador’s residence for hundreds of diplomats and financiers – including the Bank of England’s governor, Andrew Bailey, the chief executive of Barclays, CS Venkatakrishnan, and dozens of senior figures – this transatlantic tension, weeks before King Charles’s US state visit, was a major topic of conversation.
The other, in the balmy residence gardens, was one of its former occupants, Peter Mandelson, as revelations about the former ambassador’s appointment threatened to further rock the UK government.
Before the war, the agenda for the IMF had been about global cooperation; the adoption of AI, jobs and work to eradicate poverty. Each of those tasks had now been complicated, but not least the task of countries working together.
For many at the meetings, the focus was on forging closer global cooperation without the world’s pre-eminent superpower.
“Everybody is talking about how you hedge against American decisions,” said David Miliband, the former UK foreign secretary, who now runs the International Rescue Committee. “You can’t do without them, because they’re 25% of the global economy. But, in a lot of fora, they’ve pulled out.
“So everyone has to think, how does one structure international cooperation? The old west is not coming back. And so everyone has to figure out how to position themselves for that world.”
For those gathering in Washington, there was irony in the fact that they were meeting in the halls of institutions founded, under US leadership, to promote global cooperation after the second world war. The whole idea of the Bretton Woods institutions was to avoid the dire economic conditions and warfare of the 1930s and 1940s. Yet this year’s meeting was taking place amid these intertwining problems.
In their conversations about the best economic policy response to the shock of conflict, the economists also knew the real power to make a difference lay two blocks across town from the IMF and the World Bank – behind the security cordons and construction equipment blocking the White House from public view. “It is not clear they can do anything about it,” said El-Erian.
Still, with a booming economy driven by AI – including Anthropic’s powerful Mythos model, the topic of much conversation – most countries cannot afford to completely break off US ties.
“People want to find ways to insulate themselves from the mess. But, on the other hand, they admire the US private sector,” El-Erian said. “The best way I’ve heard it put, is: they want to go long the private sector and short the mess. But it’s almost impossible to do.”
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